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The Canadian inventor, experimenter, and entrepreneur Reginald Fessenden has been credited as the inventor of radiotelephony. Fessenden claimed to have made his first voice — and music — broadcast on Christmas Eve in 1906 from Brant Rock, Massachusetts, although his account is disputed. As he has done each December for the past few years, Brian Justin, WA1ZMS, of Forest, Virginia, will transmit a program on 486 kHz, under authority of his FCC Part 5 Experimental License WI2XLQ ito commemorate Fessenden’s accomplishments.
Justin will transmit for at least 24 hours starting at around 2000 UTC on December 24, with a repeat transmission on New Year’s Eve likely, “keeping in step with what Fessenden was reported to have done on both nights in 1906,” Justin explained.Fessenden’s transmitter was most likely a high-speed “dynamo” or alternator — a predecessor to the later Alexanderson alternator — modulated by placing a carbon microphone in series with the antenna feed line to create an amplitude modulated signal. Fessenden a few years earlier had limited success making voice transmissions using a rotary spark gap transmitter. Fessenden fed his signal into a substantial antenna system erected in Brant Rock for his experiments. Accounts say on Christmas Eve 1906, he transmitted recordings of two pieces of music and read a verse from the bible.
Justin will use somewhat more modern equipment — a home-brew master oscillator, power amplifier (MOPA) transmitter based on a classic design from the early 1920s. It uses a UV-201 oscillator tube driving a VT-25 tube — a modern equivalent to a UV-202 — to generate “a few watts” on 486 kHz. His modulator consists of another VT-25, which uses a large inductor in the RF amplifier’s plate supply to serve as a Heising modulator. The audio program comes from a laptop computer.
“Heising modulation was used in World War I as an easy way to achieve AM in rigs such as those used in aircraft,” Justin said. “My particular Heising modulator can deliver only around 60% modulation, so an audio processor is used to help boost the average volume level ahead of the modulator tube.”
Justin uses far more modern technology to boost “the few watts” of modulated RF to drive a modified Hafler 9505 solid-state 500-W audio amplifier. “The idea for the amp came from W1TAG and W1VD,” he said, “and information on using such an amp on the 630 and 2200-meter ham bands can be found on the web.” After a multi-pole low-pass filter, the carrier output is 150 W.
Justin’s antenna is a Marconi T, crafted from a 160-meter dipole some 60 feet above ground and fed with open-wire line, which is shorted at the transmitter end. A homebrew variometer — constructed from 14-gauge wire wound on a piece of 4-inch diameter PVC pipe — is placed in series to resonate the antenna, which is fed against an extensive ground system. “Most of the RF is lost due to the ohmic losses of the ground system, but at least 15 W ERP is possible, depending on the dampness of the soil. Damp soil helps lower the ground losses,” Justin said.
SAQ Current QSL card received by Harald via the QSL bureau
Many thanks to SWLing Post contributor, Harald Kuhl (DL1AX), who shares the following announcement from Grimeton Radio SAQ:
Scheduled transmission from Grimeton Radio / SAQ on Christmas Eve, December 24, 2019
On the morning of Christmas Eve, December 24, we will try to start the old Alexanderson 200 kW transmitter, from 1924 and send out a Christmas message on VLF 17.2 kHz CW. The transmitter will be tuned up from around 08:30 (07:30 UTC) and a message* will be transmitted at 09:00 (08:00 UTC).
Guests are welcome to attend the transmission at the radio station in Grimeton from 08:00 local time. The Alexander association will arrange coffee and Christmas cookies, free of charge. No entrance fee.
For those of you who can not attend, we will broadcast the event live from Grimeton, Sweden on our YouTube Channel.
NEW !
ONLINE RECEPTION REPORT FORM – PLEASE NO E-MAIL REPORTS!
We are introducing a new online SAQ reception report form to be used by listeners to report reception of any SAQ transmissions. We are kindly asking listeners not to send SAQ reception reports via E-mail.
SAQ Current QSL card received by Harald via the QSL bureau
Many thanks to SWLing Post contributor, Harald Kuhl (DL1AX), who shares the following announcement from Grimeton Radio SAQ:
Scheduled transmission from Grimeton Radio / SAQ on Christmas Eve, December 24, 2019
On the morning of Christmas Eve, December 24, we will try to start the old Alexanderson 200 kW transmitter, from 1924 and send out a Christmas message on VLF 17.2 kHz CW. The transmitter will be tuned up from around 08:30 (07:30 UTC) and a message* will be transmitted at 09:00 (08:00 UTC).
