Category Archives: Vintage Radio

Anachronism Alert: FM on a Radio in the WWII Blitz?

Many thanks to SWLing Post contributor Paul, who writes:

Hi Thomas, while watching this documentary from the BBC telling how people Northern Ireland survived the Blitz in World War 2. I spotted this glitch. The picture is from a scene when Prime Minister Neville Chamberlain declared war on Germany.

It will be noted that the radio’s dial has an FM band. FM broadcasting commenced in the UK in 1955.

Cheers

Paul
Christchurch,
New Zealand

You’ve a keen eye for detail, Paul. Thanks for sharing.

Astrad “Mikado” F8-TR17-B205: Mark discovers this USSR radio at his local charity shop

Many thanks to SWLing Post contributor Mark Hirst, who writes:

This gem arrived in the charity shop where I volunteer yesterday, a radio made in the USSR (Minsk) in around 1975.

It was in fantastic external condition, although after checking it out discovered that the band changing control on the right hand side had been disconnected.

I suspect something went wrong with the very mechanical way it switched frequencies (shown in the video below), which rotated individual circuit boards into play.

Somebody seems to have opened it up, set it permanently on VHF, and then disconnected the control to prevent any further changes.

It was evidently sold in the UK as it has BBC radio stations on the dial and I even found a UK service manual for it.

I was tempted for a while, but I’m learning these days that this sort of thing just ends up as clutter.

Hard to believe that only five years after this electro-mechanical radio was made, Sony would release the ICF-2001 !

Mark

Manual:
https://archive.org/download/Trader_ASTRAD_B205/b205_text.pdf

Radio Museum:
https://www.radiomuseum.org/r/minsk_radi_astrad_f8_tr17_b205f8tr17.html#

YouTube – Astrad “Mikado” F8-TR17-B205:
https://www.youtube.com/watch?v=osDxKNdun98

A Radio Postcard from Seoul

Many thanks to SWLing Post contributor Mark Hirst, who shares the following guest post:


A Radio Postcard from Seoul

Hechi is a mascot for the Seoul Metropolitan Government

by Mark Hirst

I recently spent a very memorable week in Seoul, motivated to travel there by Hallyu or the Korean Wave, a cultural phenomena exemplified by the TV show Squid Game, animated movie K-Pop Demon Hunters, boy band BTS, and girl group Blackpink.

While I can credit Netflix and its huge library of Korean TV and film content for introducing me to K-drama, it was KBS World Radio and its Weekend Playlist programme on shortwave that led me to K-pop.

Early on in my holiday planning, I discovered that KBS has a public exhibition called KBS ON located in their headquarters building. Later during the trip, radio would appear unplanned in one of the other museums I hoped to explore.

Travelling to Seoul of course was a unique radio listening opportunity to hear and record stations that would otherwise require a Web SDR or internet streaming. Armed with a relatively recent copy of WRTH, I was able to compile a list of radio stations with the intention of making some short audio and video recordings.

What follows is a description of my experiences at KBS ON, some historical references to radio at the National Museum of Korean Contemporary History, and notes about the radio stations I was able to hear during my stay.

All photos are my own.

The Korean Broadcasting System

The Korean Broadcasting System or KBS is the national broadcaster of Korea, providing radio, TV, and internet based content to its national audience. KBS World is the outward facing arm of the organisation providing similar services to an international audience.

The headquarter buildings of KBS are located in Yeouido, an area of Seoul that also hosts Korea’s National Assembly Building. Technically a river island, Yeouido is bordered by the Han River, offering spectacular views of central Seoul and a skyline familiar to K-drama fans everywhere.

The main KBS building is a short walk from Yeouido station on Line 5 and Line 9 of the Seoul metro system. Your route takes you through Yeouido Park where you can see a preserved Douglas C-47 cargo plane dating from the Korean War.

The main building sits along side several other KBS related areas including the KBS Hall and KBS Art Hall. Even to the untrained eye, it’s obvious that the facility is communications related with a prominent red and white antenna tower on the main building, with red scaffolding on an adjacent block housing another tower and communication dishes.

Other notable locations at the site include a roadway and building entrance where K-pop idol groups arrive every Friday to record Music Bank, a programme that showcases the latest hits of the music genre. This photo opportunity is so popular with fans that it has a dedicated playlist on the KBS World English YouTube channel.

