Category Archives: Guest Posts

More classical jams served up in the radio room

Hi to all our SWLing Post friends. Here’s this week’s Imaginary Stations schedule for your shortwave radio/SDR listening pleasure.

On Wednesday 30th September 2026, at 0200 hrs UTC on 9395 kHz we bring you WHFM Herman’s Radio & Record Room via WRMI. The show returns to the airwaves with new episodes featuring mid-century music from all genres from the 1930s right through to the 1960s.

Later that day at 1800 hrs UTC on 3975 kHz/6160 kHz via Shortwave Gold, tune in for more Skybird Jams. Imaginary Stations brings you an encore presentation of the show featuring music to challenge your attention span!

And at the weekend, on Saturday 3rd October at 1100 hrs UTC on 6160 kHz and then again on Sunday 4th October at 1300 hrs UTC on 6160 kHz and 2000 hrs UTC on 3975 kHz/6160 kHz via Shortwave Gold, for CLSC 2. We present the second program of classical(ish) tunes via CLSC. Be forewarned – it might not appeal to classical music purists, but we will continue experimenting with CLSC until we get it right! Or wrong.

For more information on all our shows, please write to us at [email protected] and check out our old shows at our Mixcloud page here.

FastRadioBurst23

Bob’s Radio Corner: Focusing on Hardware

Figure contributed by Copilot

By Bob Colegrove

I have a friend who has collected antique cars for many years. So far, his collection is no immediate challenge to that of Jay Leno. However, it is his collection, and he is very proud of it. The cars festoon the inside of a large barn on his rural property. You will rarely see one of his vehicles out on the interstate. He has gone beyond the primary function of using these cars to get from Point A to Point B. Instead, he has chosen to focus on the means of transport – the cars themselves – the hardware.

By way of that analogy my point is that whatever your interest, the primary objective of the endeavor may become incidental, and the focus transforms to hardware. Take radio for example. I have spoken a couple of times about the many facets of radio. The primary interest is simply listening to program content, with perhaps a concentration in DXing. Others among us have gone beyond this function and attend seriously to the container the sound comes from – the radio – the hardware. This interest might be subdivided into collecting, restoring or modifying radios.

As proof, I have observed that the most interest in this blog is generated by radio reviews. There is a noticeable increase in the pulse rate whenever a new model comes to market. We seem easily infected with curiosity, and comments soon append the original posting. What are the possibilities? Does it have SSB? What are the bandwidths, etc.? Appearance is important; features are important; ergonomics is important. How well does it perform?

What Attracts Us to Hardware

Appearances

Our reaction is sometimes irrational. Techno-appeal might very well be the first grabber. Certain radios are captivating, irresistible. Examples are the Transoceanic, the old German manufacturers like Grundig, Blaupunkt, Telefunken, and then that RCA dial that shows up here on SWLing Post occasionally. You get the idea. In each of these examples, the beauty of the beast draws us into a closer look. There is a feeling that this radio will carry us off on an exciting adventure.

An attractive setup conjured by Copilot

Appearance gets serious attention from the manufacturers. Raymond Lowey, a noted industrial designer of the last century, was hired by Hallicrafters to bring some of its products out of the pre-WWII functional motif into a more appealing modern appearance. Examples included the SX-42 (1946), S-40A (1947), and S-38/S-38A (1946–47). These models helped shift Hallicrafters from purely technical ham gear to stylish consumer electronics, blending streamlined industrial design with functional engineering.

Raymond Lowey

Features

Of course, features are an important checkbox. We all have our lists. Although there is an ordered list of popular items, features come down to personal preferences. You know what you want. Sometimes it is a compromise based on what is available. Sometimes it is a compromise based on economics.

Ergonomics

The relative ease of operation generally occupies a portion of receiver reviews – the ergonomics. In general, entry and recall of memory locations has become a feature of diminishing returns (see https://swling.com/blog/2023/11/if-memory-serves-me-right/).

  • Excessive direct entry key presses can be annoying.
  • Locating controls along the sides.
  • Poor display arrangements.
  • Overly complex clock/alarm setup.

I could go on and present some examples, but you get the idea.

Control Curiosity

We have an insatiable curiosity about how things work. Despite the foregoing pitfalls of ergonomics, many of us are fascinated with the operational intricacies of radios – pressing buttons, twirling knobs, throwing switches. I am easily entertained. To amuse myself, I once did a full-page cause-effect flowchart of button presses for the Tecsun PL-660. It was interesting and kept me out of mischief for a while.

Performance

Performance is a gray area – sensitivity, selectivity, tone quality, etc. Lacking laboratory test results or side-by-side comparisons, the review of a new radio may fall short. Additionally, accepting the manufacturer’s specifications can be misleading or confusing. Ideally, variables must be isolated and controlled. We should not rush to judgment. Still, the typical consumer can render an honest appraisal if it is properly qualified.

Accessories

The radio stands as the centerpiece. For today’s all-in-one portables, an external antenna and a pair of earphones may be the only other hardware needed. In earlier times, the radio was likely a fixed unit requiring AC power. Many models were not as capable as even a moderately priced portable today. As a result, accessories such as external speakers, q-multipliers, and crystal calibrators complemented the capabilities of the radio. Knowledgeable operators who knew how to fix things might have servicing gear like signal generators, vacuum-tube voltmeters, and oscilloscopes positioned on nearby shelves. All this hardware was a source of pride and gave one the assurance that the listening experience was the best possible.

Thinking inside the Box

Beware of SWLs with soldering irons. There is a quantum leap in going from a listener to a certified tinker. It’s not for everybody. It’s the result of long mystic contemplation and self-surrender to obtain unity with the radio – Zen and the art of radio maintenance. Ultimately, you gather the tools. You open the case. You’re on the way to either Valhalla or complete annihilation. As you open the cover, you are transported down a long, dark cavern and suddenly arrive at an alien Tron-like world of strangely shaped parts.

An inside view by Copilot

Some folks are prepared for the adventure. They have read a book, taken a course, or earned their ham ticket. Others, like me, have thrown caution to the wind with no assurance of success, just a curiosity impervious to reason and a glimmer of hope that we can touch something and make it better. For us, it’s an embarkation on a long encounter with trial and error. Only by persistence and occasional reference to the previously neglected training materials will we finally earn our stripes.

Before I took up the soldering iron, I tackled alignment. I have heard beginners mistakenly thinking that every one of those slotted screws needed to be completely torqued down. Somehow, I had been cautioned that each one had a sweet spot at which the receiver displayed optimum performance. Each one of these adjustments operated in series with all the others, and near total synchronization was necessary to produce even a whisper of signal. It is a sort of electronic Rubik’s Cube; there are many combinations but only one solution.

To be sure, I made my share of mistakes. Initially I did all this by ear without the benefit of an RF generator, voltmeter, or even an insulated tool. I do remember one occasion getting an intermediate frequency adjusted up into the broadcast band. What a squeal that made. Over a period of a few years, I made progress and gradually came to tackle the dual-conversion Hammarlund SP-600 with great aplomb.

Source: Better Shortwave Reception, William I. Orr, W6SAI,
Radio Publications, Inc., Wilton, CT, 1957.

The purported goal in all of this is to squeeze every microvolt of signal out of the ether and hear more stations. In truth, that is only a cover so we can play with the hardware.

Today’s radios don’t have nearly as many adjustments. Through digital processing and phase-locked loops, most of the resonant circuits of old radios have been eliminated. It might be an improvement in performance and reliability, but it’s not the same.

Even the tinker’s quintessential soldering iron has mostly gone cold. The large-scale integration and surface-mounted, robotically-installed components have rendered radio repair and modification intimidating if not impossible. Only a few isolated Merlins of wizardry can deal with this.

