Category Archives: Recordings

Audio Plugins For Radios, Part 3 – VST Technical Setup

Many thanks to SWLing Post contributor, TomL, who shares the following guest post. Click here to check out all of the posts in this Audio Plugin series:

Audio Plugins For Radios, Part 3 – VST Technical Setup

by TomL

Processing legacy audio still has a place in an increasingly digital world for the time being. The first article on this topic was strictly using the speaker jack output from an old Kenwood transceiver using a simple Behringer UCA-202 RCA-to-USB converter. However, my main receive radio is the SDR based AirSpy HF+. Either type of radio should work with the apps discussed below as long as the audio gets to your Windows computer unmolested. There are VST apps for Mac and Linux, too.

VST apps: VST3/VST2/DLL files

Also mentioned was how to install VST Host and the VST apps run inside it. A simple reminder is that VST Host does not really install. It just resides in any one Directory/Folder you want and you create a shortcut to run VSTHOST.EXE. All the .XML files and profiles will be stored there.

I like tinkering with many apps but you may prefer things a lot simpler. I use 64-bit versions when possible, like VST3 and x64 DLL files. Because of the myriad settings involved, I will just list the apps in order of processing with brief comments. The second icon on the top of each app opens up its control panel and the bottom left icon will Bypass the app as if it is not in the audio chain. The top-left icon Links to the Preceding app in the audio chain. Most controls inside the apps let you double-click on that control to reset to a default.

The general functional order of these apps is:

Limiting/Compressing volume – dealing with shortwave signal volume spikes plus judiciously squeezing high & low volumes for a more even sound.
High Pass & Low Pass Filters – limit the frequency range apps will need to work on.
De-noising – the biggest challenge in shortwave is to reduce static and local noise without damaging the wanted audio.
EQ adjustments – frequency tweaks.
De-essing – getting rid of screechy “sss”, “shhh”, and “squeak” noises as well as fading distortion, perhaps the second hardest thing to do.
Then a final Drive/Gain control to feed into the Windows mixer.
Special Effects apps, like adding stereo, or reverb, etc.

I would suggest not to spend any money until you get to use apps from each of these broad categories to understand how they work. It is very easy to destroy the audio with a couple of offending settings. If you need help with understanding how plugins work, there are plenty of YouTube videos available. One channel I like is “In The Mix” from a Scottish music production engineer, Michael Wynne (over 1 million subs!). He gives simple to understand instruction videos (especially EQ and Compressors), among other topics.

Check out: YouTube – In The Mix

Welcome to the world of Audio Production. Here are some plugins (most are FREE!):

Reaper ReaComp – A Compressor which I am using to limit volume spikes in the <300 Hz range.

Kotelnikov – A great dynamic Compressor that helps compress volume peaks in both Peak and RMS (average) levels. Useful for highly variable signals and highly recommended.

Reaper ReaFir – A dynamic processor, the Subtract feature is a special “negative EQ” which only reduces specified frequency “Points”. It is also used as a brick filter for low & high frequency limits.

Klevgrand Brusfri Denoiser – In Swedish, “brusfri” means “noise free”, and is a Denoiser app that functions similarly to Audacity’s Noise Reduction feature but works in real time. I move to a blank frequency on the same shortwave band, have Brusfri “Learn” for about 5 seconds, and it starts working.

Bertom Denoiser Pro – A good Denoiser app but on noisy shortwave it can have digital artifacts that get very loud. I use it sparingly immediately after Brusfri.

Bitsonic Sound Recovery – This app beings midrange more forward and can brighten up dull audio. However, it can lead to increased sibilances, accentuated fading distortion, and “boxy” sounding voices.

TDR Nova – A clean sounding parametric EQ; my settings are a work-in-progress for best settings. I am experimenting with having the Wideband setting do most of the work with a slight expansion of the audio coming from the SDR. Also used as a better Gain control for Bitsonic.

Modern Exciter – Set to MIN for shortwave, this app can enhance the extreme low and extreme high frequencies without increasing noise.

LOADES – A DeEsser from Analog Obsession, controls sibilance and squeaks (beware of wonky controls!).

Klevgrand Brusfri Denoiser & Bertom Denoiser Pro run a second time. More Denoising is needed after the processing done by Bitsound, TDR Nova, and Modern Exciter.

Klevgrand FreeAmp – A simple Drive and Gain control that was free when I purchased Brusfri. It makes sure audio is driven correctly into Voicemeeter AUX Input.

Voxengo Stereo Touch – Allows adding “stereo” to a mono signal. Various Presets are available, from narrow (Voice or Guitar) to wide soundspaces (Stage, Surround, and Wide). Very interesting!

