Tag Archives: All India Radio

Chuck’s Indian music fix via AIR Port Blair

Many thanks to SWLing Post contributor, Chuck Rippel (K8HU), who writes:

With so many SWBC outlets choosing to go off air, I find that I really miss Indian music.  This time of year was ripe for a number of regional Indian outlets on 60M to be audible on ECNA during local evening, peaking around 0100Z.  A fairly skillful DX catch was AIR Port Blair transmitting on 4760.0.

Port Blair is the capital city of the Andaman and Nicobar Islands and is located on South Andaman Island with the Bay of Bengal on the west coast and the Andaman Sea off the east, they are actually located a bit closer to Burma than India.  Don’t put a visit to Andaman Is on your bucket list though, The Andaman and Nicobar Islands Protection of Aboriginal Tribes Act of 1956 prohibits travel to the island, and any approach closer than 5 nautical miles (9.3 km), in order to protect the remaining tribal community from “mainland” infectious diseases against which they (likely) have no acquired immunity.

No more shortwave but wait, the programming is still available VIA webcast, URL below. The programming heard here so far has been in Bengali and Hindi but surprise, at 2230Z and 1737Z, I was surprised to hear the news read in English.  The Andaman Islands observe Indian Standard time or UTC +5:30 which put their TOH at the EST: 30 or, our BOH.

So, treat yourself to some Naan Bread, spool up your web browser and click on:

https://onlineradiofm.in/stations/air-port-blair-pc

Thank you, Chuck!

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Radio Waves: The Gamut All Digital at 4 Years, Glory Days of Pirate Radio, AIR to Kashmir, and Podcast Collaborations

Radio Waves:  Stories Making Waves in the World of Radio

Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to Eric Jon Magnuson for summarizing these news items for Radio Waves!


Hubbard Is Four Years In With All-Digital AM. Here’s How It’s Doing. (Inside Radio)

It has been just over four years since Hubbard Radio’s adult alternative “The Gamut” WWFD, Frederick, MD (820) powered down its analog signal and began operating as a digital-only AM station under experimental authority granted by the FCC. Since then, new FCC rules permitting all-digital AMs industrywide have broadcasters taking a closer look at WWFD as they consider options for struggling AMs.

WWFD posted a 1.5 share (12+) in Nielsen’s Frederick, MD spring survey with a weekly cume of 3,300. Before it went all digital, Dave Kolesar, Senior Broadcast Engineer at Hubbard and the station’s PD, says it was a ratings no-show, “a wasted signal.”

The idea for making the all-digital leap came around Christmas 2016 when Kolesar concluded that a music format on AM – even one as differentiated as The Gamut’s expansive playlist – was “pretty much a nonstarter that exists for the purpose of having an FM translator. In all-digital mode, the AM signal has the capability of becoming relevant again” with digital sound quality, and artist and album title and album artwork displays.

According to Xperi, about 35% of cars on the road in the DC market are equipped with HD Radio receivers. Yet only a small fraction of listening to radio in the market is to AM radio. The station focuses on the one-third of the market that could enjoy a music format that looks and feels like any other service in the dashboard. The strategy involves using the FM translator as promotional vehicle for the digital AM frequency: “when you’re outside the coverage area of our 94.3 FM signal, tune into 820 and hear us while you’re driving around,” Kolesar explains. [Continue reading…]

OPINION: Remembering the glory days of pirate radio 55 years on (Eastern Daily Press)

Radio DJ Tom Edwards looks back at his youth spent broadcasting off the East Anglia coast

Although I’ve lived in Lincolnshire for nearly 30 years having been born and educated in Norwich, I will of course always be a Norfolk man. At 77 years of age now I’ve been a broadcaster for 57 of those years.

During Easter of 1964 a somewhat mysterious radio station came on the airwaves playing non-stop music and the presenters seemed to be just ad libbing at the microphone in contrast to the rather staid BBC light programme which hardly played any popular music. The station turned out to be the now famous Radio Caroline, which was transmitting from a ship off the East Anglia coast.

I was a Bluecoat at Pontins holiday camp at Pakefield and the site had a Radio Pontins Tannoy system so I asked the boss for some money to buy some 45 hit singles which he agreed to and so started doing record requests for the happy campers.

Other stations, whether they were ships or wartime fortresses, suddenly began to appear right around the coast of the UK. Apart from Caroline there were other stations including Radio London, Radio England, Radio270 and Radio 390.

The more I heard of these stations, which were becoming so popular with an estimated audience of 22 million, the more I wanted to be out there at sea with them. I wrote and sent tapes of my Pontins shows to all of them. While on a few days off in Norwich, a man called Reg Calvert called me and said he liked what he heard and offered me a weekend try out on Radio City. [Continue reading…]

AIR’s Station At 9,000 Feet Along LoC In Kashmir Broadcasts Programs For People Living Across Border (India Times)

Surrounded by the barbed wires, dense deodar trees and Pir Panchal mountains in the backdrop, this is the All India Radio (AIR) Srinagar’s Radio Station which has been set up close to the Line of Control (LoC) in Rustum area of J&K’s Uri sector.

Set up in November 2020, the station has been built 9,000 feet above the sea level.

The radio station has been set up with an aim to provide access to the Kashmiri people living on the other side of the border to listen to their favourite programs.

“The local news, music programs and especially Pahari and Gojari programs are aired from this station for the Kashmiri population living on the other side of the LoC,” said Qazi Masood who heads the station in Uri. [Continue reading…]

Podcast Collaborations: The positives, the pitfalls, and the public interest (Public Media Alliance)

Three top public media podcast executives discuss with PMA the benefits and complications that come with collaborations, and how ultimately, they can help public media organisations fulfil their public service obligations.

As the podcast market globally becomes ever more saturated and competitive, PMA invited three top podcast executives from three leading public media organisations to discuss how collaborations might provide the pathway for public media organisations to remain the premier podcast producers. It came after a talk about podcast collaborations at Radiodays Europe in Malmö, Sweden in May 2022.

They spoke to PMA’s Editorial Manager, Harry Lock.

Harry Lock: Could you give me some examples of podcasts which you’ve worked on where you collaborated with another organisation? How does it actually work logistics-wise? 

Arif Noorani, Director of CBC Podcasts: Hunting Warhead is a collaboration we did with VG, Scandinavia’s biggest newspaper, on a story they’d spent more than two years on (it was nominated for a Prix Italia.) Production wise – CBC led the podcast and embedded a VG team member in the production team providing contacts, research and notes on scripts.

We have three international co-productions with the BBC World Service – launching in the next year. It’s an equal joint effort – Jon Manel, commissioner for the BBC World Service and I co-lead all aspects of the project. We think the combined heft of CBC Podcasts and the BBC World Service was attractive. We meet weekly and more (along with Whatsapping each other if it’s urgent) to discuss production, content, rollout and all the business side of things. We have one point person between the production teams and the BBC/CBC to keep it streamlined. To make this work, you have to have lots of trust between all sides, and a shared vision of the type of content you want to make (in this case journalistically-driven serialised narrative storytelling rich in characters and heartbeat). Jon and I have informally collaborated for a few years so that really helped. We’ll also combine our audience building, digital and marketing efforts in the launch and rollout.

Andrew Davies, Digital and Engagement Editor, ABC Australia: Co-productions and collaborations with external organisations/partners is still a relatively new area for the ABC in podcasting. There have been a number of collaborations between Radio National (ABC’s specialist talks network) and the BBC but those have mostly been radio focused. The ABC’s Audio Studios team did a co-production with WNYC Studios a few years ago with Short & Curly, our very popular ethics podcast for children.

More recently we’ve worked with Arif and the CBC Podcasts team around the release of series two of our popular Stuff The British Stole podcast. That involved the CBC team helping with audience building (through cross-promotion, publicity, marketing and digital/social content) in the North American market. That was a really successful collaboration and we were excited to work with the CBC as we knew they recognised not just what a great show it is but also wanted to help it reach a bigger audience. There were a large number of people involved from both broader teams but I want to echo Arif’s point about having clear point people on both sides to keep things streamlined.

Tim Watkin, Executive Producer of Podcasts & Series, RNZ: RNZ Podcasts has produced 46 podcasts in partnership with 38 different organisations. That includes other broadcasters and media, production houses and funders. Collaboration can take many forms.

The most common form of collaboration for RNZ is where we make a podcast alongside an independent production company. For example, Eating Fried Chicken in the Shower is a series that was pitched to us by an independent producer, Charlie Bleakley, and host James Nokise. RNZ paid for the series but was very hands-on, more than a mere commission. We provided a supervising producer, sound recordist on location, draft audio edits, studios for the final mix and promotion. [Continue reading…]


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Radio Waves: AIR Doubles Broadcast Times, Radio Prague’s 2022 QSL Cards, Ham On The Moon, and Allouis Transmitter Silenced

Radio Waves:  Stories Making Waves in the World of Radio

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors David Iurescia, Kris Partridge, and the Southgate ARC for the following tips:


AIR to double broadcast time for programmes in six languages (Deccan Herald)

Starting Monday, All India Radio (AIR) programmes in six neighbourhood languages, including in Dari, Pashto, Baluchi and Mandarin Chinese, will be available to listeners every day in the morning and evening. The AIR’s external services division has doubled the time for the programmes aired in Dari, Pashto, Baluchi, Mandarin Chinese, Nepali and Tibetan languages, the public broadcaster said in a statement on Sunday.

The programmes in these six languages will be aired on shortwave frequency and also live streamed on YouTube, NewonAir App, DD Free Dish, it said.

“The external services division of the All India Radio is expanding its transmission in six neighbourhood languages from January 3, 2022. These languages are Dari, Pashto, Baluchi, Mandarin Chinese, Nepali and Tibetan,” the public broadcaster said. [Continue reading…]

Radio Prague’s QSL Cards (Radio Prague)

The three letters – QSL – constitute one of the codes originally developed in the days of the telegraph. All codes consisted of three letters beginning with “Q”. Later some of these “Q” codes were adopted by radio-telegraphists and radio listeners. QSL means “contact confirmed” or “reception confirmed”. Continue reading

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All India Radio suspends shortwave and “pure DRM’ transmissions during Covid-19 lock-down

Photo by Karthik Chandran

Many thanks to SWLing Post contributor, Mark Fahey, who notes that All India Radio has suspended a number of their broadcast services during the Covid-19 lock-down.

Mark shares the following Office Memorandum from India’s Public Service Broadcaster.

Click here to download memorandum (PDF).

In terms of shortwave (ESD) services, here’s the relevant section from the Memorandum:

B) NON-ESSENTIAL RADIO SERVICES

The following non-essential radio services may be suspended with immediate effect during the lock-down

ESD

5) All ESD services

6) All transmitters dedicated to ESD

DRM

7) Pure DRM mode operations

a. DRM transmitters may be operated on analogue / simulcast mode to relay the National News Service subject to local circumstances and conditions

FM

8) Stations with a 3rd FM channel may relay audio of DD News or DD India subject to feasibility

On the WRTH Facebook group, Sanjay Sutradhar, did note one shortwave broadcast still in service:

It appears 9380 kHz from Aligarh is radiating AIR Vividh Bharti services, may be on a truncated wattage. 8am & 8.30pm news is extended to one hour dedicated to Covid-19 news in-country and world-wide and developments but it is the common broadcast carried out in-country on all bands, at 1.45 UTC

Mark Fahey asks:

I wonder if they will ever bring AIR’s External Service back–?

That’s the big question, isn’t it? The government lock-down is set for 21 days, but I fully expect it could take much longer if other Covid-19 countries are any indication.

If AIR’s shortwave service is closed for an extended period of time–recognizing they deem it “non-essential”–I wouldn’t be surprised if they made deep cuts or keep it closed. Let’s hope for the best outcome, though.

Stay tuned! We’ll keep you updated.


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The Hindu: “AIR may have to power off short wave transmissions”

(Source: The Hindu)

If Prasar Bharati has its way, All India Radio will have to stop all global short wave transmissions — eighty years after it began international broadcasting in 1939. AIR is resisting the move arguing that it will curtail its global reach.

There are about 46 short wave transmitters that run both domestic and external services. Out of these, 28 are used for the external services alone. Barring three transmitters that were recently installed, all the others will have to be shut down over the next six-months. The external services are broadcast to 150 countries in 13 Indian languages and 15 foreign languages.

Prasar Bharati had written to the AIR in May third week asking it to come up with a proposal to phase out the short wave transmitters.[…]

Read the full article at The Hindu.

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All India Radio: Prasar Bharati seeks proposal to phase out shortwave broadcasting

All India Radio (AIR) Headquarters in Dehli, India. Photo courtesy of Wikipedia.

