Category Archives: WiFi Radio

Radioinfo: “Are we moving to an all-IP media future?”

Many thanks to SWLing Post contributor, William Lee, who shares the following article from Radioinfo.com.au:

Radio Tomorrow with James Cridland

We believe that the days when all media will be distributed over the internet are not too far away.”

Those are the words of the BBC’s Chief Technology and Product Officer, the very nice Matthew Postgate, who made a long speech which the BBC has reproduced on its press site. Digital TV Europe excitedly reported it as the BBC predicting an all-IP future.

I tweeted this last week, and it was retweeted heavily, with a lot of radio people posting “I told you so!” and “I’ve been saying this for ages!”; and a few online radio companies jumped to self-promote themselves as part of the all-IP future.

Calm down, everyone.

First, as a former senior manager at the BBC, I’d start with the seemingly trite statement that whenever you hear “we” coming from a BBC manager in a speech, what they really mean is, firstly, “my department”, and secondly, in most cases, they also mean “television”. Indeed, there is no mention of radio in the section of Matthew’s speech which talks about an all-IP future.

Radio and television are very, very different.[…]

Continue reading the full article at Radioinfo.com.au.

Internet Radio and Global Time Travel

Many thanks to SWLing Post contributor, Kim Elliott, who shares this brilliant article from The Paris Review:

On The Radio, It’s Always Midnight

By Seb Emina

“Ultimately, we don’t belong in the world governed by time,” says Michael Cremo, a guest on KNWZ, a radio station in Palm Springs, California. “As beings of pure consciousness, we are essentially timeless.” It is around two thirty A.M. in Palm Springs and around eleven thirty A.M. in Paris, where I am tidying my apartment. Cremo is talking about the end-time, which he thinks could well be imminent, but his point is relevant to the experience of listening to local radio from somewhere I am not. I love listening to radio, but sometimes I don’t want to listen to a particular station, genre, or category. Sometimes I want to listen to a time of day. Which is, of course, entirely possible thanks to the rise of online streaming at the expense of older analogue broadcast methods. If I am feeling afternoony in the morning, I can leave the world that is “governed by time” and join whichever community of radio listeners—in Mumbai, Perth, or Hong Kong—is currently experiencing three P.M. The optimism of a morning show somewhere to my west offers a fresh beginning to a day that’s become lousy by midafternoon, whereas the broadcasts of early evening, burbling across the towns and cities to my east, can turn my morning shower into a kind of short-haul time machine past those hours in which I’m expected to be productive. But for the loosest and strangest of broadcast atmospheres, I am drawn most often to the dead of night, to the so-called graveyard shift. That low-budget menagerie of voices and music is concocted to serve an unlikely fellowship of insomniacs, police officers, teenagers, and bakers—and cheats like me, tuning in from afar to behold radio’s closest equivalent to the Arctic Circle.

“When you listen to radio, you are a witness of the everlasting war between idea and appearance, between time and eternity, between the human and the divine,” Herman Hesse writes.[…]

Continue reading the full article at The Paris Review.

It’s rare that I read something in the press that so directly speaks to my own personal relationship with radio.

While, of course, I still prefer listening to shortwave radio, international broadcasts are designed with a global audience in mind; in a sense, they’re timeless and gloss over our global time zones.

Internet radio streaming brings in the local and actually provides more community context. And, of course, while a country might only have one international broadcaster, it could literally have hundreds of local stations–some catering to very small communities.

I’m certainly guilty of time zone surfing with WiFi/Internet radio, I just didn’t realize others did it too! Even in the mornings (since the demise of my shortwave staple Radio Australia), I typically listen to CBC St. John’s, Newfoundland. They’ve got an excellent morning show and they’re 1.5 hours ahead of my time. When I wake at 5:00 AM, I listen to the world report and the CBC local staff are pulling out some of their best morning programs.

Then anytime between 3:00 or 6:00 PM, I’ll tune through one of a number of New Zealand or Australian stations. Because it’s morning there, the presenters seem to have a spring in their step.

If you read the full article in The Paris Review, you’ll also note that the author Seb Emina and the artist Daniel John Jones created “a perpetual morning-radio aggregator” called Global Breakfast Radio.

You can stream Global Breakfast Radio at globalbreakfastradio.com. I highly recommend it!

Post readers: Any other time zone surfers out there?  Please comment!

Not familiar with Internet Radio? Check out the first part of our Internet Radio primer by clicking here.

New Zealand broadcaster aims to put you to sleep

Photo by Rafal Jedrzejek

(Source: The Guardian via Larry W)

Insomniacs across the world give the nod to John Watson, who has ambient music producers queueing up to feature on his channel

John Watson is the first to admit that his DJ skills put people to sleep. Luckily for him, that is the point.

For the past four years Watson, who lives in the tiny New Zealand township of Te Aroha, has been broadcasting to the world. But instead of seeking an engaged listenership, Watson wants those who tune into his station to literally fall asleep. And they do.

People from as far away as Afghanistan, Israel, Russia, Hungary, Taiwan and Puerto Rico log on to Watson’s station Sleep Radio. Someone in Prague has been listening for three days straight.

The idea of a radio station that sends listeners to sleep came to Watson after he had a heart attack 10 years ago. Following five coronary artery bypasses he began to suffer from chronic depression and insomnia.

“I never used to have trouble going to sleep but now I was lying awake watching the sun rise and feeling like a zombie,” he said.[…]

Click here to continue reading the full article at The Guardian online.

Click here to to check out Sleep Radio’s website and listen to their streaming audio.

Listen to Sleep Radio via TuneIn Radio by clicking here or via the embedded player below:

House Passes Digital Music Licensing Package

This was posted today in Radio World:

Bills head to Senate accompanied by applause from stakeholders

The House has unanimously passed the Music Modernization Act, a compromise bill that creates a framework for better compensating artists for digital plays of their music and making it easier for music rights organizations to collect those fees from distributors of streamed music like Pandora and Spotify, as they do from traditional plays on TV and radio.

The bill has been billed as the most significant change in music licensing laws in decades, and drew praise from a chorus of stakeholders. It now heads to the Senate, where it is also expected to pass.

It actually incorporates a trio of bills. The base Modernization Act creates a single licensing entity for reproduction rights for digital uses, like those of Spotify, Pandora, Google, Apple and Amazon. It also randomly assigns judges to preside over ASCAP and BMI rate-setting cases, according to the Recording Industry Association of America (RIAA).

The package also includes The CLASSICS (Compensating Legacy Artists for their Songs, Service, and Important Contributions to Society) Act which compensates artists for pre-1972 recordings, which had previously not been eligible for digital royalties.

You can read the entire article here

It should be interesting to see the impact this has on availability of songs and costs of streaming services over time.

Robert Gulley, AK3Q, is the author of this post and a regular contributor to the SWLing Post. Robert also blogs at All Things Radio.