Last year, National Public Radio (NPR) asked listeners when and how they listen to NPR. Their goal was to put together clips into a short spot for the network’s spring fund drive. After telling them that I’ve been known to listen to NPR on shortwave, they asked for me to record a short clip stating this fact. I amiably complied.
Last week, I rediscovered the clip. The spot would have been aired on local member stations in the first half of 2013:
When I lived in the UK, I would often fall asleep and/or wake up to the Shipping Forecast: a BBC Radio broadcast of weather reports and forecasts for the seas around the coasts of the British Isles.
Though I had, of course, no real need of the Forecast, on many occasions it lured me like the voice of a hypnotic siren (especially, I must admit, when read by a woman). When I moved back to the US in 2003, I missed hearing the Forecast on the radio, but thankfully one can listen to it at Radio 4 online. Although the online stream lacks the delectable sonic texture of long wave radio, the Forecast still has the power can still reel in its listeners.
Last December, I followed a brilliant series on NPR which highlighted the BBC Shipping Forecast. I intended to publish it here on the SWLing Post at the time, but somehow lost it in the shuffle of a busy travel season. Fortunately, NPR has archived audio from the series online. I love their introduction:
“It is a bizarre nightly ritual that is deeply embedded in the British way of life.
You switch off the TV, lock up the house, slip into bed, turn on your radio, and begin to listen to a mantra, delivered by a soothing, soporific voice.
“Viking, North Utsire, South Utsire, Forties, Cromarty, Forth, Tyne, Dogger ….” says the voice.
You are aware — vaguely — that these delicious words are names, and that those names refer to big blocks of sea around your island nation, stretching all the way up to Iceland and down to North Africa.
The BBC’s beloved Shipping Forecast bulletin covers 31 sea areas, the names of which have inspired poets, artists and singers and become embedded into the national psyche.
Your mind begins to swoop across the landscape, sleepily checking the shorelines, from the gray waters of the English Channel to the steely turbulence of the Atlantic.
Somewhere, deep in your memory, stir echoes of British history — of invasions from across the sea by Vikings, Romans and Normans; of battles with Napoleon’s galleons and Hitler’s U-boats.
Finally, as the BBC’s Shipping Forecast bulletin draws to a close, you nod off, complacent in the knowledge that whatever storms are blasting away on the oceans out there, you’re in your pajamas, sensibly tucked up at home”
You can listen to the series on NPR, or via the embedded player below:
The Voice of America provided Cuban jazz trumpeter, pianist and composer, Arturo Sandoval with a source of inspiration through Jazz. In a recent interview with NPR, Sandoval stated:
“We used to listen every day, every single day, [to] Voice of America. [It] was a shortwave radio program, and they play everything in jazz music. That was the only way we have to hear that kind of music and to be connected with the music we love. I was in the obligatory military service for three years when the sergeant [caught] me listen[ing] to the Voice of America, and then they put me in jail because I was listening to the voice of enemies.”
American service members have long spent holidays in dangerous places, far from family. These days, home is a video chat or Skype call away. But during World War II, packages, letters and radio programs bridged the lonely gaps. For 15 minutes every week, “Canteen Girl” Phyllis Jeanne Creore spoke and sang to the troops and their loved ones on NBC radio.
Her Christmas shows were morale boosters. America must “use more sentiment and less tinsel, and that’s the way it should be,” she told her listeners during one wartime Christmas broadcast. Now 96, Phyllis Jeanne Creore Westerman sits in her apartment on New York’s Fifth Avenue, remembering those seasonal broadcasts she recorded 70 years ago.
[…]She did a bit of radio work, found singing jobs with various bands at hotels like the Biltmore, and volunteered at the Stage Door Canteen. That’s where she got the idea for a regular radio show — to reach more troops — across the U.S., and in Europe by short wave.