(Source: The Hindu)

by Sobhana K. Nair

Prasar Bharati has asked it to come up with a proposal to phase out SW transmitters

If Prasar Bharati [India’s largest public broadcasting agency] has its way, All India Radio will have to stop all global short wave transmissions — eighty years after it began international broadcasting in 1939. AIR is resisting the move arguing that it will curtail its global reach.

There are about 46 short wave transmitters that run both domestic and external services. Out of these, 28 are used for the external services alone. Barring three transmitters that were recently installed, all the others will have to be shut down over the next six-months. The external services are broadcast to 150 countries in 13 Indian languages and 15 foreign languages.

Prasar Bharati had written to the AIR in May third week asking it to come up with a proposal to phase out the short wave transmitters.

‘Whimsical’

A high-ranking AIR official called it a whimsical decision. “There will be a huge implication on external services. The short wave is the only effective way to reach to any part of the world. FM and other modes don’t work. Even live streaming on web can’t be complete substitute to this due to varied penetration of internet connectivity. Any country that wants to scuttle Indian radio can just shut down our web channel.”

Prasar Bharati CEO Shashi Shekhar Vempati denied that discontinuing short wave will impact global outreach. He said there would be fresh investments in expanding in DD India, AIR World Service and Prasar Bharati’s Gobal Digital Platform. “Going forward, AIR world service will be primarily a digital service which will leverage FM and Medium Wave capabilities where available and short wave in a limited way for strategic purposes. We will also explore hiring airtime in transmitters outside India on a need basis where feasible,” he told The Hindu.

China has recently started buying air time on Nepalese radio channels for its programmes. India too may soon follow suit.

Limited audience

A study on short wave transmitters conducted by the Prasar Bharati had revealed that shutting down these transmitters would save the AIR nearly ?60-70 crore. The majority of the transmitters were nearly 25 years old and obsolete. “Short Wave, as a mode of transmission, has very limited audience, which is further dwindling with time. The short wave network will be rationalised so we are able to invest more in content and in newer ways of broadcasting, like Internet streaming, digital radio and in future satellite radio. We will, however, preserve a limited set of short wave for strategic purposes and national interest,” Mr. Vempati added.[…]

Click here to read the full article at The Hindu.

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Guest Post: Indian DXer enters into Limca Book of Records

Many thanks to SWLing Post contributor, Sandipan Basu Mallick (VU3JXD), for sharing the following guest post:


Indian DXer enters into Limca Book of Records

Jose Jacob from Hyderabad, India has collected QSL from 132 different stations of All India Radio over a period of 42 years. Radio stations ranging from Shot wave, Medium wave, FM to the latest DRM mode. In the process he has achieved the feat of creating an Indian Record of collecting maximum number of QSL of different stations of a radio broadcaster in India.

As a teenager Jose started listening to radio and started to write to stations way back in 1973, when in his school days. Few years later in 1976 he first wrote to All India Radio, when his reception report was first verified with a QSL. Over next 42 years, he has used various mediums, ranging from inland letters, post cards to emails, for sending reception reporting. Currently he has over 2500 QSL from 130 different countries, many of which left the airwaves.

Over the years, with his special interest in All India Radio, he is one of key country contributors, from India, of World Radio TV Handbook updating about All India Radio to the directory of global broadcasting.

Jose Jacob, is also a licensed amateur radio operator with call sign VU2JOS currently serving as Asst. Director at the National Institute of Amateur Radio (NIAR) www.niar.org

Jose Jacob (VU2JOS) with Certificate from Limca Book of Records

Limca Book of Records is an annual reference book published in India documenting human and natural world records. The world records achieved by humans are further categorised in education, literature, agriculture, medical science, business, sports, nature, adventure, radio, and cinema with Limca book of Records rules. (https://www.coca-colaindia.com/limca-book-of-records)

Limca Book of Records has recognized the feat as one of the Indian records in the radio category and awarded the certificate acknowledging the achievement.

QSL received in 1997 from All India Radio, Nagpur

QSL received in 1988 from All India Radio, Nagpur

QSL received in 1987 from All India Radio, Nagpur


Congratulations to Jose Jacob VU2JOS for an amazing accomplishment!  Thank you for sharing this news, Sandipan!

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