Open Call for Sound Works:
SHORT WAVES / LONG DISTANCE
Wave Farm and The North American Shortwave Association are pleased to announce “Short Waves / Long Distance,” an open call for works exploring the sonics of the shortwave radio spectrum (2-30 mHz), and the experience of long-distance listening. The call is in conjunction with the 30th Anniversary of the Winter Shortwave Listener’s Fest and Wave Farm’s 20th Anniversary, both of which will be celebrated in 2017.
Selected works will be:
- Featured as part of a one-hour program during David Goren‘s Shortwave Shindig held at the Fest on Friday evening March 3, 2017, and broadcast worldwide on shortwave via WRMI(Radio Miami International) and Wave Farm’s WGXC 90.7-FM in the Upper Hudson Valley, New York.
- Included in a special program to be produced for the Ràdio WEB MACBA series INTERRUPTIONS.
- Archived online at wavefarm.org, and shortwaveology.net.
Submission Deadline: January 31, 2017
Submission Guidelines and Instructions:
• Submissions are welcomed from all genres.
• Both pre-existing and newly created works are eligible.
• Works should not exceed ten minutes in duration.
• Shortwave Listening Resources:
Shortwave Receivers Online: KiwiSDR, Global Tuners, WebSDR
Frequency Guides and Schedules: Short-Wave.info, ShortwaveSchedule.com
Receiver Reviews and Listening Tips: SWLing.com, DXing.com
Shortwave History: On the Short Waves, The Shortwave Radio Audio Archive
• Artists seeking additional ways to record shortwave sounds are encouraged to contact David Goren for guidance at firstname.lastname@example.org.
Jury and Notification Schedule:
• A jury comprised of The Shortwave Shindig’s David Goren, and Wave Farm’s Galen Joseph-Hunter and Jess Puglisi will review submissions.
• Selections will be announced in February 2017.
About Ràdio WEB MACBA
Ràdio Web MACBA is a radiophonic project from the Museum of Contemporary Art of Barcelona that explores the possibilities of the internet and radio as spaces of research, creation, synthesis and exhibition. Their shows are available on demand, and as a podcast subscription, and depart from contemporary thinking, philosophy, contemporary art, sound art and everything in between. The INTERRUPTIONS series features a theme-based musical selection and a related essay, which aims to explore the potentiality of two very different modes of engagement, text and sound, and the relationship and bridges that can be built between them. http://rwm.macba.cat/
About The Shortwave Shindig
The Shortwave Shindig is a live immersion into the wavering, noisy sounds of the shortwave radio spectrum. Live performances, presentations and extended, multi-layered audio mixes combine real time and archival shortwave sounds, taking the listener on a guided tour through the atmospheric neighborhoods where shortwave stations cluster. Reels of archival audio and a bank of receivers and are on hand for tuning-in to the distant, elusive sounds of the shortwave bands. http://www.shortwaveology.net/shortwave-shindig/
About the Winter SWL Fest
The Winter Shortwave Listener’s Fest (March 2nd-4th 2017) is a conference of radio hobbyists of all stripes who listen to frequencies from “DC to daylight.” Every year scores of hobbyists descend on the Philadelphia, Pennsylvania suburbs for a weekend of camaraderie and talking radio. The Fest is sponsored by NASWA, the North American Shortwave Association, but it covers much more than just shortwave. Additional topics include Medium wave (AM), VHF scanning, satellite TV, and pirate broadcasting. http://www.swlfest.com/
About Wave Farm
Wave Farm is a non-profit arts organization driven by experimentation with broadcast media and the airwaves. Wave Farm programs—Transmission Arts, WGXC-FM, and Media Arts Grants—provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM is a creative community radio station. Hands-on access and participation activate WGXC as a public platform for information, experimentation, and engagement. Over 100 volunteer programmers produce shows, and WGXC commits over 60 hours a week to transmission art and experimental sound. https://wavefarm.org/
I have not made a scientific research but I dare to say that there are more DX-ers who collect stamps than stamp collectors who are DX-ers. Out of these DX-ers who collect stamps there are several who collect stamps related to DX-ing or radio.
The editor of DX-Filateli in DX-Aktuellt, the Swedish magazine of the Swedish DX Federation, Christer Brunström, made a small catalogue of stamps with radio motive in the beginning of the 80-ies. This catalogue was followed by two supplements a few years later, but after that no update. But he has during the following years presented new radio stamps, first in Eter-Aktuellt and later DX-Aktuellt. You can find various web pages on internet with this subject, but I have not found a complete listing of stamps with DX and radio related motives.
In 2011 I made, based on Christer’s catalogue, articles and with his approval and with the help of various web pages, a list in Word (.doc) named ”DX-Philately – Stamps of Radio Stations by Continents and Countries”. It is one of the most complete listing of radio and DX related stamps available. The size of the file is about 1.1 MB and it lists about 400 radio stamps from 122 countries, and list the stamps per continent and country with date and Michel No. and motive. You can also mark which stamp you have in your collection, unused or used and it is easy to modify with new editions.
Now is the 3rd edition available for those who are interested. Please contact me via e-mail at
Many thanks, Lennart, for sharing your list with our readers!
I just received this message from Filmmaker, Amanda Dawn Christie:
Just finished an interview with Christian Milling from Germany Shortwave Service about Spectres of Shortwave. The interview will be translated into German and is planned to be broadcast for Sunday, 27th November from 0900-1000 UTC on 6045 kHz in Europe and a Repetition the week after, 04th December from 1900-2000 UTC on 6145 kHz also to Europe. Eventually the English version will be transmitted to the UK and North America.
Thank you, Amanda! We’ll be listening!
Many thanks to SWLing Post contributor, Richard Langley, who writes:
Have you heard? Amanda Dawn Christie’s “Spectres of Shortwave” sound track will be broadcast over WRMI this Sunday evening from 23:00 UTC to 01:00 UTC on 7570 kHz.
The broadcast will coincide with the screening of the film at the Festival International du Cinéma Francophone en Acadie in Moncton, New Brunswick, being shown at the same time:
Thank you, Richard! I will certainly tune in and record this for Amanda.
Many thanks to SWLing Post contributor, Mike Barraclough, who shares this Thump interview with Amanda Dawn Christie:
For her latest documentary, Spectres of Shortwave, Moncton-born experimental artist and filmmaker Amanda Dawn Christie spent the last seven years exploring this otherworldly phenomenon. While working at Sackville’s Struts Gallery in 2009, she heard stories from local residents about voices in sinks where “pipes acted like antennas and the bowl became a gramophone speaker.” Christie was jealous that hers didn’t pick it up, so she spent her pay cheques for the rest of the summer at a plumbing store, extending her pipes to bring the sink to the marsh.
Sackville is also home to SappyFest, a beloved music festival taking over the town every August since 2006, with performances from local and internationals artists. Fred Squire is one of the former, and it’s his story of dreaming in foreign languages—due to transmissions from an amp in his bedroom entering a hypnagogic mindstate—that provides the documentary’s centerpiece.
“Fred would fall asleep and dream perfectly coherently in Chinese or Russian,” [film maker Amanda Dawn] Christie explains. “He decided to call the radio towers to see if they were doing anything that would cause it. Then about 40 minutes later in the film there’s a story from a technician who describes his call from a guy dreaming in different languages. The stories are similar but contradict each other, leaving the viewer wondering which one is telling the truth.”[…]