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Encore – Classical Music on Shortwave – Broadcast on Sunday afternoon in Europe and USA
Encore – Classical Music this weekend is being broadcast as usual by Channel 292 (Europe) on 6070 kHz at 15:00 UTC Sunday 26th July.
And by WBCQ on 7490 kHz at 00:00 – 01:00 UTC Monday 27th July.
There is a repeat on 6070 kHz on Friday 2nd August at 19:00 UTC.
This week’s show starts with the overture from the Marriage of Figaro, then a slightly off-piste treat sung by two jazz legends – lifts the hairs on your arms. The whole of a Beethoven string quartet. Then some Buxtehude organ music, some Barbara Strozzi, and lastly a Swedish Rhapsody by Hugo Alfvén.
Both Channel 292 and WBCQ do live streams if the reception is poor in your location. Easy to find their sites with a google search.
Thank you for spreading the word about Encore – Classical Music on Shortwave. And thank you to everyone for letting us know how well/badly the signal is received where you live.
Brice Avery – Encore – Radio Tumbril.
Regular Broadcast times are:
15:00 – 16:00 UTC Sunday, and repeated 19:00 – 20:00 UTC Friday on 6070 kHz (Channel 292 Germany).
00:00 – 01:00 UTC Monday on 7490 kHz 9WBCQ – Maine).
If you’ve been looking for a super-basic, AM/FM portable radio, the RF-2400D is worth considering. The RF-2400D reminds me of the Sony ICF-38: slide rule dial, few controls and a power cord that plugs directly into the back (no “wall wart” style power supply needed). Like most modern portables, the 2400D is a DSP receiver, thus subject to “steps” as you band scan across the analog dial. It’s all pretty smooth, though and feels like an analog radio. I have spent a little time with the RF-2400D and thought it to be a pleasant, little simple radio. It’s not a DX machine, but can easily receive all of your local stations and night time flame throwers.
I often receive inquiries from readers who are seeking a simple radio for an elderly friend or relative–one that’s tactile, easy to operate, and affordable. The Panasonic RF-2400D fits the bill!
Halley VI Research Station on the Brunt Ice Shelf in Antarctica (Source: British Antarctic Survey)
On Friday, 21 June 2019, the BBC World Service officially transmitted the 2019 BBC Antarctic Midwinter Broadcast–an international radio broadcast intended for a small group of scientists, technicians, and support staff who work for the British Antarctic Survey.
This is one of my favorite annual broadcasts, and I endeavor to listen every year. Once again, the SWLing Post called upon readers to make a short recording of the broadcast from their locale.
Below are the entries, roughly organized by continent and country/region. We had a total of twenty seven recordings submitted from all seven continents this year–simply amazing!
Putting this post together takes almost a full dedicated day sorting recordings and formatting them for the Post. If I’ve somehow missed including your entry, please contact me; I’ll amend this post.
So, without further ado we begin with a recording made in Antarctica at Germany’s Neumayer-Station III:
The 2019 BBC Antarctic Midwinter Broadcast Recordings
Antarctica
Neumayer Station III, Antarctica
SWL: Andreas Mueller, DL3LRM Location: Neumayer-Station-III, Antarctica Notes:
Hello Thomas,
Cheers from Antarctica, I am the radio operator and electronic
engineer of the 39th overwintering team at Germany’s Neumayer-Station
III. Thanks to your blog and post on Facebook I got aware of the
annual BBC broadcasts to Antarctica, and was able to sneak away from
the festivities to enjoy these 30 minutes. And would like to provide
a recording as requested by you.
SWL report by Andreas Mueller, DL3LRM
Location: 70°40’S, 008° 16’W, Neumayer-Station-III, Antarctica
Equipment: Yaesu-450D, Commercial Broadband Dipole 2x35m
The recording is about two minutes long, first 30 Seconds on 5875kHz,
then I switched to 7360kHz and remained there for the rest of the
show. I also have my little FT-817 running as a backup and control
unit, and it also confirmed that 7360kHz was the best frequency, with
S7 to S8 Signal strength, and some fading now and then. 5875kHz was
about S5, and I cannot remember hearing anything on 9455kHz, but I
have to admit that I checked that frequency only briefly.
Thanks again for bringing that broadcast to my attention, it really
was a special treat for me on that day.
