Category Archives: Vintage Radio

Bob’s Radio Corner: Uncle Clayton and His National NC-188

National NC-188

As recalled by Bob Colegrove

Uncle Clayton was my very first SWLing buddy.  In the late ‘50s there was no Internet – very few ways for SWLs to interact with one another.  There were clubs that published mimeograph bulletins every month or so.  These were mailed to SWLs across the country and around the world.  To come across a fellow SWL in your own town was rare.  As chance would have it, Uncle Clayton and I quite independently discovered our interest in SWLing about the same time, and then only after knowing one another for several years.

Uncle Clayton was not my real uncle.  He and his wife, Evelyn, were dear friends of my mother and father.  You see, there was a social decorum at that time which frowned upon members of the younger generation from referring to members of an older generation by their first name.  At the same time, “Mr. Smith” and “Mrs. Smith” (not their real surname) were regarded as unnecessarily formal; so, for this situation “Uncle Clayton” and “Aunt Evelyn” became the accepted form of address.

My story begins with television, not radio.  By mid-1950 both the Smiths and the Colegroves had acquired their first black and white TV “sets,” theirs a 12-inch RCA and ours a 12-inch Arvin.  Each of these occupied 8 to 12 cubic feet of space and required two well-fit individuals to move them.  Ironically, they were termed “portable” in that they required a low table or stand for proper positioning.  This contrasted with “console” models which incorporated the stand and the TV in a single cabinet.

One must understand that television at that time was what computers would become a generation later.  The nation was on the cusp of a TV frenzy.  My dad and Uncle Clayton jumped into it with both feet.  They couldn’t let the darn things alone.  Antennas were the most obvious source of tinkering.  “Rabbit ears” were the customary solution but adjusting them was a skill rivaling that of playing a cello.  Later, attic designs were fabricated for the new channel in Bloomington, Indiana.

Vaccum tubes, both necessarily and unnecessarily, became questionable components, and Uncle Clayton and my dad developed well-stocked arsenals of spares.  In retrospect the pair were, well…a couple of hacks, and I say that lovingly.  Picture two large, middle-aged men behind the RCA with the back cover off alternately trying to get a 9-pin peanut tube aligned and reinserted into its socket in the very front of the chassis – all this while trying to avoid the high-voltage discharge from the picture tube.  I still recall the looks of frustration and muffled puffs of blue air.  After some time, Aunt Evelyn appeared, looked over the dilemma, grabbed the tube, and jabbed it into the socket on the first try.

SWLing came along several years later.  I discovered it in the fall of 1958 while idly tinkering with the Howard Radio Co. Model 308 radio-phonograph console, which by that time had been relegated to the basement.  After moving it to my room and stringing up a long wire I was forever captivated.  The single SW band covered 5.5 MHz through 18 MHz across a dial a mere four inches long.  I milked that old radio relentlessly finally coming up with about 20 or 30 SW broadcast stations, all in English.

I have no recollection of how Uncle Clayton and I discovered we were going down the same path.  He had already purchased his National NC-188 with a matching speaker and set up his shack in an unused upstairs bedroom.  How I envied him.  His NC-188 was everything I envisioned in a SW radio. I was still earning my way towards purchasing a Hallicrafters S-38E.

National NTS-1 Speaker for the NC-188 and NC-109.
Better radios had separate external speakers, the claim being that there was insufficient space in such feature-packed units

Uncle Clayton’s NC-188 was my first encounter with a bandspread – a term which has virtually gone out of existence.  I immediately knew what it did, but it would take me a while to understand just how it worked.  On my old Howard console, the dial pointer travelling less than a 16th inch could cover 100 kHz or more, conceivably containing 10 or 20 stations.  Furthermore, this range was traversed by a nearly imperceptible rotation of a small knob.  Conversely, the NC-188 might cover the same tuning range over a space two inches long and require four full rotations of a 2-in diameter knob.  That was an incredible mechanical advantage.

