Open Call for Sound Works:
SHORT WAVES / LONG DISTANCE
Wave Farm and The North American Shortwave Association are pleased to announce “Short Waves / Long Distance,” an open call for works exploring the sonics of the shortwave radio spectrum (2-30 mHz), and the experience of long-distance listening. The call is in conjunction with the 30th Anniversary of the Winter Shortwave Listener’s Fest and Wave Farm’s 20th Anniversary, both of which will be celebrated in 2017.
Selected works will be:
- Featured as part of a one-hour program during David Goren‘s Shortwave Shindig held at the Fest on Friday evening March 3, 2017, and broadcast worldwide on shortwave via WRMI(Radio Miami International) and Wave Farm’s WGXC 90.7-FM in the Upper Hudson Valley, New York.
- Included in a special program to be produced for the Ràdio WEB MACBA series INTERRUPTIONS.
- Archived online at wavefarm.org, and shortwaveology.net.
Submission Deadline: January 31, 2017
Submission Guidelines and Instructions:
• Submissions are welcomed from all genres.
• Both pre-existing and newly created works are eligible.
• Works should not exceed ten minutes in duration.
• Shortwave Listening Resources:
Shortwave Receivers Online: KiwiSDR, Global Tuners, WebSDR
Frequency Guides and Schedules: Short-Wave.info, ShortwaveSchedule.com
Receiver Reviews and Listening Tips: SWLing.com, DXing.com
Shortwave History: On the Short Waves, The Shortwave Radio Audio Archive
• Artists seeking additional ways to record shortwave sounds are encouraged to contact David Goren for guidance at email@example.com.
Jury and Notification Schedule:
• A jury comprised of The Shortwave Shindig’s David Goren, and Wave Farm’s Galen Joseph-Hunter and Jess Puglisi will review submissions.
• Selections will be announced in February 2017.
About Ràdio WEB MACBA
Ràdio Web MACBA is a radiophonic project from the Museum of Contemporary Art of Barcelona that explores the possibilities of the internet and radio as spaces of research, creation, synthesis and exhibition. Their shows are available on demand, and as a podcast subscription, and depart from contemporary thinking, philosophy, contemporary art, sound art and everything in between. The INTERRUPTIONS series features a theme-based musical selection and a related essay, which aims to explore the potentiality of two very different modes of engagement, text and sound, and the relationship and bridges that can be built between them. http://rwm.macba.cat/
About The Shortwave Shindig
The Shortwave Shindig is a live immersion into the wavering, noisy sounds of the shortwave radio spectrum. Live performances, presentations and extended, multi-layered audio mixes combine real time and archival shortwave sounds, taking the listener on a guided tour through the atmospheric neighborhoods where shortwave stations cluster. Reels of archival audio and a bank of receivers and are on hand for tuning-in to the distant, elusive sounds of the shortwave bands. http://www.shortwaveology.net/shortwave-shindig/
About the Winter SWL Fest
The Winter Shortwave Listener’s Fest (March 2nd-4th 2017) is a conference of radio hobbyists of all stripes who listen to frequencies from “DC to daylight.” Every year scores of hobbyists descend on the Philadelphia, Pennsylvania suburbs for a weekend of camaraderie and talking radio. The Fest is sponsored by NASWA, the North American Shortwave Association, but it covers much more than just shortwave. Additional topics include Medium wave (AM), VHF scanning, satellite TV, and pirate broadcasting. http://www.swlfest.com/
About Wave Farm
Wave Farm is a non-profit arts organization driven by experimentation with broadcast media and the airwaves. Wave Farm programs—Transmission Arts, WGXC-FM, and Media Arts Grants—provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM is a creative community radio station. Hands-on access and participation activate WGXC as a public platform for information, experimentation, and engagement. Over 100 volunteer programmers produce shows, and WGXC commits over 60 hours a week to transmission art and experimental sound. https://wavefarm.org/
I’m very pleased to have just received the 7th edition of John Figliozzi’s Worldwide Listening Guide (WWLG), the latest, most updated version of the excellent guide I’ve often reviewed.
As I’ve said, you may want a copy of the WWLG in your shack, especially alongside your computer or Wi-Fi radio.
SWLing Post readers know that I’m a huge fan of the Word Radio TV Handbook (WRTH); it’s my go-to guide for radio frequencies and schedules. Well, Figliozzi’s Worldwide Listening Guide is my go-to for programming and content, not only helpful on the shortwaves, but also handy when tracking online content.
WWLG: The Content DXers Guide
Like many SWLs, I’m something of a “Content DXer:” I love chasing obscure programming––news, documentaries, music, and variety shows, anything the broadcasting world has to offer. For this, I often turn to Wi-Fi radio. Wi-Fi radio offers the discerning listener the ability to track down fascinating regional content from every corner of the globe––content never actually intended for an international audience.
But the fact is, there’s so much content out there, it’s hard to know where to start. This is where the WWLG comes in: Figliozzi exhaustively curates more than 4,000 programs (!), indexing their airing times, stations, days of broadcast, program types, frequencies, and web addresses. Additionally, he sorts the programs by genre: arts, culture, history, music, sports, and more. And Figliozzi also includes a well-thought-out directory of at least forty genres. In short, this directory has helped me not just locate, but identify, programming I would never have known about otherwise.
Frankly, I’m not sure how Figliozzi manages to curate such a vast assortment of programming. But I’m happy that he does, and especially, that he offers it for the SWL’s benefit––!
Thus the WWLG has become a permanent reference book in my shack, alongside my trusty WRTH. There’s a surprising amount of information packed into this slim, spiral-bound book…enough to keep even a seasoned DXer contented for years.
