{"id":34049,"date":"2018-09-14T06:00:44","date_gmt":"2018-09-14T10:00:44","guid":{"rendered":"https:\/\/swling.com\/blog\/?p=34049"},"modified":"2018-09-13T05:33:08","modified_gmt":"2018-09-13T09:33:08","slug":"justin-moore-on-making-music-with-radios","status":"publish","type":"post","link":"https:\/\/swling.com\/blog\/2018\/09\/justin-moore-on-making-music-with-radios\/","title":{"rendered":"Justin Moore on Making Music with Radios"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Many thanks to SWLing Post contributor, Justin Patrick Moore (KE8COY), who is a radio host, radio enthusiast and musician. At my request, Justin has shared the following article excerpts from his blog<\/a> that discuss the convergence of music and radio:<\/strong><\/em><\/p>\n

\n

Imaginary Landscapes<\/b><\/p>\n

The development of telecommunications technology and electronic circuits had a major impact on the creation of new musical instruments from the very beginning, but it was only in 1951 that a composer first got the idea that the radio itself could be used as a musical instrument.\u00a0 Since then the use of radio as a source for live, unpredictable sound, music, and voice has become commonplace across the genres of contemporary classical music, and various styles of electronic, rock and pop music. Using the radio as an instrument has become part of what composer Alvin Curran has called a \u201cnew common practice\u201d and is just one of many methods being used to create the sonic backdrop of the landscape we now inhabit in this age of electronic multimedia.<\/p>\n

\u201cIt\u2019s not a physical landscape. It\u2019s a term reserved for the new technologies. It\u2019s a landscape in the future. It\u2019s as though you used technology to take you off the ground and go like Alice through the looking glass.\u201d John Cage wrote this about his series of Imaginary Landscape compositions.\u00a0Imaginary Landscape No. 4 was first performed in 1951 and is scored for 12 radios played by 24 musicians, two on each radio, one to control the tuning, the other to control the volume. It is a great example of indeterminate music. The only guarantee about the piece is that no performance of it will never be heard the same way. This is guaranteed because John incorporates chance operations to determine how much the dials of each radio are to be turned by each performer. The novelty of each performance is also guaranteed by the nature of radio itself. Depending on the place and time of a performance, the things coming out of the radio speakers are going to be different. During its premier concert at Columbia University\u2019s McMillin Theater those in the audience heard the word \u201cKorea\u201d over and over again, as well as snippets of a Mozart violin concerto, news about baseball, static, and silence. The performance took place around midnight and many of the stations in New York had already gone off the air for the night.\u00a0 Of course the silence never bothered Cage, who considered\u00a0 in an integral part of the experience. He had said that \u201csilence, to my mind is as much a part of music as sound.\u201d<\/p>\n

Read the full article at Sothis Medias.<\/a><\/p>\n

The Radiophonic Laboratory<\/b><\/p>\n

Radio is the perfect medium for the diffusion of electronic music. The unpredictable sounds coming from radios are also a perfect source material. In many cases the production studios available at broadcast facilities made them the first laboratories for the scientific investigation of sound, for the sole purpose of making music, to be used by electronic music pioneers. Likewise these stations became the first to introduce electronic and other avant-garde music to the public. Such was the case with Westdeutscher Rundfunk, or WDR, the German public broadcasting institution located in Cologne. Their Studio for Electronic Music was the first of its kind in the world and became an epicenter for musicians working in the new medium. On the broadcasting side the WDR promoted new music through unique programming that included radio lectures, the playing of live and recorded music, and commissioning new works from composers working in the field.<\/p>\n

Read the full article at Sothis Medias.<\/a><\/p>\n

Telemusik<\/b><\/p>\n

As the world caught wind of the work being done at the WDR\u2019s Electronic Music Studio, other radio stations and broadcasting corporations followed suit. NHK (Nippon HosoKyokai) in Japan built their electronic music studio in 1955, directly modeling it on the one at WDR. In 1958 the BBC created their famous Radiophonic Workshop. (I blame starting to watch Doctor Who as a ten year old, with its strange soundtrack and incidental music, for what became my lifelong fascination with electronic music.) The studio at NHK was just over ten years old when they invited Karlheinz Stockhausen over to work there and create two pieces for their airwaves.<\/p>\n

When he arrived in Japan Karlheinz was severely jet lagged and disoriented. For several days he couldn\u2019t sleep. That\u2019s when the strange hallucinatory visions set in. Laying awake in bed one night his mind was flooded with ideas of\u00a0 \u201ctechnical processes, formal relationships, pictures of the notation, of human relationships, etc.\u2014all at once and in a network too tangled up to be unraveled into one process.\u201d These musings of the night took on a life of their own and from them he created Telemusik.<\/p>\n

