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A few days ago, I noticed a fascinating off-air recording of a live operator covering the “failure scenario” of E17z posted to the Priyom.org Twitter account
From Priyom.org on Twitter:
Listen to the recording in the embedded player below or via Priyom.org:
Many thanks to SWLing Post reader, James Copeland, who writes:
I have enjoyed reading the SWLing Post for years and appreciate all your hard work. I wanted to share something with you that might interest the readers.
A few months ago, I was inspired to start writing a radio drama about a number station after reading an article on the SWLing Post about someone working at a number station.
The plot follows a worker at the station who has to decide what to do when she learns that the numbers she reads end up killing people and could start a nuclear war.
There are also a lot of short recordings from various active and inactive stations, including one of my recordings of HM01 at the end of the show.
We at KSDB love producing radio dramas and make them just like the golden days of radio with as many live sound effects as possible.
I listened to the audio as I hiked this afternoon–I actually prefer “theatre of the mind” without visuals with the first listen. Now I’ll watch the studio video and enjoy the reading, sound effects and direction!
James, you’re welcome to share your radio dramas here anytime! Bravo for putting together such a cool little radio drama. I love the off air numbers station recordings and clips!
Post readers: If you’d like to learn more about KSDB-FM or to stream their programming, check out their website and TuneIn stream.
IF YOU TUNED into just the right shortwave radio frequency in the 1970s, you might hear a creepy computerized voice reading out a string of numbers. It was the Cold War, and the coded messages were rumored to be secret intelligence broadcasts from “number stations” located around the globe.
Photographer Lewis Bush is obsessed with these stations to “an almost irrational degree” and hunts them down in Shadows of the State, featuring 30 composite satellite images of alleged number stations from Germany to Australia. The series took two years and endless research. “It’s a difficult project to quantify in terms of man hours wasted on it,” he says.[…]
When Bush finds what he believes to be a station, he takes up to 50 close-up screen grabs and stitches them together in Photoshop to create one high-resolution image. He also listens to frequencies where broadcasts supposedly still happen on radio listening software, taking screen shots of the software’s spectrograms, graphics depicting the sound spectrum.
The final images try to visualize something largely intangible. No government has ever confirmed the existence of numbers stations, and Bush himself isn’t completely certain of their locations. No one can be sure what these scratchy codes really are. And that’s precisely what makes them so intriguing.
Shadows of the State will be published by Brave Books in December 2017. Bush is also raising funds on Kickstarterfor an interactive companion website.
Working at a numbers station 6 decades ago was not much different than working at an AM broadcast station. Located on a WWII old Naval Base it consisted of one building surrounded by a double chain link fence inside which older local men drove pickup trucks around for security. Inside the building there was a workshop, two 20,000-watt AM shortwave transmitters, crystal controlled oscillators, and a soundproof booth with a record player and records of well-known music in a language and culture common to the target. Outside the compound was an antenna farm with a log periodic antenna, a rhombic, and a couple dipoles.
I lived, with my wife, about a mile from the site and would drive through a back road to the location, be admitted by security through each gate, and park, and relieve the other op who, after briefing me, was free to go home. My job was to follow a schedule, select the proper frequency at the proper time, tune the transmitter, hit the plate voltage, play the record the schedule told me to, and then recite the messages arranged in five-number groups of numbers in the appropriate language into the microphone in the recording booth. This was all done live and, as far as I know, no recordings were kept.
[…]Other than that it’s just a job. The messages were all prepared somewhere else by someone else and delivered to us along with the schedule. We all had high level clearances but we never knew who we sent these to or what the real ones might have said. This sort of compartmentalization was (and is) common.
I often thought of those for whom the messages were intended… how they felt, where they were… whether they were in an attic or shed or stranded somewhere copying down a message that was a threat to their very lives on a radio that was a death penalty to simply be in possession of. I was very careful to do it right.[…]
Many thanks to SWLing Post contributor, Ian P, for sharing the following from the radio program, ABC Overnights:
The crucial role of Australian code breakers in World War 2
Thanks to the recent film, The Imitation Game, you may be familiar with the story of how British intelligence, led by mathematician Alan Turing, cracked Nazi codes during WW2. Did you know there were also two secret organisations in Australia working to break Japan’s military codes?
These were staffed with brilliant cryptographers, including some who had studied mathematics and the classics, and others who had lived or grown up in Japan. By patiently and carefully unravelling the codes in Japanese signals, their intelligence played a crucial role in the battles of Midway and the Coral Sea, as well as the push into the Philippines.
Trevor Chappell interviews Craig Collie, author of the book Code Breakers – Inside the Shadow world of Signals Intelligence in Australia’s two Bletchley Parks.