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Earlier this month, we broadcast a community Christmas program to benefit our local theater in town that is being restored. The broadcast featured two old-time radio dramas and local music. Coffeyville, KS is a small town with a population under 9,000, but it has one of the oldest and largest radio stations in the area. 10 KW day and 5 KW night on 690 kHz. I thought some in your audience might enjoy trying to tune in Christmas morning at 8 a.m. CST for the rebroadcast of the program. A link for more information and the audio as well is available here:
For those who are interested in the technical details of the broadcast, I used two ribbon mics and the main microphones, an RCA 77-DX and an RCA BK-11. The room acoustics proved to be a bit of a challenge with the final mix, but the whole thing was live with no edits and while it was far from perfect, I think the genuine nature of the community program shines through. The signal was sent to the station using a VHF Marti remote pickup unit. This particular recording was made at the station.
Also, if your readers are interested in submitting QSL reports, I would be glad to answer them. We usually get a few throughout the year, and I especially enjoyed a report early this year from some of the serious DXers in Norway!
Merry Christmas and 73!
James Copeland, KDØICP
Many thanks, James, for sharing this here on the SWLing Post. We all love a good radio production! It’s brilliant that you’ve brought this tradition to Coffeyville, KS!
I’ve also linked to the audio file of the broadcast below:
Radio Waves: Stories Making Waves in the World of Radio
Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers. To that end: Welcome to the SWLing Post’sRadio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!
Many thanks to SWLing Post contributors John Hoad, Bruce Atchison, and David Korchin for the following tips:
The city of Chelmsford is celebrating its status as ‘the birthplace of radio’ 100 years ago today with a special live stream of a new play about the Marconi Company tests of 1920.
Britain’s first ever radio entertainment broadcast took place on 15 June 1920, and featured two arias by Australian operatic tenor Dame Nellie Melba, one of most famous singers of the late Victoria era. The broadcast from the Marconi Factory was heard all over Europe and picked up as far away as Canada.
To mark the milestone, Chelmsford City Theatre is streaming a radio play The Power Behind the Microphone: The First Live Radio Entertainment Broadcast about the original broadcast, 100 years to the minute at 7.10pm this evening. International opera star Anna Steiger will recreate the concert given by Madame Melba as part of a radio play based on the story of that fateful night and the breakthroughs that made it possible.[…]
Three plaques mark the spot where the “forgotten father of broadcasting” worked.
CHARLES “DOC” HERROLD WAS A pioneer. After founding his College of Engineering and Wireless in 1909 inside the Garden City Bank building at 50 West San Fernando Street in San Jose, California, he launched the world’s first radio broadcasting station, which beamed music, news, and notably, advertising to listeners on a regular basis.
Herrold and his team at Station FN, which included his own wife, the world’s first female disc jockey, epitomized the mantra of many a Silicon Valley startup today: “move fast and break things.” His early transmitting devices burned out one after the other, and Herrold had to use a water-cooled microphone. He stole wattage from San Jose’s street car line to power his innovative “Arc Fone” transmitter, and cut a deal with a local store to play records on a Victrola that he would point at the microphone.[…]
Alfred Vail came up with dots and dashes, but Patent Office gave credit to Samuel Morse, the better known inventor
In 1887, 18 years after his father’s death, Stephen Vail took up metaphorical arms to claim Alfred Vail’s place as a key figure in communications history. Starting a war of words that would last decades and end with a declaration carved into stone, the younger Vail bombarded newspaper editors with letters. Alfred Vail’s son insisted that his dad had invented the dot-and-dash system used in telegraphy and known to all, and most gallingly to the younger man, as “Morse” code.
Before telegraphy, the United States had been more a collection of outposts than a nation—when a treaty ended the War of 1812, word from peace talks in Europe between Britain and the United States took so long to creep across the Atlantic that two weeks after the signatures on the peace treaty had dried British and American troops were fighting the Battle of New Orleans. Until telegraphy arrived for good in 1844, information traveled no faster than horses could gallop, trains could roll, or ships could sail. News from Boston reached San Francisco and vice versa by traveling aboard vessels that had to round South America’s southern tip. Only dreamers spoke of rails crossing North America or a canal traversing the Isthmus of Panama. […]
The overnight purge of top news organization officials at the US Agency for Global Media (USAGM) has raised concern among its federal government employees and reporters that their jobs, immigration status, and editorial independence may soon be at risk following the arrival of new CEO Michael Pack.
Pack, who is a conservative filmmaker and close ally of one-time Trump adviser Steve Bannon, and had just stepped into the job after being confirmed by the Republican-led Senate earlier this month, did not respond to a request by CBS News for comment or explanation.
“Pack uses deep state language. Is Bannon calling the shots?”
A USAGM source said this is the question being pondered by executives and journalists inside the organization now.
Four news division heads were removed from their positions, including Middle East Broadcasting Network chief Alberto Fernandez, who is a former US Ambassador, Radio Free Asia’s Bay Fang, Emilio Vazquez of the office of Cuba Broadcasting, and Radio Liberty’s Jamie Fly. Replacements have yet to be named.
Steve Capus, the former CBS and NBC News executive who had been serving as a senior advisor, was also dismissed. Earlier this week, the top director and deputy director at Voice of America resigned as did the head of the Open Technology Fund Libby Liu, which promotes global internet freedoms.[…]
Return with us now to those thrilling days of yesteryear, when from out of the past come the thundering hoofbeats of … a sound effects man with a pair of coconut shells.
Radio theater, which was killed off by television, is being resurrected on the air — and the internet — across the country and across the state.
In International Falls, Icebox Radio Theater produces a twice monthly podcast about a tiny northern Minnesota town isolated by a meteorite strike. “Weird stuff keeps happening,” said playwright Jeff Adams of the fictional town of Icebox, Minn. “Comedy and science fiction and maybe some dark touches now and then.”
St. Cloud’s “Granite City Radio Theatre” serves up inside humor plus cameo appearances by the police chief and the university president. “Imagine ‘Prairie Home Companion’ was about your neighborhood,” said Jo McMullen-Boyer, station manager of KVSC, which has produced the skit-and-music show four times a year for six years. “It’s hyperlocal. It’s poking fun at ourselves, but also with pride.”
And in the Twin Cities, the Mysterious Old Radio Listening Society embraces nostalgia by turning recordings of old radio shows into scripts, which it stages as live performances (including sound effects and commercials) before audiences at the James J. Hill Center in downtown St. Paul.[…]
Many thanks to SWLing Post contributor, James Copeland (KDØICP), who writes:
