Tag Archives: CHU Canada

Jock says, “It’s about time…and beacons!”

A WWV Time Code Generator

Many thanks to SWLing Post contributor, Jock Elliott, who shares the following guest post:


It’s about time . . . and beacons

By Jock Elliott, KB2GOM

Shortwave time stations can be incredibly useful for shortwave listeners, not just for checking the time, but also for finding out what’s going on with radio signal propagation. What makes these stations particularly valuable is that they are available all the time. I use them often when I am testing radio equipment or tweaks to my listening post.

Chief Engineer Matt Deutch at WWV/WWVB. (Photo: Thomas)

The National Institute of Standards and Technology (part of the U.S. Department of Commerce) maintains a couple of stations devoted to broadcasting time announcements, standard time intervals, standard frequencies, UT1 time corrections, a BCD time code, and geophysical alerts 24 hours a day, 7 days a week.

WWV in Fort Collins, Colorado, according to NIST:

“radiates 10 000 W on 5 MHz, 10 MHz, and 15 MHz; and 2500 W on 2.5 MHz and 20 MHz. Each frequency is broadcast from a separate transmitter. Although each frequency carries the same information, multiple frequencies are used because the quality of HF reception depends on many factors such as location, time of year, time of day, the frequency being used, and atmospheric and ionospheric propagation conditions. The variety of frequencies makes it likely that at least one frequency will be usable at all times.”

In addition, WWV broadcasts the same signal heard on the other WWV frequencies on 25 MHz on an experimental basis. The power is 2500 W and, as an experimental broadcast, is may be interrupted or suspended without notice.

WWVH crew from left to right: Dean Takamatsu, Dean Okayama, Director Copan, Adela Mae Ochinang and Chris Fujita. Credit: D. Okayama/NIST

WWVH, based in Kekaha, Hawaii, transmits 10000 W on 10 MHz and 15 MHz, and 5000 W on 2.5 MHz. A NIST notes that the 5 MHz broadcast, which normally radiates 10 000 W, is currently operating at 5000 W due to equipment failure.

Photo Thomas (K4SWL) took in 2014 of the sign above WWV’s primary 10 MHz transmitter.

Both stations have voice announcements. WWV uses a male voice; WWVH, a female voice. They are staggered in time so that they don’t talk over each other. While doing research for this blog, one afternoon on 5 MHz and 10 MHz, I could hear the female voice, followed by the male voice, so I was hearing both Hawaii and Colorado. On 15 MHz, I could hear only Hawaii. Both stations transmit in AM mode, although I sometimes use upper sideband to pick the signals out of the noise.

CHU’s QSL card used in the 1980s depicting Sir Sanford Fleming, father of uniform times zones.

In addition, there is a Canadian time station. CHU transmits 3000 W signals on 3.33 and 14.67 MHz, and a 5000 W signal on 7.85 MHz.

The frequencies were chosen to avoid interference from WWV and WWVH. The signal is AM mode, with the lower sideband suppressed.

The same information is carried on all three frequencies simultaneously including announcements every minute, alternating between English and French. The CHU transmitters are located near Barrhaven, Ontario.

According to a posting on Radio Reference, there is also a time beacon in Moscow, Russia that transmits on 9996 and 14996 kHz in CW mode. I have never heard that station.

If anyone knows of additional shortwave time stations, please post the information in the comments section below.

Beacons

Another “standard reference” that can be used to figure out what’s happening with shortwave propagation is the International Beacons Project, a worldwide network of radio propagation beacons. It consists of 18 Morse code (CW) beacons operating on five designated frequencies in the high frequency band. The project is coordinated by the Northern California DX Foundation (NCDXF) and the International Amateur Radio Union (IARU).

This page shows the locations of the beacons and gives samples of the signals that can be heard. Each beacon transmits once on each band once every three minutes, 24 hours a day. A transmission consists of the callsign of the beacon sent at 22 words per minute followed by four one-second dashes. The callsign and the first dash are sent at 100 watts. The remaining dashes are sent at 10 watts, 1 watt and 100 milliwatts. At the end of each 10 second transmission, the beacon steps to the next higher band and the next beacon in the sequence begins transmitting.

Clicking around the International Beacons Project website will reveal a wealth of information, including a Reverse Beacon Network — https://www.ncdxf.org/beacon/RBN.html — no kidding.