The 7th edition of Worldwide Listening Guide can be purchased here:
With a retail price under $25, I feel like the WWLG is an excellent bargain.
As I said then, you may want a copy of the WWLG in your shack–and, may I suggest, next to your computer or wi-fi radio.
SWLing Post readers know that I’m a huge fan of the Word Radio TV Handbook (WRTH)–it’s my go-to guide for radio frequencies–and Figliozzi’s Worldwide Listening Guide is my helpful companion for programming and for content.
Figliozzi exhaustively curates more than 4,000 programs, indexing their airing times, stations, days of broadcast, program types, frequencies, and web addresses. He also sorts the programs by genre: from arts, culture, and history; to music, sports, and more. In fact, he has a well-thought-out directory of at least forty genres–this directory has helped me locate programming about which I would otherwise have never known. Want to find jazz and blues programming, or shows focusing on sports? This book’s got you covered. Frankly, I’m not sure how Figliozzi manages to curate such a vast assortment of programming, but I’m happy he does, and that he offers it for our benefit!
Figliozzi even dedicates a section of his book to “The Big Six” English language broadcasters–namely, NPR, BBC, CBC, ABC, RTE and RNZ. These networks are widely regarded as the best in the business, with audience numbers to back this claim. The WWLG dedicates several pages to describing the structure and programming diversity of each, with listening tips and more.
I’ve always liked the WWLG, and it has become a permanent reference book in my shack, alongside my trusty WRTH. There is a surprising amount of information packed into this slim, spiral-bound book…enough to keep even a seasoned DXer contented for years.
The 6th edition of Worldwide Listening Guide can be purchased here:
For those of you readers who often feel you’re alone in your enthusiasm for radio, I highly encourage you to attend the NASWA-sponsored SWL Fest in Plymouth Meeting, Pennsylvania this year. The ‘Fest is jam-packed with radio-related information and attended by many radio kindred spirits. Forum topics this year will include the following :
From the WBCQ Archives – Larry Will
- The Annual Pirate Forum – George Zeller
- QRP: Operating and Listening at Low Power – Skip Arey
- Economically Enhancing Your Collection thru Auctions and Flea Markets – Ed Mauger
- Defeating Jammers with Text By Shortwave – Kim Andrew Elliott/Thomas Witherspoon
- The Shortwave Shindig – David Goren (Friday night confirmed)
- The Other Side of Satellite Monitoring – Dave Marthouse
- More! All About Loop Antennae – Jef Eichner
If you’re interested in attending the SWL Fest, too, go to the official website and register!
On the SWLing Post, I write an annual review of the World Radio TV Handbook–a fantastic and comprehensive frequency guide, with a focus on broadcasters and frequencies, though it certainly lacks the programming detail–i.e. content–I so enjoyed in the late Passport To World Band Radio.
That’s where John Figliozzi’s The Worldwide Listening Guide (WWLG) comes in–in short, I think you need a copy in your shack, not to mention, next to your computer.
The Worldwide Listening Guide is like no other frequency/schedule guide you’ll find on the market. First of all, it’s instantly apparent that the author, John Figliozzi, is a DXer, since the book has a spiral bind–which permits it to lie flat when open, and allows the pages to be folded back to take up less table space. A small detail, but important for those of us who want an easily accessible reference in the shack. Figliozzi, moreover, is a noted SWLer, a long-time active member of the North American Shortwave Association, co-host of the annual NASWA Winter SWL Fest in Plymouth Meeting, PA–and did I say, a great guy?
But back to the book: perhaps what makes the WWLG so unique is its comprehensive look at “radio” listening in general, guiding the reader through the many forms radio content now takes: live, on-demand, WiFi radio, podcasts, satellite, internet, AM/FM and, of course, shortwave radio. He explains the pros and cons of each delivery method and a little about its utility. I thought that I wouldn’t gain a lot from these beginning sections as I’m quite familiar with all of them, but was pleasantly surprised to find all sorts of interesting facts hidden within; no doubt you will, too. Figliozzi also spends a good deal of time time covering the various devices–such as WiFi radios, satellite radios, apps, shortwave radios, portables–that have become indispensable tools of the trade.
Program details like no other
My favorite part of WWLG, and the sections I turn to the most, are those covering programming and content. Figliozzi exhaustively curates more than 4,000 programs sorted by time of day, station, days of broadcast, program types, their frequencies and web addresses. He also sorts the listings by genre: from the arts, culture and history, to music, sports and more. In fact, he has a well-thought-out list of 34 genres that have helped me locate programming I would have otherwise have never known about. For example, SWLs will find his “Media and Communications” genre listing programming from Allan Weiner Worldwide, Glenn Hauser’s World of Radio and DXers Unlimited to Click and Tech Nation. Each listing tells you exactly when you can catch the program, and where.
What’s also great is the fact that if I find a program I like, I can cross-reference its offering on shortwave–and, if I miss that, I can look up where to find it on demand, on the internet.
A program guide with longevity
I have the 5th edition of The Worldwide Listening Guide–the latest. While I like to have an annual guide, I actually believe this guide will be valid for several years. True, some programming comes and goes–as we’ve seen shortwave stations leaving this year–but, Figliozzi also actively maintains a companion website, The Worldwide Listening Guide Online, which he keeps up-to-date with the latest changes; there is even a blog with his comments and news items. He tells you when to cross out and change listings in your WWLG as programming evolves.
In short, I like the WWLG and have decided that it will become a permanent reference book in my shack, along side my trusty WRTH. There is a surprising amount of information packed into this slim, spiral-bound book. Enough to keep even the seasoned DXer happy for years.
The Worldwide Listening guide can be purchased here: