Justin Moore | The SWLing Post

McMurdo Station, Antarctica. (Source: USAP.gov)

Many thanks to SWLing Post contributor, Justin Moore (KE8COY), who shares the following:

[T]here is an interesting podcast] that I’m sure you would like as well as anyone with an interest in radio might enjoy, especially in this weather.

It’s the Antarctic Sun podcast and this episode is about the communications staff at McMurdo Station, the MacOps department, and the things they do to stay in touch with scientists, researchers, and workers in the field, using their radio communications skills to keep everyone safe.

Listening to this is great while there is still snow on the ground, as there is up here in Cincinnati, and may be a bit of inspiration for ham radio folks who participate in Winter Field Day.

My favorite part is when they talk about using HF to sing Christmas carols to each other at the different Antarctic camps and stations.

[Here’s the description of the episode:]

Communications operator Rebecca Ricards (foreground) calls up field camp information at the MacOps control console. Josh Young looks on. (Source: NSF)

“Antarctica is a vast and potentially treacherous continent and the safety of researchers and support staff is of the utmost concern for everyone. Just knowing what’s happening is a critical first step towards keeping everyone safe, but keeping the lines of communication open between the station and people working in the field requires a lot of effort. It takes a multitude of high frequency and very high frequency radios, a veritable forest of signal repeaters, a constellation of satellite phones and more to keep tabs on everyone.

All of those communication systems are routed through the nerve center of the station, MacOps. Short for “McMurdo Operations,” it’s the central communications hub where operators keep tabs on everyone off the station. Communications operators are in almost constant contact with the numerous field camps and sea ice groups, ready to send in search and rescue teams in an emergency or just say a friendly “hello” after a long hard day of work in a remote field camp.”

Click here to download the podcast.

Thanks for taking the time to share this, Justin! This episode combines two things that fascinate me: radio and Antarctica! Certainly a win-win. I’ve also now subscribed to this podcast–thanks again!

Click here for more details at The Antarctic Sun Podcast.

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Spread the radio love

Many thanks to SWLing Post contributor, Justin Moore, who writes:

This may be of interest to your readers in Switzerland (and nearby!). From Bruce Sterlin’s Beyond the Beyond blog at Wired:

“From October 24, 2018 to January 27, 2019, Museum Tinguely will host a sonic journey giving access to works of radio art from the last hundred years in a unique way. As visitors navigate the space with headphones and specially programmed smartphones, their movements act as “human radio dials,” activating works (current and historical, well-known and unknown) by artists including Antonin Artaud, John Cage and László Moholy-Nagy through to Michaela Mélian, Milo Rau and Natascha Sadr Haghighian. The installation was designed by the artist, architect and musician Cevdet Erek and realized by Meso Digital Interiors. The resulting interplay of sound and space is both technically sophisticated and aesthetically striking, giving visitors an immersive experience of the world of radio. In the second part of the exhibition, diverse aspects of the theme of radio will be discussed in 14 themed weeks, offering visitors a chance to engage and experiment actively with this fascinating medium.

Over the hundred years since its emergence, the radio medium has been explored by musicians, composers, writers, philosophers and fine artists (and many others who do not fit into such categories). They have examined the production of programs, ways of recording, transmitting and receiving, and the possibilities for recording broadcasts. In the first exhibition of its kind, Radiophonic Spaces brings together more than 200 pieces for radio from around the world with the aim of documenting this sustained engagement with the medium by artists of all fields, and allowing visitors to hear it. Unforgettable broadcasts that existed only in obscure archives can be experienced afresh, presenting the history of a medium whose rootedness in actuality means it gives a picture of the century of its existence. The major disasters of the last hundred years are revisited here, as are the great technical and social achievements of the period—to current positions such as Documenta Radio (2017). The “sonic journey” combines artistic approaches to radio art and broadcasting with a scholarly project led by the research group on experimental radio at the Bauhaus-Universität in Weimar. The results of this creative interplay unfold in an immersive journey featuring some 200 gems of international radio art. Historical and contemporary works are related to one another: from Antonin Artaud, John Cage and László Moholy-Nagy through to Michaela Mélian, Milo Rau and Natascha Sadr Haghighian. With the help of a headphone system, visitors gain access to individual works of radio art, triggered by their movements. In a space designed in cooperation with the artist, architect and musician Cevdet Erek and realized by Meso Digital Interiors, visitors immerse themselves acoustically in this art form. This experience resembles the reality of using an actual FM radio: looking for channels until a voice, a piece of music or a sequence of sounds prompts the listener to stay a while longer, or at least to note the frequency so as to be to return to the channel and the voice later. The range of channels on offer is confusing, overwhelming, sometimes too much, but it reflects both the sprawling variety that characterizes the medium and the possibility to decide quickly what to listen to.”

https://www.wired.com/beyond-the-beyond/2018/10/radiophonic-spaces-museum-tinguely/