Read the full article at Sothis Medias.<\/a><\/p>\n

Kurzwellen<\/b><\/p>\n

Starting in the early 1960s Karlheinz Stockhausen composed several instrumental works which he called \u201cprocess compositions\u201d. These did away with traditional stave notation and instead used symbols including plus, minus, and equal signs that indicated the successive transformations of sounds that were otherwise unspecified or unforeseeable by the composer. In this way he brings elements of improvisation into the fold of Western classical music where the strict adherence to a fixed score left little room for interpretation by musicians. The scores in his process pieces don\u2019t dictate specific notes or ways of playing but rather specify the way a sound is to be changed or imitated. Taking a cue from his studies of information theory Stockhausen created a way of writing music that is similar to computer programming. The program \u201cdetermines the way information is processed while leaving the choice of information to be processed to the individual user.\u201d (Maconie 1990, 156-157)<\/p>\n

Stockhausen\u2019s process pieces include Plus-Minus (1963), Prozession (1967), Kurzwellen, and Spiral (both 1968). Eventually they led to the text based processes of his intuitive music compositions in the cycles Aus den sieben Tagen (1968) and F\u00fcr kommende Zeiten (1968\u201370).<\/p>\n

Kurzwellen (Short waves), the third of the process pieces also marks the beginning of Stockhausen\u2019s magnificent voyage using shortwave receivers as a medium for musical transportation. The formal procedures in Kurzwellen (and the others) are fixed. Stockhausen thinks of these not as fixed in the way Beethoven\u2019s Fifth symphony is a fixed piece that will sound the same to a greater or larger degree from recording to recording or performance to performance. Only the processes themselves are fixed. These are indicated primarily by plus, minus, and equal signs and constitute the composition.<\/p>\n

Yet the sound materials themselves, like the knobs on the tuners, are variable. The process scores can be followed and bring about very different results each time they are played and yet somehow still sound similar. The sound material coming in from the shortwave radios is unpredictable. Yet the prescribed processes themselves can be heard from one performance to another as being \u201cthe same\u201d. These developments in musical theory and practice make live performances and new recordings exciting events.<\/p>\n