Here are three VST Host processed .MP3 files from an IQ recording of Radio Amazonia using 5.3 kHz & 7kHz filters in SDR Console 3.2 (Noise Reduction 4 was used but only 1dB Reduction). The third one is using the Stereo Touch app using just the lowest setting (Voice). I like it! 🙂 :

VST processed 5.3k:

VST processed 7 kHz:

VST processed 7 kHz with Stereo Touch:

Click here to download all VST processed 5.3k & 7k .MP3 files

Happy Listening & 73’s,

TomL

Carlos’ illustrated listening reports of Typhoon Khanun from Okinawa and KBS

2 Replies

Many thanks to SWLing Post contributor and noted political cartoonist, Carlos Latuff, who shares his radio log art from two recent reports and a radiofax.

Good morning, Thomas.
My radio activity on August 10, 2023.

Attached are two illustrated listening reports about Typhoon Khanun: one from Okinawa Fishery radio station and the other from KBS World Radio.

Okinawa Fishery

Here is the audio via YouTube:

KBS World Radio

Here is the audio via YouTube:

Radiofax

Also attached a typhoon warning issued yesterday by South Korean meteorology agency via radiofax at 05h00 UTC and received in Porto Alegre. Signal wasn’t good, therefore image arrived with poor quality. Even though, it’s possible to notice the map of Korea and the path of Typhoon Lan, now a tropical storm.

Thank you so much for documenting these broadcasts, Carlos, and sharing them with us in the SWLing Post community!

Carlos’ Shortwave Art and recording of the Okinawa Fishery Radio Station (August 5, 2023)

Carlos’ Shortwave Art and recording of the Voice of Turkey (August 3, 2023)

TomL’s Guide to Audio Plugins For Radios: Part 2 – SDR Recording

9 Replies

Many thanks to SWLing Post contributor, TomL, who shares the following guest post. Click here to check out all of the posts in this Audio Plugin series:

Audio Plugins For Radios, Part 2 – SDR Recording

by TomL

I started investigating using the old Kenwood transceiver to send audio to my laptop and process the receive audio using VST Host for a number of functions: Noise reduction, Equalization, reduce Sibilances and fading distortion, increase presence of vocals without sounding boxy, etc. It was a qualified success depending on what VST apps I used, in what order they were used, and what settings each of them were set to. In this episode of ongoing discovery, I will attempt to show how easy it is to OVER-process the shortwave broadcast audio plus comparisons to my regular Audacity post-recording treatment.

Audio Examples

I noticed for the first time that the SDR creates a somewhat compressed file which can be seen when comparing the Waveforms of SDR vs. VST Host output files. This means that the unprocessed SDR file will always appear to sound louder because of this compression. This loss of Dynamic Range makes it harder to do the comparison. Therefore, the Audacity-only examples below are reduced 3dB or 5dB to maintain apparent loudness.

Example 1: KBS Weekend Playlist – S6-S9 signal, somewhat severe fading and moderate polar flutter.

SDR Console 3.2 using my usual NR4 set to 2dB Reduction, 30% Smoothing, and 3dB Rescale plus a Blackman-Harris-7, 5.3 kHz filter.

AUDACITY file is using my usual Audacity noise reduction:

VST version 2: Used my first set of VST apps. Sounds harsh with hash-noise and overdriven:

VST version 3: Used way too much bass, too much grunge, attenuated highs, still overdriven:

VST version 4: Using a different order to the Denoiser apps, added in Modern Exciter app, cut back on some bass but still too much, and overly forward sounding midrange:

VST version 5: My current Baseline setup. Adjusted the Denoiser apps, less extreme bass & treble, adjusted the De-Esser app, set the midrange to be less forward with just a single setting:

To my ears, Audacity processing is nice but as discovered before, sounds compressed and does not reduce some of the other problems inherent in shortwave signal fading and loss of musicality. It sounds utilitarian. Also, the noise is a bit more gnarly.

Versions 2-5 go through iterations of listening to the exact same segment over and over (and over) and trying different VST apps and settings. I think my comments are mostly accurate next to each version. However, you may think differently and perhaps prefer the sound of one of the other versions?

Example 2: Encore Classical Music, WRMI (fading S9 signal) – Audacity vs. Version 5 VST settings. VST is quieter and sounds less harsh than the Audacity version. A generally more smooth sound.

Example 3: RCI in Russian, S7-S9 with moderate polar flutter – 7kHz filter in SDR Console but VST Host is using BritPre, an analog preamp using a 6 kHz low pass filter to try to reduce DSP filter “ringing”. It shows some interesting possibilities.

Example 4: RCI in Russian – Music from the same broadcast and VST Host setup in Example 3. The screeching flute is under more control and strings more defined in the VST version.

