Tag Archives: Shortwave Music

“This Is A Music Show”: Thursdays at 0100 UTC on WRMI

Many thanks to “Your Host” who writes with an announcement about his new weekly radio show via WRMI:

Just wanted to give you (and your readers) a heads-up about a new show I’ve started called “This Is A Music Show” which can be heard Thursdays 0100-0200 UTC (Wednesday evenings in the Americas) on 5850 kHz via WRMI. It’s an hour-long music program playing a variety of tunes sourced from thrift stores, garage sales, flea markets, and sometimes curbside. I also include some digital modes in the latter half of the show.

The first broadcast went out last [Wednesday] night, and reception was quite good at my QTH in Toronto. I recorded the show on a couple different radios/antennas and have merged the recordings into a different type of AM Stereo. It sounds pretty cool, IMO. 🙂 It can be heard here:

I hope you’ll check it out each week!

Thank you–I’ve listened to the off-air recording of episode #001 (above) and am certainly hooked. Great show!

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Alan Roe’s updated B18 season guide to music on shortwave

Many thanks to SWLing Post contributor, Alan Roe, who notes:

I have now compiled my Music on Shortwave listing for the B-18 broadcast
period.

Alan, thanks so much for keeping this brilliant guide updated each broadcast season and for sharing it here with the community!

Click here to download a PDF copy of Alan Roe’s Music on Shortwave B-18.

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Switzerland: Museum Tinguely to host a sonic journey

Many thanks to SWLing Post contributor, Justin Moore, who writes:

This may be of interest to your readers in Switzerland (and nearby!). From Bruce Sterlin’s Beyond the Beyond blog at Wired:

“From October 24, 2018 to January 27, 2019, Museum Tinguely will host a sonic journey giving access to works of radio art from the last hundred years in a unique way. As visitors navigate the space with headphones and specially programmed smartphones, their movements act as “human radio dials,” activating works (current and historical, well-known and unknown) by artists including Antonin Artaud, John Cage and LászlĂł Moholy-Nagy through to Michaela MĂ©lian, Milo Rau and Natascha Sadr Haghighian. The installation was designed by the artist, architect and musician Cevdet Erek and realized by Meso Digital Interiors. The resulting interplay of sound and space is both technically sophisticated and aesthetically striking, giving visitors an immersive experience of the world of radio. In the second part of the exhibition, diverse aspects of the theme of radio will be discussed in 14 themed weeks, offering visitors a chance to engage and experiment actively with this fascinating medium.

Over the hundred years since its emergence, the radio medium has been explored by musicians, composers, writers, philosophers and fine artists (and many others who do not fit into such categories). They have examined the production of programs, ways of recording, transmitting and receiving, and the possibilities for recording broadcasts. In the first exhibition of its kind, Radiophonic Spaces brings together more than 200 pieces for radio from around the world with the aim of documenting this sustained engagement with the medium by artists of all fields, and allowing visitors to hear it. Unforgettable broadcasts that existed only in obscure archives can be experienced afresh, presenting the history of a medium whose rootedness in actuality means it gives a picture of the century of its existence. The major disasters of the last hundred years are revisited here, as are the great technical and social achievements of the period—to current positions such as Documenta Radio (2017). The “sonic journey” combines artistic approaches to radio art and broadcasting with a scholarly project led by the research group on experimental radio at the Bauhaus-Universität in Weimar. The results of this creative interplay unfold in an immersive journey featuring some 200 gems of international radio art. Historical and contemporary works are related to one another: from Antonin Artaud, John Cage and LászlĂł Moholy-Nagy through to Michaela MĂ©lian, Milo Rau and Natascha Sadr Haghighian. With the help of a headphone system, visitors gain access to individual works of radio art, triggered by their movements. In a space designed in cooperation with the artist, architect and musician Cevdet Erek and realized by Meso Digital Interiors, visitors immerse themselves acoustically in this art form. This experience resembles the reality of using an actual FM radio: looking for channels until a voice, a piece of music or a sequence of sounds prompts the listener to stay a while longer, or at least to note the frequency so as to be to return to the channel and the voice later. The range of channels on offer is confusing, overwhelming, sometimes too much, but it reflects both the sprawling variety that characterizes the medium and the possibility to decide quickly what to listen to.”

Radiophonic spaces at Museum Tinguely

https://www.tinguely.ch/en/ausstellungen/ausstellungen/2018/radiophonic-spaces.html

Many thanks for the tip, Justin!

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Bruce’s shortwave music is influenced by Holger Czukay

Many thanks to SWLing Post contributor, Bruce Atchison, who shares the following in response to our recent post about musician Holger Czukay:

I love Holger Czukay’s music, especially with CAN. I especially love the
song, “Animal Waves.”

I also incorporated shortwave sounds in my own music.

Here are video links to my YouTube page which might interest you.

CHU Canada

Click here to view on YouTube.

A Short Wave to Shortwave

Click here to view on YouTube.

Stop Listening Now

Click here to view on YouTube.

Thanks for sharing your work, Bruce! Very cool! I need to get you in touch with David Goren for inclusion in a future Shortwave Shindig!

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Holger Czukay: another musician fascinated with shortwave

Holger Czukay

Many thanks to SWLing Post contributor and resident shortwave music specialist, Justin Moore, for sharing the following from his blog, Sothis Medias:

Holger Czukay was another musician who was fascinated with the sounds of shortwave listening. He brought his love of radio and communications technology on board with him when he helped to found the influential krautrock band Can in 1968. Shortwave listening continued to inform Czukay’s musical practice in his solo and other collaborative works later in his career. It all got started when he worked at a radio shop as a teenager.

Holger had been born in the Free City of Danzig in 1938, the year before the outbreak of World War II. In the aftermath of the war his family was expelled from the city when the Allies dissolved its status as free city-state and made it become a part of Poland. Growing up in those bleak times his formal primary education was limited, but he made up for it when he found work at a radio repair shop. He had already developed an interest in music and one his ideas was to become a conductor, but fate had other plans for him. Working with the radios day in and day out he developed a fondness for broadcast radio. In particular he found unique aural qualities in the static and grainy washes of the radio waves coming in across the shortwave bands. At the shop he also became familiar with basic electrical repair work and rudimentary engineering. All of this would serve him well when building the studio for Can. In his work with the band he not only played bass and other instruments but acted as the chief audio engineer.

Click here to read the full article at Sothis Medias.

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