SWL: Vermont M. Coronel Jr. Location: Manila, Philippines Notes:
Recording of the 2019 BBC Antarctic Midwinter Broadcast. Signal was, I believe coming in from Ascension Island. Signal was very weak since the Sun was already above the horizon at the time of broadcast. I continued to listen for a few minutes and towards the end of the broadcast. I heard greetings from the relatives of those who are currently stationed in the Antarctic. This is a once a year special program to the scientists and support staff in the British Antarctic Survey Team. Received in Quezon City with a 45 foot antenna. -Vermont
Ciao Thomas, I am Davide Borroni from Italy my city is Saronno . I send you my videos, made with my receivers: R&S EK 56, Siemens E401 and R1251. The signal on all three frequencies was excellent here in Italy. As an antenna I used a magnetic loop of 2 meters in diameter.
I hope you like my videos
73s
Very good signal to all frequency + 20 Db !
Utc Time 21.30-20.00
Frequency 7.360-5.875-9.455
Setup: Rx jrc nrd 91, jrc nrd 545 dsp, WJ 8718-9, antenna loop Wellbrook ALA 1530.
Rx Marconi Marine Apollo and Zeppelin antenna 16.2 Mt.
[L]istened to the programme bbc antarctica on 5875 khz and 7360 khz sinfo 54554 both using a sangean ats 818 with a 27 metre antenna long wire. good job and wonderful broadcast. Sending mp3 recording.
Greeting from Malta
Adrian swl 9H4001SWL
Portugal
SWL: Nuno Oliveira Location: Santarem, Portugal Notes:
This is the video from Santarem, Portugal with the 3 frequencies.
The first video is a Tecsun PL-880 with a 1 meter aluminium rod outside and 12 meters of RG58 coax.
Here is a link to my youtube recording of this years BBC Antartic Midwinter broadcast.
All three signals were good readable at my location in Scotland.
The best reception I got was from Ascension Island on 7360 AM, as there was Ute QRM on 5875.
Details of my RX etc are on the youtube video.
Thanks again,
Regards and 73,
Steven
SWL: Richard Langley Location: Hanwell, New Brunswick Notes:
I obtained a good recording of the BAS broadcast here in New Brunswick, Canada, on 9455 kHz using a Tecsun PL-880 receiver outdoors at my house with a Tecsun AN-03L 7-metre wire antenna strung to a nearby tree. Attached is a two-minute clip from the start of my recording. Also attached is a photo of the “listening post” at the back of my mosquito-infested backyard. Note the mosquito on the protective box housing the receiver and recorder!
https://youtu.be/3rGxxBMWiVw is “49 seconds of the 2019 BBC Antarctic Midwinter Broadcast as received at WA1LOU in Wolcott, CT, USA using an ICOM IC-R8600 receiver and Hy-Gain 18 AVT/WB-A vertical antenna. I programmed the four frequencies that were originally announced for the broadcast into the IC-R8600, but learned afterwords that only three were used (5875, 7360, 9455). I had solid copy on 9455 throughout the broadcast. 7360 had a lot of fading, but was still fair copy throughout the broadcast. 5875 was very poor copy during the last 10 minutes; there was no copy for the first 20 minutes.”
SWL: Bob (W2RWM) Location: North Babylon, NY Notes:
Receiving frequency was 7360 kHz. 5875 had a continuous buzz, 9455 was fading in and out too much to understand.
Location is on North Babylon, NY, USA
Equipment is a Yaesu FT-950 and an HyEndFed 80-10 meter antenna oriented North and South.
SWL: Don N7DCP Location: South Africa (remotely controled from Idaho) Notes:
This is Don, I am in southwest Idaho. Could only hear a slight carrier locally on 9455 MHz. So used a remote SDR in South Africa to record the audio file. Thanks and 73!
The GE 7-2990A (left) and Panasonic RF-B65 (right)
SWL: Thomas Witherspoon K4SWL Location: Asheville, North Carolina Notes:
Out of the the three Midwinter Broadcast frequencies (5875, 7360, and 9455 kHz), I could receive the 7,360 kHz signal from Ascension Island best.
SWL: Chris Mackerell Location: Marahau, New Zealand Notes:
Here’s the first minute of the 2019 BBC Antarctic Midwinter Broadcast as heard here at my home in Marahau, New Zealand.
5875 is in USB to avoid the Stanag signal nearby, the others in Synchronous AM mode.
All three were easily readable here for the entire broadcast.
All received using the same Elad FDM-DUOr receiver & Wellbrook loop antenna.
South America
Brazil
SWL: Rodrigo de Araujo Location: Belo Horizonte, Brazil Notes:
How are you? I’m PY4004SWL (Southeast Brazil).
