Special DRM broadcast to Europe

drmlogoMany thanks to Mauno Ritola who shares a link to the following schedule from the DRM Consortium via the WRTH Facebook page:

During IBC, Babcock will be transmitting DRM service from the UK, towards Europe.

[Friday September 11, 2015 to September 15, 2015]

  • 1600-1700 local Amsterdam time (1400-1500 GMT), BAB Woofferton, 100 kW, 6040 kHz, 114 degrees (Programme TBA)

  • 1700-1800 local Amsterdam time (1500-1600 GMT), BAB Woofferton, 100 kW, 6040 kHz, 114 degrees (BBC WS English)

A review of the Elad FDM-S2 software defined receiver

FDM-S2-Front

The following review originally appeared in the November 2014 issue of The Spectrum Monitor magazine.


At the Dayton Hamvention this year, I made it a special point to check out the Italian radio manufacturer, Elad.

Although I’ve known about Elad and their products for some time, and often found them intriguing, I hadn’t yet investigated Elad’s offerings simply because I was under the impression they sold and warrantied their equipment only within Europe. Indeed, this was the case…until just recently. Elad has now begun shipping–and supporting–their products within the US, via their division Elad-USA. Thus my renewed interest in Elad at the Hamvention.

Elad-Dayton-Hamvention

At their Hamvention booth in the East Hall of Hara Arena, the Elad staff gave me a superb table-tour of their array of products. Indeed, I was completely unaware of the broad scope of Elad’s product offerings, which include antenna switches, antenna splitters, test equipment, and, of course, software defined radios (SDRs). Their current SDR offerings are as follows: the Elad FDM-S1, the FDM-S2, and the newly released FDM-DUO. The FDM-DUO is actually a transceiver, while the “S” line is receive-only.

Elad-Radios

Among Elad’s SDRs, I found myself most interested in the FDM-S2 receiver; a quick demo at their booth caught my interest, as I instantly liked the GUI (graphical user interface), the features, and the specifications of this model. I requested that Elad provide the loan of this SDR for review, and they kindly complied.

Unboxing and installing the Elad FDM-S2

FDM-S2-Box

Contents of the FDM-S2 box are few and simple: the FDM-S2 receiver, a black cloth carrying bag, and a 4GB USB drive with installation software and documentation are enclosed. A standard USB cable was also included in the shipping box.

FDM-S2-Box-Contents

I found installation of the S2 to be fairly straightforward. I would encourage new owners to follow the included guide, since installation is a two-part process:

  • First, you install a C++ package on your Windows PC. When complete, this triggers the actual Elad software installation, a two-part installation that you initiate only once.
  • Secondly, you install the USB driver for the FDM-S2, found in the installation folder of the supplied software. Note: at present, the USB driver cannot be automatically discovered and installed by your PC–you must initiate this installation via the device manager. However, this is very easy: the guide takes you through the process step-by-step.

On the back of the FDM-S2 you’ll find an HF and VHF SMA antenna ports, a USB port, serial interface, and on/off switch.

FDM-S2-Back

The FDM-S2 derives its power from the same USB cable that is used for data; no separate external power supply is required–a huge plus, for those of us who like to travel.

Once I installed the software and driver, I hooked up my antenna to the HF SMA connector on the back, turned on the FDM-S2, and launched the application. The FDM-S2 clicked to life, and the application ran on the first go–very nice!

Scope of this review: application

Reviewing an SDR is challenging, especially with a third-generation SDR like the FDM-S2. There are nearly an infinite number of setting combinations for gain control, filters, demodulation, audio, even color schemes; covering all of these is beyond the scope of a basic review such as this, or indeed, virtually any review. In addition, the FDM-S2 can be used with several third-party SDR applications. Therefore, for the sake of this review, I decided to limit myself to evaluating the Elad application that ships with the FDM-S2. In addition, in this evaluation I attempted to retain many of the settings that come as defaults in the Elad application, to support new users. Finally, I limited myself to evaluating the shortwave bands.

After installing the Elad application, I spent a good hour or so familiarizing myself with the software. It’s quite a departure from the WinRadio Excalibur, SDR-IQ, and Microtelecom Perseus applications with which I’m most familiar. There is a modest learning curve involved with using the Elad FDM-S2–it took a good hour with the application to feel relatively comfortable with its functionality. But the trade-off is much more customization and functionality than one can achieve with the Perseus or WinRadio software, for example.