KBS ON Exhibition Hall

The KBS ON Mural featuring the mascot Kong

The KBS ON exhibition is part of a range of locations promoted by the official visitor guide to Seoul, details of which can be found here.

Accessing the exhibition is through distinctive blue bordered doors into a large reception area. The exhibition proper then begins at the top of a short flight of stairs.

Although all sections of the tour are in Korean, section overviews are also provided in other languages. QR codes link to audio commentaries to provide the remaining explanations for non-Korean visitors.

The audio commentary supports the following languages:

  • Korean
  • English
  • Simplified Chinese
  • Japanese
  • Bahasa Indonesia
  • Vietnamese
  • Spanish

The tour proceeds through a series of linked sections and topics which are described below.

KBS History

This section is comprised of information panels outlining the origins of KBS. Originally known as the Gyeongseong Broadcasting Station (callsign JODK) beginning in 1927, the name KBS emerges in 1945 following the liberation of Korea from Japan. KBS was established as a public broadcaster in 1973.

On Air

Through a series of large screens, this section describes the various channels KBS provides including terrestrial TV, international radio, cable, and Digital Multimedia Broadcasting, a radio transmission technology developed in South Korea.

Current Affairs / Culture programme

As a public broadcaster, this section highlights the current affairs and educational output of KBS.

Virtual Studio

This interactive section demonstrates the familiar ‘blue screen’ or chroma key technology used in news and weather forecasts. Visitors are encouraged to present their own Korean weather forecast!

Drama

The visitor is treated to a display of props and magnificent costumes from Korean period dramas, with panels and displays highlighting the role of KBS in driving growth in the K-drama industry.

Props and Costumes

Entertainment programme

Supported by large screens, this area showcases a range of local programming including talent and variety shows.

Music Bank

While the shows in the previous sections will be unfamiliar to most, Music Bank is more well known to overseas fans of K-pop. This high profile programme features live performances every Friday evening from the big names of the genre with a lottery system for fans to attend recordings.

Vertigo

This section demonstrates AI based technology developed by KBS to allow a single fixed camera to track individual members of an idol group simultaneously as they sing and dance on stage. Previously, these so-called ‘fancam’ shots required a separate camera for each performer incurring extra costs and logistics problems.

Examples of Vertigo in action are shown on large screens, featuring performances by girl groups STAYC and Illit.

Visitors can step on to a virtual stage adjacent to the displays where a single camera will automatically track your face and body without physically moving. Continue reading

Photo Gallery: Asheville Radio Museum Annual Flea Market & Open House

On Saturday, September 20, 2025, the Asheville Radio Museum held its fifth annual Radio Flea Market and Open House—and I attended with camera in hand.

As a proud member and volunteer at the museum, it’s always a treat to see the community come together around radios of every shape and size. The flea market is completely free for both attendees and vendors, and the turnout this year was fantastic. I enjoyed catching up with friends and meeting some new faces—including a number of readers from both the SWLing Post and QRPer.com!

While this sale often highlights antique and vintage radios, it’s by no means limited to them. You’ll find modern gear mixed in as well, as you’ll see in the photo gallery below.

I didn’t take photos of the museum itself during this visit, but I plan to share a full tour in the near future. In the meantime, if you’re in western North Carolina, the Asheville Radio Museum is open most Saturdays and is located on the campus of Asheville-Buncombe Technical Community College. [Click here for directions.]

Flea Market Photo Gallery

(Click each image to enlarge.)

Bob’s Radio Corner: Uncle Clayton and His National NC-188

National NC-188

As recalled by Bob Colegrove

Uncle Clayton was my very first SWLing buddy.  In the late ‘50s there was no Internet – very few ways for SWLs to interact with one another.  There were clubs that published mimeograph bulletins every month or so.  These were mailed to SWLs across the country and around the world.  To come across a fellow SWL in your own town was rare.  As chance would have it, Uncle Clayton and I quite independently discovered our interest in SWLing about the same time, and then only after knowing one another for several years.

Uncle Clayton was not my real uncle.  He and his wife, Evelyn, were dear friends of my mother and father.  You see, there was a social decorum at that time which frowned upon members of the younger generation from referring to members of an older generation by their first name.  At the same time, “Mr. Smith” and “Mrs. Smith” (not their real surname) were regarded as unnecessarily formal; so, for this situation “Uncle Clayton” and “Aunt Evelyn” became the accepted form of address.

