Category Archives: Ham Radio

TomL’s Guide to Using Computer Audio PlugIns with Older Radios

Many thanks to SWLing Post contributor, TomL, who shares the following guest post:

Using Computer Audio PlugIns with Older Radios

by TomL

Older radios have a way to get audio out to speakers or another audio input device, usually just a headphone jack. Software for processing audio are plentiful and very useful tools, called VST’s. Furthermore, most Plugins were made for Musicians needing full frequency spectrum capability. I will use my Kenwood TS-590S amateur radio as a test case. I have used its speaker output to a cheap Behringer UCA-202 RCA to USB converter (it has its own volume control to keep it from overloading).

Amazon Link: Behringer UCA202

My Windows 10 Sounds Properties sees this audio as “3-USB Audio CODEC” which I have enabled on a physical USB hub with individual power switches for each port. Thanks to Steve (K1GMM) and his YouTube channel (K1GMM Green Mountain Maniac) for describing how to use Windows plugins for processing either Receive or Transmit audio. This article only focuses on Receive audio.

For my simpler needs, I have chosen to use VST Host. It will run the small “apps” that usually have a file extension of .VST or .DLL. I downloaded it right from Steve’s website:

https://kc1egu.wixsite.com/essb-ham-radio/copy-of-icom-ic7300-others

I then downloaded a number of plugins suggested by Steve on his web site (“More” Menu pulldown, DAW’s/VST DOWNLOADS). Each VST file can be copied to a central directory/folder on your computer and all read from the same place inside the VST Host. Most of these are Windows types but there are some for Linux if that is something you use. I found that VST Host does NOT like a write- protected directory, so it and the VST’s reside in my top-level Documents directory.

My resulting “chain” of VST’s process the audio from my 3-USB Audio CODEC in a sequential manner, which are:

ModernAmplifier (a Limiter to keep strong signals from overloading the processing)
ReaFir (an interesting “Subtract” feature where I cut down on the “roar” around 800-1200 Hz)
Bertom Denoiser Pro (EXCELLENT static & background noise reducer)
TDR Nova (a powerful, well-made Compessor & DynamicEQ combo)
Sennheiser-AMBEO-Orbit (a Binaural soundscape).

Once VST Host is installed, create a separate folder for the VST files. Now just copy the VST3 or DLL file for each of the apps downloaded like the ones I list above. If you have a 32-bit version of Windows, you will have to use the VST’s that are 32-bit, not 64-bit.

In VST Host, set the Wave Input and Output and sampling rate (Menu: Devices—Wave). In my case it is the aforementioned 3-USB Audio CODEC for (Microphone) Input Port and VoiceMeeter Aux-Input for the Output Port. The sampling rate is set to 48000 (You can choose Output to your “Default Speakers” which should be in the list if you do not use an extra mixer software like I do).

Now, go to Menu: File, Plugins and load each plugin that you want to use. The VST3 or DLL files should all be in the same directory that you made earlier. You may have to tell VST Host where to find them by setting the Plugin Path (Menu: File, Set Plugin Path…).

Now, once you have all the VST apps opened, you will notice that all of their individual outputs go directly to the VST Host Output. Not good, since your computer will not have enough cores to parallel-process all of these apps at the same time. So, Unchain them all by right-clicking on each app and choosing “Unchain”.

Now you will see all of the yellow connecting lines gone. Arrange (click/drag) each app in sequential order on the screen. Starting from the bottom up, right click on the app just above VST Output and choose Chain After…

Repeat up the chain, choosing the one above it to Chain After until you are left with a Daisy-Chain of apps, each output going to the Input of the next app in your desired order of processing:

Now turn on the radio to get audio going through the chain of apps. Tweaking each app is part of the tedious process of learning if an app will help or not. Just replace and Chain After in the order you want with other VST apps that you find more helpful. Tinkering with this should yield some satisfactory results if you do not overdo applying features in each app. To save the layout and VST settings, go to Menu: Performance, Save As and give it a name to store in the data file shown (just a name since it will put it into the default line 000 for you). You can choose this in future sessions from the main pulldown Menu below File. (Note: It is called “Performance” because this stuff was written for Musicians to save their home studio music along with the settings for shaping the music tracks; 99% of planet earth calls this a “Layout”, a la, Microsoft Office)

Here are two examples of sound from the radio without processing and then adding in each app over a few seconds.

LZ1AA from Bulgaria. Processing 10 secs., off 15 secs., on again 8 secs.

CHU Canada. Processing on, space, processing off. Notice a little “water” effect since AM Broadcast needs quite different settings compared to SSB Ham Radio.

You can check out Steve’s “Green Mountain Maniac” YouTube channel and see for yourself what can be done with sound processing for Radio. Some of his techniques can be used with old shortwave radio receivers as long as it has a working headphone jack or AUX Out jack:

K1GMM-RXDAP VST HOST YouTube video

Cheers and Happy Listening,

TomL

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Spaceweather.com: “Radio Amateurs Hack a NASA Spacecraft” and Sunspot High for Cycle 25

Frans checks out the MRA-QRP 20W QRP Passive Loop Antenna

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Many thanks to SWLing Post contributor, Frans Goddijn, who writes:

Dear Thomas,

In the following video, I show a little loop antenna that I bought online from AliExpress:

On arrival one of the parts, the semi-transparant box with variable capacitor for antenna tuning turned out to be broken due to the bigger box having been thrown around in transit.