First impressions

Elad-FDM-S2-FrontPanel

First, let me begin by saying that new users will greatly benefit from reading the owners manual and join the Elad Yahoo group. If you’re attempting something that the owner’s manual does not cover, most likely someone in the Elad forum has already posted the answer. Elad’s engineer, Franco, also actively monitors and responds to requests on the Yahoo group.

Once on, the FDM-S2 defaults to the frequency of 0 Hz. Indeed, the Elad software uses Hz as the unit of measure for frequency, so any frequency entered must be in Hz: for example, to enter 9,420 kHz, you must key in 9420000, then press “Enter.” As a shortcut, you can enter 9420 and the “+” key on your number pad which will automatically add the trailing “000.” I found that a bit unusual in the beginning as most SDR software defaults to kHz, but after using the FDM-S2 for a few minutes, it became second nature.

There are several ways of tuning the FDM-S2:

  • Frequencies can be directly keyed in (as described above)
  • You can click on a frequency in the spectrum and waterfall windows (if the center frequency isn’t locked)
  • You can use the scroll wheel on your mouse like a tuning wheel, to scan up or down
  • You can use the arrow keys on your keyboard (left/right are defaults with up/down controlling tuning steps)
  • With your mouse pointer, you can click and drag one of the three horizontal tuning bars at the bottom of the window
TuningBars

Tuning Bars: Click to enlarge

I find it easiest to tune by using the horizontal tuning bars to move to a particular meter band, then locking the center frequency and use the scroll wheel on the mouse to scan in 1 or 5 kHz increments. This makes tuning feel like the experience I’m most used to with other SDRs. I must say that I really like the horizontal tuning bars; these make it quite easy to quickly center on a meter band.

I would also note that I’m favorably impressed with the S2’s waterfall and spectrum display; not only can you customize the colors via the settings window, but you also have the options to embed timecode in the waterfall and to display broadcaster information from the frequency database in the spectrum.

FullScreenShot-FourRX

The FDM-S2 has a total of four “virtual receivers,” labeled RX1, RX2, RX3 and RX4. Depending on the receiver configuration and bandwidth you’ve chosen in the S2’s device configuration (see below), you can use each virtual receiver simultaneously. Each receiver can have its own filter settings and modes selected–your only limitation is that each of the four receivers must be tuned within the FDM-S2’s bandwidth.

FDM-S2 receiver bandwidth configurations

The S2 currently has seven receiver configurations:

  • 1 Channel 192 kHz bandwidth
  • 1 Channel 384 kHz bandwidth;
  • 1 Channel 768 kHz bandwidth;
  • 1 Channel 1,536 kHz bandwidth;
  • 1 Channel 3,072 kHz bandwidth;
  • 1 Channel 6,144 kHz bandwidth; and
  • 2 Channels 384 kHz bandwidth.

If you set the S2 to a total bandwidth of 192 kHz in one channel, all four of your virtual receivers are limited to that 192 kHz area. This is a great configuration if you plan to listen to a single broadcaster at a time, and don’t need to see so many signals within the spectrum display. It’s also an excellent configuration to save storage space if you wish to record a relatively small chunk of IF spectrum.

FDM-S2-DeviceSettingWindow

If you choose the 6,144 kHz bandwidth, you can use each of the four virtual receivers simultaneously within the bandwidth. For example, on Saturday evenings I could tune RX1 to the Voice of Greece on 9,420 kHz; RX2 to The Mighty KBC 7,375 kHz; set RX3 to search for pirates around 6,925-6,975 kHz; and listen to the 40 or 30 meter ham radio bands on RX4. All at once! [Note: in the screenshot above, each virtual receiver is marked in the spectrum with a green, yellow, red or blue vertical marker.]

The two-channel 384 kHz option is also a powerful and unique feature of the S2. With this configuration selected, you can have two completely independent receivers with 384 kHz of bandwidth, each. Though this may be more radio than you need, each receiver has four virtual receivers of its own. That’s a whopping 8 virtual receivers!

