Monthly Archives: February 2019

This NYC vintage vault is a source of electronics for movies and TV shows

From “Fear of the Walking Dead”

Many thanks to SWLing Post contributors Kevin and Stan who share the following article from Gizmodo. Stan notes:

You (and your readers) often comment on radios in movies and tv shows,
so I thought ya’ll might be interested in the following article:

“Where Movies Get Their Vintage Electronics”
https://gizmodo.com/where-movies-get-their-vintage-electronics-1832218560

Turns out, some come from an electronic waste recycling company in NYC,
which repairs and resells some of the waste they collect, puts the best
specimens in a museum/prop library for movies and TV show, and the rest
is recycled in an environmentally conscious way without ending up in a
landfill.

Fascinating!  That vault looks amazing!  I think it’s brilliant that set designers reach for vintage radios and I’m glad the vault has a ready supply!

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FTIOM & UBMP, February 24-March 16, 2019

From the Isle of Music, February 24-March 16, 2019:
Our next three weeks:
A. February 24-March 2:
Our special guest is Yadiel Bolaño, the leader of La Tabla, whose album Tablero was nominated in the Música Bailable – Nuevos Talentos category of Cubadisco 2018.
B. March 3-9:
Our special guests are members of Conjunto Roberto Faz. We will discuss the history of the group and listen to its music from the 1950s to its recent material.
C. March 10-16:
We reprise our October episode with Samuel Formell, leader of the legendary Los Van Van with an interview plus music.
The broadcasts take place:
1. For Eastern Europe but audible well beyond the target area in most of the Eastern Hemisphere (including parts of East Asia and Oceania) with 100Kw, Sunday 1500-1600 UTC on SpaceLine, 9400 KHz, from Kostinbrod, Bulgaria (1800-1900 MSK)
2. For the Americas and parts of Europe, Tuesday 0100-0200 UTC (New UTC) on WBCQ, 7490 KHz from Monticello, ME, USA (Monday 8-9PM EST in the US).
3 & 4. For Europe and sometimes beyond, Tuesday 1900-2000 UTC and Saturday 1200-1300 UTC (New CETs) on Channel 292, 6070 KHz from Rohrbach, Germany.

Uncle Bill’s Melting Pot, February 24 – March 12 2019:
Our next three weeks:
A. February 24 & 26:
Episode 101 features folkloric music from Australia and New Zealand
B. March 3 & 5:
Episode 102 features some of the best charanga orchestras in the United States
C. March 10 & 12:
Episode 103 features some exotic music from Nepal and Bhutan
The transmissions take place:
1.Sundays 2300-2330 UTC (6:00PM -6:30PM Eastern US) on WBCQ The Planet 7490 KHz from the US to the Americas and parts of Europe
2. Tuesdays 2000-2030 UTC on Channel 292, 6070 KHz from Rohrbach, Germany for Europe. If current propagation conditions hold, the broadcast should reach Iceland AND Western Russia due to a long skip.
Also recommended:
Marion’s Attic, a unique program produced and hosted by Marion Webster featuring early 20th Century records, Edison cylinders etc played on the original equipment, comes on immediately before UBMP on Sundays from 2200-2300 UTC on WBCQ 7490 Khz.

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VKS-737 Australian HF Communications services for travellers

Many thanks to SWLing Post contributor, Jerome van der Linden, who writes:

At the Adelaide Caravan & Camping Show this last weekend, I picked up a brochure outlining the services of the VKS-737 HF Radio Network operated by a Public Benevolent Institution Established in 1993.

Its mission statement is to provide emergency and general radio communications assistance services to travellers in rural and remote areas of Australia using Base stations located in Adelaide, Alice Springs, Cairns, Carnarvon, Charleville, Charters Towers, Darwin, Derby, Meekatharra, Mount Isa, Newcastle, Perth, Port Hedland, St Marys, and Swan Hill. Some of these stations are Royal Flying Doctor base stations.

The brochure details the Channels / Frequencies used as follows: 1: 5,455kHz; 2: 8,022; 3:11,612; 4: 14,977; 5: 3,995; 6: 6,796, and 7: 10,180kHz

The VKS-737 web site also has an interesting and at times humorous example of a couple of videos showing travellers making use of the system.
https://vks737.radio/how-good-is-hf-radio/

Apparently, apart from licensing requirements, the equipment required is not cheap, being in the order of AU$3,800 to $4,300. I think the equipment is made by Codan. The brochure also makes the point that HF radio can be used for entertainment such as to receive BBC World Service and Radio New Zealand. Clearly, the group is up to date in being aware that Australia’s own short wave broadcasting services are now – regrettably – a non event.

Thank you for sharing this, Jerome! I’ve heard of the VKS-737 service, but did not realize their network was so robust and that it piggybacks on a portion of the Royal Flying Doctor network.