The seller promptly provided me with the necessary part (plus extra) for repairs.

Yesterday I repaired it and today I assembled the antenna and tested it a bit in the afternoon and early evening as soon as reception started to get well enough.

It’s a fun antenna, affordable too.

The video shows how effective the variable capacitor is.

Best regards,

Frans

Thank you, Frans. That is certainly a very affordable passive loop option. If you’re an urban QRPer, all the better. I should also mention, you have one of the nicest radio operating positions out there!

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Mike’s Photos of the 2023 Hamvention and Four Days In May (FDIM)

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Many thanks to SWLing Post contributor, Mike (VE3MKX), who shares the following photos from the 2023 Hamvention and the Four Days in May QRPARCI Conference.

Photo Gallery

Click to view the entire photo album–> Continue reading →

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2023 W9IMS Special Event Station Details!

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W9IMS Accelerates into Another Special Event Season – with a Chance for an Indy Racing Certificate

By Brian D. Smith

It’s back to the track for collectors of W9IMS cards and certificates.

The first of this year’s three special events tied to the major races at the Indianapolis Motor Speedway will begin at midnight Eastern Time (0400 UTC) this Sunday, May 7, and continue through 11:59 p.m. (0359 UTC) the following Saturday, May 13.

And for hams and SWLs, your chance for a 2023 Checkered Flag Award begins – and could end – with it. To earn the certificate, you’ll need to contact or tune in W9IMS during all three special events this year: the Grand Prix, the Indianapolis 500 (May 22-28) and the NASCAR 200 at the Brickyard (August 7-13).

Catch W9IMS during Grand Prix week and you’re one-third of the way to Victory Lane. Miss it and you’ll have to wait till 2024 for another shot at the certificate.

So when and where do you find W9IMS? Any time of the day or night is possible, but prime time is from 6 to 10 p.m. (2200-0200 UTC) weekdays, and the prime bands are 40 and 20 meters (generally around 7.245 and 14.245 MHz). And this year, improved solar conditions could prompt a rare move to 15 and 10 meters, likely around 21.350 or 28.340 MHz.

The choice of frequencies will be gametime decisions based on a variety of factors, including QRM, band openings and the number of calling stations. So your surest move is to check W9IMS spots, which are frequently posted on DX Summit (www.dxsummit.fi).

While some on-air times are unscheduled, you can also increase your odds by going to the W9IMS QRZ page (www.w9ims.com) and clicking the Grand Prix link under the heading “2023 Operating Schedule” – which displays the shifts that operators have already signed up for.

If time is running short, listen for happy hour – the last blast on Race Day (May 13 for the Grand Prix), usually starting at 11 p.m. Indy time (0300 UTC). That’s when W9IMS ops traditionally switch to contest-style QSOs and exchange only signal reports so they can work as many stations as possible. But remember that W9IMS special events can end early if the station encounters sparse QSOs or adverse solar or weather conditions.

Should you manage to bag W9IMS, don’t celebrate for too long: The Indianapolis 500 special event begins on May 22, only 9 days after the end of Grand Prix week. Then comes the longer wait till the NASCAR race in August.

You’ll qualify for a new and unique QSL card for each W9IMS event you log, regardless of whether you snare all three in ’23. But why not complete the set and nab the certificate – starting with the first race this coming week?

Hams and SWLs alike are eligible for any and all W9IMS cards and certificates; you can even QSL via the bureau. And if you forgot to send in your information from a previous year, it’s still possible to obtain nearly all of the previous cards and certificates. Consult the W9IMS QRZ page for full details.

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Radio Waves: State of AM Radio, Quindar Tones Hack, AI DJs, BBC Pop-Up Station for Sudan, Artemis II & Ham Radio, and a Morse Revival

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Source: NASA

Radio Waves: Stories Making Waves in the World of Radio

Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors Dennis Dura, David Shannon, and Eric McFadden for the following tips:

Bouvard Laments “Yawning Gap” in Marketer Perceptions About Radio (Radio World)

Cumulus publishes analysis to counter prevailing sentiments about AM and radio in general

“Ford owners are massive users of AM radio.”

So writes Pierre Bouvard, chief insights office of Cumulus Media, citing data from MRI Simmons.

That is but one of his observations as Cumulus Media/Westwood One released an analysis of listening data from sources that also include the Nielsen fall 2022 survey, Edison Research’s “Share of Ear” and research by Advertiser Perceptions.

Bouvard regularly posts about the power of radio and what he calls misperceptions about the medium among the broader marketing community.