For that reason, tinkers have largely retreated to experimentation with antennas. It does not require post-doctoral work in electronic engineering to produce tangible results. While there is a valid wealth of professional theory and practice which has gone into antenna design, the rest of us can still amuse ourselves by hanging wire, winding coils, and empirically evaluating the results.

Collecting

It only takes one radio to get things started. Where it goes from there depends on your interest. About 10 years ago I bought a Hallicrafters S-38E in virtually unused condition. The Hallicrafters lettering was printed on each of the original tubes. There wasn’t a mark on it. Obviously, someone bought this radio new, circa 1959, decided they weren’t interested in shortwave radio, and stored it in an environmentally ideal closet for more than half a century. (No, I have not felt the slightest need to recap it.)

I also bought my first S-38E in 1959. Unlike the first owner of my current S-38E, I have had a persistent affair with radios over the years. It started with just one radio, but I didn’t start collecting them for many years. Instead, I traded up, first an S-40B, then an SX-43, and ultimately the Hammarlund SP-600. It was at that point I was well into tinkering and wound up with three -600s plus one hulk for parts. The Sony ICF-2010 came along in the ‘80s, and I have just kept collecting from time to time with no thought to downsizing.

Let’s look at the economics of the thing. The S-38E cost $55 in 1959. Adjusted for inflation, this would be roughly $600 today. How many folks would be induced to spend that kind of money today to try out shortwave radio? If you bought a $600 radio today, it would be far superior in quality and features to the humble S-38E. Even an entry-level $55 radio today is better. We just can’t make comparisons other than to say radio has become a cheap hobby, unless, of course, you are a collector.

Hardware Groups

There are at least two healthy user groups in groups.io which deal with radio hardware: https://groups.io/g/HallicraftersRadios/topics and https://groups.io/g/SonyICF20102001Dusergroup/topics. There are others, but I am most familiar with these.

For these folks, listening and reporting station reception is incidental to the acquisition, care, and feeding of the radio – the hardware. What are you hearing on the radio? More specifically, are you hearing anything you hadn’t heard before? These questions often go unasked in these groups.

It amazes me that both groups remain very active long after the hardware production ended. Hallicrafters ceased operation in 1980. The Sony ICF-2010 and 2001D radios were manufactured from 1984/1985 to 2002/2003, depending on your reference. Yet each interest group has a core membership steeped in the history and technology of these radios and is quick to address the inquiries of others.

The Hallicrafters Group

The Hallicrafters Group focuses on both receivers and transmitters from the 1930s through the 1960s – the vacuum tube or “hollow state” era. For most purposes, a soldering tool is essential, schematics are necessary documentation, and diagnostics is a required skill.

It was a hands-on era; repair was down to the component level. Today, parts are becoming an issue. While tubes, capacitors, and resistors are still reasonably common, unique items such as transformers, variable capacitors, and various mechanical items (knobs and dials in particular) are more of a problem. This has resulted in cannibalization or “parting out” units in more extreme states of deterioration for their valued parts. This isn’t always a helpful solution, as a defective part may be a common occurrence among other units. A few enterprising vendors have taken up the challenge and come up with innovative solutions, including the use of 3-D printing to replicate parts such as knobs. Bottom line: Restoration of antique hardware appears to be a primary focus of this group.

The Sony ICF-2010/2001D Group

The Sony ICF-2010/2001D Group represents another generation of radios, which were produced in the closing decades of the 20th century. Even more amazing, their interest focuses essentially on a single model receiver. There were at least 6 different versions tailored to local regulations. The -2010 was the North American version.

The complexity of these radios was orders of magnitude greater than those of the vacuum tube era. Being solid-state, they were relatively compact and reasonably portable. They achieved the pinnacle of excellence in portable shortwave reception. Among aficionados, they are still regarded as such today.

Memory capacity of a digital radio can quickly become a point of diminishing returns. While not the first portable to have digital memory, these radios sported an 8 x 4 matrix of memory buttons. Recall is instantaneous, not only frequency but other tuning parameters.

