Author Archives: Thomas

“The era of short-wave radio is behind us” and other inaccuracies from the new RNW

RNWRNW announced “A new Radio Netherlands Worldwide” just yesterday on their website; here is their announcement in its entirety (my comments follow).

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“This coming year is an important one for RNW. A year in which, at the age of 65, we will be reinventing ourselves. Our new Editor-in-Chief William Valkenburg officially begins today; he looks to what lies ahead of us in 2013.

“The era of short-wave radio is behind us; satellite and Internet are the communication channels of the future. The worldwide dissemination of information is no longer the exclusive domain of specialised broadcasters. Via internet, anyone anywhere can reach out to the world with a good story.

“That doesn’t mean journalists and broadcasters are redundant; quite the contrary in fact. Huge amounts of information are available more and more quickly and via all sorts of different channels. The need to filter, analyse and investigate all this information remains the same while the goalposts of journalism have moved completely.

Active link
“Our public is no longer a passive audience that very occasionally might write us a letter, but an active link in the process of newsgathering and distribution. Our public engages actively in discussion and has stories that are worth telling. They help us filter by letting us know what is or isn’t relevant to them. And via social media, our public spreads our best stories further abroad.

“RNW will have to forge a strong and unique identity if we are to win a place as a visible force in the new media landscape. Focus and specialisation are key. Free access to information, freedom of expression, good governance, and civil and sexual rights are the pillars of the new RNW: universal themes we’ll be tackling with an individualistic Dutch approach. We’ll be focusing our work in areas where freedoms are limited and aiming to appeal to a younger generation that is increasingly tuned in to new media.

New stories
“2013 is Year Zero for the new-look RNW. A year in which we’ll be looking more than ever to strengthen cooperation with our partners and audiences in China, Latin America, Africa and the Arab world. A year in which we’ll be actively looking for new ways to find and tell the stories that are important to our audience, and in which our audiences will be encouraged to play an ever more active part. A year in which we’ll be pushing ourselves to cement the ties with our audience and our themes. A year, in short, of dialogue and renewal.”

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And, unfortunately, of short-sighted misstatements and errors. No doubt, SWLing Post readers know how we feel about this–it’s a recurrent theme in many of our posts.

Shortwave is not behind us, but RNW’s ability to listen may be.

As a shortwave radio broadcaster, RNW arguably had a dedicated listener pool in the millions. Of course, it’s hard to know, because those living in poverty and those living under repressive regimes–millions of listeners–who lack free internet access and whose free speech is regularly quelled, don’t have the ability to cry out, “We’re listening–!”

Millions of ears are still tuned to the static you recently vacated. Outreach in all forms–even via shortwave–is vital, and communication with those still without Internet or freedom (or the voices to tell you so) is a form of diplomacy more valuable than any money spent to achieve it.

RNWin2013Perhaps host of the previous RNW’s acclaimed program The State We’re In, Jonathan Grubert, had a point when Jonathan Marks interviewed him on the night of RNW’s final shortwave broadcast. Marks asked if RNW had stayed on shortwave too long, to which Grubert responded by saying, “Yeah, I think Radio Netherlands stayed on shortwave too long.” I think Grubert believed that RNW had remained faithful to shortwave at the expense of resources required for other contemporary and future media. And at the expense of their future.

As much as we hate to admit it, he was probably correct…in part. The fact is, the previous incarnation of RNW should have focused on making their shortwave broadcasting arm more lean and efficient, in order to continue to target parts of the world that need it most, while diversifying their media delivery systems to include the Internet, satellite and wireless in all forms. Instead, the organization failed to adapt, and funds were cut completely, leaving RNW gutted. But the lesson is apparently not learned:  the new but-not-proved RNW seems to be putting all its eggs in one (Internet) basket, as well.

Indeed, this is the problem with shortwave broadcasting in general.  Many broadcasters developed their transmission infrastructure either during WWII or in the Cold War, when countries were willing to invest vast sums of money in order to have their national voice heard. Broadcasting sites were never intended to be efficient: resources were either cheaper when the services were initiated or efficiency simply was not a concern in the days before fiscal cliffs.