Post readers: Anyone here familiar with the VKS-737 network?  Have you ever used the system  Please comment!

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United Nations: Radio still a powerful worldwide tool for ‘dialogue, tolerance and peace’

Post-earthquake, Ears To Our World radios continue to be a vital link for those in need in Haiti. Here, Erlande, who suffered a stroke in her early 30s and can barely walk, listens to one of our self-powered Etón radios. (Photo: ETOW)

(Source: United Nations News via Mike Hansgen)

“Even in today’s world of digital communications, radio reaches more people than any other media platform” explained the UN chief, adding that it “conveys vital information and raises awareness on important issues”.

“And it is a personal, interactive platform where people can air their views, concerns, and grievances” he added, noting that radio “can create a community”.

UN Radio was established on 13 February 1946, and since 2013, the day has been commemorated to recognize radio as a powerful communication tool and a low-cost medium.

“For the United Nations, especially our peacekeeping operations, radio is a vital way of informing, reuniting and empowering people affected by war”, said Mr. Guterres.

Despite the rise of the internet, many parts of the world, especially remote and vulnerable communities, have no access, making radio broadcasting via transmitters, a vital lifeline. Joining a community of local listeners, also provides a platform for public discussion, irrespective of education levels.

Moreover, it has a strong and specific role in emergency communication and disaster relief.

“On this World Radio Day, let us recognize the power of radio to promote dialogue, tolerance and peace”, concluded the Secretary-General.

Radio still sparking ‘new conversations’

The UN Educational, Scientific and Cultural Organization (UNESCO) underscored “the unique, far-reaching power of radio to broaden our horizons and build more harmonious societies”.

“Radio stations from major international networks to community broadcasters today remember the importance of radio in stimulating public debate, increasing civic engagement and inspiring mutual understanding”, UNESCO Director-General Audrey Azoulay said in her message.

Since its invention as the first wireless communication medium well over a hundred years ago, “radio has sparked new conversations and broadcast new ideas into people’s homes, villages, universities, hospitals and workplaces,” she continued. “To this day, dialogue across the airwaves can offer an antidote to the negativity that sometimes seem to predominate online, which is why UNESCO works across the world to improve the plurality and diversity of radio stations”.

The UNESCO chief pointed out that radio has adapted to 21st century changes and offers new ways to participate in conversations that matter, retaining its role as “one of the most reactive, engaging media there is”, especially for the most disadvantaged.

For example, she flagged that rural women constitute one of the most under-represented groups in the media and are twice as likely as men to be illiterate, “so radio can be a critical lifeline to express themselves and access information”.

Ms. Azoulay made clear that “UNESCO provides support to radio stations in sub-Saharan Africa that enable women to participate in public debate, including on often-neglected issues such as forced marriage, girls’ education or childcare”.

Linguistic diversity, and people’s right to express themselves on-air in their own languages, is also crucial – especially true in 2019 which has been designated by the International Year of Indigenous Languages by the UN.“In former conflict zones, radio can dispel fear and present the human face of former foes”, she elaborated, citing North-West Colombia where community radios are healing old wounds “by highlighting the good deeds of demobilized combatants, such as clearing polluted waterways”.

Around the world, the “inclusion of diverse populations makes societies more resilient, more open and more peaceful”, Ms. Azoulay spelled out.

“The challenges we face – whether they be climate change, conflict or the rise in divisive views – increasingly depend on our ability to speak to each other and find common solutions”, she concluded.

Click here to read this article at the UN News website.

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“How one tiny Ontario station keeps listeners tuning in”

(Source: TVO.org)

At Amherst Island’s CJAI 92.1 FM, volunteers host shows, work the mixing board, and woo advertisers — it’s just one of many small local radio stations across the province trying to do more with less

AMHERST ISLAND — Radio host Brian Little takes a quick break from playing hit songs from 1975 on his weekly Friday Morning Show to throw to Keith Miller and the CJAI traffic chopper.

“Thanks, Brian!” Miller yells over the sound of swooshing blades. “Your traffic update for Amherst Island: There are four cars in the ferry lineup. A few cars stopped at Concession Road 2 taking pictures of the snowy owls. This concludes your traffic update!”

Miller, an 78-year-old former dairy farmer, gives Little a satisfied grin as he pulls away from the microphone and puts down an oscillating fan with “CJAI Chopper” written on it in black Sharpie. It’s clearly one of Miller’s favourite gags.

CJAI 92.1 FM, a community radio station on Amherst Island, about 30 kilometres west of Kingston, in Lake Ontario, was created in 2006 by a group of residents — including veteran broadcaster Peter Trueman, who had retired to the island — to promote local content and community events. It now reaches roughly 10,000 listeners from Picton to the western edge of Kingston and airs more than 40 hours a week of live shows: Jazz Jim’s Vault (jazz classics and history), Saturday Night Barn Burner (lesser-known artists with a focus on rock), Sally’s Books (readings from selected books), and Birding (birding), to name just a few.