Finally, if you would like to disappear down the rabbit hole of chasing shortwave beacons, here is a list of 411 beacons around the world: http://www.dl8wx.de/BAKE_KW.HTM

The listing includes the frequency, the location, and the power of the transmitter (among other things). If any reader has experience with these beacons, please post in the comments section.

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CHU Time Station heard in “The Book of Boba Fett”

Many thanks to SWLing Post contributor, Fred Waterer, who shares a link to the following video from the new series The Book of Boba Fett.

Note that the quality of this video is rather poor, no doubt to keep it from being pulled off of YouTube for copyright violation:

Click here to view on YouTube.

Not the first time CHU appeared in Star Wars!

You might recall that we first heard CHU in the “Battle of Hoth” scenes from The Empire Strikes Back!

In fact, Star Wars Sound Designer, Ben Burtt, gave us some proper insight in a post a few years ago. It was truly an honor corresponding with him directly and learning about his grandfather, Harold Burtt (W8CD).

Click here to read about Benn Burtt’s fascination with radio.

I’m looking forward to watching The Book of Boba Fett and hearing CHU for myself! Thanks for the tip, Fred!

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Sound Designer Ben Burtt Reveals Radio’s Influence in Star Wars films

Today is popularly known as Star Wars Day––and I’m reminded of one of my favorite posts, featuring Star Wars sound designer, Ben Burtt, who to my surprise, contacted me to answer a question I published here on the SWLing Post.  Once again, here it is. Enjoy!  And “May the fourth be with you!”


StarWars-LogoSWLing Post readers may remember a post I published in which I believed I’d identified a familiar shortwave time signal station in the Battle of Hoth scene from The Empire Strikes Back.

To recap, here’s the scene in The Empire Strikes back–listen carefully:

Now listen to the recording of Canadian Time Station CHU I made recently–note the tone and duration of the data pips:

Upon hearing this, I went so far as to muse that the Star Wars sound designer might be a radio listener. I asked our readers if anyone could confirm this–?

Well, we’ve got our answer!  I’m truly indebted to an SWLing Post reader who passed my post along to his friend, Ben, who could provide this definitive response:

“This is Ben Burtt, sound designer of the Star Wars films. A friend sent me a link to this blog thinking I would like to comment.

Ben and old recorders

Ben Burtt with his recording gear, circa 1980. The mike on the stand at Ben’s feet is one from his grandfather’s ham radio station in the 1950s, or possibly earlier.

“The answer is yes, I have always been a ham radio enthusiast.”

“My grandfather, Harold Burtt, operated W8CD out of his home in Columbus, Ohio 1930s-1960s. I was enthralled as a kid listening to the sounds on his receiver. I heard alien worlds and cosmic ‘voices.’

Harold Burtt, (Chairman of the Psychology Dept Ohio State) with his attic gear approximately 1935

Harold Burtt, W8CD. (Chairman of the Psychology Dept Ohio State) with his attic gear,  approximately 1935

“So not only did I record his radio, but continued to do so on the Star Wars series and Star Trek as well.

My memory of the Hoth transmission was that it was WWV but it could have been CHU since I was recording all that interested me on the dial.”

Terrific! Thank you, Ben, for taking the time to respond. As I said, you’ve certainly started off this radio enthusiast’s year on the right wavelength…no doubt some of our readers will agree.

Indeed, the powerful sonic experience of the Star Wars and Star Trek films has, in my estimation, helped shape many of us into the radio/sound enthusiasts we’ve become–myself certainly included. Thank you, Ben, for this!  You’ve sharpened my ear to a greater appreciation of sound, especially filmic sound, and your work in particular.    

For readers who are less familiar with Ben Burtt’s work, check out his Wikipedia page and IMDB profile–you’ll find he’s been the sound designer on numerous influential films including the recently released Star Wars: The Force Awakens.

A special thanks to Ben Burtt for sharing these wonderful photos and kindly giving me permission to use them here on the SWLing Post.  I must say, considering my love of radio in the thirties, I especially like that photo of Harold Burtt (W8CD) in his shack.

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DXing in a large suburban garden with the Eton Satellit & Bonito MegActive MA305 antenna

Hi there, the garden at my house is pretty small and as a consequence, I am very limited in terms of what antennas I can usefully employ. You can’t position anything further than about 10 metres from the brickwork and to compound this, we are surrounded on all sides by neighbours in close proximity. All very nice people, but all very noisy – electrically speaking lol. I simply can’t get far enough away from these sources of electrical noise to achieve excellent SNR.