Today, it’s true that shortwave radio is on the decline in many parts of the world, particularly first-world countries. In the great pie chart that represents all of the content delivery systems an international broadcaster has at their disposal, the shortwave slice should be thinner, while Internet and wireless-based systems must also be included. Diversification is key.  Indeed, I would also argue that a small, separate slice of the budget should be reserved for future HF content delivery systems–such as innovations that are based upon the shortwave radio medium and existing infrastructures. We’d like to think that many are doing this now. After all, shortwave is still the only international communications medium that is resilient to jamming and thus to censorship.

What’s obvious is that shortwave is still highly relevant to those who rely on it, just as the Internet is crucial to the future of international broadcasting. There’s a false dichotomy in the “shortwave vs Internet” argument, and broadcasters and the governments that support them are fooling themselves if they think cutting shortwave will lead to their fiscal salvation and a promised future in new media technologies. One might as well argue the relative merits of wealthy versus poor, or of first world nations versus third because that’s where the divide takes place…Does the former have more “right” to information than the latter?  “Free access to information, freedom of expression, good governance, and civil and sexual rights are the pillars of the new RNW.” Already, the first “pillar” of RNW is crumbling under its complete dismissal of shortwave–a tested and effective international content delivery system that requires no subscription and streams at the speed of light.

We found at least this statement from their announcement to be accurate:

“RNW will have to forge a strong and unique identity if we are to win a place as a visible force in the new media landscape…”

In order to achieve this goal–namely, to actively engage a global audience on the “new” world wide web–RNW will need spectacular content created by exceptional talent–much like they had only last year, that is, before they incomprehensibly severed it. As much as we want to believe that Radio Netherlands will continue to have something to contribute to the media landscape after shutting down their shortwave service and gutting their resource pool of talented and dedicated journalists, we’re deeply, profoundly skeptical.  To say the least.

Why? They’re nearly two decades late to this game. Obviously, the Internet is no longer a “new” media landscape; it’s absolutely saturated with content and communications innovations. RNW has dispensed with the one thing they might have brought to the Internet–their programming. Once we learned that RNW was going to cut The State We’re In–an award-winning program, arguably RNW’s most popular–we knew RNW wasn’t making logical goal-based decisions to mark their place in future media.  RNW’s claim that it will “forge a strong and unique identity” in the face of cutting all that made it respectable, listener-worthy and unique, shows a decided lack of judgement…a lack of direction.

RNW, no one is going to listen if you’ve nothing worth hearing. We hope you can find what you’ve lost–your talent, on the one hand, and millions of listeners, on the other.  Connected via radio.

Radio Exterior de Espana rings in 2013 with a dance music marathon

Madrid-New-Years-EveFor a broadcaster that was rumored to be extinguished last year, REE sure knows how to ring in the new year. I managed to record hours of their live broadcast over the 31 and 49 meter bands.

The first recording starts at 00:00 UTC (Jan, 1st 2013) on 9.535 MHz following a few seconds of the REE interval signal.  I then moved my spectrum recording lower in the band and was able to hear them on 6.125 MHz despite very strong adjacent signals. I recorded over three hours on 6.123 MHz before starting a new recording for the remaining 2 hours of their broadcast.

You can also listen to the recordings in the embedded player below (though they are listen in reverse order, chronologically):

WinRadio Excalibur owners take note: 2013 may require a software update

WinRadioExcaliburFullScreenYesterday, when I attempted to start my WinRadio Excalibur software, I received an error message from Windows 7. No matter if I restarted my PC, re-installed the control software or the USB driver, I simply could not get the Excalibur software to launch.

I navigated to WinRadio’s software download page and found that on December 20th, 2012, they made a new version of the Excalibur software available to download: version 1.61.  This is the first official upgrade I have seen in months.

I uninstalled my old version (important: being careful to tell WinRadio not to remove my shared libraries!) and installed 1.61. I restarted my PC, launched WinRadio and all was back to normal (save, back to default settings, of course).