Like most of Ontario’s 54 campus and community radio stations, it relies on a team of dedicated volunteers to keep it running and is fighting to survive in a rapidly changing media landscape. And CJAI’s fight for survival has only gotten tougher since it learned that it may lose Dayle Gowan’s milk house — the building that’s been its home since the station’s inception.

“When they first started, they basically had no money, and this old milk house just had some junk, so I said, ‘Do you want to use it?’” says Gowan.[…]

Click here to read the full article.

Listen to CJAI live via TuneIn Radio:

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Remembering “The Professor:” Michael Pool, radio zealot and host of WFMU’s Audio Kitchen

Michael Pool, aka, “The Professor,” circa 1985. The photo was taken at a record shop where, he wrote, ”I really began my journey in music.”

Regretfully, I’ve had to bid farewell to few radio friends in the past few months.  But until very recently I never dreamed I’d be saying goodbye to my great friend and radio arts mentor Michael Pool, known to the radio world as “The Professor.”

Michael was an interesting individual, to say the least.  His curiosity in humanity had no bounds:  he could find the interesting in the so-called mundane. Moreover, he was brilliant, his mind a quirky work of art as well as complex and intricate repository for a broad spectrum of facts, particularly of the radio-related. This was, no doubt, the source of his professorial “title.”

Moreover, Michael’s lifelong interest in radio, and indeed all the radio arts––especially AM broadcasting––led to his becoming an audio and radio archivist; over the years he assembled a vast collection of off-air recordings, band scans, and air checks, a curated collection of audio which he loved sharing with the world. Besides broadcasting, Michael was passionate about music; he could guide you into the depths of almost any genre, but he was especially fond of soul and R&B.  I know my own interest in these genres was enhanced by his knowledge of them.

Much like his vintage radio receivers, Michael seemed to have no filter. If he thought it, he said it. And perhaps, partly as a result of his combination of astute observation and frank speech, Michael was also a published poet.

Michael, who was feeling great throughout most of December, admitted himself to the hospital in the latter part of the month when he began noticing that his breathing was labored. Doctors soon found that fluid was building up in his lungs.

When Michael called to tell me he was ill, he broke the news indirectly and thus gently. He had been in the hospital for a week or so already; in his typical lighthearted delivery, he told me how he’d learned to finagle an extra cup of coffee from the nurses, how he managed to save his sleeping pill until he actually wanted to sleep, and how no one there really understood the “spaceship” aspect of his bedside table set up, which included a computer, hard drives, radios, and speakers. He called it his “on-site HQ.” If anything happened to him, it was clear he intended to go out with his boots on.

On the phone, Michael had me laughing pretty hard for a good twenty minutes before I was able to ask, “So what did you have…pneumonia?” He replied, quite casually, “Turns out I have stage four pancreatic cancer.”

I sat in shocked silence, groping for words.  Noting my silence, he took up my part of the exchange almost cheerfully. “You know,” he continued lightly, saying what I was unable to voice, “I’m not sure it could be a worse diagnosis.”

Michael was in and out of the hospital for the next few weeks, but somehow remained positive, setting up his HQ wherever he was, writing poetry and long humorous emails to friends. Even when he finally entered a hospice center, he remained positive, somehow at peace with this very unexpected turn of events.

I’ve struggled to pull together this post about Michael.

Like his other friends and his family, I’m still in a bit of shock. There’s no way I can summarize his life. But I can say that my life was richer and more interesting because Michael was in it.

I’m going to miss him.

Michael and I shared a love of archiving off-air radio recordings and he has entrusted me with his collection. I’ll make sure these recordings are curated, archived, and shared online.

Some readers may know Michael as a radio host on WFMU: his show was The Audio Kitchen, in which he featured “an hour of homemade recordings freshly liberated from thrift stores and junk shops, as well as some amateur audio spirited away from the closets and computers of their creators.”

If you want a flavor of what it was like to hang with The Professor, I encourage you to listen to some of the archived shows on WFMU.  They’re definitely worth a listen:

https://wfmu.org/playlists/AK

Michael was also a regular contributor here on the SWLing Post, and for many years, hosted his own websites called, appropriately, “The Radio Kitchen” and “The Audio Kitchen.” I have some of his articles in an archive, as well, and plan to post them here over time.

I had planned to visit Michael when I fly to Philly next week. Still, on Saturday morning, I sat down to compose a long newsy email to him, musing on dreaming in other languages and various other audio experiences, among other things.  I had just finished writing it and hit “send;” when my inbox refreshed, I found a message from a family friend that Michael had died the previous night.