Most of the time, I keep the configuration set to 1,536 kHz, unless I want to listen in two different meter bands at once. At 1,536 kHz, I can record spectrum and capture a full broadcast band to play back later. I’ve even recorded 6,144 kHz of spectrum, and played it back with no hiccups on my Intel i5 PC, although it did chew through a lot of storage space (roughly 2 GB of data per minute of recording). That equates to 120 GB per hour–but the result is a recording of everything between, say, 4 and 10 MHz. For shortwave radio archiving this is a most impressive capability!

DRM

While Digital Radio Mondiale (DRM) is not the most popular mode on the shortwave broadcast bands, DRM is built into the FDM-S2; there is no need to purchase a separate license or plugin as with most SDRs. If you’ve never listened to DRM, you might be surprised by the impressive listening results.

Within the first few days of using the FDM-S2, I was simply blown away by the DRM signal lock I achieved with Radio New Zealand International. Indeed, I’ve found that the FDM-S2 provides the most stable DRM decoding locks of any other receiver I’ve tested to date.

Here is a two hour audio sample of the FDM-S2 recording RNZI DRM:

[On a side note: It simply boggles my mind when I realize that this RNZI broadcast originates from a transmitter some 8,400 miles (13,518 km) from my receiver. Regardless of what one thinks about the future or utility of DRM, this is nothing short of magical in my book.]

Note that only the first virtual receiver, “RX1,” employs the DRM mode. This is important to note, as I find I’ve sometimes finished listening to a DRM broadcast, turned off the FDM-S2, then when I turned it back on later, initially wondered why I was hearing no audio on strong AM signals. I had inadvertently left the DRM mode engaged–user error only, in this case. Just something to be aware of.

DRM-Window-FDM-S2-Review

But finding a DRM broadcast is very easy with the Elad software; there is a dedicated button that appears when the DRM mode has been selected. When you press the schedule button, it will load all of the DRM broadcasts from the HFCC schedule. You can simply scroll through this list and click on a frequency to find an audible DRM broadcast. So far, on the FDM-S2, I’ve decoded RNZI, Radio Exterior de Espana, and even All India Radio from my QTH in eastern North America. Not bad!

Recordings

One of the reasons I latched onto the FDM-S2 at the Dayton Hamvention this year was that I immediately saw the potential of the S2 as a recording receiver. Besides posting recordings on the SWLing Post, I also actively make recordings for the Shortwave Radio Audio Archive, so no surprise that one of the first functions I evaluated on the FDM-S2 was its recording capability.

There are two recording modes: AF and Full Span Input Spectrum. You switch between modes in the Recording tab of the Settings window. After the settings have been saved, you simply locate the broadcast or chunk of HF spectrum you wish to record, and press the red record button located on the screen’s bottom left quadrant.

The Elad application also gives you a great degree of control for automatically naming the recorded files; mine is currently set up to embed the frequency, date, time, and device in the filename.

There are few things I’ve reported to Elad as possible improvements for recording:

I do wish that it wasn’t necessary to open the settings window to switch between bandwidth configurations and recording modes (IF or AF); my Excalibur has all of this on the front panel, which is more convenient. While there is a more direct way of opening the recording settings window–simply right click on the red record button–I think it would be preferable to at least have the option of including the information on the main user interface. Also, when you stop a recording, the receiver turns itself off; this obviously needs to be corrected. Fortunately Elad has noted these concerns and plans to address them in future software updates.

Additionally, I’ve noted that while one can record either IF or AF, both can’t be recorded at the same time, a lacking shared, incidentally, by the Microtelecom Perseus. While I probably do more recording than most SWLs, I frequently record both spectrum and an individual broadcast simultaneously on the WinRadio Excalibur. I hope Elad will consider adding this to their software, as well.

Performance

Features are always nice to play with, and the FDM-S2 is chock-full of them–but most important are your receiver’s ability to detect faint signals, block adjacent ones, as well as cope with unpredictable conditions.

Elad-FDM-S2-BackPanel

The FDM-S2 has a wide frequency coverage: 9 kHz-52 MHz, 74-108 MHz, and 135-160MHz. It’s one of the few SDRs on the market that doesn’t need a module or add-on for FM and VHF coverage. It has separate SMA connectors for HF and VHF antennas. While I have not thoroughly tested beyond the HF bands as of this writing, but many experienced FM DXers tout the S2’s abilities in their own reviews, and I don’t doubt them.