For SWLs, there was a restriction on the use of the bandspread.  Most receivers had scales neatly calibrated for the 10-, 15-,20-, 40-, and 80-meter ham bands.  This provided reasonable frequency readout – not the precision we have with today’s digital radios, but close enough.  For international broadcast bands, the listener had to rely on a 0 to 100 linear logging scale which bore no relation to frequency.  This required the listener to generate several lists or graphs translating log readings to frequency.

The NC-188 and -109 had 4.5” bandspreads, not as long as some, but the 2” knob required 9 full rotations to traverse end-to-end.

Everything I have described so far depended on the position of the main tuning dial.  The bandspread operated electronically in parallel with the main tuning.  In short, the main tuning dial had to be positioned precisely at the high end of the tuned band for the bandspread to produce the same results.  Within these restrictions, a bandspread was still a marvelous device.

Uncle Clayton and I were still in our formative SWLing period when our family would visit him and Aunt Evelyn.  I remember him patiently tuning across portions of the SW spectrum oblivious of the international band boundaries slowly rotating the main tuning dial and stopping at points that interested him.  When my turn at the helm came, I would often seek out the General Overseas Service of the BBC and listen to the football scores or Victor Sylvester and his Ballroom Orchestra.

Victor Silvester conducting his Ballroom Orchestra in 1938. His orchestra was still a fixture on the BBC in the ‘50s and ‘60s. Source:  Victor Silvester and His Orchestra – You’re Dancing on My Heart

Neither Uncle Clayton nor I set the bar very high in terms of DXing prowess.  We had fun and made a lot of interesting discoveries.  Isn’t that what it’s all about?

Some years ago, I had the opportunity to buy a fairly clean National NC-109.  The -109 is an upscale version of the -188.  It has a crystal filter, an early SSB product detector and a voltage regulator.  Otherwise, the two radios are virtually identical.  I did all the usual things, cleaned it up, performed an alignment, and restrung the main tuning and bandspread dial cords.  Later I found a matching speaker.  When I was finished, I had what I regard as a museum-quality radio.  It occupies a prominent corner of the shack, but I don’t operate it that much.  Sometimes I just sit in front of it, spin the dials and remember Uncle Clayton and how it all started.

National NC-109

WA2XMN Revives Armstrong’s Legacy with 90th Anniversary Broadcast on 42.8 MHz

Many thanks to SWLing Post contributor Conrad Trautmann, who shares the following guest post:


42.8 MHz WA2XMN FM Goes On The Air!

6/19/2025

By Conrad Trautmann, N2YCH

Stephen Hemphill, WA3ZAE, the owner of Solid Electronics Laboratories, fired up a vintage FM tube Phasitron transmitter on 42.8 MHz to put WA2XMN on the air at exactly 12:30 pm EDT today from the famous Armstrong Tower in Alpine, New Jersey. “W2XMN” was the call sign of Edwin Howard Armstrong’s experimental FM station that went on the air in 1936. “WA2XMN” is the official FCC call sign for the station Hemphill constructed with the cooperation of the tower site owners to commemorate Armstrong’s contribution to radio, Frequency Modulation.

W2XMN building at the Alpine Tower site

Hemphill explained that he attended a Society of Broadcast Engineers meeting that was celebrating Armstrong’s accomplishments, which sparked the idea of going on the air again on that original frequency. He thought it would be perfect to aim for the 70th anniversary of the first public broadcast of wideband FM. That anniversary celebration and broadcast was held on June 11, 2005. Today’s broadcast marks 90 years since that first FM Broadcast and 20 years since the commemorative event.

Hemphill built a transmitter based on the design of a General Electric BT-1-B, but on the lower frequency than what we now know as the standard FM band. Once turned on, the transmitter made 250 watts with no problem with a little headroom to spare and after warming up and settling in, had less than one watt reflected into 400+ feet of 1 ¼” transmission line into a vertical “ringo” antenna on the top, Western facing arm of the famous tower.