Today’s group remains quite active. Due to the complexity of these radios, troubleshooting and repair are much less common compared with the Hallicrafters Group. However, from time to time capable repair sources have shown up to provide this service as well as several useful modifications. The ICF-2010 and -2001D occupy a unique spot in the hardware collection arena, commanding high prices on the used market. They are regarded as truly classic radios worthy of preservation. They also remain high-performance shortwave receivers today.

Conclusion

Cars and radios are similar. They do not necessarily have to be driven or tuned to be enjoyed. The proof is in the barns and shacks of true hardware lovers. On the other hand, you may have just one radio, but it’s still a special piece of hardware and a captive testimony of your love of technology.

Good DXing.

Classical, Vermont and Jams via the shortwaves

Hi to all our SWLing Post friends. Here’s this week’s Imaginary Stations schedule for your shortwave listening pleasure.

On WRMI on Wednesday 23rd September 2026, at 0200 hrs UTC on 9395 kHz we bring you Imaginary States: Vermont. Welcome to the sounds of the Northeast Kingdom where hippies still thrive six decades later. We will hear tunes from all over the state, and the state of mind, known as Vermont.

Later that day at 1800 hrs UTC on 3975 kHz/6160 kHz via Shortwave Gold, tune in for more sounds of Skybird Jams, great extended tunes from the Skybird vaults including Grant Green, Herbie Hancock & more.

And at the weekend, on Saturday 26th September at 1100 hrs UTC on 6160 kHz and then again on Sunday 27th September at 1300 hrs UTC on 6160 kHz and 2000 hrs UTC on 3975 kHz/6160 kHz via Shortwave Gold, it’s our first broadcast of CLSC, music we like to think is classic, or classical in nature. Roll over Beethoven, we’ve got the coolest tunes on shortwave (complete with additional instrumentation thanks to the ionosphere.)

For more information on all our shows, please write to us at [email protected] and check out our old shows at our Mixcloud page here.

FastRadioBurst23

New Mexico and all that stuff

Hi to all our SWLing Post friends. Here’s the Imaginary Stations schedule for your shortwave listening pleasure.

On WRMI on Wednesday 16th September 2026, at 0200 hrs UTC on 9395 kHz we bring you The Shortwave Music Library. DJ Frederick searches through the dusty archives of the library and selects some wonderful tunes.

Later that day at 1800 hrs UTC on 3975 kHz/6160 kHz via Shortwave Gold, we bring you The Skybird Lounge. Retire with us to the lounge for some chilled out listening pleasure.

At the weekend on Saturday 19th September at 1100 hrs UTC on 6160 kHz and then again on Sunday 20th September at 1300 hrs UTC on 6160 kHz and 2000 hrs UTC on 3975 kHz/6160 kHz via Shortwave Gold, we return to our Imaginary States project and visit the state of New Mexico. We will be sampling music from bands who call New Mexico home. There might even be a well-known song about Albuquerque!

For more information on all our shows, please write to us at [email protected] and check out our old shows at our Mixcloud page here.

FastRadioBurst23

Ace shortwave lounges and libraries

Hi to all our SWLing Post friends. Here’s the Imaginary Stations schedule for your shortwave listening pleasure.

On WRMI on Wednesday 9th September 2026, at 0200 hrs UTC on 9395 kHz we bring you another crazy episode of Radio Ace. This just might be the strangest instalment yet … tune in to hear some cool & strange tunes and guest host Grandpa turns into a cat.

Later that day at 1800 hrs UTC on 3975 kHz/6160 kHz via Shortwave Gold, we bring you The Skybird Lounge. Retire with us to the lounge for some retro listening pleasure. There will be idle chatter and designated drivers, so come on in & listen to the music. No cover charge!

At the weekend on Saturday 12th September at 1100 hrs UTC on 6160 kHz and then again on Sunday 13th September at 1300 hrs UTC on 6160 kHz and 2000 hrs UTC on 3975 kHz/6160 kHz via Shortwave Gold, we bring you the The Shortwave Music Library.