For the first time I tried to listen to the BBC Solstice broadcast to Antarctica and it worked. The only problem is that I wrongly noted the 7350 frequency and with that I lost the Ascencion transmission in 7360, certainly the one that was best heard by the SWLs in my region. Still, I got “taped” 5875 and 9455, the latter with better results. I hope my recordings are useful to those who study propagation.
I have used two radios and 2 kinds of antennas that can be seen and a telescopic as well.
SWL: José Roberto da Silva Cunha Location: Governador Valadares, Minas Gerais, Brazil Notes:
Geographical coordinates:
18 58´45´´ S
41 57´ 30´´ W
Grid locator: GH91ad
With the inclusion of Antarctica, this is the first year we’ve been sent reports from all continents! Amazing!
Once again, many thanks to all of you who submitted your recordings of the BBC Midwinter Broadcast!
We’ll be sharing this post with both the British Antarctic Survey and the BBC World Service. And to all of you, from the SWLing Post: Happy (Belated) Midwinter! Happy Summer/Winter Solstice!
In episode 23 of TX factor we explore the process of music audio mastering at Mike Marsh G1IAR’s studio in south Devon. Mike shows us how the latest TX Factor theme tune was mixed and mastered, and demonstrates the process of cutting the audio onto vinyl disc – such nostalgia.
Nick Bennett 2E0FGQ visits the National Radio Centre at Bletchley Park where Noel Matthews G8GTZ and Graham Shirville G3VZV demonstrate how set up and operate over the new geostationary satellite, Oscar 100. Plus, Bob McCreadie G0FGX visits the folks at Icom UK with a full review of Icom’s long-awaited VHF / UHF all-mode transceiver the IC-9700.
Click here to view Episode 23 on TX Factor’s website, or click here to watch on YouTube.
Thanks team for yet another excellent and informative episode, TX Factor!
From the Isle of Music, July 28-August 3:
This week, our special guest is Athanai, whose album Regresar was the winner of the Contemporary Song category of Cubadisco 2019. .
The broadcasts take place:
1. For Eastern Europe but audible well beyond the target area in most of the Eastern Hemisphere (including parts of East Asia and Oceania) with 100Kw, Sunday 1500-1600 UTC on SpaceLine, 9400 KHz, from Sofia, Bulgaria (1800-1900 MSK)
If you don’t have a shortwave radio or are out of range, you can listen live to an uplink from a listening radio in the Netherlands during the broadcast at
http://websdr.ewi.utwente.nl:8901/?tune=9400am
2. For the Americas and parts of Europe, Tuesday 0000-0100 UTC (New UTC) on WBCQ, 7490 KHz from Monticello, ME, USA (Monday 8-9PM EST in the US).
If you don’t have a shortwave or are out of range, you can listen to a live stream from the WBCQ website here (choose 7490)
http://www.wbcq.com/?page_id=7
3 & 4. For Europe and sometimes beyond, Tuesday 1900-2000 UTC and Saturday 1200-1300 UTC on Channel 292, 6070 KHz from Rohrbach, Germany.
If you don’t have a shortwave radio or are out of range, you can listen live to an uplink from a listening radio in the Netherlands during the broadcast at
http://websdr.ewi.utwente.nl:8901/?tune=6070am
Uncle Bill’s Melting Pot, July 28 and 30, 2019:
Episode 123 brings you some beautiful music from Mali.
The transmissions take place:
1.Sundays 2200-2230 UTC (6:00PM -6:30PM Eastern US) on WBCQ The Planet 7490 KHz from the US to the Americas and parts of Europe
If you don’t have a shortwave or are out of range, you can listen to a live stream from the WBCQ website here (choose 7490)
http://www.wbcq.com/?page_id=7
2. Tuesdays 2000-2030 UTC on Channel 292, 6070 KHz from Rohrbach, Germany for Europe.
If you don’t have a shortwave radio or are out of range, you can listen live to an uplink from a listening radio in the Netherlands during the broadcast at
http://websdr.ewi.utwente.nl:8901/?tune=6070am
Here’s the description from the C.Crane product page:
Single Earbud Optimized For Voice
The CC Buds™ Solo single earpiece provides a unique advantage over traditional earbuds because it allows you to interact better with others while listening to radio, podcasts or audiobooks (your boss will love you). The integrated stereo to mono plug works with smartphones, radios, tablets, and most other audio devices.
The Solo can give you a safety advantage when running, biking, or walking because you are more likely to hear if danger approaches. The cable is Kevlar™ reinforced for maximum durability. It is perfect for scanner radio listening. Can work well for law enforcement when greater awareness is needed.