Stephen Hemphill poses with his Phasitron FM transmitter tuned to 42.8 MHz

Dual Eimac 4-250a power amplifier tubes

Armstrong Tower in Alpine, NJ (the vertical antenna is up there, trust me)

The audio broadcast today was mostly replays of the 70th anniversary event recordings. A temporary studio was set up in the tower site office building. The event was also streamed live over the internet.

WA2XMN temporary studio and audio processing.

Stephen Hemphill at the controls

The main audio mixing console used was a Gately Electronics Attache Case six channel mixer. Audio processing was done with a vintage Orban Optimod 8100A.

Gately Electronics Attache Case Mixer (apologies to all audio engineers for the pinned meters)

During the event, a web site address for enthusiasts to provide reception reports was given out. While we don’t have those reports yet, I contacted an amateur radio friend who was able to hear the station clearly 61 miles away in Ronkonkoma, NY on the eastern end of Long Island. That’s pretty good coverage for 250 watts!

Coupled with the special event broadcast was the annual picnic gathering of the New York Chapter of the Society of Broadcast Engineers, Chapter 15. Roughly 45 people attended and in addition to seeing the WA2XMN transmitter, they also got a first hand look at a few of the old Empire State Building FM Master antenna elements. Here’s a photo of your author standing next to one for perspective. I’m 6’ 5”.

To read more about this antenna and its history, visit this page researched and written by Paul Thurst, KH2R, owner of the “Engineering Radio” blog.

Conrad, N2YCH with an Alford antenna element from the Empire State Building

Radios in the Netflix post-apocalyptic Argentinian miniseries “The Eternaut”

Many thanks to SWLing Post contributor, Balazs, who writes:

Hi Thomas,

I have just finished the series, “The Eternaut” (published at the end of April), and the story features old one-way or two-way radios in several places; see the attached pictures.

(Fun fact: one of the main characters used the call sign LU5DA and is shown a map for an antenna setup, the call sign in reality belongs to Radio Club Río de la Plata and (according to Google) their address matched the map.)

Trailer of the series in English:

with best regards,
Balazs

Can you identify this radio and loop antenna in “Young Sheldon”?

Many thanks to SWLing Post contributor Bruce, who writes:

This episode, S02E22, was aired on May 16, 2019. In the story the year is circa 1990. The “broadcasts” of CHU (not named) and Radio Sweden International are not actual ones.

I give this episode high marks for taking the time to demonstrate a Shortwave Radio and an Antenna, more than anything I’ve seen before on any TV show or movie.

Can anyone identify the radio and the loop antenna? Please comment!

Spotted in Countdown: Can You Identify This Radio?

Many thanks to SWLing Post contributor Robert, who writes:

Hi Thomas – I am a huge fan of space movies and recently watched the 1967 film “Countdown” starring James Caan and Robert Duvall. There is a radio sitting on the nightstand in a hotel room in this scene.

Maybe your readers can identify it?

Cheers,

Robert

Thanks, Robert! This photo isn’t high definition, but I bet some of our intrepid radio sleuths will soon find the model number of this tabletop radio. Please comment!

Rafael Spots Several Radios in “Young Ones”

Many thanks to SWLing Post contributor Rafael Rodriguez, who writes:

Hi Thomas

Greetings from Colombia. Yesterday, I saw a movie called “Young Ones” (2014). It is about an apocalyptic future where water is the most precious resource.

In the film, radio is present through a station called “The Voice of the West shortwave”, which even has the slogan: “Where the airwaves live free”

A pair of radios are also shown, the first one seems to be a Sony 7600d and then an HF transceiver that I can’t recognize, a Handie also appears.

Interestingly, it shows a way to mark an agricultural robot so that whoever finds it can communicate with its owner via citizen band.

I hope it is of interest to you and the readers of The SWLing Post.

Bye and good DX

Rafael Rodriguez R