The solution to my problem was ultimately a Wellbrook ALA1530 magnetic loop, but prior to that I used an end-fed random wire, the performance of which deteriorated as the months went by as the ubiquitous blanked of local QRM continued to increase. Eventually, I was forced outdoors, well away from my town – effectively catalysing my forays into the Oxfordshire countryside on DXpeditions. That first experience of listening to the radio on shortwave, in the absence of any QRM was enlightening to say the least and of course, subsequently, DXpeditions have become a mainstay of my listening activities. However, despite enjoying some great DX successes out in the woods, one has to be realistic about how often it’s possible to leave the house just to listen to the radio. This led me to the purchase of the Wellbrook ALA1530 magnetic loop. It proved to be a triumph of electrical noise mitigation and an absolute necessity in copying transatlantic medium wave signals in such a noisy and compact space. A total game-changer. The brilliant performance of the Wellbrook eventually led to me purchase a second, cheaper active antenna; the E-field Bonito Boni Whip and in turn, that purchase led me to the MegActive MA305, kindly supplied by Bonito themselves for objective testing.

Have DXing kit, will travel…everything you need in a small flight case…

You might remember my initial tests at home confirmed, as expected, that E-field antennas don’t work well in electrically noisy environments (except at LW frequencies in my experience) but outdoors, away from noise, they are superb. I have a number of reception videos on my YouTube channel – Oxford Shortwave Log which clearly demonstrate identical performance of the Bonito MegActive MA305 antenna and Wellbrook ALA1530 magnetic loop out in the woods. So, what if you’ve got a large garden in a suburban area that allows you to be just far enough from sources of electrical noise…how much of a difference does it make to the noise floor of your receiving equipment? Can E-field antennas such at the Bonito MegActive MA305 do the job? Furthermore, how well does a random wire work in a larger garden?

 My MegActive MA305 antenna system for mobile DXing…and another use for a washing line…

I was fortunate enough to know someone who owns a house with a large garden, quite close to my QTH (a 10 minute walk) and who was more than willing to let me set up my DXing equipment and sit around until the early hours of the morning, listening to and recording various signals on my Eton Satellit. In preparation, I set up the Bonito MegActive MA305 antenna and hung the radiating element on the washing line – sounds ridiculous but actually worked very well, placing it about 2.5 metres above the ground. I also set up a 40 metre longwire, which at its closest point, was still approximately 25 metres from the house, and 30 metres from the neighbours. This post will focus on the performance of the MA305; a subsequent post will detail the performance of the longwire.

The large garden I ‘borrowed’ for my DXing session with the Bonito MegActive MA305 antenna

Suffice to say, the MegActive MA305 performed admirably during my first listening session. In the middle of the afternoon I copied a very strong signal from The Voice of Korea around 15:44 hrs UTC on the 25 metre broadcast band, followed at 17:10 hrs UTC with a superb signal from The Voice of the Broad Masses 2, Eritrea, on the 40 metre ham band. Later on in the evening I copied Radio Mail with excellent modulation, CHU Canada with voice announcements (almost impossible at home), Myanmar Radio with an untypically strong signal and XEPPM Radio Educación from Mexico City with a signal I would normally expect on a DXpedition-proper with a large antenna.

My conclusions to this experiment are simply that E-field antennas can work in a suburban environment, if you are able to site them far enough away from adjacent sources of electrical noise. I don’t have empirical data on this, however, I can confirm that 10 metres proximity is too close at my QTH and 30 metres is sufficiently far away at this test location. One has to assume the houses nearby are similarly equipped to mine with electrical appliances that generate electrical noise. Thus, if you’re interested in a very well-priced, compact antenna and you live in an urban or suburban environment with access to a large garden/ outdoor space, an E-field Boni Whip or MegActive MA305 might well be suitable – and you’ll have a superb portable antenna for those listening sessions away from home!

Finally, I should mention the Eton Satellit. Much-maligned in certain quarters when it was first introduced into the market, it continues to demonstrate superb DXing credentials. I won’t forget some words of wisdom from a friend of mine and fellow DXer, with more than 3 decades of experience in listening to the bands on HF. He told me that Judging from his own experience with some of the original Grundig Satellit models of the 1980s and early 90s (namely the 400, 500 and 700) he was quite sure that the Eton Satellit is a considerably better DX performer than those vintage sets, that offered great sound for casual listening to international broadcasters, but didn’t perform too convincingly on weak DX signals. The Eton Satellit has been a revelation and I’m pleased to have played a small part in turning around the rather widely held view that it was less than worthy of the Satellit branding.