Guests are welcome to attend the transmission at the radio station in Grimeton from 08:00 local time. The Alexander association will arrange coffee and Christmas cookies, free of charge. No entrance fee.
For those of you who can not attend, we will broadcast the event live from Grimeton, Sweden on our YouTube Channel.
NEW !
ONLINE RECEPTION REPORT FORM – PLEASE NO E-MAIL REPORTS!
We are introducing a new online SAQ reception report form to be used by listeners to report reception of any SAQ transmissions. We are kindly asking listeners not to send SAQ reception reports via E-mail.
For over two weeks now, I’ve had an early production model of the RSPdx here in the shack operating on a beta version of the SDRuno application.
In the spirit of full disclosure, SDRplay is a long-time supporter of the SWLing Post and I have alpha- and beta-tested a number of their products in the past. This early production RSPdx was sent to me at no cost for a frank evaluation, and that’s exactly what I’ll offer here. To be clear, while I am using beta software, this is not a beta SDR, but one from a first limited production run.
And thus far, I must say, I’m impressed with the RSPdx.
Upgrades
The RSPdx has been introduced as a replacement for the RSP2 and the RSP2pro receivers. It has been updated and upgraded, with a completely new front-end design.
Here are the highlighted improvements and changes:
Performance below 30 MHz has been enhanced when compared to the RSP2/RSP2pro.
Performance below 2 MHz has been substantially upgraded. Through the use of the new HDR mode, both dynamic range and selectivity have been considerably improved.
There is now a BNC antenna connector on antenna C position instead of a HiZ port. Both A and B antenna ports are SMA like other RSP models.
Let’s face it: those of us interested in low-cost SDRs are spoiled for choice these days. The market is chock-full of sub-$200 SDRs, especially if you include all of the various RTL-SDR-based SDRs and knock-off brands/models one can find on eBay.
Personally, I invest in companies that support radio enthusiasts for the long haul…those that do their own designs, innovations, and production. SDRplay is one of those companies.
SDRplay’s market niche has been providing customers with affordable, high-performance wideband receivers that cover an impressive 1 kHz to 2 GHz.
Wideband coverage can come at a cost. Unless you pay big money for a commercial-grade wideband receiver, you’re going to find there’s a performance compromise somewhere across the spectrum. On the RSP2 series, those compromises would have been most apparent on frequencies below 30 MHz.
That’s not to say HF, MW, and LW performance was poor on the RSP2 series–indeed, it was quite impressive and well-balanced; it just didn’t stack up to the likes of the similarly-priced AirSpy HF+ and HF+ Discovery, in my humble opinion. Both little Airspy SDRs have wooed DXers with their impressive dynamic range and overall ability to work weak signals in the HF portion of the spectrum.
Neither of the AirSpy HF+ models are wideband receivers, but still offer a generous range: 9 kHz to 31 MHz and from 60 to 260 MHz––about 11.5% of the frequency coverage of RSP models. (Note that the Airspy R2 and Mini do cover 24 – 1700 MHz.) For shortwave radio listeners that also want to venture into the UHF and SHF regions, a wideband SDR is still required.
It’s obvious SDRplay’s goal is to make the wideband RSPdx into a choice receiver for HF and, especially, for MW/LW DXers. But have they succeeded? Let’s dive in…
Performance
As I say in most of my SDR reviews: doing comparisons with receivers that have so many features and adjustments is never easy. In other words, we want an apples-to-apples comparison, but it can be difficult to achieve, especially with new products.
The RSPdx, Excalibur, and HF+ Discovery all used the same antenna in my tests––a large, horizontal delta loop antenna, via my ELAD ASA15 amplified antenna splitter. I’ve used this antenna splitter for years and can vouch for its equitable, lab-grade distribution of signal.
The RSPdx is not in full production at time of posting, thus application options are limited. Typically, I’d load comparison SDRs in SDR Console or HDSDR and test them with identical settings as well. At present, the RSPdx is only compatible with a beta version of SDRplay’s own application, SDRuno (which will come out of beta rior to the first major production run). The benefit of using SDRuno is that you unlock the full potential of the RSPdx, plus signal and noise numbers are incredibly accurate.
For each SDR in this comparison, I used their native/OEM application to give them the best possible performance.
I also matched filter settings and made an effort to match AGC and volume settings as closely as I could.
Additionally, I resisted the temptation of comparing my RSP2 with the new RSPdx because I didn’t want to run two simultaneous instances of SDRuno on the same computer––especially considering one was in beta.
Is this comparison perfect? Probably not, but I did the best with the time I had available. I do intend to make further comparisons in the future.