I then received a message from my buddy, Dave, describing the same problem with his Excalibur and noted that other users had complained about this in a WinRadio discussion group. This morning, I received a comment from a user on the SWLing Post describing the same problem.

I think it’s safe to assume the previous version of the WinRadio Excalibur control software could not deal with the year changing from 2012 to 2013. Not exactly Y2K, but a bit odd.

If you own the WinRadio Excalibur, I would encourage you to visit WinRadio’s software download page and upgrade to version 1.61.

WBCQ: variety and open source on New Year’s Eve

wbcq-logo

(Source: Stephen Kellat)

As long as our “i”‘s are dotted and our “t”‘s are crossed, there will be a New Year’s Eve special on WBCQ on 5.110 MHz from the production team at Erie Looking Productions in concert with the team behind the Ubuntu UK Podcast.

The Joint New Year’s Eve Special will be airing at 7 PM Eastern on New Years Eve, 12 AM UTC New Year’s Day.  The show is a variety hour with a retrospective on the world of Linux and Ubuntu more specifically, poetry and music by Ashtabula-area musician Mike Kellat, and a policy essay on global communications in the aftermath of the World Conference on International Telecommunications 2012 in Dubai.  Other PSAs such as “Profile America” from the US Census Bureau and some silliness is included as well as a music break.  Cleveland-area life studies artist Big Ed Kellatis assists Mike Kellat with the poetry reading.

The show is licensed under a Creative Commons Attribution Share-Alike 3.0 United State License which is further explained athttp://creativecommons.org/licenses/by-sa/3.0/us/ with the show to be attributed with “Joint New Year’s Eve Special” as title and “Gloria D. Kellat” as the responsible producer.  Sharing and posting of airchecks is encouraged especially by sites like SWLing Post.  [Gotcha!]

Erie Looking Productions produces “LISTen: An LISNews.org Program” at http://lisnews.org/podcast to cover the realm of library & information science as well as “Ubuntu Ohio – Burning Circle” at http://ohio.ubuntu-us.org/burningcircle to cover the activities of the Ohio Local Community team of the Ubuntu Linux project.  The Ubuntu UK Podcast production team releases programs athttp://podcast.ubuntu-uk.org/ covering the world of Ubuntu more specifically and Linux more generally.  Gloria D. Kellat, producer at Erie Looking Productions, served as overall producer for the joint effort this year.

Much like last year’s shortwave special produced by Erie Looking Productions alone, this is done to highlight the impact of dangerous trends towards a fractured and broken Internet that have grown ever larger since the start of the Arab Spring.  It is far too easy in today’s world for the Internet to simply go away whether by human intention or the intervention of natural circumstance as seen in the multiple failures of Netflix during 2012.  This remains yet another drill to show that message content rather than transport medium is key to communications viability.

Shortwave is most certainly not dead yet…

Voice of Croatia leaving shortwave in 2013

VoiceOfCroatiaOver the holidays, the Voice of Croatia announced that they will be leaving the shortwave spectrum as of the 1st of January 2013. They sent the following message to their listeners:

Dear listeners:

From January 1, 2013 this program will no longer be broadcast on shortwave. You’ll still be able to find us on the medium wave in Europe and on the satellite and the Internet for the whole world. Funds which have hitherto been used to service the transmission on shortwave will be used to offer diverse content of this program including the launch of multimedia content.