Fresh out of the box, the Eton Satellit has surpassed all my expectations…

Please find embedded reception videos below and text links to the Oxford Shortwave Log YouTube channel. My next post on this subject will cover the performance of a 40 metre longwire in this large garden environment. Thank you for reading/watching/listening and I wish you all great DX!


Click here for video on Oxford Shortwave Log

 

Click here for video on Oxford Shortwave Log

 

Click here for video on Oxford Shortwave Log

 

Click here for video on Oxford Shortwave Log

 

Click here for video on Oxford Shortwave Log

 

Click here for video on Oxford Shortwave Log

 

Click here for video on Oxford Shortwave Log


Clint Gouveia is the author of this post and a regular contributor to the SWLing Post. Clint actively publishes videos of his shortwave radio excursions on his YouTube channel: Oxford Shortwave Log. Clint is based in Oxfordshire, England.

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Star Wars sound designer is, indeed, a radio enthusiast

StarWars-LogoSWLing Post readers may remember a post I recently published in which I believed I’d identified a familiar shortwave time signal station in the Battle of Hoth scene from The Empire Strikes Back. If you haven’t read this post, feel free to do so and listen to the embedded video/audio clips.

Upon hearing this, I went so far as to muse that the Star Wars sound designer might be a radio listener. I asked our readers if anyone could confirm this–?

Well, we’ve got our answer!  I’m truly indebted to an SWLing Post reader who passed my post along to his friend, Ben, who could provide this definitive response:

“This is Ben Burtt, sound designer of the Star Wars films. A friend sent me a link to this blog thinking I would like to comment.

Ben and old recorders

Ben Burtt with his recording gear, circa 1980. The mike on the stand at Ben’s feet is one from his grandfather’s ham radio station in the 1950s, or possibly earlier.

“The answer is yes, I have always been a ham radio enthusiast.”

 

“My grandfather, Harold Burtt, operated W8CD out of his home in Columbus, Ohio 1930s-1960s. I was enthralled as a kid listening to the sounds on his receiver. I heard alien worlds and cosmic ‘voices.’

Harold Burtt, (Chairman of the Psychology Dept Ohio State) with his attic gear approximately 1935

Harold Burtt, W8CD. (Chairman of the Psychology Dept Ohio State) with his attic gear,  approximately 1935

“So not only did I record his radio, but continued to do so on the Star Wars series and Star Trek as well.

My memory of the Hoth transmission was that it was WWV but it could have been CHU since I was recording all that interested me on the dial.”

Terrific! Thank you, Ben, for taking the time to respond. As I said, you’ve certainly started off this radio enthusiast’s year on the right wavelength…no doubt some of our readers will agree.

Indeed, the powerful sonic experience of the Star Wars and Star Trek films has, in my estimation, helped shape many of us into the radio/sound enthusiasts we’ve become–myself certainly included. Thank you, Ben, for this!  You’ve sharpened my ear to a greater appreciation of sound, especially filmic sound, and your work in particular.    

For readers who are less familiar with Ben Burtt’s work, check out his Wikipedia page and IMDB profile–you’ll find he’s been the sound designer on numerous influential films including the recently released Star Wars: The Force Awakens.

A special thanks to Ben Burtt for sharing these wonderful photos and kindly giving me permission to use them here on the SWLing Post.  I must say, considering my love of radio in the thirties, I especially like that photo of Harold Burtt (W8CD) in his shack.

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Time station CHU in The Empire Strikes Back

Fullscreen capture 12202015 40448 AM

Earlier today, I published a post noting that I thought I heard the time station WWV in a scene of The Empire Strikes Back.

SWLing Post reader, RadioGeek, quickly corrected me: that’s Canadian time station CHU‘s data pips I’m hearing, not circa-1980s WWV.  Cool!

Listen for yourself

Here’s the clip from The Empire Strikes Back, Battle of Hoth

Now listen to the recording of CHU I made only moments ago–note the tone and duration of the data pips:

No wonder I mixed up CHU and WWV; I’ve listened to both for propagation since I was a kid.

I wonder which of the Lucas Film sound engineer(s)/artist(s) chose CHU for this scene? Anyone know, by chance? Or can anyone find out?

No doubt, that sound designer is an SWL or ham radio operator. Perhaps this may also explain the SSB-esque radio dialog between fighter pilots throughout the Star Wars films:

Please comment!

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