Read the full article at Sothis Medias.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Many thanks to SWLing Post contributor, Justin Patrick Moore (KE8COY), who is a radio host, radio enthusiast and musician. At my request, Justin has shared the following article excerpts from his blog that discuss the convergence of music and radio: Imaginary Landscapes The development of telecommunications technology and electronic circuits had a major impact on […]<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[508,442,3,26,43],"tags":[7303,4100,611,1087],"class_list":["post-34049","post","type-post","status-publish","format-standard","hentry","category-art-2","category-music","category-news","category-radios","category-shortwave-radio","tag-justin-patrick-moore-ke8coy","tag-music","tag-shortwave-music","tag-shortwave-radio-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pn3uc-8Rb","jetpack-related-posts":[{"id":34470,"url":"https:\/\/swling.com\/blog\/2018\/10\/holger-czukay-another-musician-fascinated-with-shortwave\/","url_meta":{"origin":34049,"position":0},"title":"Holger Czukay: another musician fascinated with shortwave","author":"Thomas","date":"October 13, 2018","format":false,"excerpt":"Many thanks to SWLing Post contributor and resident shortwave music specialist, Justin Moore, for sharing the following from his blog, Sothis Medias: Holger Czukay was another musician who was fascinated with the sounds of shortwave listening. He brought his love of radio and communications technology on board with him when\u2026","rel":"","context":"In "Art"","block_context":{"text":"Art","link":"https:\/\/swling.com\/blog\/category\/art-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2018\/10\/Holger-Czukay.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":39294,"url":"https:\/\/swling.com\/blog\/2019\/08\/september-1-2019-free-radio-skybird-returns-to-channel292\/","url_meta":{"origin":34049,"position":1},"title":"September 1, 2019: Free Radio Skybird returns to channel292","author":"Thomas","date":"August 31, 2019","format":false,"excerpt":"Many thanks to SWLing Post contributor, \"One Deck\" Pete, who shares the following announcement: DJ Frederick\u2019s\u00a0Free Radio Skybird\u00a0returns to the shortwaves on\u00a0Sunday September 1st 2019\u00a0via\u00a0http:\/\/www.channel292.de\/\u00a0on\u00a06070 kHz\u00a0at\u00a01900 UTC (8pm UK time). With a mixture of features and music, the hour transmission will include\u00a0One Deck Pete\u2019s \u201cSoothing sound of shortwave\u201d, Steve\u00a0with\u00a0Mini indie\u2026","rel":"","context":"In "Music"","block_context":{"text":"Music","link":"https:\/\/swling.com\/blog\/category\/music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2019\/08\/free-radio-skybird-advert_2-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2019\/08\/free-radio-skybird-advert_2-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2019\/08\/free-radio-skybird-advert_2-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":35733,"url":"https:\/\/swling.com\/blog\/2019\/01\/fascinating-episode-of-the-antarctic-sun-podcast\/","url_meta":{"origin":34049,"position":2},"title":"Fascinating episode of The Antarctic Sun podcast","author":"Thomas","date":"January 27, 2019","format":false,"excerpt":"Many thanks to SWLing Post contributor, Justin Moore (KE8COY), who shares the following: [T]here is an interesting podcast] that I'm sure you would like as well as anyone with an interest in radio might enjoy, especially in this weather. It's the Antarctic Sun podcast and this episode is about the\u2026","rel":"","context":"In "Ham Radio"","block_context":{"text":"Ham Radio","link":"https:\/\/swling.com\/blog\/category\/ham-radio\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2019\/01\/macops-banner-antarctica.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2019\/01\/macops-banner-antarctica.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2019\/01\/macops-banner-antarctica.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2019\/01\/macops-banner-antarctica.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":40080,"url":"https:\/\/swling.com\/blog\/2019\/10\/1990s-japanese-satellite-radio-station-st-giga\/","url_meta":{"origin":34049,"position":3},"title":"1990’s Japanese Satellite radio station St. GIGA","author":"Thomas","date":"October 10, 2019","format":false,"excerpt":"Many thanks to SWLing Post contributor, Justin Moore, who writes: [I recently published a post] on the history of the 1990's Japanese Satellite radio station St. GIGA (here http:\/\/www.sothismedias.com\/home\/the-lunar-phases-of-st-giga\u00a0). They were a station that played ambient music and nature recordings and other stuff whose programming schedule was based on the\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/swling.com\/blog\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2019\/10\/stgiga1a_orig.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2019\/10\/stgiga1a_orig.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2019\/10\/stgiga1a_orig.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":57625,"url":"https:\/\/swling.com\/blog\/2023\/08\/around-the-world-around-the-world\/","url_meta":{"origin":34049,"position":4},"title":"Around the world, around the world","author":"Fastradioburst23","date":"August 25, 2023","format":false,"excerpt":"Hi to all of the SWLing community worldwide, Fastradioburst23 here with news about Imaginary Stations on the shortwaves this Sunday 27th August 2023. Our next show Skybird Radio International will be beamed to Europe via the services of Shortwave Gold in Germany at 2000 utc on 6160 khz (and 3975\u2026","rel":"","context":"In "Guest Posts"","block_context":{"text":"Guest Posts","link":"https:\/\/swling.com\/blog\/category\/guest-posts\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2023\/08\/Skybird-Radio-International-Flyer_Second-Broadcast.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2023\/08\/Skybird-Radio-International-Flyer_Second-Broadcast.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2023\/08\/Skybird-Radio-International-Flyer_Second-Broadcast.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2023\/08\/Skybird-Radio-International-Flyer_Second-Broadcast.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2023\/08\/Skybird-Radio-International-Flyer_Second-Broadcast.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":60675,"url":"https:\/\/swling.com\/blog\/2024\/09\/music-from-all-over-the-map\/","url_meta":{"origin":34049,"position":5},"title":"Music from all over the map","author":"Fastradioburst23","date":"September 18, 2024","format":false,"excerpt":"FastRadioBurst 23 here with news of what the Imaginary Stations crew are up to. This Sunday coming on 22nd September 2024 there's another episode of Skybird Radio International via the services of Shortwave Gold. https:\/\/www.youtube.com\/watch?v=unUmsnt2NgU The show which features an across the board selection from around this musical globe of\u2026","rel":"","context":"In "Guest Posts"","block_context":{"text":"Guest Posts","link":"https:\/\/swling.com\/blog\/category\/guest-posts\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2024\/09\/Radio-Ace-6_September-2024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2024\/09\/Radio-Ace-6_September-2024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2024\/09\/Radio-Ace-6_September-2024.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2024\/09\/Radio-Ace-6_September-2024.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2024\/09\/Radio-Ace-6_September-2024.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/swling.com\/blog\/wp-content\/uploads\/2024\/09\/Radio-Ace-6_September-2024.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/swling.com\/blog\/wp-json\/wp\/v2\/posts\/34049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/swling.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/swling.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/swling.com\/blog\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/swling.com\/blog\/wp-json\/wp\/v2\/comments?post=34049"}],"version-history":[{"count":0,"href":"https:\/\/swling.com\/blog\/wp-json\/wp\/v2\/posts\/34049\/revisions"}],"wp:attachment":[{"href":"https:\/\/swling.com\/blog\/wp-json\/wp\/v2\/media?parent=34049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/swling.com\/blog\/wp-json\/wp\/v2\/categories?post=34049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/swling.com\/blog\/wp-json\/wp\/v2\/tags?post=34049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}