Monthly Archives: January 2020

Thirty Years of Radio New Zealand’s International Service

RNZI QSL

Yesterday, Radio New Zealand celebrated 30 years of service to the Pacific. Many thanks to SWLing Post contributors Jason Walker and Peter Marks for sharing the following story and audio from Radio New Zealand:

On 24 January 1990, Radio New Zealand International beamed into the Pacific, on a new 100 kilowatt transmitter.

New Zealand has had a short-wave service to the Pacific since 1948. The station broadcast on two 7.5kw transmitters from Titahi Bay, which had been left behind by the US military after the Second World War.

In the late 1980s, following growing political pressure to take a more active role in the Pacific area, the New Zealand government upgraded the service.

A new 100kw transmitter was installed and, on the same day the Commonwealth Games opened in Auckland, the service was re-launched as Radio New Zealand International.

“What we were able to understand was how important radio was and still is in the Pacific, where as here radio had become a second cousin to television… different thing in most of the countries we worked with,” said RNZ International’s first manager was Ian Johnstone, from 1990 to ’93.

Mr Johnstone said news of a dedicated Pacific service into the region was welcomed by Pacific communities.

He also said it was important for New Zealanders to remember that New Zealand is part of the Pacific.[…]

Continue reading the full article and listen to embedded audio at Radio New Zealand.

Audio:

Click here for the audio links.

Spread the radio love

PIRATE Act signed into law by President

Photo by David Everett Strickler on Unsplash

(Source: The White House)

On Friday, January 24, 2020, the President signed into law:

H.R. 583, the “Preventing Illegal Radio Abuse Through Enforcement Act” or the “PIRATE Act,” which authorizes enhanced penalties for pirate radio broadcasters and requires the Federal Communications Commission to increase enforcement activities; and

H.R. 2476, the “Securing American Nonprofit Organizations Against Terrorism Act of 2019,” which authorizes within the Department of Homeland Security a Nonprofit Security Grant Program to make grants to eligible nonprofit organizations for target hardening and other security enhancements to protect against terrorist attacks.

Spread the radio love

Encore – Classical Music – Saturday Sunday Friday

This weekend Encore – Classical Music on Radio Tumbril will be broadcast again at the NEW TIME in Europe of 11:00 UTC on SATURDAY on 6070 kHz.
This is instead of the Sunday broadcast at 15:00 UTC.
There is much less interference from adjacent channels at this time.
For now – the 6070 kHz repeat will continue to be on Friday evenings at 19:00 UTC – as usual.
WWCR Nashville will broadcast the Encore on Saturday at 21:00 UTC as usual on 9350 kHz. The propagation is very good over the US and much of Canada and the signal carries to parts of western Europe too.
WBCQ Maine will send out the show on 7490 kHz at 01:00 UTC Monday to the US. (Early evening Sunday local US – obviously.)
NB – trial broadcast of Encore on 7440 kHz Sunday 09:00 UTC Channel 292 – Sunday.
Do let us know how well you can pick up Encore at your location by emailing to [email protected]. We try to reply to all emails and will send eQSL cards for full reports – though a brief report is fine.
This week’s programme will start with some of Albinoni’s concerto for two oboes, then a Britten cello suit and a trio by Judith Weir. There is some Mozart, more Albinoni, and polyphony by John Dunstable after that. The programme finishes with a piano concerto by Scriabin.
The playlist is on the website and will be updated soon after Saturday’s broadcast of the new show by Channel 292 at 11:00 UTC.
Both Channel 292 and WBCQ as well as WWCR can be pulled live off the internet if the reception is poor in your location. Easy to find their sites with a google search.
In the meantime – thank you for spreading the word about Encore – Classical Music on Shortwave. And thank you to everyone for letting us know how well the signal is received where you live.
Brice Avery – Encore – Radio Tumbril.
Regular Broadcast times are:
11:00 – 12:00 UTC Saturday on 6070 kHz and repeated 19:00 – 20:00 UTC Friday on 6070 kHz Channel 292 (Germany).
21:00 – 22:00 UTC Saturday on 9350 kHz WWCR (Nashville).
01:00 – 02:00 UTC Monday on 7490 kHz WBCQ – (Maine).
Spread the radio love

Shortwave Radio Audio Archive: A treasure trove of radio history and nostalgia

One of the most amazing things about hosting and curating a massive collection of shortwave radio recordings is listening to each recording as they’re published on the site.