Here schedule of shortwave until Dec 31:
0000-0200 on 7375 NAU 100 kW / 300 deg to CeAm
0200-0400 on 7375 NAU 100 kW / 315 deg to NEAm
0400-0600 on 7375 NAU 100 kW / 325 deg to NWAm
0600-1700 on 7370 DEA 100 kW / 000 deg to WeEu
0700-1100 on 17860 SNG 100 kW / 135 deg to AUS
1700-0600 on 3985 DEA 100 kW / 000 deg to WeEu
2300-0400 on 7375 NAU 100 kW / 255 deg to SoAm

VOA’s “Music Man,” Leo Sarkisian, retires at 91

From right to left: Leo Sarkisian, Heather Maxwell, and Mary Sarkisian. (Photo: VOA)

Many shortwave radio listeners know the name Leo Sarkisian, founder of the Voice of America show Music Time in Africa. For decades, Leo and his wife, Mary, traveled to every corner of Africa, lugging with them a large reel-to-reel recorder that Leo used to capture for broadcast the diverse music found across the continent. A monumental cultural record is the result. Earlier this year, at 91 years old, Sarkisian retired from VOA; he leaves his show and his wonderful library of recordings in the capable hands of radio host Heather Maxwell.

Today, Richard Harris offered an excellent radio piece he produced on Leo Sarkisian for PRI’s The World–you can listen to it below or on PRI’s site:

In addition, both the VOA and The Washington Post featured Leo and Mary earlier this year; both of these articles are delightful.The Washington Post article even describes Sarkisian’s work as “diplomacy.” I particularly love the following description:

Long before there was ping-pong diplomacy or pere­stroika, a short, balding Armenian American was lugging an enormous reel-to-reel from village to village, sweet-talking people into singing and playing for him.

[…]In Africa, he socialized with presidents, military dictators, accomplished musicians and tribal villagers. He outwardly steered away from politics, but under the surface he wove a subtle diplomatic tapestry based around grooving on tunes.

That’s one thing I love about shortwave radio–in all forms, in all countries, it offers a medium of accessible, lasting diplomacy–however “subtle” it may seem–for at least as long as the shortwaves continue to grace our airwaves.  Of course, music is inextricably integrated into this diplomatic medium.  Thank you, Leo and Mary, for a reminder of that, in the form of a truly extraordinary life’s work. 

A tour of the Edward R. Murrow Transmitting Station

The Edward R. Murrow Transmitting Station's mail building, located in the center of the 2800 acres campus. (Click to enlarge)

The Edward R. Murrow Transmitting Station’s main building, located in the center of the 2800 acres campus. (Click to enlarge)

The following is an article I wrote for The Monitoring Times magazine in April of this year. It’s a virtual tour of the newly-dedicated VOA Edward R. Murrow Transmitting Station in Greenville, North Carolina.

The Monitoring Times reaches a large audience, and following this articles publication, readers came out of the woodwork in praise of it–not because of my authorship, but because of the truly fascinating subject. Most humbling have been the many messages I’ve received from within the family of broadcasters under the flag of the BBG (VOA, RFA, IBB, etc.). As I posted a few days ago, morale can get pretty low at this site, and the dedicated technicians are most deserving of recognition. Many at the VOA site told me that it was the first article praising their work at this transmitting site–the business end of broadcasting, one which often gets overlooked. 

The Edward R. Murrow transmission site is nothing short of jaw-dropping. The people behind its operation are warm, genuine, and dedicated to the mission of information-sharing. Touring the site was a dream come true for this SWLer, and this holiday season, I’m happy to share it with my readers here on the SWLing Post.  

Though there’s no obligation, if you enjoy the SWLing Post and are in the holiday spirit, feel free to send the SWLing Post a tip in any amount. It’ll help us keep the lights on, and bring you more articles like this one.   




This is a very long post. Grab a cup of coffee or tea and enjoy:

A tour of the Edward R. Murrow Transmitting Station

These structures are so incomprehensibly immense that even the photos we took fail to convey their enormity; there are no trees, no buildings, no vehicles--indeed, the only thing I could find for scale were deer, herds of them, running and leaping beneath.