Library cards at the ready as Head Librarian DJ Frederick goes through the archives and databases and picks out some wonderful tunes to air on this hour long show. Tune in for a great selection from our vast catalogue.

For more information on all our shows, please write to us at [email protected] and check out our old shows at our Mixcloud page here.

FastRadioBurst23

The soulful world of the shortwave radio fraternity

Hi to all our SWLing Post friends. Here’s the Imaginary Stations schedule for this week’s shortwave listening pleasure.

On WRMI on Wednesday 2nd September 2026, at 0200 hrs UTC on 9395 kHz we bring you another show in the WHFM – Herman’s Radio and Record Room series. This is a programme by DJ Frederick Moe in memory of his father Herman Moe (1919-2001) and features mid-century sounds including country, jazz, folk and easy listening.

Later that day at 1800 hrs UTC on 3975 kHz/6160 kHz via Shortwave Gold, we bring you more Skybird Soul on Shortwave. Expect the best Soul and soul related tracks for a Wednesday evening. It’s great to hear some soul on those shortwaves!

Then on Saturday 5th September at 1100 hrs UTC on 6160 kHz and then again on Sunday 6th September at 1300 hrs UTC on 6160 kHz and 2000 hrs UTC on 3975 kHz/6160 kHz via Shortwave Gold, we bring you a show about Fraternity Records out of Cincinnati, Ohio. Be prepared to listen and learn about this excellent record label and hear some wonderful cuts released on the label.

For more information on all our shows, please write to us at [email protected] and check out our old shows at our Mixcloud page here.

FastRadioBurst23

How Do They Say That? Using Text-to-Speech for Foreign Language DX Identification

By Don Moore

More of Don’s traveling DX stories can be found in his book Tales of a Vagabond DXer [SWLing Post affiliate link]. If you’ve already read his book and enjoyed it, do Don a favor and leave a review on Amazon.

When I first discovered shortwave radio way back in 1971, right from the start I was both a listener (looking for interesting content) and a DXer (trying to hear as many different places as possible). But my DXing had a problem in that I only spoke English. Sure, lots of countries had international broadcasters with programs in English. But how was I going to log the many that didn’t?

In July 1972, I ordered a sample copy of FRENDX, the bulletin of the North American Shortwave Association. It was the first time I had seen a DX bulletin, and I learned a lot. The most eye-opening thing I found out was that other North American DXers were routinely identifying and logging radio stations using languages that they didn’t themselves speak. I was genuinely surprised by this. But if they could do it, then I could, too.

I began by going after Spanish-language broadcasters. I had started studying Spanish in school, so I knew the pronunciation rules even if I didn’t yet understand much. Some station names, like Barquisimeto and Bucaramanga, were even fun to say. I soon branched out to DXing stations in Portuguese, Arabic, and French and eventually to other languages like Russian and Indonesian. One thing that helped was that in those days the World Radio TV Handbook included transcriptions of standard ID announcements from many stations, such as in the image below of Radiodiffusion Television Algerienne in the 1972 WRTH. But whatever the language, the difficulty was always the same. What my English-centered brain thought the words in a book should sound like didn’t always match how the native speakers of the language actually said it.

The anecdote, of course, was experience. Over time I developed an ear for the various languages used by lots of DX stations. Even so, long words could still trip me up. Sure, my knowledge of Spanish made Barquisimeto and Bucaramanga easy. But words like Tanjungkarang and Manokwari in Indonesian and Itatiaia and Goiânia in Portuguese still gave me headaches.

The Reasons Why

In the late 1980s I went back to school to get a master’s degree in Applied Linguistics with the goal of teaching English as a Second Language. One of the first classes I had to take was phonetics – the study of how our mouths make the sounds that turn into words. It’s more complex than you might think. The International Phonetic Alphabet has 107 symbols for distinct vowel and consonant sounds. I had to learn to audibly recognize each of them. (Just don’t ask me to do it now.) Each of those sounds can be further modified in various ways, and it’s those sounds with modifications that produce the unique phonemes that make up each language. Standards of measurement vary, but the best estimates put the total number of phonemes in all the world’s languages at around eight hundred. Most languages only use around forty. English has 44 phonemes.

