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Beginning in the early 1940s and for more than 50 years, the U.S. armed services produced long-form radio programs on vinyl disc to broadcast to troops overseas.
These were usually recorded by the top voice talents in Los Angeles and were heard over the American Forces Radio TV Service. Many of the same talent later created other shows specifically to aid the military with recruitment. The latter programs were then distributed to American radio stations for free on-air use.
“For years, AFRTS recorded many hours a week of personality-oriented music shows, and these were sent all over the world,” Whetston said. “The guys that hosted them got complimentary copies, and luckily one air talent in particular, Roger Carroll, saved most of his albums in his garage. For the last 10 years I had been writing a blog about AFRTS, and about a year ago, with Roger’s help, I began building a website where people can hear these shows again.”[…]
Event to be held on 74th anniversary of VOA-Bethany Station dedication
Whether you engaged in dance parties in the 50s, sock-hopped through the 60s, or grooved to music of the 70s, chances are that radio provided the music of the moment.
It also meant a lifeline of accurate Voice of America news, features and music for people living in war-torn or oppressed countries.
The National Voice of America Museum of Broadcasting in West Chester will host its second annual fundraiser, “Rock the Radio” dinner-and-dance party on Saturday, Sept. 22 from 5:30 to 10:30 p.m. at the VOA museum in West Chester. Blue Stone Ivory, Cincinnati’s premier horn-driven classic rock band, will provide music from the Cold War era to help celebrate the 74 th anniversary of the VOA-Bethany Station.
“We’ll have a cocktail reception in the museum, a fabulous dinner and irresistible dance music that will keep people tapping their toes or entice them out onto the dance floor,” said Jack Dominic, museum executive director. “Funds go toward museum renovation to make the first floor accessible to people of all abilities.”
The National Voice of America Museum of Broadcasting gala committee. From left, back row: Greg Stevens, Chris Wunnenberg; Jack Dominic; Karl Ulrich. Front row: Patti Alderson and Melinda Zemper
The evening also includes the official opening of the museum’s new main exhibit hall and a private viewing of a Cold War exhibit supported by the U.S. Coast Guard’s alumni association for the USS Courier. The Courier was a floating Voice of America radio station stationed off the coast of Greece near the Panama Canal Zone from 1952-1964. It was tasked to defeat Soviet jamming near VOA target areas and contained a barrage balloon that held its medium-wave antenna aloft.
“Here in the U.S., we remember radio as entertainment, but it was a crucial way the Voice of America communicated throughout World War II and the Cold War to our troops and allies overseas and to people who lived in countries without a free press,” said Ken Rieser, president of the VOA museum board. “We want to recognize our nation’s commitment to tell the truth in media and educate people in countries where media is censored about what was going on in the world.”
Cost is $150 per person or $300 per couple, with various levels of sponsorship available for individuals, businesses and organizations. Sponsors so far include: Patti and Dick Alderson; Barbara and Larry Kellar; Mr. Mechanic; Oak Tree Communications; Sebaly, Shillito and Dyer; and Greg and Diane Stevens; Gary and Dee West; and Chris and Sandie Wunnenberg.
Sponsorship levels are: Platinum, $10,000; Gold, $8,000; Silver, $5000; and Bronze, $1,000. Sponsor recognition ranges run from free gala tickets, inclusion in the printed program, billing in all public relations and signage, recognition from the podium, logo inclusion on the museum website, and tables for 10 guests.
For 50 years, the VOA-Bethany Station transmitted Voice of America broadcasts to countries worldwide that lacked a free press, first in Europe during World War II and to South America during the Cold War. It was decommissioned by the federal government in 1994.
The iconic art deco building has been developed into the National VOA Museum of Broadcasting with the help of the entire community, mostly with volunteer labor. The Smith Family Foundation recently awarded the museum a $5,000 grant for education, event programming and exhibit development.
The museum is open Saturdays and Sundays from 1 to 4 p.m. at 8070 Tylersville Road. Museum general admission is $5 for adults and $1 for children. The museum recently added three new docents, but is still accepting more docent volunteers.
For more information about gala sponsorships, tickets, or to volunteer, email [email protected] , call Dominic at (513) 777-0027, or go to www.voamuseum.org.
Many thanks to my buddy, Fred Waterer, who shared the following message with friends on Facebook and has kindly allowed me to post this here on the SWLing Post. I thought it would make a welcome addition to our Listener Posts category.
Fred writes:
On a hot humid day in July 1978, much like today, I discovered what would become a life long avocation. International broadcasting aka shortwave radio. I was playing around with a radio belonging to my father.
It was a Nordmende, manufactured just after WW2, everything on the radio, the dials and buttons were all in German. The summer before, I had figured out that UKW was FM and listened to it off and on, despite the fact it only went up to 100 MHz. No Rock 102 or CHUM-FM on this baby.
But on that day 40 years ago, I pressed KW, kurzewellen, German for shortwave. I turned the dial and heard a woman speaking English. Not unexpected. A few minutes later she identified the broadcast as coming from Radio Sofia, Bulgaria! I was astounded!!
Radio Sofia QSL (Source: Fred Waterer)
The rest of that day I tuned around and heard the BBC, and Radio Moscow, HCJB in Ecuador, Radio Prague, Radio Canada International and so many more. It was the beginning of what has become a life long hobby/obsession.