Longwave performance
Via the RSPdx’s new “HDR” mode, both dynamic range and selectivity have been considerably improved with frequencies below 2 MHz. While I’ll fully admit that I’m not much of a longwave DXer, my very first listening session with the RSPdx started in this region of the spectrum.
In fact, the first evening I put the RSPdx on the air and confirmed that I was, indeed, in HDR mode, I noticed a small carrier via the spectrum display on 171 kHz. I clicked on it and quickly discovered it was Medi 1. The signal was faint, but I could clearly ID at least one song. This truly impressed me because I believe this was the first time I had logged Medi 1 on longwave from the shack.
I didn’t connect the Excalibur at that point to see if it could also receive the faint Medi 1 signal, but I imagine it could have. I’m pretty sure this would have been outside the reach of the RSP2, however.
I tried to explore more of the longwave band, but due to local RFI (I suspect an appliance in my home), most of the LW band was inundated with noise. With that said, I did grab three of my benchmark non-directional beacons.
Obviously, the RSPdx is a capable LW receiver. I would like to spend more time on this band once I’ve tracked down the source of my local RFI.
Mediumwave/AM performance
In the past two weeks, I’ve spent many hours with the RSPdx on mediumwave.
We’re heading into the winter months in the northern hemisphere, and that’s normally when my listening habits head south on the bands.
In short: I find the RSPdx to be quite sensitive and selective on the mediumwave bands while the HDR mode is engaged. A major improvement over its predecessor.
I primarily compared the RSPdx with my WinRadio Excalibur on mediumwave since I consider the Excalibur to be a benchmark MW receiver. And, as you’ll hear in the screencasts below, the RSPdx truly gives the Excalibur a run for its money:
Note that my horizontal delta loop antenna is omni-directional, hence the tug-of-war you hear between stations in the clips above.
In truth, I could have done more to stabilize the signal on both of these fine SDRs, but I wanted to keep the comparison as fair as possible.
You might have noticed that both were running AM sync mode. It seems the sync lock on the RSPdx may have also improved––though I would need to do a direct comparison with the RSP2 to know for sure––but in terms of stability, I still found that the WinRadio Excalibur was superior. Mind you, the Excalibur is a $900 – $1,000 receiver and has the strongest synchronous detector of any radio I’ve ever owned.
Shortwave/HF
SDRplay notes on the preliminary specifications sheet that the RSPdx has been “enhanced” when compared with the RSP2 series.
And, after having spent two weeks with the RSPdx on the shortwave bands, I would say this is a bit of an understatement. For although I haven’t compared the RSPdx directly with the RSP2 yet, I do feel HF performance is substantially better than its predecessor. Indeed, in my comparisons, I often found it gave the Excalibur some serious competition. Overall, the Excalibur had an edge on the RSPdx, but the gap has closed substantially. That’s saying something.
For the comparison videos below, I also included the excellent AirSpy HF+ Discovery.
As you can see and hear, the RSPdx is now in the league of some of the finest HF receivers in my arsenal.
But I’m curious to know what you think after listening to these comparisons. Please comment!
Notch Filters
For those of you living in areas with DAB/DAB+ broadcasters nearby, you’ll be happy to note that the RSPdx has a DAB filter to help mitigate any potential overloading.
Also, if you live near a blowtorch mediumwave station, you’ll be quite pleased with the MW notch filter. It’s so effective at filtering out the mediumwave band, my local blowtorch on 1010 kHz is barely visible on the spectrum once the notch filter is engaged. (Note: I should add that neither the DAB nor the mediumwave notch filter was engaged during any of my previous comparisons above.) Check out the screen shots below showing the mediumwave band before and after the MW notch filter is engaged:
Before:
After:
Summary
For those of you looking for a budget wideband SDR with solid performance below 30MHz, look no further.
For $199 US, you’re getting a quality UK-designed and manufactured SDR in a proper metal housing. The OEM application, SDRuno, is one of my favorite SDR applications and can fully take advantage of the RSPdx’s new HDR mode. No doubt, with a little more time, most third-party SDR applications will also support the RSPdx.
Frankly, I was expecting classy mediumwave and longwave performance as this was the most touted upgrade of the RSPdx. SDRplay certainly delivered.
In my experience, SDRplay doesn’t oversell their products. Their preliminary product sheet mentioned improved performance on HF, but their press release didn’t even mention the HF upgrades. And this is where I, in particular, noticed significant improvement. Perhaps this is because I am primarily an SWLer, thus spend a larger portion of my time in the HF region.