On the shortwave bands, the S2’s performance has impressed me: this SDR has remarkably excellent sensitivity and selectivity. Indeed, its performance is on par with my WinRadio Excalibur, and surpasses that of my RFSpace SDR-IQ, no mean feat. I have made many A/B comparisons with my Excalibur on weak signals; the two receivers are nearly indistinguishable. I’ve conducted blind-listening tests on weak signals (much like those described here) and found that the two recordings were nearly identical. On occasion, I might favor one receiver’s AGC over the other in a recording, but a slight tweak to the AGC settings could readily fix any discrepancies.

Herein lies the difficulty of reviewing an SDR’s performance–the user has so much power to control variables and thus shape the receiver’s function, that it’s hard to make an “apples-to-apples” comparison. But clearly, the Elad holds its own.

Noise reduction

While I’m not a great fan of digital noise reduction, the Elad software has a variable noise reduction feature that I admit to have used on several occasions. I found that by increasing it to approximately 10-20%, audio characteristics of an AM signal were mostly preserved while noise was effectively mitigated. This is where the S2 has a distinct advantage over the Excalibur which has no noise reduction feature.

AM Synchronous detection

With that said, the Excalibur has an edge on the S2 when it comes to blocking adjacent signals. At the time of review, I’m using version 1.12 of the Elad software, which lacks a selectable AM sync detector–a powerful tool to block noise, which may only be present in one sideband of an AM broadcast. Elad engineering tells me that they have this feature planned for a future software update.

Flexibility

Remarkably enough, the FDM-S2 can actually be used with a number of third-party SDR applications. The FDM-S2 comes with Winrad EXTIO Dlls compatible format: all software based on Winrad derivatives (like HDSDR and Studio1) work, and have been tested by S2 users. So if I really need sync detection, for example, I can simply find and use another SDR application to run the S2.

Indeed, flexibility may be among the most powerful features of the S2. If for any reason you don’t like the Elad application, you can simply use another one.

Summary

Invariably, all radios have strengths and weaknesses; here is a list of my notes from the moment I put the S2 on the air:

Pros

  • Beautiful, rich audio fidelity via headphones or my amplified speakers
  • Excellent sensitivity
  • Excellent selectivity (which would be enhanced with USB/LSB selectable sync–see con)
  • Low noise floor
  • Four virtual receivers: RX1, RX2, RX3, and RX4
  • Superb DRM decoding built-in, no additional license key or plug-in purchase required
  • Noise reduction is quite effective with few digital artifacts, even at low levels
  • Tasteful waterfall and spectrum displays
  • Wonderfully rapid tuning via horizontal tuning bars
  • Power derived from USB port (no external power supply needed)
  • Separate HF/VHF antenna ports
  • Ability to embed and record UTC time in waterfall display
  • Can display schedule information in waterfall and spectrum
  • ES2 supported by third-party OEM and open-source SDR applications; not confined to Elad application (as tested)
  • Small form factor/footprint, convenient for travel or limited shack space
  • Networking features for remote receiver control (not tested)
  • Iterative agility: application/firmware updates influenced by customer feedback
  • Great value–$300 less than most of its competitors

Cons

  • Recording cannot be fully controlled from the front panel; to adjust most settings, you must do so via a separate settings window
  • Receiver turns off completely after stopping a recording (Elad plans to fix this)
  • AM sync currently lacks USB/LSB selectivity
  • Elad application has steeper learning curve than other OEM SDR applications
  • Though highly customizable (see pro), changing color schemes requires patience and practice
  • Some reports from users indicate that sensitivity may be compromised if you live near a blowtorch AM station
  • IF and AF recordings cannot be made simultaneously; AF recordings cannot be made from an IF spectrum recording without a virtual audio cable application (similar to the Microtelecom Perseus)

Elad-FDM-S2-FrontPanel

While the Elad FDM-S2 has some growing to do, I expect many of these concerns may be addressed in updates over time, and I look forward to trying the S2 with other SDR applications. I’m fairly confident that Elad is serious about their products’ iterative agility, which is to say, software development based on customer input. They’ve been responsive to email and active on the Elad Yahoo email discussion group, which indicates promise. I believe they’re serious about supporting the North American market as well as they even attended the 2014 Dayton Hamvention.