“The antennas are so incomprehensibly immense that even the photos we took fail to convey their enormity; there are no trees, no buildings, no vehicles–indeed, the only thing I could find for scale were deer, herds of them, running and leaping beneath.” (Click to enlarge)

During the final years of the Cold War, when I was a kid first tuning in to foreign broadcasters on my vintage Zenith Transoceanic, my imagination formed impressions of the voices I heard and the facilities required to send their messages. I saw Radio France International, for example, broadcasting from an Eiffel Tower-shaped structure just outside Paris, where glib, stylish reporters perched in front of their microphones. I envisioned Radio Moscow in black and white; likely because of what I’d only heard of life behind the Iron Curtain, my young mind defaulted to a nostalgic WWII like scene, with 1940s-era equipment, massive fields of antennas, desks heaped with papers awaiting translation, overly-full ash trays, and near-empty bottles of vodka. Voice of America, meanwhile, I imagined as a gleaming NASA-like facility with immaculate offices inhabited by reporters and engineers in horn-rimmed glasses, all engaged in a hum of activity at microphones and brightly-lit control panels. VOA, in my patriotic young mind, must be the most advanced facility of all: I could only imagine my own country’s contribution to the soup of international broadcasting as the best and freshest.

One of the 19 curtain antennas on the campus (Click to enlarge)

One of the 19 curtain antennas on the campus (Click to enlarge)

So some thirty years hence, presented with an opportunity to take a private tour of the VOA transmission site in Greenville, NC, with a few friends from the NCDXCC, my local ham radio club–Phil Florig (W9IXX), Dave Anderson (K4SV), and Phillip Jenkins (N4HF)–I naturally jumped at the opportunity.

As we drove out to the site, I could see why many of Greenville’s locals seem unaware of its existence, despite the facility’s vast size: it’s truly remote. On the mile-long driveway, we stopped the car, awed by the 2,715 acre expanse of open land, populated only by monolithic shortwave broadcast antennas. These structures are so incomprehensibly immense that even the photos we took fail to convey their enormity; there are no trees, no buildings, no vehicles–indeed, the only thing I could find for scale were deer, herds of them, running and leaping beneath. Clearly, these massive antennas mean business, and the ham radio operator in each of us stood at attention, in silent admiration.

IMG_0698Finally resuming our drive, we arrived at the security gate, where I picked up a phone to request permission to enter. Placing the phone to my ear, I heard music–Radio Martí, nonetheless! I noted. However, as the front desk answered the call, I noticed that the music didn’t stop: not hold music at all, it was simply the telephone absorbing the extraordinary impact of 500KW IBB transmitters engaged in their usual business.

The photo of Edward R. Murrow is displayed prominently in the lobby of the transmitting station. (Click to enlarge)

The photo of Edward R. Murrow is displayed prominently in the lobby of the transmitting station. (Click to enlarge)

As we entered the lobby of the gleaming 1960s-era government building with its prominent portrait of Edward R. Murrow, we were warmly greeted by Macon Dail, Chief Engineer; Rick Williford, Program Support Specialist; and Walt Patterson, Station Manager. Williford provided an overview of the site’s history: the Edward R. Murrow Transmitting Station, as it is known, has always been a transmission site, delivering broadcasts through the Cold War, the fall of the Berlin Wall, and the 9/11 terror attacks. Under threat of closure in 2010, it found last-minute political support which has kept it in service. This was particularly fortunate in the aftermath of the Haiti earthquake, as it was this site that broadcast extra VOA Creole services to the stricken country, programming that proved vital to the survival of many.

In the front lobby--from L to R Phil FLorig, Dave Anderson (K4SV)

In the front lobby–from L to R Walt Patterson (Station Manager), Rick Wilford (Program Support Specialist), Phil Florig (W9IXX), Dave Anderson (K4SV)

Indeed, that political support galvanized in December of 2011, when Victor Ashe, a member of the Broadcasting Board of Governors, issued a call to keep open this broadcasting facility, as it is the only one on U.S. territory capable of transmitting shortwave radio programs to China–or to any country we please, for that matter. He noted that other facilities under the Broadcasting Board of Governors throughout the world operate in cooperation with other governments, many of which can limit broadcast targets.

Thus, support for the facility’s continuation continues to grow.

Following this insightful introduction, Williford and Dail led us upstairs to a tower on top of their building which offers a bird’s-eye, 360-degree view of the vast campus, a prime vantage point, and the start of a fascinating tour.