He summarized takeaways from the new Cumulus analysis:

“The Nielsen Fall 2022 survey reveals that 82,346,800 Americans listen to AM radio monthly; 57% of the AM radio audience listens to news/talk stations, the very outlets that Americans turn to in times of crisis and breaking local news; and one out of three American AM/FM radio listeners are reached monthly by AM radio,” he wrote. [Continue reading…]

AM News Radio, your go-to in a crisis, could itself be in trouble (NorthJersey.com)

“Some clouds over the city right now. I’m Paul Murnane,” says a familiar voice.

“I’m Wayne Cabot,” says another.

Few would know their faces. But as names, they’re as recognizable as anyone in New York.

Fewer still could tell you their address — an 11th floor studio in a light-brick high-rise in lower Manhattan, between a Chase bank branch and patisserie named Maman.

But hundreds of thousands know where to find them on the AM dial — right between 820 WNYC (“public affairs”) and 930 WPAT (“multi-ethnic”). That, for 56 years, has been the location of WCBS Newsradio 880 — one of those rare unchanging institutions in a changeable city. [Continue reading…]

Apollo Comms Part 27: Quindar Tones Microphone Hack (CuriousMarc on YouTube)

The last DJ nears? Radio station uses artificial intelligence, cloned voices (WRAL)

GENEVA — The voices sound like well-known personalities, the music features trendy dance beats and hip-hop syncopations, and the jokes and laughter are contagious. But listeners of an offbeat Swiss public radio station repeatedly got the message on Thursday: Today’s programming is brought to you by Artificial Intelligence.

Three months in the making, the French-language station Couleur 3 (Color 3) is touting a one-day experiment using cloned voices of five real, human presenters — in what managers claim is a world first — and never-aired-before music composed almost entirely by computers, not people. From 6 a.m. to 7 p.m., the station said, AI controlled its airwaves. Every 20 minutes, listeners got a reminder. Continue reading →

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Radio Waves: Gen Tojo’s Teeth, City Radio Review, Wearable CW Trainer, Sister Boniface, and “We Are Broadcasters” Oppose Tax

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Radio Waves: Stories Making Waves in the World of Radio

Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors Dennis Dura and Harry Dence for the following tips:

Gen Tojo’s Teeth: Morse Code Shows Up In The Strangest Places (Hackaday)

The Baader-Meinhof effect is the common name for what scientists call frequency illusion. Suppose you are watching Star Trek’s Christopher Pike explain how he makes pasta mama, and you’ve never heard of it before. Immediately after that, you’ll hear about pasta mama repeatedly. You’ll see it on menus. Someone at work will talk about having it at Hugo’s. Here’s the thing. Pasta mama was there all along (and, by the way, delicious). You just started noticing it. We sometimes wonder if that’s the deal with Morse code. Once you know it, it seems to show up everywhere.

One of the strangest places we’ve ever heard of Morse code appearing is the infamous case of Tojo’s teeth. If you don’t remember, General Hideki Tojo was one of the main “bad guys” in the Pacific part of World War II. In particular, he is thought to have approved the attack on Pearl Harbor, which started the American involvement in the war globally. Turns out, Tojo would be inextricably tied to Morse code, but he probably didn’t realize it. [Continue reading at Hackaday…]

the CityRadio – Hear the world (TechMoan on YouTube)

A ‘radio’ that lets you listen in to broadcasts from cities around the world…but there’s a catch.

M5STICKC Turned Wearable Morse Code Trainer (Hackaday)

Have you ever felt the options for Morse code communication were too limited? Well, look no further than [marsPRE]’s open source WristMorse communicator that can connect over WiFi, can act as a Bluetooth keyboard or just be used as a Morse Code trainer.

[marsPRE] uses the M5StickC Plus as the base device and attaches a custom “hat” consisting of a 2.5 mm plug for a radio connection and two capacitive touch paddles that act as the Morse Code keyer. The add-on is housed in what looks like a custom 3D print and hangs off of the end of the M5StickC Plus, connecting the hat through an eight 0.1 inch pin header. [Continue reading at Hackaday…]

Sister Boniface episode “Dead Air” is a pirate radio-themed

Many thanks to SWLing Post contributor, Harry Dence, who writes:

Do you watch BritBox? Hope so!

Today they released Season 2, Episode 8 of the Sister Boniface mysteries, called “Dead Air.”

Set in England of the Radio Caroline era, the episode concerns a pirate radio station called Radio Catherine, a bit of humor along with the mystery, and an homage to Radio Caroline in its ending. Also a sight gag that will please Spinal Tap fans and reference to the GPO controlling the airwaves.

Thank you for the tip, Harry!

WeAreBroadcasters: “Encourage Congress to support local radio!”

Note: this is a petition managed by WeAreBroadcasters in opposition to a proposed tax:

Encourage Congress to support local radio!

Legislation that would force local radio stations to pay new fees simply for playing music has been introduced in Congress. The American Music Fairness Act (AMFA) would put stations out of business and impact their ability to provide the news, traffic, weather, emergency information and entertainment you rely on every day. The Local Radio Freedom Act opposes new performance fees on local radio stations and recognizes radio’s vital role in every community. Please take action today and encourage your members of Congress to oppose the AMFA and cosponsor the Local Radio Freedom Act. Your voice matters!

Click here to sign.