Frankly, at $580 US (via Elad USA) I think the FDM-S2 is quite reasonably priced, especially considering this SDR’s performance and features. After all, it’s only $80 more than the RFSpace SDR-IQ, while it is $300-400 less than the Microtelecom Perseus and WinRadio Excalibur. That’s good value, in my book.

But with each review, I always ask myself: “Would I buy it?”

For the Elad FDM-S2, the answer is, unhesitatingly, Yes! I intend to purchase the FDM-S2 from Elad immediately following the publication of this review. I believe it will make a fine addition to the shack–I can see myself using it often for travel, future DXpeditions, and, of course, shortwave radio archiving.

As always, the proof is in the pudding: look for my Elad FDM-S2’s coming contributions to the Shortwave Radio Audio Archive in the near future. And listen for yourself.

Happy Summer/Winter Solstice: Listening to New Zealand and Australia

Australia-NewZealand

I’ve been on the road a lot lately. A lack of time resulting from this, combined with frequent afternoon and evening thunderstorms when I am home, has meant that I’ve not had the radio time I often enjoy.

This morning,  I woke up around 5:50 AM determined to get a bit of time on the radio. After all, today is the first day of summer here in the US, and a special day for me. I walked outside and hooked my antenna back up; I had been forced to disconnect it yesterday as pop-up thunderstorms persisted throughout the afternoon and evening.

I then brewed a cup of coffee and settled into my “listening lounge” for some early morning tuning.

Elad-FDM-S2-Coffee

I started off this morning off by tuning the Elad FDM-S2 to Radio New Zealand International on 9,890 kHz in DRM (Digital Radio Mondiale). I was treated to one full hour of Peter Fry’s Saturday Night music; the DRM lock was completely stable.  Though I prefer the sonic characteristics of AM over digital modes, I’m most impressed with the audio quality DRM affords coming from a 50 kW signal being broadcast on the other side of the planet. The quality is so exceptional that, if you listen carefully, you can even hear the news reader shifting papers at the top of the hour.

That got me thinking: I’m flawlessly receiving and decoding a wireless digital audio signal from 13,500 kM away. Amazing. Especially considering that my laptop struggles to receive Wi-Fi in many hotels.

RNZI signed off after an hour, so I switched modes to AM and tuned to Radio Australia on 9,580 kHz.

BombersAs I had hoped, RA was broadcasting the second half of the AFL match featuring the Essendon Bombers who ultimately held a nine-point win over the Adelaide Crows. Alas, Radio Australia dropped the signal before the end of the final quarter, but I was able to watch the results roll in on my iPhone while making waffles in the kitchen. If this had been a World Cup match, I would have scoured the shortwaves for another Radio Australia frequency.

Immediately after tuning in RNZI, I hit the record button on the FDM-S2 (around 5:55 EDT/9:55 UTC) and didn’t stop the recording until after Radio Australia signed off, so there is a 30 second silence in the middle while I tuned and switched modes from DRM to AM.

Click here to download my full 2+ hour morning recording, or simply listen via the embedded player below:

Depending on which hemisphere you live in, I hope you enjoy this summer–or winter– solstice.

As for me, I’m looking forward to a happy birthday with my family.  Cheers!

Shortwave Radio Recordings: Radio New Zealand International (DRM)

This morning, while scanning the 31 meter band, I noticed a DRM (Digital Radio Mondiale) signal on 9,890 kHz. Normally, I ignore most DRM signals because the amount of signal strength needed to properly decode the mode (here in the US) is simply too low for pleasant, artifact-free copy.

Still, I thought I’d give the new Elad FDM-S2 a try, so I changed mode from AM to DRM.

RNZI-DRM-003To my amazement, the FDM-S2 quickly decoded the signal and produced excellent audio from Radio New Zealand International.

I assumed the decoding lock would not hold, but I was wrong; indeed, I believe there were only one or two significant drops in the 40+ minutes I listened. This may be a very good sign from the FDM-S2, even if propagation was above average.