(Source: Fred Waterer)
In 40 years I have heard everything from the mundane to the dramatic. Lectures on Soviet grain production. The invasion of the Falklands. The fall of the Soviet Union. Wars. Elections. Assassinations. Music. Literature. Jamming. Propaganda. Three filing cabinets full of program schedules, reception logs, magazines and other goodies. Binders and boxes full of QSL cards, stickers and pennants. Bankers boxes full of audio recordings. That day in July 1978 changed my life. 40 years passes way too fast. Oh well, now it’s onwards to 50 🙂
Amazing, Fred! Yes indeed, for many of us one moment of discovery makes for a welcome lifelong companion!
Let me know if you’d like help digitizing those off-air recordings–I’d love to add them to the Shortwave Radio Audio Archive.
I encourage other SWLing Post readers and contributors to submit their own listener post! Tell us how you became interested in radio!
It turns out, I didn’t need to worry about the delivery time of the Panasonic RF-B65 I ordered on eBay Thursday evening. It was shipped from Washington state and arrived here yesterday (Saturday) via USPS 2 Day Priority Mail. I’m quite impressed with the delivery speed!
I haven’t had time to put the RF-B65 through the paces, but so far all appears to be in order. The unit is very clean, the battery compartment looks like new and the antenna straight and fully intact. This listing did not include a case, box or manual, but I’m fine with that.
I’ve only had the RF-B65 on the air for a few minutes to verify that everything works properly–so far, so good. This afternoon, I’ll start a “burn in” session to see if the radio will play for multiple hours on a set of fresh batteries. I’ve found in the past that if there are any capacitor issues, older portables like this could power down prematurely.
I’m hoping all will check out with the RF-B65 because I look forward to taking it on travels this week!
Two YouTube videos just crossed my path which sparked the question.
The brothers allegedly recorded transmissions from failed Russian Manned Space flights before the successful flight of Yuri Gagarin. I remember reading about these when I was growing up. The second video contains a snippet of a voice recording from a supposed female cosmonaut as she reports rising cockpit temperatures before she died.
Many thanks to SWLing Post contributor, Dan Robinson, who writes:
[This Barlow Wadley XCR-30 (above)] appears in Episode 4 of The Looming Tower on Hulu. Shown sitting in a slum in Nairobi (or a location posing as Nairobi), tuned to what sounds like Radio Australia…
Great catch, Dan! If I ever find an XCR-30 in great shape, I think I’ll snag one. I’ve always loved their simple, all-business front panel and legendary–once benchmark–performance.
Many thanks to SWLing Post contributor, Patrick, who shares the following guest post:
Dear Thomas,
Thank you for all good articles on the SWLing Post.
After the passing of Top 40 radio disc jockey Dan Ingram of WABC 770 AM and later WCBS 101.1 FM, the golden days of Top 40 radio in New York City, the biggest radio market in the United States has been observed in TV and articles. Since 1988, no major AM station in the New York market plays pop music.
In 1960 WABC 770 AM changed format top Top 40 with upbeat disc jockeys, taking advantage of its 50,000 Watts clear-channel undirectional transmitter with the possibility to reach distant suburbs even 100 miles away during daytime and large portions of eastern United States and Canada after sunset. Its competitors at time were Top 40 stations 1010 WINS, 570 WMCA and 1050 WMGM but with directional transmitters.
Link: News12: A look inside the WMCA Meadowlands radio tower
In the mid-1960s and on to the 1970s WABC had a long line of radio personalities like Dan Ingram, Harry Harrison, Ron Lundy, “Cousin Bruce” Bruce Morrow, and Chuck Leonard to name a few. Teenagers would enjoy listening to WABC with their transistor radios being popular. In the 1970s WABC was often No 1 or 2 in the New York radio ratings.
However, the Top 40 format was to become less popular in AM with FM stations starting to play hits. WMCA dropped its Top 40 format in the fall of 1970. Despite rivals from FM stations like WXLO 99X, soul station WBLS, album-oriented rock stations like WPLJ and WNEW-FM, WABC stayed on top until 1978 with the only notable AM competitor being 660 WNBC with an adult-leaning Top 40.
But when FM-station Mellow WKTU 92 changed format to disco and became Disco 92, an FM became the No 1 station in New York City putting down WABC to No 2 in December 1978. WABC started to play more disco but the audience became confused. With new management WABC started to aim for an older audience playing more adult contemporary songs. By 1981 WABC played more oldies and started to promote talk shows. In May 1982 it was announced that WABC would become a talk radio station. On May 10, the music ended on WABC and it was in radio called the day music died.
Video: Dan Ingram air check from 1980 on WABC in AM Stereo (Youtube)
1010 WINS dropped rock and roll music in 1965 and became an all-news station. 1050 WMGM (WHN from 1962) had various music formats until 1987 when it became all-sports.
660 WNBC was the last of the major Top 40-stations to drop music. It had various pop music formats until 1988 when it became all-sports 660 WFAN since WHN/WFAN changed to that frequency. 660 WNBC introduced shock jock Don Imus and afternoon jock Howard Stern.
Many of the disc jockeys, including Dan Ingram, would join 101.1 WCBS-FM, playing oldies with the Top 40 disc jockey upbeat. The classic Top 40 era with double-digit ratings and the nighttime signal reaching hundreds of miles away was gone.
The website Musicradio 77 has a lot of resources and memorial about WABC but also WMCA: https://musicradio77.com
Patrick
Thank you, Patrick, for the stroll down Memory Lane–and thanks for sharing the informative links and videos!
I truly appreciate honoring Dan Ingram as well–no doubt, there are many SWLing Post readers who remember him from WABC. He was and will always be a radio legend.
Post readers: Do you have any memories of AM Pop Music in New York City? Please comment!
