Category Archives: Pirate Radio

Pirate Radio Recordings: Wolverine Radio

Wolverine Radio sent this SSTV image at the end of the broadcast. This one was decoded with the PC freeware, RX-SSTV.

Wolverine Radio was yet another pirate station I recorded last Saturday night (along with Radio Ronin and Radio Appalachia).

Wolverine Radio was broadcasting on 6.95 MHz in the upper side band. Their signal was very good and fidelity excellent for SSB. Lots of variety and a common “radio” theme throughout WR’s music mix.

Wolverine Radio–at least each time I’ve heard them–sends an SSTV image at the end of the broadcast. I decoded the one in their Satuday night broadcast (see image on right) using RX-SSTV, a very intuitive and simple freeware PC application.  Make sure you use the “Scottie 1” mode.

Click here to download an MP3 of the broadcast, or stream from the embedded player below:

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Pirate Radio Recordings: Radio Appalachia

Radio Appalachia is the only pirate I’ve ever heard on the shortwaves which features bluegrass and gospel music. This recording was made Saturday night on 6.9349 MHz (AM).

At 8:28 in the recording below, you’ll hear Radio Appalachia’s station ID :

“Radio Appalachia, you are listening to Radio Appalachia…the free voice of the Ohio Valley. Broadcasting from high above Moundsville, West Virginia, this is Radio Appalachia.”

You then hear their signature Three Stooges audio sample and a repeat of the ID.

Click here to download the MP3, or listen to the entire broadcast below:

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Pirate Radio Recordings: Radio Ronin Shortwave

Radio Ronin starts off his set with Steppenwolf.

Saturday night was one of the most active nights for pirate radio I’ve heard in some time. No doubt, pirates were taking advantage of the quiet atmospheric conditions.

Radio Ronin was the first station I heard Saturday evening. His AM signal was very strong with only slight fading on 6,955 kHz. The mix includes mostly classic rock, starting things off with groups like Steppenwolf, the Steve Miller Band, and Pink Floyd, then moving into rock music of the 80s and beyond. I also included a few minutes of his interval signal (yep, even pirates have interval signals).

Enjoy below, or download the MP3 here:

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Pirate Radio Recordings: X-FM

Listening conditions Saturday night were  pretty good–we had clear skies and  though propagation wasn’t excellent, I did manage to record a full broadcast (over 3 hours) of X-FM.

X-FM typically features a wide variety of music spanning trance/electronica to varieties of rock/metal. This broadcast was no exception–hear for yourself:

PLEASE NOTE: While most of the music in this broadcast is perfectly safe, parents should note that some songs contain explicit lyrics. If you’re easily offended, you might want to slowly back away.  After all, this is pirate radio!

UPDATE: Check out the QSL card I received for this broadcast:

Click to enlarge

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Pirate Radio Recordings: North Woods Radio

Though listening conditions were tough Saturday night, as we were wedged between two lines of thunderstorms (both of which were no more than 60 miles away) I did manage to capture North Woods Radio’s full broadcast. This broadcast featured some noted drum solos. As you can hear for yourself, their AM signal was strong at times on 6,935 kHz, but occasionally the percussion was augmented by natural forces, in the form of static crashes:

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Review of the 2012 Pirate Radio Annual

Pirate radio is perhaps one of the most dynamic aspects of the diverse landscape of SWLing. In direct contrast with major broadcasters, many of whom are now thinning out their offerings, pirate radio just seems to adapt and grow.

I started listening to shortwave pirates in earnest only a few years ago. I had listened to pirates in the past, but had never followed the pirate scene, nor understood how to reliably find pirates on the shortwave radio dial. I now know, by the number of emails I receive from SWLing Post readers, that there are many others who feel as I did then.

Pirate radio broadcasters do not follow a regular broadcasting schedule, often operate at very low power, and are not necessarily always on the same frequency or even mode.  It’s no wonder they’re hard to find.

I wish, in those early days of exploring the pirate bands, I had known about the Pirate Radio Annual, produced by pirate radio guru Andrew Yoder.

Not only is this book, which explores the pirate radio scene in North America, well written and insightful, it is chock-full of information. It’s a bit like the programming section of the former Passport to Worldband Radio, only focused on pirates. The book also comes with an accompanying audio CD.  Yoder, by the way, has been covering the pirate scene for decades; he’s also the former publisher of hobbyist magazine Hobby Broadcasting.

The 2012 Pirate Radio Annual is divided into several sections:

  • An intro to the guide which–among many other things–explains important terminology, such as the difference between a pirate and a jammer
  • How to QSL pirates
  • Pirate station classification
  • A feature article comparing three different AM shortwave pirate transmitters
  • Other articles with interviews and events/media that have had an impact on the pirate scene (including the controversial “Pirate War” of 2012)
  • Profiles of pirate radio stations heard in 2011, with an additional section on international pirates heard in North America
  • An index for the included audio CD

I especially like the extensive station profiles of pirates who were active in 2011. Not only can I get more info about the more elusive stations that don’t offer many clues to their raison d’etre–such as Radio Strange Outpost–but it also makes for a handy resource to glean QSL contact info. In fact, I learned a lot about the personalities, broadcast histories and habits of many pirates we’ve featured here (like Undercover Radio, Captain Morgan Shortwave, Wolverine Radio, and North Woods Radio, to name a few). Yoder is able to provide details about these station that your average listener just wouldn’t know, including the types of transmitters used, output power, and historical perspectives.

The accompanying audio CD features clips from 78 stations, and includes audio from the transmitter comparison in the book.

For about $20.00 US (with shipping), the 2012 Pirate Radio Annual is unquestionably a great buy for those interested in pirate radio.

You can purchase the 2012 Pirate Radio Annual from:

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