Macon shows us the first direct QSL they had received--from Japan.

Macon Dail shows us one of the first direct reception reports they had received–from Japan.

First QSL

Macon Dail (WB4PMQ), we were soon to realize, is key to the lasting health of the Edward R. Murrow Transmitting Station. Dail has been working for VOA (or what is now the International Broadcasting Bureau) since 1984, and even looks the part, down to the collection of pens and tools in his shirt pocket. Dail led us to his office, where he proudly showed us one of the site’s first direct QSL reports, from a Japanese shortwave listener who had identified a Radio Martí transmission intended for Cuba. At the time, VOA had only begun the process of receiving QSLs directly, thus were encouraged by the prompt response, and from an area that was not technically within the footprint of their broadcast, a fact representative of the magic of shortwave radio (see QSL info at the end of the article).

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A view of the two story control room (Click to enlarge)

Down the hallway from Dail’s office lies the heart of transmission site–the control room, where our tour officially began. The control room is exceptionally large, with two-story ceilings and a raised platform in the center. It’s from this raised platform that Dail showed us how content sources are controlled from the VOA headquarters in Washington, DC–content is sent to one of nine transmitters, and antennas selected based on the target footprint of the broadcast. The platform contains seating positions for several people; the mixture of 1960s technologies with current computer technology appears harmonious. On almost every control surface is taped a printed block chart transmission schedule for the broadcast season, with each space filled: obviously, knowing which program broadcasts, and when, is top priority here.

IMG_0221The control room contains the audio switching computer, remote antenna switching, and frequency synthesisers; it’s also where incoming and outgoing modulation levels are monitored. Moreover, this area is where off-air audio processing equipment is housed. An office for the shift supervisor is centered at the far end of the room.

Looking into the shift manager's office (Click to enlarge)

Looking into the shift manager’s office (Click to enlarge)

From almost every point within the control room, technicians can view a large digital clocks with UTC time synced to the atomic clock. Along the outer perimeter of the control room are the actual transmitters and their various controls, while a glass wall stands between the control room and each transmitter section.

Transmitters

Technician presetting the tuning controls of a GE 250 kW transmitter for the next operating frequency (Click to enlarge)

Technician presetting the tuning controls of a GE 250 kW transmitter for the next operating frequency (Click to enlarge)

Dail then took us into the hallways on the perimeter of the control room where the transmitters are located. A quick walk through these halls, and one quickly recognizes that to work at this site you need to be familiar with the characteristics of transmitters from not just one or two manufacturers, but from at least four: Continental, GE, ABB, and Telefunken were all represented. Dail explained that this transmission site initially received equipment that had been intended for another facility that was later scrapped. And clearly, the VOA didn’t want to put all their eggs in one basket by relying on one type of transmitter only.

1st IPA tuning drive motor assemblies in a GE 250 kW transmitter (Click to enlarge)

1st IPA tuning drive motor assemblies in a GE 250 kW transmitter (Click to enlarge)

Dail then took us “behind the scenes” of a General Electric transmitter, quickly and expertly pulling panels off of protected portions of the mammoth transmitter, exposing a huge tuning coil, gears, and power regulation equipment. It became obvious that Dail knows this equipment as well as if it were in his home.

The site’s transmitters varied from the classic 1950s Continental to the ABB with fiber-optic controls, installed in the 1980s. The ABB transmitter, unlike the others at the site, is 100% solid state–no vacuum tubes–and by using a step modulator, broadcasts more efficiently than its predecessors.

Power supply

(Click to enlarge)

(Click to enlarge)

As the reader might imagine, it takes vast amounts of power to run transmitters emitting 500 kilowatts of electromagnetic radiation. Because of the extraordinary power consumption of the equipment, the VOA crew is ever-aware of their electronics engineering safety rules. Throughout the facility, one sees postings on the order of “Remember the Two Man Rule and use your ground sticks,” “Stay alive: use a ground stick,” and “Caution: 4160 Volts exposed through the top of this cubical — this transformer is live at all times.” Obviously, this was no playground, and we were careful walking amongst the humming transformers and high voltage equipment. But for the VOA techs, their safety routine is a familiar friend, as they grab ground sticks to insure no residual voltage is left in “powered-down” equipment, and take buddies along to double-check safety precautions when working in high-voltage areas.