I created the Shortwave Radio Audio Archive (SRAA) in 2012 as a dedicated space to post and share off-air recordings with the world. Listening to SRAA recordings and subscribing to the podcast is 100% free, and entirely void of any advertising. The fact is, I pay for this site out of my own pocket, although some of your generous coffee fund and Patreon gifts are used to reinforce the archive’s longevity and future.

Not only does the SRAA serve as a historical record of radio–and even as audio samples for musicians–it’s also for radio listeners like us to enjoy.  We have over 3000 podcast and RSS subscribers. We invite you to subscribe as well as to contribute content in the form of your own radio recordings!

Great content, great contributors

Speaking of recordings, check out a sampling of our latest offerings from our amazing contributors:

Note that you can subscribe to the Shortwave Radio Audio Archive as a podcast via iTunes or by using the following RSS feed: http://shortwavearchive.com/archive?format=rss You can also listen via TuneIn.

Of course, one of the best ways to listen to recordings and read all of the recording notes is by visiting the SRAA website.


Do you enjoy the SWLing Post?

Please consider supporting us via Patreon or our Coffee Fund!

Your support makes articles like this one possible. Thank you!

Spread the radio love

Latest issue of Hackspace magazine features Ham Radio

(Source: Southgate ARC)

Issue 27 of Hackspace magazine features the Scottish Consulate Amateur Radio Club MS0SCZ, the free magazine PDF is now available for download

The Scottish Consulate ARC is part of the 57North Hacklab in Aberdeen, the article by Tom Jones MM6IRQ is on pages 28-31.

Also featured in the magazine:
• Interview with Mitch Altman WB9IQQ
• Long-range radio with Raspberry Pi by PJ Evans of the Milton Keynes Raspberry Jam.

Download the Free magazine PDF at
https://hackspace.raspberrypi.org/issues/27/pdf

Back issues can be downloaded from
https://hackspace.raspberrypi.org/issues/

Scottish Consulate
https://consulate.scot/
https://twitter.com/scotconsulate

Click here to read this article at the Southgate ARC.

Spread the radio love

Radio Waves: Kumu Networks, resistors, transistors, and one tower’s vulture problem

Radio Waves:  Stories Making Waves in the World of Radio 

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’sRadio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors, Marty, David Korchin, and Paul Evans for the following tips:


Kumu Networks Launches an Analog Radio Module That Cancels Its Own Interference (IEEE Spectrum)

It’s a problem as old as radio: Radios cannot send and receive signals at the same time on the same frequency. Or to be more accurate, whenever they do, any signals they receive are drowned out by the strength of their transmissions.

Being able to send and receive signals simultaneously—a technique called full duplex—would make for far more efficient use of our wireless spectrum, and make radio interference less of a headache. As it stands, wireless communications generally rely on frequency- and time-division duplexing techniques, which separate the send and receive signals based on either the frequency used or when they occur, respectively, to avoid interference.

Kumu Networks, based in Sunnyvale, Calif., is now selling an analog self-interference canceller that the company says can be easily installed in most any wireless system. The device is a plug-and-play component that cancels out the noise of a transmitter so that a radio can hear much quieter incoming signals. It’s not true full duplex, but it tackles one of radio’s biggest problems: Transmitted signals are much more powerful than received signals.[…]


This 40-Year-Old Transistor Changed the Communications Industry (IEEE Spectrum)

While working as an electronics engineer in 1977 at Fujitsu Laboratories in Atsugi, Japan, IEEE Life Fellow Takashi Mimura began researching how to make the metal-oxide-semiconductor field-effect transistor quicker. The MOSFET, which had been invented in 1966, was the fastest transistor available at the time, but Mimura and other engineers wanted to make it even quicker by enhancing electron mobility—how speedily electrons could move through semiconducting material.

Mimura began to research an alternative semiconductor to the silicon used in the MOSFET, hoping it would be the solution. He came across an article in the Applied Physics Letters journal on heterojunction superlattices—structures of two or more semiconductors of significantly different bandgaps—developed by Bell Labs in Holmdel, N.J. The superlattices, which used a modulation-doping technique to spatially separate conduction electrons and their parent donor impurity atoms, inspired Mimura to create a new transistor.