I’m not a big DRM listener, but that’s mainly because there is so little to hear on the bands. The real test will be All India Radio in DRM–I’ve never managed to get a consistent lock on them from here in eastern North America.

Still, I’m pleased as punch that I can so easily copy RNZI–one of my favorite international broadcasters–in DRM.

Here’s a recording of the broadcast starting at 11:18 UTC on June 14, 2014. Click here to download the the recording as an MP3, or simply listen via the embedded player below:

SABA conference to feature special DRM broadcast from Ascension Island

SABA

(Source: DRM Consortium via Alokesh Gupta)

The DRM Consortium is a Sector Partner at The Southern African Broadcasting Association (SABA), Digital Radio Broadcasting Summit in Cape Town from 22nd – 24th April. The event will include a presentation by the DRM Chair, Ruxandra Obreja, on April 22nd at 11.50am and a dedicated DRM workshop on the 23rd April, from 4.00pm to 5.30pm under the title “The DRM Platform: A detailed and practical look at its superior functionalities and flexibility”.

The workshop will offer a live demonstration of DRM30 with a two-hour BBC broadcast, from Ascension Island – a site managed by DRM member, Babcock – to Southern Africa carrying BBC World Service English from 13:30 to 15:30GMT/UTC (114 degrees) 21735 kHz.

During and after the workshop DRM representatives and South African DRM supporters will be available to meet you and explain the features and to answer any questions.

The DRM Consortium has already been present at SABA events in Johannesburg and in Arusha (Tanzania) last year. The DRM standard is the only global standard which can be used in all radio frequency bands and is ideal for the large countries of Southern Africa. From national networks and regional stations to smaller commercial and community stations, all are able to broadcast their digital radio programmes with enhanced content and in excellent sound quality to everyone in their respective countries, regardless of whether people live in large cities, in small towns or villages.

BBC World Service features DRM

In this BBC World Service report, Mark Whittaker explores Digital Radio Mondiale (DRM) and, especially, its potential in India. Use the embedded player or link below to listen:

(Source: Audioboo via Tarmo Tanilsoo on Facebook)

drmlogoYou’ll note the BBC World Service fails to mention that DRM has been in use now for over a decade.

The report ends by suggesting that portable DRM receivers will be on the market in a few months. Even if DRM radios start appearing, whether or not they’ll be effective and inexpensive remains to be seen. So far, portable DRM radios have been mediocre performers (at best) and relatively expensive.

Don’t get me wrong: I would love to see DRM take hold, I just have my doubts. DRM might stand a chance if a manufacturer like Tecsun were to build an inexpensive portable radio, with a form factor much like that of their other portables. If they made a DRM version of the PL-380, for example, it could be a winner for both the company and the medium/mode.

By the way, if you’ve never heard what DRM sounds like over the shortwaves, I just posted a fifty eight minute recording of All India Radio on the Shortwave Radio Audio Archive. Contributor, Mark Fahey, recorded the broadcast from his home in Australia.

I’ve embedded a link to the audio below, but you can listen to the broadcast and read Mark’s notes on the shortwave archive (click here).

Extended HE-AAC: DRM to upgrades audio codec

drmlogoMany thanks to SWLing Post reader, Mike, for sharing this news item on RadioInfo:

(Source: RadioInfo)

The latest upgrade to DRM’s audio codec was demonstrated in a presentation at this week’s Digital Broadcasting Symposium in Kuala Lumpur.  Digital Radio Mondiale (DRM) is the first global broadcast standard to adopt the Extended HE-AAC (xHE-AAC), which promises improved quality for DRM broadcasts in SW, AM and FM.

Alex Zink, the Senior Business Development Manager for Digital Radio at Fraunhofer, outlined the benefits of DRM in emergency situations, particularly the ability of DRM transmissions to signal receivers to turn on automatically and deliver emergency warning messages in a crisis.

“Unlike consuming radio on a smart phone, there is no gatekeeper in between digital free to air broadcasting and the consumer,” said Matthias Stoll in his presentation during the afternoon workshop.[…]

Read more at: http://www.radioinfo.com.au/news/new-audio-codec-drm-digital-symposium-2014 © Radioinfo.com.au