My story begins with television, not radio.  By mid-1950 both the Smiths and the Colegroves had acquired their first black and white TV “sets,” theirs a 12-inch RCA and ours a 12-inch Arvin.  Each of these occupied 8 to 12 cubic feet of space and required two well-fit individuals to move them.  Ironically, they were termed “portable” in that they required a low table or stand for proper positioning.  This contrasted with “console” models which incorporated the stand and the TV in a single cabinet.

One must understand that television at that time was what computers would become a generation later.  The nation was on the cusp of a TV frenzy.  My dad and Uncle Clayton jumped into it with both feet.  They couldn’t let the darn things alone.  Antennas were the most obvious source of tinkering.  “Rabbit ears” were the customary solution but adjusting them was a skill rivaling that of playing a cello.  Later, attic designs were fabricated for the new channel in Bloomington, Indiana.

Vaccum tubes, both necessarily and unnecessarily, became questionable components, and Uncle Clayton and my dad developed well-stocked arsenals of spares.  In retrospect the pair were, well…a couple of hacks, and I say that lovingly.  Picture two large, middle-aged men behind the RCA with the back cover off alternately trying to get a 9-pin peanut tube aligned and reinserted into its socket in the very front of the chassis – all this while trying to avoid the high-voltage discharge from the picture tube.  I still recall the looks of frustration and muffled puffs of blue air.  After some time, Aunt Evelyn appeared, looked over the dilemma, grabbed the tube, and jabbed it into the socket on the first try.

SWLing came along several years later.  I discovered it in the fall of 1958 while idly tinkering with the Howard Radio Co. Model 308 radio-phonograph console, which by that time had been relegated to the basement.  After moving it to my room and stringing up a long wire I was forever captivated.  The single SW band covered 5.5 MHz through 18 MHz across a dial a mere four inches long.  I milked that old radio relentlessly finally coming up with about 20 or 30 SW broadcast stations, all in English.

I have no recollection of how Uncle Clayton and I discovered we were going down the same path.  He had already purchased his National NC-188 with a matching speaker and set up his shack in an unused upstairs bedroom.  How I envied him.  His NC-188 was everything I envisioned in a SW radio. I was still earning my way towards purchasing a Hallicrafters S-38E.

National NTS-1 Speaker for the NC-188 and NC-109.
Better radios had separate external speakers, the claim being that there was insufficient space in such feature-packed units

Uncle Clayton’s NC-188 was my first encounter with a bandspread – a term which has virtually gone out of existence.  I immediately knew what it did, but it would take me a while to understand just how it worked.  On my old Howard console, the dial pointer travelling less than a 16th inch could cover 100 kHz or more, conceivably containing 10 or 20 stations.  Furthermore, this range was traversed by a nearly imperceptible rotation of a small knob.  Conversely, the NC-188 might cover the same tuning range over a space two inches long and require four full rotations of a 2-in diameter knob.  That was an incredible mechanical advantage.

For SWLs, there was a restriction on the use of the bandspread.  Most receivers had scales neatly calibrated for the 10-, 15-,20-, 40-, and 80-meter ham bands.  This provided reasonable frequency readout – not the precision we have with today’s digital radios, but close enough.  For international broadcast bands, the listener had to rely on a 0 to 100 linear logging scale which bore no relation to frequency.  This required the listener to generate several lists or graphs translating log readings to frequency.

The NC-188 and -109 had 4.5” bandspreads, not as long as some, but the 2” knob required 9 full rotations to traverse end-to-end.

Everything I have described so far depended on the position of the main tuning dial.  The bandspread operated electronically in parallel with the main tuning.  In short, the main tuning dial had to be positioned precisely at the high end of the tuned band for the bandspread to produce the same results.  Within these restrictions, a bandspread was still a marvelous device.

Uncle Clayton and I were still in our formative SWLing period when our family would visit him and Aunt Evelyn.  I remember him patiently tuning across portions of the SW spectrum oblivious of the international band boundaries slowly rotating the main tuning dial and stopping at points that interested him.  When my turn at the helm came, I would often seek out the General Overseas Service of the BBC and listen to the football scores or Victor Sylvester and his Ballroom Orchestra.