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Building and transmitter primary power distribution system (Click to enlarge)

Dail says that the facility’s power bills now run about $700,000 annually, and this is an improvement over the $2,000,000 spent previously. He then explained that he and his coworkers had “home-brewed” controller solutions that could better manage the distribution of power loads. By working with incremental power days, their massive on-site generator kicks in, parallel with the power company’s supply, to shift the heavy load when their overall grid demand is at its highest.

IMG_0428Indeed, creative adaptation is an oft-repeated refrain at the Murrow Transmission Station. Throughout the facility one notices ingenious solutions that help the facility’s crew manage an array of decades-old technologies in an efficient and current manner. Dail implemented most of these himself, and adds that this is his favorite part of the job. What, exactly, makes this work interesting? “Having to fix a problem, in a creative way, and in the process increasing overall efficiency,” Dail reveals. Much of his handiwork has been inspired by the ham radio world, as–first and foremost–Dail is a ham radio operator, and has been one since his teens.

Spare Parts

Spare parts are meticulously inventoried--many of these parts are now obsolete (Click to enlarge)

Spare parts are meticulously inventoried–many of these parts are now obsolete (Click to enlarge)

On the way out of the building, Dail guided us through a testing area, where VOA technicians like Dail build, modify, and test various components. He also took us through their inventory warehouse. In this environ, where it’s necessary to actively operate equipment which may have originated from manufacturers many years out of business, an ample stock of replacement parts is an absolute must. Dail and his crew meticulously maintain and catalogue thousands upon thousands of spare parts, many of which may be the only ones left on this planet.

IMG_0546The array of tubes and valves alone is staggering. Many take shapes I had never seen before, and others are so large as to require a special portable crane to lift them. At the Edward R. Murrow Transmission Station, employees do not simply discard damaged parts; they try to repair or salvage them whenever possible.

Antenna Switching

Perhaps the most surprising facility on the site is the “switch bay”–in essence, their antenna switch. While my antenna switch in my shack at home is the size of a thick paperback book, The Murrow Transmission Site’s antenna switch is a 75 x 150 foot building. It’s massive, and probably can be seen from space (Google Earth certainly gives you a good look at it). All of the transmission lines are overhead in this massive corrugated building with a dirt floor. Dail had one of the guys in the control room switch an antenna–the pneumatically-controlled system snapped into place, the sound suggesting steam train classic films, in which you can hear the points switching on the tracks.

The interior of the switching bay (Click to enlarge)

The interior of the switching bay (Click to enlarge)

On the exterior of the switching bay, parallel feed lines run in all directions to the VOA antenna farm. These lines are all exceptionally large versions of the ladder line many hams use in our shacks. Instead of 16 or 18AWG solid copper conductors, theirs are ?” outer diameter copper tubes–300 ohm line, made to withstand more than 500kW.

 

The enormity of the antenna farm is difficult to capture, even with a wide angle lens (Click to enlarge)

The enormity of the antenna farm is difficult to capture, even with a wide angle lens (Click to enlarge)

 

The Antenna Farm

The VOA Greenville antenna farm consists of 20 rhombic, 19 curtain, 2 log periodics and 2 dipoles. Of the 43 original antennas, 50% are still in active use.

Dail drove us around the vast antenna farm, and we stopped to learn about each type of antenna. Of course, any time we alighted from the truck, we were looking at antennas that were inactive. When dealing with output levels as high as these, there would be serious dangers in walking around an active high-gain antenna; the numerous warning signs were a constant reminder of this sobering fact.