In 1979 he invented the high-electron-mobility transistor. His HEMT used a heterojunction superlattice to enhance electron mobility, improving on speed and performance.

The invention now powers cellphones, satellite television receivers, and radar equipment.[…]


Why do resistors have a color code? (Hackaday)

One of the first things you learn in electronics is how to identify a resistor’s value. Through-hole resistors have color codes, and that’s generally where beginners begin. But why are they marked like this? Like red stop signs and yellow lines down the middle of the road, it just seems like it has always been that way when, in fact, it hasn’t.

Before the 1920s, components were marked any old way the manufacturer felt like marking them. Then in 1924, 50 radio manufacturers in Chicago formed a trade group. The idea was to share patents among the members. Almost immediately the name changed from “Associated Radio Manufacturers” to the “Radio Manufacturer’s Association” or RMA. There would be several more name changes over the years until finally, it became the EIA or the Electronic Industries Alliance. The EIA doesn’t actually exist anymore. It exploded into several specific divisions, but that’s another story.

This is the tale of how color bands made their way onto every through-hole resistor from every manufacturer in the world.[…]


Coming Soon to a Processor Near You: Atom-Thick Transistors? (IEEE Spectrum)

If there’s one thing about Moore’s Law that’s obvious to anyone, it’s that transistors have been made smaller and smaller as the years went on. Scientists and engineers have taken that trend to an almost absurd limit during the past decade, creating devices that are made of one-atom-thick layers of material.

The most famous of these materials is, of course, graphene, a hexagonal honeycomb-shaped sheet of carbon with outstanding conductivity for both heat and electricity, odd optical abilities, and incredible mechanical strength. But as a substance with which to make transistors, graphene hasn’t really delivered. With no natural bandgap—the property that makes a semiconductor a semiconductor—it’s just not built for the job.

Instead, scientists and engineers have been exploring the universe of transition metal dichalcogenides, which all have the chemical formula MX2.[…]


Border Officials Seek to Evict Defecating Vultures From Texas Radio Tower (NY Times)

Some 300 vomiting, defecating vultures have made a United States Customs and Border Protection radio tower in South Texas their home, coating the tower and buildings beneath it with potentially hazardous excrement as besieged border officials try to stem the deteriorating situation.

In a notice on Thursday, the agency said it was looking for advice on how to attach some sort of net on the 320-foot tower in Kingsville to keep the vultures from roosting and nesting on its “railings, catwalks, supports, and on rails and conduit throughout.”[…]

Spread the radio love

AM Revitalization: DRM Consortium asks FCC to adopt DRM

Many thanks to SWLing Post contributor, Alan, who shares this editorial from Radio World that features edited comments filed with the FCC by the DRM Consortium.

The following unedited letter was taken directly from the FCC comments database:

(Source: FCC Filing [PDF])

In your document (FCC19-123) you rightly highlight the great advantage of AM broadcasts, primarily the ability to cover large areas and number of listeners, while the band itself is losing popularity because of a variety of issues to do with propagation, interference, environmental changes. At the same time, digital audio broadcasting is no longer the new platform it was in 2002. At that time FCC mandated a proprietary system (IBOC, “HD radio”) as the only system to be used in the USA with the possibility of applying DRM for HF.

Since then DRM (the ITU recommended, only digital audio broadcasting for all bands, open standard, has been tested and used all over the world on all bands, short wave, medium wave and FM).

So while you are recommending now pure digital HD, based on the NAB tests and WWFD not completely convincing trial, we would urge the FCC to consider opening the straightjacket of 2002 and allow DRM to be used as a sure, tested, efficient way of digitizing the AM band.

There are several reasons for this:

DRM digital radio delivers in the AM bands significant benefits:

    • Audio quality that is on par or better than FM. DRM of all recognized digital
      standards is the only one using the ultra-efficient and compressed xHE-AAC audio
      codec that delivers at even very low bit-rates exceptional audio quality for speech
      but music, as well. (https://www.drm.org/listen-compare/)
    • Record Data: DRM has been tested in medium wave all over the world in both
      simulcast and pure digital. A list of the main tests (some of which have become ITU
      adopted documents) are included in Annex 4 of the DRM Handbook:
      https://www.drm.org/wp-content/uploads/2019/02/DRM-Handbook.pdf
      At the moment, 35 MW transmitters are on air in simulcast or pure DRM in India.
      http://prasarbharati.gov.in/R&D/
    • Auxiliary Data. DRM is the newest, most complete, open standard for digitizing radio in
      all frequency bands, and is recommended by ITU. DRM has been devised as a direct
      heir to analog AM (SW, MW). It uses 9/10, 18/20 kHz bandwidth and has a useful content
      bit rate of up to 72kbps. It carries up to 3 programs on one frequency and one data channel, while data can be carried on each of the audio channels as well. One of the great advantages of DRM is that alongside excellent audio, the receiver screens will display visual information of any kind required (albums’ titles, singers’ photos, maps, visuals of any sort, data of any kind). The Journaline application allows for extra information from the internet or the RSS feeds of the broadcaster to be captured and displayed. Currently broadcasters like the BBC, All India Radio, KTWR in Guam are using this extra facility that clearly differentiates digital form analog as a superior option.
    • Power/energy efficiency. Using SW or MW in DRM can reduce the power used up
      to 80%). As per calculations made by Ampegon, a medium wave transmitter can
      cover an area of 235000 sq km with a 100kW transmitter. The DRM EPR of such a
      transmitter is about 50kW and the coverage area is the same, while instead of one
      analog programme up to three digital channels and one data channel can be
      broadcast, all in excellent audio quality.
    • Spectrum efficiency (more programmes can be broadcast on one single frequency
      used for one programme in analog) as explained above.
    • DRM, unlike analog, offers enhanced and stable audio quality that is FM-like
      (mono or stereo). DRM also offers multiservice data enabled by applications like
      Journaline (the enhanced text services, more information captured as RSS feeds or
      form other internet source), slideshows, multilingual text (practically being able to
      show any characters of any language not just Latin script), and the Emergency
      Warning Functionality (EWF) in case of disasters.
    • Interference. This has not been noted as the DRM signal will always be lower than
      the analog one. AIR has not noted any interference in its operation of DRM
      transmitters. The mask values required for an optimal functioning of DRM
      transmitters is clearly stipulated in the ITU documents and as long as the network
      planning is correct, and the mask is respected there should not be any issue of
      interference in digital-analog or digital-digital DRM transmissions.
    • Receivers. Currently there are several receiver models and SDR options for the
      reception of DRM in AM. India has almost 2 million new cars fitted with DRM
      receivers, at no cost to the buyers, that are capable of and are receiving DRM
      mediumwave signals. The audio quality is excellent and a sure benefit to the users.
    • DRM is in direct succession to the analog AM (and FM) services, not owned or
      controlled by any single company and immediately available with full know-how and
      technology access by the transmitter and receiver industry.
    • As HD in mediumwave is a bit of a necessary step but still a leap in the dark, it
      would make sense from the practical aspects and even receiver solution availability
      to allow DRM as the best, clearly proven solution of digitizing the AM band (in
      preference or alongside HD) in the US.

In short, the salient advantages of DRM are:

    1. The audio quality offered by DRM is equally excellent on all the transmission bands:
      MW, SW or VHF
    2. Robust signal unaffected by noise, fading or other forms and interference in all bands
    3. Clear and powerful sound quality with facility for stereo and 5.1 surround
    4. More audio content and choice: Up to two and even three audio programmes and one
      data channel on one frequency
    5. Extra multimedia content: Digital radio listeners can get multimedia content
      including audio, text, images and in future even small-scale video, such as:

      • Text messages in multiple languages
      • Journaline – advanced text-based information service supporting all classes of
        receivers, providing anytime-news for quick look-up on the receiver’s screen;
        interactivity and geo-awareness allowing targeted advertising
      • Electronic Programme Guide (EPG), showing what’s up now and next; search
        for programmes and schedule recordings
      • Slideshow Programme accompanying images and animation
      • Traffic information
    6. Automatically switch for disaster & emergency warnings in case of impending
      disasters in large areas, automatically presenting the audio message, while providing
      detailed information on the screen in all relevant languages simultaneously. Great
      potential to become the surest and widest means of alerting the population to
      emergencies.

Therefore, we urge FCC to take a wide view and consider all options including DRM, if AM is worth futureproofing in the USA.

[This filing also included a number of “Useful Press Links]

Spread the radio love