Audio is tuned for superior voice clarity. Included are three silicone and three compressible foam covers––sized small, medium, and large. The small covers usually fits a small ear comfortably. Standard 3.5 mm headphone jack. Cord Length 48″.
At first blush, the idea of a single earpiece smacks of vintage solid-state radios. I’ve a number of classic portables that were designed around a hard-plastic single earpiece–anyone else remember those?
In fact, my Sony ICF-5500W (above) even has a little compartment to house its custom earpiece.
The Sony ICF-550W’s unforgiving 1970s era earpiece.
In my youth, I carried a hard plastic single earpiece with me everywhere, especially at school, because it made listening to the radio and still having some situational awareness possible. [Unfortunately, I was known to listen to the radio during classes…what a renegade I was back then!]
If you, too, used those hard plastic earpieces, I doubt you’d have ever described them as “comfortable.” I never found them even remotely so. Those earpieces were functional, but the audio they produced was tinny and it was always difficult to keep them in my ear.
Think of the CC Buds Solo as the earpiece we all wish we could have had back then!
The Solo includes numerous earpiece options, a carry bag and owner’s manual.
Here are some of the CC Buds Solo pros:
The audio quality is superb for spoken word
The earpiece is very comfortable (see notes below)
The audio plug allows for mono listening on stereo devices (obviously a must in 2019)
Features a super-strong Kevlar-reinforced cord
Includes a clothing clip that acts as strain relief
Ships with a small, soft carry bag
So does the Solo deliver what it promises? Yes, it does.
What I really love is the number of soft silicon and foam earpieces that ship with the Solo: a total of seven options, when including the default earpiece.
If you’ve ever used in-ear earbuds, you’ll understand the importance of swapping out the soft earpieces to a size that best suits your ears––that is, to a size that makes for a comfortable seal.
The Solo might also be useful if your hearing is a bit better in one ear than the other.
Unlike single earpieces of old, it’s actually a pleasure to use the CC Buds Solo earpiece.
Before using the Solo, I would often wear only the right earpiece of my stereo earbuds when I needed to be able to hear the environment around me. This obviously isn’t ideal because the left earpiece would dangle, catch on my shirt or otherwise get in the way, and often lead to jerking out the right earpiece. Not to mention, it led to an awkward muffling (or altogether missing) of some of the sound in that other dangling earbud when stereo sound is split or processed differently for each ear. Clearly, not the best way to listen.
Note the adjustable clothing clip.
Now, when I’m driving, working, or walking, I can use the Solo clipped it to my shirt; it’s a more simple and annoyance-proof solution that allows for greater mobility and permits me to hear all of the intended sound.
I’ve only used the Solo for spoken word; primarily AM/SW broadcast band listening and for listening to podcasts.
These days, while I’ve been at work on a home renovation, podcasts have become an essential part of my day by helping me pass the time while painting, sanding, cleaning, mowing, doing yard work, or carrying out other tedious tasks. A good podcast definitely keeps it fun. The Solo makes podcast listening easy.
And of course, the Solo is also a great solution for listening to audio books, too.
I’ll admit, when I first saw the product announcement for the CC Buds Solo, I was curious if there’d still be a market for a mono earpiece. I suppose I proved it, myself, as I have found it quite useful when I don’t need the total isolation or stereo sound from two in-ear earbuds.
C.Crane kindly sent me two samples of the CC Buds Solo at no cost to me. I’ve used one for evaluation purposes and C.Crane is kindly allowing me to give the other away to a lucky SWLing Post reader.
Here’s how you can enter our Solo giveaway!
As I mentioned, I consume a lot of podcasts these days. Here are just a few you might want to check out:
Please leave a comment with some of your favorite podcasts or radio shows for a chance to win! Next Tuesday (July 30, 2019) I’ll pick a winner at random from the comments section and ship them a brand new CC Buds Solo single earpiece courtesy of C.Crane!
Many thanks to Grace Atlee with KCRW who shares the following announcement:
KCRW’s 7th Annual 24-hour Radio Race begins at 10 a.m. PST August 10 and lasts through 10 a.m. PST August 11. The Radio Race is great way for storytellers of all experience levels to break out of their daily routines and make a four-minute audio piece overnight. Winners get a cash prize, plus other perks like a free year-long membership to AIR and PRX. You’ll have just 24 hours to write, record and edit a four-minute nonfiction radio story. You can join as an individual or as a team of your creation. KCRW will air the top three winning pieces, and this time around, one team’s piece will be chosen to air on our newest podcast Nocturne. And remember: the Radio Race is more than just an overnight competition. It’s an opportunity to produce the most original piece of radio anyone will hear in 2019. Think big, people!