Michael Pool skipped the light fandango and departed this world on Friday, February 15, 2019. All too soon…But be at peace, my friend.

A post script.  In one of Michael’s recent emails, not long after he received his devastating diagnosis, he sent the following poem he’d written.  Hopefully, he will not mind my sharing it with you here, because fortunately for me in this moment, it says what I cannot:


A Brief Winter Examination

The future is so hard to find. It’s not yours
And it’s not here. Of course you could go for a walk
And not come back, but the mindless highway has no predictions.
That seeker? That’s me with a measurement problem, almost looking ahead.
The other day as old folks made their way to their bus seats, I realized
they are
Already in the future. Although a decrepit body Is a poor outfit for a
time traveler, it fits.

For me, these days are going somewhere,
But I just have less to say about it. Yesterday I performed
A test. I opened my eyes and noted the time, Not long after
I took another look at the clock. The readout of minutes had increased.
Why I did I think it might be any other way? I had to do the math to be
sure
I wasn’t going back in time. But give me the opportunity and I just
might do just that.

Tonight I’m all Ellington with my orange cat.
I opened the door a few minutes ago, to see the rest of it.
About an inch of snow. I had no idea. But I’m out to enjoy this era
Of surprise. I don’t know or guess or ponder as I have, I let the facts
come to me.
Call me primitive. Or just call me if you get this message. Our
conversation isn’t over.
It never will be, but I’d like to do some more work on it. The
meandering is the best part.


 

 

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Guest Post: Bolivian Miners’ Radio Station Documentaries

Many thanks to SWLing Post contributor, Tracy Wood (K7UO), who shares the following guest post:


Bolivian Miners’ Radio Station Documentaries

Bolivian mine workers’ radio stations have long held an affinity among these Altiplano communities. Many were stations were targeted for shootings, bombings, etc. by forces loyal to earlier dictatorships. Today, few stations remain as the mining sector has declined in importance and newer generations migrate to the larger cities and lowland farming regions.

Radio Nacional de Huanuni and the Catholic church’s Radio Pio XII are two of the remaining miners’ stations with some long-standing shortwave presence; others like Chocaya’s Radio Ánimas permanently signed off with the mining center’s closing.

Two documentaries have been made about this earlier Bolivian miners’ broadcasting movement. The first one is a 30-minute 1983 UNESCO documentary entitled “La Voz del Minero” (“The Voice of the Miner”). This grainy 16-mm Spanish-language documentary fortunately has been ported to YouTube. The film features audio and video clips from several stations including Radio Nacional de Huanuni, Radio Pio XII, Radio Ánimas and Radio Vanguardia. Sharp eyes will notice at the 26-minute point a console-mounted Hammarlund HQ receiver in Radio Pio XII’s studios.

The second documentary is from 2017 but remains in limited release. It includes many interviews/images. The film is called “Las Voces del Socavón” (“Voices of the Tunnels) by Argentine filmmakers Magalí Vela Vázquez and Julia Delfini.

“La Voz del Minero”:

Click here to view on YouTube.

“Las Voces del Socavón” (trailer)

Click here to view on YouTube.

(interview on ATB TV)

https://www.youtube.com/watch?v=5YaG6JE5vaM

Click here to view on YouTube.

Here are some mining station URLs:
http://www.radiofedecomin.com/
http://www.radionacionaldehuanuni.com/
http://radiopio12.com.bo/

Listening to the Huanuni station you will hear 1970’s-era taped IDs listing the shortwave channel. Evenings and Sundays are the best times for those flashback moments.

For further backgrounder Don Moore published a 2004 Monitoring Times piece which can be found here: http://www.pateplumaradio.com/south/bolivia/miners.html

A larger complex topic read is the 2004 book by Alan O’Connor titled “Community Radio in Bolivia: The Miners’ Radio Station.” (Edwin Mellen Press Ltd, ISBN-13 978-0773463929).

As an aside, perhaps the most esoteric cinematic reference to shortwave can be found in Kiro Russo’s 2016 Bolivian mining-themed movie “Viejo Calavera” (Dark Skull). In one nighttime scene, Radio Pio XII (Siglo XX) plays in the background with announcer mentioning Pio XII is broadcasting their shortwave call-in show and getting DX reports from Sweden. (Sorry, this cool background banter is not subtitled to English.)

Finally, both documentaries feature the haunting song “El Minero” by Savia Andina sung in Spanish and Quechua. The best YouTube video of the song with Quechua-to-Spanish translation is found here:

Click here to view on YouTube.

Musica.com has the lyrics.

Celebrating UNESCO’s International Year of indigenous Languages with shortwave radio!

– Tracy Wood (K7UO)

Thank you so much, Tracy, for sharing these fascinating documentaries!


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