Tag Archives: Radios in Movies

Mark spots a number of radios in “Brooklyn Nine-Nine”

Many thanks to SWLing Post contributor, Mark Hirst, who adds the following to our growing archive of radios in film. Mark writes:

A clutch of radios, this time from Brooklyn 99:

The first is what looks like a scanner behind Terry Jeffords, then an unidentified radio in the book case behind Captain Ray Holt, and finally what I think is a AOR 8600 on the table next to Amy Santiago.

Many thanks, Mark! You have very sharp eyes–especially spotting the AOR on the table in the last scene!

Please comment if you can identify this radio gear!

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Can you ID this radio in “Diamonds Are Forever”–?

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Many thanks to SWLing Post contributor, Chris, who writes:

Last weekend, I watched a few old James Bond movies and this caught my attention when Blofeld was listening to a shortwave broadcast:

Can anyone identify this radio?

Post readers: Please comment if you can ID this radio model!

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Dan spots shortwave radios in the film “Operation Chromite”

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Many thanks to SWLing Post contributor, Dan Hawkins, who writes:

Operation Chromite (2016) is a South Korean film about the invasion of Inchon by UN forces in September, 1950. This film began streaming on Netflix in the USA on January 15, 2018 and is in the Korean and English languages. The English language subtitles run automatically. This story is inspired by actual events during the Korean War. Under the command of General Douglas MacArthur UN Forces, CIA, the South Korean military and the covert Korean Liaison Office infiltrate Inchon a week before the invasion. Their mission is intel, reconnaissance and disruption. They will operate behind enemy lines in North Korean uniforms.

I gave this movie a try for several reasons. I enjoy Korean movies. The role of General MacArthur is played by Liam Neeson (of all people) and this looked like a good bet for spotting some vintage military radios. I was right about the radios.

Captain Jang Hak-Soo and his seven infiltrators arrive for their first night in Inchon. Remember, they are posing as North Koreans. The radio they have packed along is a Russian RBM. This transceiver has distinctive dual magnifying lenses over the dials.

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General MacArthur is in the radio room at his Tokyo headquarters. He issues orders for the KLO to locate any naval mines placed in Inchon harbor. The radio in this scene is a complete AN/GRC-3. I am surprised to see this as it is a 24VDC vehicular radio set (a 115VAC power supply was available). I expected to see some brand spanking-new Collins R-390s or Hammarlund SP-600s for the General. Maybe he has another radio room at HQ. I could be wrong about this.

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The final radio is seen behind enemy lines and is the same AN/GRC-3 seen in Tokyo. This time a KLO operative is using it.

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Operation Chromite held my attention for the reasons given above. The historical accuracy is more dramatic than documentary but is not too far off the mark.

Being a fan of military receivers, I really appreciate these screen grabs from Operation Chromite, Dan! Thanks for sharing! I’ll add this find to our growing archive of radios in film.

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Dan spots an Icom IC-R71A in Narcos

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Many thanks to SWLing Post contributor, Dan Robinson, who writes:

I like to note appearances by shortwave receivers in TV programs…here’s the latest…at the 14 minute mark of the new season of NARCOS (one of the best TV series there is by the way) a ICOM IC-R71A makes an appearance. At the point in the show, a key character is listening to reel-to-reel tapes, so it’s not quite clear why they stuck in a 71A tuning to a shortwave frequency….ah, the drama! Another show, The Americans, features numerous shots of various receivers, including Zenith Transoceanics and Hallicrafters…

Great catch, Dan–thank you for sharing! I’ll add this find to our growing archive of radios in film.

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Ed spots a Heathkit HW-101 in The Royal Tenennbaums

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Many thanks to SWLing Post contributor, Ed, who writes:

I was in my corner bar last night in Philadelphia where “The Royal Tenennbaums” (2001) was playing on the projection screen. I wasn’t really watching it, but a scene showing a Heathkit HW-101 HF transceiver suddenly caught my eye. When I told my my drinking buddy, Richard, “That’s a Heathkit HW-101!” He called me a hopeless geek.

I’m not sure what tuner is on the shelf below it, but maybe a SWLing blog reader can identify it.

Great job spotting the HW-101, Ed!

Ed actually sent this tip to me several months ago, but it got buried in my drafts folder–sorry about that!

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Mark spots a number of radios in “Designated Survivor”

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Many thanks to SWLing Post contributor, Mark Hirst, who adds the following to our growing archive of radios in film.

Mark writes:

Quite a haul this time!

In episode 20 of ‘Designated Survivor‘, FBI Agent Hannah Wells tries to get a message out before being recaptured….

Click to enlarge.

Many thanks, Mark! Another good one!

Are those Kenwood transceivers in the background? I certainly see a Kenwood external speaker and (perhaps a Nye Viking–?) tuner.

Please comment if you can identify this radio gear!

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Mark Spots a Sony ICF-SW1S watching “In the Line of Fire”

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Many thanks to SWLing Post contributor, Mark Hirst, who adds the following to our growing archive of radios in film.

Mark writes:

A Sony ICF-SW1S spotted in the 1993 Clint Eastwood film, In the Line of Fire.

Click to enlarge.

The radio belongs to the villain played by John Malkovich.

Thanks, Mark! Sharp eyes!

I’ve always thought the ICF-SW1S was one of the more amazing compact portables produced in the 1990s. True, it lacked SSB mode and only had 10 memories, but it was such a compact receiver for the day! Like many Sonys, it also had a dedicated line-out jack for off-air recordings. I wish more modern portables had one.

The line-out jack is one of the reasons I still regularly pack my ICF-SW100.

I do check eBay fairly regularly in hopes one will suddenly appear at a good price point–ones in good condition routinely sell anywhere from $250-350. I’m actually tempted to purchase a defective one and see if my buddy Vlado can fix it. It’s a risk, though, because if the repair requires anything other than resistors and capacitors, parts might not be available.

Post readers: Anyone own both the ICF-SW1S and the ICF-SW100? Which do you prefer and why?

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