IMG_0639

A view of the feed line manifold feeding the dipole elements of a curtain antenna (Click to enlarge)

Each of the antennas is a fascinating work of engineering, but the curtains are especially intricate. The sheer amount of stand-offs, insulators, and the parallel arrangement of elements were something to behold. The average curtain antenna is about 300 feet in height, 240 feet wide, with 20 DB of forward gain.

Curtain antennas (Click to enlarge)

Curtain antennas (Click to enlarge)

Perhaps the most fascinating antenna the site features, however, is near their campus entrance. It’s a 160 degree slewable curtain antenna that can literally adjust its angle to target any portion of Latin America. The slewable antenna has no moving parts other than the slew switches; rather, it uses phase-shifting to steer the beam.

I asked about lightening protection. Lightening? As far as Dail knows, the site has never experienced any damage due to lightening. Literally everything is grounded. While back home, I live in fear of lightening harming my shack, it occurred to me that here, perhaps the lightening is afraid of the antennas.

The Edward R. Murrow Transmitting Station campus as seen by Google Earth (Click to enlarge)

The Edward R. Murrow Transmitting Station campus as seen by Google Earth (Click to enlarge)

Wrapping up our tour

As we moved back into the main building, and our remarkable five-and-a-half hour tour drew to close, I still had not had enough time to take it all in. To add to my incredulity, Dail mentioned that, now decommissioned, VOA Site A is an identical twin of this site, once known as VOA Site B.

I thought he must be speaking figuratively. “Really?” I asked, ”It’s identical in size, in transmitter and antenna inventory? No way.”

IMG_0218

These control room gauges monitor the many multi-lingual, simultaneous broadcasts coming from the transmitter site each and every day (Click to enlarge)

Dail calmly responded, “It’s identical, down to where the water fountains are placed in the main building.”

And as if that weren’t enough, there was a Site C, too–a receiver site only–at about the same distance, which was decommissioned in 1999 and sold to East Carolina University.

 

The giant slewable curtain antenna

The giant slewable curtain antenna near the entrance of the transmitting site (Click to enlarge)

The Largest Thing

So, how does the reality of VOA Greenville compare with my childhood imaginings? While it’s not NASA, the Edward R. Murrow Transmission Station is much more…human. This, despite the fact that human becomes Lilliputian within the vast workings of the site. Touring this site was like touring the inside of a ham radio transceiver, one built on an absolutely astronomic scale.

Indeed, everything at VOA Greenville is overwhelmingly colossal–the transmitters, power supplies, the antennas. On our fantastic voyage among the gargantuan curtain and rhombic antennas surrounding the building, I could readily visualize the listeners’ side of the equation: remote corners of Africa and Latin America where it is a cinch to catch VOA’s broad signal with a simple, hand-held shortwave radio. I found myself suddenly reawakened to the brilliance of shortwave radio: unlike the internet, which requires infrastructure on each side, all the technology and brutal power of the shortwave radio medium is provided almost entirely by the broadcaster, thus listening requires very little. The messages conveyed by these powerful antennas travel every day, every hour, across closed borders with no regard for those in power, into remote areas with no power or basic services, inviting those with radios to simply listen. Radio, I reflected, is free speech in its most available, equitable form.

Macon Dail, Chief Engineer and our guide for the tour (Click to enlarge)

Macon Dail, Chief Engineer, and our tour guide in front of one of their Continental transmitters (Click to enlarge)

This is precisely the motivation behind the gentlemen of VOA’s Greenville site. Throughout the facility, I could see the handiwork and ingenuity of Dail and his co-workers; additions, modifications, notices, even wear on their oldest transmitters tell their ongoing story. The spirit of ingenuity and cause are in the hands and eyes of those we met that day; a sense of power and precision in the equipment. We left feeling that we had discovered Deus ex machina, and come face-to-face with Oz. Because, at the heart of it all, dedicated engineers are devoted to something largest of all: a humanitarian cause, which is to say, sending Voice of America and its award-winning news, documentaries, music, and Special English broadcasts to those with no more than a shortwave transistor radio, and the willingness to listen.

May it continue.