Many thanks to SWLing Post contributor, William Lee, who shares the following article from Radioinfo.com.au:
Radio Tomorrow with James Cridland
We believe that the days when all media will be distributed over the internet are not too far away.”
Those are the words of the BBC’s Chief Technology and Product Officer, the very nice Matthew Postgate, who made a long speech which the BBC has reproduced on its press site. Digital TV Europe excitedly reported it as the BBC predicting an all-IP future.
I tweeted this last week, and it was retweeted heavily, with a lot of radio people posting “I told you so!” and “I’ve been saying this for ages!”; and a few online radio companies jumped to self-promote themselves as part of the all-IP future.
Calm down, everyone.
First, as a former senior manager at the BBC, I’d start with the seemingly trite statement that whenever you hear “we” coming from a BBC manager in a speech, what they really mean is, firstly, “my department”, and secondly, in most cases, they also mean “television”. Indeed, there is no mention of radio in the section of Matthew’s speech which talks about an all-IP future.
Radio and television are very, very different.[…]
Continue reading the full article at Radioinfo.com.au.
This was posted today in Radio World:
Bills head to Senate accompanied by applause from stakeholders
The House has unanimously passed the Music Modernization Act, a compromise bill that creates a framework for better compensating artists for digital plays of their music and making it easier for music rights organizations to collect those fees from distributors of streamed music like Pandora and Spotify, as they do from traditional plays on TV and radio.
The bill has been billed as the most significant change in music licensing laws in decades, and drew praise from a chorus of stakeholders. It now heads to the Senate, where it is also expected to pass.
It actually incorporates a trio of bills. The base Modernization Act creates a single licensing entity for reproduction rights for digital uses, like those of Spotify, Pandora, Google, Apple and Amazon. It also randomly assigns judges to preside over ASCAP and BMI rate-setting cases, according to the Recording Industry Association of America (RIAA).
The package also includes The CLASSICS (Compensating Legacy Artists for their Songs, Service, and Important Contributions to Society) Act which compensates artists for pre-1972 recordings, which had previously not been eligible for digital royalties.
You can read the entire article here
It should be interesting to see the impact this has on availability of songs and costs of streaming services over time.
Robert Gulley, AK3Q, is the author of this post and a regular contributor to the SWLing Post. Robert also blogs at All Things Radio.