Victor Silvester conducting his Ballroom Orchestra in 1938. His orchestra was still a fixture on the BBC in the ‘50s and ‘60s. Source:  Victor Silvester and His Orchestra – You’re Dancing on My Heart

Neither Uncle Clayton nor I set the bar very high in terms of DXing prowess.  We had fun and made a lot of interesting discoveries.  Isn’t that what it’s all about?

Some years ago, I had the opportunity to buy a fairly clean National NC-109.  The -109 is an upscale version of the -188.  It has a crystal filter, an early SSB product detector and a voltage regulator.  Otherwise, the two radios are virtually identical.  I did all the usual things, cleaned it up, performed an alignment, and restrung the main tuning and bandspread dial cords.  Later I found a matching speaker.  When I was finished, I had what I regard as a museum-quality radio.  It occupies a prominent corner of the shack, but I don’t operate it that much.  Sometimes I just sit in front of it, spin the dials and remember Uncle Clayton and how it all started.

National NC-109

WA2XMN Revives Armstrong’s Legacy with 90th Anniversary Broadcast on 42.8 MHz

Many thanks to SWLing Post contributor Conrad Trautmann, who shares the following guest post:


42.8 MHz WA2XMN FM Goes On The Air!

6/19/2025

By Conrad Trautmann, N2YCH

Stephen Hemphill, WA3ZAE, the owner of Solid Electronics Laboratories, fired up a vintage FM tube Phasitron transmitter on 42.8 MHz to put WA2XMN on the air at exactly 12:30 pm EDT today from the famous Armstrong Tower in Alpine, New Jersey. “W2XMN” was the call sign of Edwin Howard Armstrong’s experimental FM station that went on the air in 1936. “WA2XMN” is the official FCC call sign for the station Hemphill constructed with the cooperation of the tower site owners to commemorate Armstrong’s contribution to radio, Frequency Modulation.

W2XMN building at the Alpine Tower site

Hemphill explained that he attended a Society of Broadcast Engineers meeting that was celebrating Armstrong’s accomplishments, which sparked the idea of going on the air again on that original frequency. He thought it would be perfect to aim for the 70th anniversary of the first public broadcast of wideband FM. That anniversary celebration and broadcast was held on June 11, 2005. Today’s broadcast marks 90 years since that first FM Broadcast and 20 years since the commemorative event.

Hemphill built a transmitter based on the design of a General Electric BT-1-B, but on the lower frequency than what we now know as the standard FM band. Once turned on, the transmitter made 250 watts with no problem with a little headroom to spare and after warming up and settling in, had less than one watt reflected into 400+ feet of 1 ¼” transmission line into a vertical “ringo” antenna on the top, Western facing arm of the famous tower.

Stephen Hemphill poses with his Phasitron FM transmitter tuned to 42.8 MHz

Dual Eimac 4-250a power amplifier tubes

Armstrong Tower in Alpine, NJ (the vertical antenna is up there, trust me)

The audio broadcast today was mostly replays of the 70th anniversary event recordings. A temporary studio was set up in the tower site office building. The event was also streamed live over the internet.

WA2XMN temporary studio and audio processing.

Stephen Hemphill at the controls

The main audio mixing console used was a Gately Electronics Attache Case six channel mixer. Audio processing was done with a vintage Orban Optimod 8100A.

Gately Electronics Attache Case Mixer (apologies to all audio engineers for the pinned meters)

During the event, a web site address for enthusiasts to provide reception reports was given out. While we don’t have those reports yet, I contacted an amateur radio friend who was able to hear the station clearly 61 miles away in Ronkonkoma, NY on the eastern end of Long Island. That’s pretty good coverage for 250 watts!

Coupled with the special event broadcast was the annual picnic gathering of the New York Chapter of the Society of Broadcast Engineers, Chapter 15. Roughly 45 people attended and in addition to seeing the WA2XMN transmitter, they also got a first hand look at a few of the old Empire State Building FM Master antenna elements. Here’s a photo of your author standing next to one for perspective. I’m 6’ 5”.

To read more about this antenna and its history, visit this page researched and written by Paul Thurst, KH2R, owner of the “Engineering Radio” blog.

Conrad, N2YCH with an Alford antenna element from the Empire State Building