So that station name spelled out on a printed list may not only sound different than you expect, but it likely also contains sounds that you don’t even know. And when the sounds get chained into words, there’s the issue of which syllable gets the stress (consider photograph versus photography). Many languages help by using accent marks when stress differs from the standard. As words get chained into sentences, the connections also affect pronunciation, such as how “got to” becomes “gotta” in colloquial English. Other languages do the same thing. And I’m not even going to go into the use of tones in languages like Mandarin, Vietnamese, and Thai.

If you think English is an easy language, you are wrong. In terms of how the pronunciation of a word matches the spelling, English is one of the worst. There are historical reasons for the inconsistencies, but about 20% of English words are pronounced significantly differently from how they are spelled. And we don’t use accents or other diacritic marks to indicate when the sound differs from what’s standard. That makes English a difficult language to learn to speak and to understand. My linguistic DX heroes are any non-native English speakers DXing American medium wave stations. Local people do not pronounce places like Louisville (Kentucky) or DuBois (Pennsylvania) the way you would expect.

So there are all types of reasons why that station identification may not sound like we think it should sound.

But There’s a Solution …

I didn’t lead you all the way here just to complain about how complicated it all is. We now have a solution.

Text-to-speech is the process of presenting a computer program with a word or phrase and having it generate the sounds. For most of us, our first experience with this probably happened two or three decades ago when calling an automated phone system that used a mechanical voice to read back unique information that couldn’t be prerecorded by a human. It was pretty bad, and text-to-speech of the era deservedly got a bad reputation.

But the good news is that, like so much technology, text-to-speech has gotten a lot better. Some of it is so good that it’s become difficult to distinguish computer-generated speech from real human speech. Of course, the ways that can be misused also make it scary, but that’s a topic for other forums. Dozens of companies provide text-to-speech software in dozens of languages. And most of them have websites where you can try out their software for free.

I do a lot of DXing of stations in languages that I don’t understand or know well. And sometimes I hear what seems to be an ID but doesn’t match what I would expect from the spelling of any listed station. Then I go to one of those text-to-speech websites and plug in the station name to create a sample audio file. I compare that file with what is being said in my DX recording to see if they match.

I’ve been using this method for several years with Brazilian medium wave stations, Russian airports, and Indonesian marine stations, among others. I’ve confirmed numerous IDs this way that otherwise I wouldn’t have figured out, or at least not have been as comfortable that I had gotten the logging right. A couple of times it’s even saved me from making mis-logs on similarly spelled station names on the same frequency.

Most text-to-speech generators offer multiple voices, including both male and female. I always pick the gender that matches that of the ID I’m comparing to. For the most widely spoken languages, some companies offer multiple dialects, like Nigerian English or Argentine Spanish. So if you’re trying to ID a Colombian station, pick Colombian Spanish, not Argentine.

And, very important, be sure to use the correct spelling when pasting in the station name to check. That means including all the accent marks, tildes, umlauts, cedillas, etc. They are there to indicate how the word is pronounced, and if you omit them you will not get the right result. To make sure I have the correct spelling with all the proper diacritic marks, I usually copy/paste from Google Maps, a Wikipedia article, or some other webpage.

Finally, be aware that some local pronunciations are so unusual that the speech engines still may not get it right. I grew up near DuBois, Pennsylvania, and not one of the text-to-speech sites I tested said “DuBois, Pennsylvania” the way the people who live there do. They call their town “DO-boys.” To any native French speakers reading this, I sincerely apologize for what we Pennsylvanians have done to your language.

Links

A quick way to find a TTS engine is to do a web search for “<language name> text to speech”. Here are a few of the better ones.