SDRplay products also have a mature, robust SDR application via SDRuno. Day to day, I tend to use Simon Brown’s SDR Console as my primary SDR application, since it’s compatible with so many of my SDRs and also offers some of the best recording functionality for those of us who do audio and spectrum archiving. Each time I beta test or review an SDRplay SDR, however, I’m more and more impressed with SDRuno. It’s evolved from being a rather cluttered application to one with a thoughtful, cohesive user interface that’s a joy to use––a product of true iterative agility.
Indeed, after having used SDRuno exclusively these past two weeks, I believe I would consider it as my primary SDR application…if only it had audio recording in addition to spectrum recording, and could run multiple instances with multiple SDRs. Again, given a little time, I wouldn’t be surprised if some of this functionality is eventually integrated.
Questions?
Since many SWLing Post readers already own an SDR, I’m sure some of you will have questions. Let’s address a few of those right now.
Question: “I have an RSP2/RSP2pro. Should I upgrade to the RSPdx?”
My recommendation: If you are a shortwave, mediumwave, or longwave DXer, I would indeed recommend upgrading to the RSPdx. If you primarily use your RSP2 series SDR on frequencies above 30 MHz and only occasionally venture below for casual listening, then I’d keep the RSP2.
Question: “I have an RSP1a. Should I upgrade to the RSPdx?”
My recommendation: If you’ve been enjoying your RSP1a and would like to take your listening/monitoring to the next level, then, yes, I would upgrade. Not only can you take advantage of the RSPdx’s enhanced performance, but the RSPdx affords you three antenna ports, and has a more robust front end.
Question: “I have an RSPduo. Should I buy the RSPdx?”
My recommendation: I’m a big fan of the RSPduo. Unless you’re a dedicated mediumwave/longwave DXer, or you’d just like to add another separate SDR to your radio arsenal, I wouldn’t rush out to buy the RSPdx.
And while I’m offering advice, I’d like to offer my standard two cents on the subject of performance optimization: a radio is only as good as its antenna!If you have a compromised antenna, invest in your antenna before upgrading your radio. You’ll be glad you did.
Conclusion
Happily, I can recommend the SDRplay RSPdx without hesitation. This latest iteration of the RSP series SDR is a proper step forward in terms of performance and functionality––obviously implementing years of customer feedback.
SDRplay also has a proven track record of innovation and customer support. Their documentation, video tutorials, and community are among the best in the industry. Purchase with confidence.
RTÉ is going to spend €250,000 per year transmitting its Radio One station to the Irish diaspora in Britain – while closing down all its digital stations.
The station is shutting down RTÉ Gold, RTE Junior, RTÉ 2XM, RTÉ Pulse and RTÉ Radio 1 Extra, but would not specify how much this will save.
However, it has confirmed that it is going to continue its Longwave radio service to the Irish diaspora in Britain up to 2022.
Performance of both was very nearly identical but for now the Q-Stick wins on price ($67.50 vs. $75.78 delivered) and the Q-Stick does both LW and MW.
But Gerry says he’s going to close RadioPlus early next year so-presumably-
that will leave just the RFL-200 and its REA-200 sibling.
The “200” no doubt comes from the length, 200mm or 8 inches…the Q-stick
uses a 7-3/4 inch ferrite bar which is probably why the similar performance.
There is one thing: the small tuning knob is not hard to turn on the RFL-200
as it was on the REA-200 tested earlier but a bigger knob would be nice.
But the tuning cap uses a 1/8th inch shaft so finding a larger knob is too
much bother, most are for 1/4 inch shafts.
By comparison the Q-Stick has a nice big knob and is quite easy to tune.
So for now the Q-Stick would be the better buy, but don’t tarry.
[One more note,] if you want the most bang for your buck, forget both of these, get
a PK Loop for $90.60 delivered (be sure to specify the 155-500 kHz model).
RTÉ Radio 1 has reappeared on 252 LW after being off-air for the last six weeks for significant remedial works.
The essential maintenance work will ensure the service can continue for at least another couple of years, according to a Fine Gael TD.
Chair of the Oireachtas Communications Committee, Hildegarde Naughton, welcomed RTE’s decision to undertake the work earlier this year. Deputy Naughton said: “The maintenance of long wave radio for the Irish diaspora is a significant concern to the Committee. The UK regulator, Ofcom, will not grant RTÉ, as a non-UK broadcaster, the necessary licence to broadcast on digital in the UK at this time.
“I welcome the efforts being made to continue this service, which serves as an invaluable link between the diaspora and home.
“However I intend to work with the committee to explore other longer-term alternative solutions to ensure this service continues.”
RTÉ has explored broadcasting on at least one DAB multiplex in the UK but has yet to gain permission, as Ofcom only allows UK-registered companies to be granted a licence.