Many thanks to SWLing Post contributor, Alan Roe, who notes:
I have now updated my Music on Shortwave listing for A-18, and attach version 2.1.version 2.0.
Alan, thanks so much for keeping this excellent guide updated each broadcast season and for sharing it here with the community!
Click here to download a PDF copy of Alan Roe’s Music on Shortwave A-18 v2.1
Many thanks to SWLing Post contributor John with TheReportOfTheWeek who writes:
Since our last update, a few additional time and frequency changes have been made to our shortwave airings of VORW Radio Int. Each broadcast features a fun hour of misc talk and commentary as well as a wide variety of listener requested music!
The full schedule is below, with changes being highlighted.
Thursday 1000 UTC – 5950 kHz – WRMI 100 kW – Western North America
Thursday 2000 UTC – 7780 kHz – WRMI 100 kW – Eastern North America
Thursday 2100 UTC – 7490 kHz – WBCQ 50 kW – Eastern North America
Thursday 2200 UTC – 9955 kHz – WRMI 100 kW – South America
Friday 0000 UTC (Thu 8 PM Eastern) – 7730 kHz – WRMI 100 kW – Western North America
Friday 0000 UTC – 5950 kHz – WRMI 100 kW – Central America (ex. 9455 kHz)
Friday 0000 UTC – 9395 kHz – WRMI 100 kW – North America
Friday 0100 UTC – 7780 kHz – WRMI 100 kW – Eastern North America & Europe
Friday 0100 UTC – 5850 kHz – WRMI 100 kW – North America
Friday 0400 UTC – 7730 kHz – WRMI 100 kW – Western North America (new. Test transmission for West Coast Listeners)
Sunday 2000 UTC – 9395 kHz – WRMI 100 kW – North America
Sunday 2100 UTC – 7780 kHz – WRMI 100 kW – North AmericaQuestions, comments, reception reports and music requests may be sent to vorwinfo@gmail.com PayPal donations are also welcome at that email as this is a listener funded broadcast.
Reception reports will receive a QSL!
All the best,
John
Many thanks to SWLing Post contributor, Alan Roe, who notes that he has now compiled his Music on Shortwave listing for the A18 broadcast season.
Alan, thanks so much for keeping this excellent guide updated each broadcast season and for sharing it here with the community!
Click here to download Alan Roe’s A18 Shortwave Music Guide version 1.0 (PDF).
This amazing video is part of an article from Interesting Engineering depicting the motion of the Milky Way translated into a musical score.
While most astronomers love capturing unique and stunning images of the Milky Way, one astronomer wanted to capture the galaxy in a unique way. Astronomer Mark Heyer expressed how the galaxy moves in the musical composition “Milky Way Blues.”
This is no Vivaldi’s “Four Seasons,” as the music isn’t simply inspired by the galaxy’s sounds; it is the galaxy’s sounds. The University of Massachusetts Amherst professor created an algorithm that transformed the data into a series of notes.
“This musical expression lets you ‘hear’ the motions of our Milky Way galaxy,” he says. “The notes primarily reflect the velocities of the gas rotating around the center of our galaxy.”
Heyer assigned notes to the atomic, molecular and ionized gases that can be found between the stars in our galaxy. He then gave different pitches, tones and note count to the velocity and spectra of each gas phase. For example, atomic gases were given an acoustic bass sound, molecular gasses got woodblocks and piano, and ionized gases became saxophone notes.
“Astronomers make amazing pictures, but they’re a snapshot in time and therefore static. In fact, stars and interstellar gas are constantly moving through the galaxy but this motion is not conveyed in those images. The Milky Way galaxy and the universe are very dynamic, and putting that motion to music is one way to express that action.” He chose to compose this piece using a pentatonic scale – with five notes in the octave instead of seven – and in a minor key, because “when I heard the bass notes it sounded jazzy and blue,” he said.
You can read more about this incredible process here.
Enjoy!
Robert Gulley, AK3Q, is the author of this post and a regular contributor to the SWLing Post. Robert also blogs at All Things Radio.
According to the DRM Consortium, there will be a special two hour DRM broadcast today (April 18) starting at 12:00 UTC:
Special DRM transmission tomorrow 18th April from Spaceline during DRM GA at 1200-1400UTC on 11600kHz. From Kostinbrod, Bulgaria with antenna directed at 260 degrees. The content will be from Mighty KBC.
Note that this broadcast starts less than two hours from time of posting. Please comment if you log this broadcast!
(Source: WUNC’s The State of Things via Kim Elliott)
During the Cold War, the U.S. Department of State sent jazz musicians around the world to sell the American way of life. This initiative took place in the 1950s, during segregation and the beginning of the civil rights movement. Jazz was gaining popularity on the international stage partly because of a Voice of America program hosted by Willis Conover, and partly because jazz musicians, like Louis Armstrong, played international tours.
The U.S. government took note of this popularity and decided to send musicians as representatives of the country, even as those representatives didn’t have the full benefits of the freedom they were touting. Many of these multi-racial, multi-gender groups were not allowed to perform within the boundaries of the United States due to Jim Crow.
Host Frank Stasio talks to Hugo Berkeley, director of the new documentary “The Jazz Ambassadors: The Untold Story of America’s Coolest Weapon in the Cold War.” Historian Adriane Lentz-Smith joins the conversation to put the story of the jazz ambassadors into context. Lentz-Smith is a professor of history at Duke University who served as an advisor to the documentary. She’s also the author of “Freedom Struggles: African Americans and World War I” (Harvard University Press/2011). “The Jazz Ambassadors” screens at the Full Frame Documentary Film Festival in Durham on Sunday, April 8.[…]
Many thanks to Raoul with Jazz From The Left, who writes:
My program, Jazz from the Left, continues on WRMI. With a slight schedule change.
From Jeff White:
“We now have Jazz from the Left on at 0000 UTC Wednesday on 7730 kHz, and at 0100 UTC Thursday on 5850, 9395 and 9455 kHz.”
By the way, for fans of jazz on shortwave radio, I recently found dozens and dozens of air checks of Willis Conover playing jazz on the VOA. These are all excellent quality recordings from the 1950’s through 1970’s [at the University of North Texas Library]. Click here to browse the recordings. Enjoy!
Thank you, Raoul! Your show is excellent–the new time on WRMI has been noted in my calendar. And thanks for mentioning the UNT archive–it is indeed a superb collection (click here to read an archived post).