Conclusions

I like the results of the audio processing that eventually ended up with “version 5” (plus the possibilities at 7kHz, too). It is not Earth-shattering but is an incremental improvement in my opinion (there is always room for improvement). I can use it in a simple Workflow anytime I want to record something off of the SDR. Also, I had already been using Voicemeeter Pro, a software audio mixer. It is setup with different profiles to do SDR, Ham, FM Broadcast, and now, VST Host audio routing. This process took a long time but seems satisfactory to use as a Baseline setup, which then can be tweaked slightly depending on various types of audio coming from the SDR. These changes in VST Host can be stored as their own unique profiles for audio processing.

However, a word of warning! Messing with Windows audio Sound settings and mixer software is potentially a confusing process and one can easily end up with a spaghetti-pile of conflicting connections, no audio output, doubled echo output, distortion, way too loud, way too soft, etc. If you start this experimentation, make sure to write down your current Windows Sound settings, both the Playback and the Recording settings for each item listed.

Having an SDR radio + Voicemeeter + VST Host is a very flexible setup. I can now safely say that the only thing I need Audacity for is to Normalize the peak audio to the -1 dB broadcast standard volume, which is a HUGE time saver. The SDR Console IQ files can be scheduled and processed from there at a later time. Also, the use of Voicemeeter Pro allows me to switch when to use VST Host anytime I feel like it, and Voicemeeter Pro comes with its own (manually engaged) Recorder.

Part 3 of this series will discuss Technical details for my setup. Your setup may need different settings or you may find a better way than I did. This will take some dedicated time.

Happy Listening and 73’s,

TomL

Click here to follow all of the articles in TomL’s audio plugin series.

Radio Botswana barnyard sounds mystery

4 Replies

Many thanks to SWLing Post and SRAA contributor, Dan Greenall, who shares the following off-air shortwave radio recording and writes:

In all of the recordings of Radio Botswana’s famous barnyard interval signal I can find, the barnyard sounds are accompanied by the sound of cowbells. There is usually a rooster crowing and cows mooing too.

Today, while revisiting some raw tape from an old cassette dated 1973, I came across a short [off-air] recording of some similar barnyard sounds, chickens clucking and cows mooing. No sign of the cow bells here, but perhaps they started up farther into the interval signal?

If this recording is from Radio Botswana, perhaps they were only using the animal sounds in 1973? Maybe someone out there can help with this? Sorry but I have no other info. Many thanks!

Dan Greenall

London, Ontario Canada

Thanks for sharing this, Dan.

If you can shed some light on this recording and if Radio Botswana’s interval signal has changed over the years, please comment with details! Thank you!

Radio Waves: FCC Comments on Shortwave Trading, QTC eBook, Golden Years, and SDRconnect Demo

5 Replies

Radio Waves: Stories Making Waves in the World of Radio

Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors Ron Chester, Benn Kobb, Chuck Rippel, Pietschman, Dennis Dura, and Dave Zantow for the following tips:

“Market Makers” Want to Expand Their Use of Shortwave (Radio World)

The FCC seeks comments on a proposal to use HF spectrum for financial data

The FCC is taking public comment on a proposal to revise the rules governing the frequencies above 2 MHz and below 25 MHz.

The Shortwave Modernization Coalition thinks the 2-25 MHz band is underused and wants to use it for the long-distance transmission of time-sensitive data from fixed stations. The users would be companies working with certain kinds of financial transactions; the proposal would prohibit voice transmission and mobile operations.

The firms in the coalition are “market makers and liquidity providers” for exchange-traded financial instruments.

This high-frequency trading industry has in fact been using shortwave links for several years to send trading data between U.S. and foreign exchanges, but it has done so under experimental authorizations. [Continue reading…]

QTC: I Have a Message for You (Archive.org)

Many thanks to Bill Pietschman who notes that the book “QTC: I Have a Message for You” has now been published on Archive.org for all to read and download free of charge. Bill writes:

I knew Ray Redwood, and besides being a Professional radio operator, he was indeed a Ham’s Ham. You will find here not just the story of radio, but a detailed analysis of the Titanic, from a radioman’s point of view. Part documentary, part autobiography, and part technical, it’s a great read. I’m so glad that his work has been preserved here. Future radio historians will, I am certain, find it to be a valuable record of the Ship Radio Officers Era, and Ray’s insights at the dawning of the Global Maritime Distress and Safety System as we have today which utilizes satellite technology.

Click here to check out QTC: I Have a Message for You on Archive.org.

The Golden Years of Shortwave Listening (YouTube)

There was a time, some 50 years ago when cell phones didn’t exist and computers were only owned by large corporations, that people learned of the world around them by listening to shortwave radio. This is a journey back to that time to hear the sounds and see the correspondence from shortwave stations from all over the world. Sit back, listen and enjoy!