Category Archives: Broadcasters

The history of Deutsche Welle’s interval signal and signature tune

(Source: Deutsche Welle via Mike Hansgen)

Beethoven on the air: the DW signature tune

When Deutsche Welle went on the air 65 years ago, the broadcaster opted for a melody from “Fidelio” for its signature tune. Ludwig van Beethoven’s opera is about an act of liberation.

A political prisoner is starved and nearly tortured to death because the prison’s military governor knows that the prisoner could incriminate him. The incarcerated man’s wife masquerades as a young man and, thus camoflaged, makes her way into the dungeon. When the governor attempts to stab the prisoner, the woman jumps between them and pulls out a pistol. At that very moment, trumpets sound out and the Minister, a higher authority, enters the scene. A friend of the prisoner, he recognizes what has been going on and sets the political prisoners free.

At this happy ending of the opera “Fidelio” by Ludwig van Beethoven, Minister Fernando sings the words “Es sucht der Bruder seine Brüder” (The brother seeks his brothers), and continues: “Und kann er helfen, hilft er gern” (And if he can help, he does so gladly.)

The melody to the words is anything but catchy; it is nearly ungainly in fact. Nonetheless, it was chosen as the signature tune when Germany’s international broadcaster began its shortwave radio transmissions on May 3, 1953.

The symbolism in the words

The choice not only had to do with the musical motif, but was also based on the symbolism in the words. Only eight years after World War II’s end, building new friendships and international relationships was no easy task for the new Federal Republic of Germany.

One sought to proceed in a “brotherly” manner with listeners and partners abroad through friendly exchange. Trust was to be built in a fair and impartial sharing of information.

For many years, the melody, played on a celesta keyboard, penetrated the constant ebb and flow of interference noise on the shortwave radio spectrum. It thus made its way to the speakers of shortwave radio sets around the world – often in endless repetitions leading up to the news at the top of the hour.

Click here to download a clip of the DW interval signal recorded on February 22,1982 at 1400 UTC. (Source: IntervalSignal Database)

The broadcaster then had its headquarters in Cologne, and the Beethovenfest classical music festival took place only sporadically in Bonn, 30 kilometers upstream the Rhine.

The move from Cologne to Bonn, and the media partnership with the re-established and much bigger music festival, had to wait until the new millennium. Then it seemed only fitting that Deutsche Welle should once again associate itself with Beethoven.[…]

Continue reading and listen to a number of “Fidelio” variations at Deutsche Welle.

VOK shifts broadcast schedule due to North Korea time zone change

Many thanks to SWLing Post contributor, DanH, who writes:

I put up a couple of videos on my “Willow Slough DX” YouTube channel nine hours ago that may rate at least an Arte Johnson (Laugh-in) “verrry interestink”. These are two videos of the North Korean shortwave station Voice of Korea operating with their new time zone and on their new schedule.

These are the two most recent videos of SW station receptions that I have posted during the last couple of days.

[The first video] is the VOK shortwave sign-on recorded at the newly scheduled time of 04:00, May 5, 2018 UTC on 15180 kHz. Distance: 5600 miles. Receiver: Sangean ATS-909X. Antenna: suburban 83m horizontal loop. Receiver location: Davis, California, USA. North Korea has changed its time zone to match UTC +9 which is used by South Korea. I was accustomed to tuning in Voice of Korea at 38 minutes past the scheduled hour for the English language news. Now I tune in at 8 minutes past the same hour. VOK broadcasts that were scheduled for 04:30 UTC now begin at 04:00 UTC. At the time I write this VOK shortwave programs listed on Short-Wave.info still show the old times:

Click here to view on YouTube.

[The second video] is the VOK shortwave newscast at the new time of 04:08, May 5, 2018 UTC on 15180 kHz. Some interference is heard half way through the clip:

Click here to view on YouTube.

Thanks for sharing this, Dan!  It never crossed my mind that VOK would change their international broadcast time based on the fact they shifted their country’s time zone. From a North Korean perspective, though, I suppose this makes sense. Thanks for the tip!

Click here to check out other recordings on Dan’s YouTube Channel.

“Burundi to suspend BBC and VOA radio broadcasts”

(Source: The Independent via Mike Hansgen)

Nairobi, Kenya | AFP | Burundi’s press regulator on Friday said it was suspending broadcasts by the BBC and Voice of America (VOA) by local radio stations ahead of a constitutional referendum on May 17.

The head of Burundi’s National Communications Council told journalists in the capital Bujumbura that a six-month ban would come into force on Monday.

Karenga Ramadhani accused the BBC and VOA of “breaches of the law governing the press and ethics”.

The BBC, he said, “damaged the reputation” of President Pierre Nkurunziza during a discussion programme and had “ignored” previous warnings.

Burundi’s government earlier this week urged the regulator to “take action” against the BBC which it accused of spreading “incendiary statements… hatred and subversion”.

VOA is accused of spreading “very tendentious” information and hiring a journalist “sought by Burundian justice”.

French broadcaster RFI also received a warning for disseminating “tendentious and misleading” information.[…]

Click here to read the full article at The Independent.

House Passes Digital Music Licensing Package

This was posted today in Radio World:

Bills head to Senate accompanied by applause from stakeholders

The House has unanimously passed the Music Modernization Act, a compromise bill that creates a framework for better compensating artists for digital plays of their music and making it easier for music rights organizations to collect those fees from distributors of streamed music like Pandora and Spotify, as they do from traditional plays on TV and radio.

The bill has been billed as the most significant change in music licensing laws in decades, and drew praise from a chorus of stakeholders. It now heads to the Senate, where it is also expected to pass.

It actually incorporates a trio of bills. The base Modernization Act creates a single licensing entity for reproduction rights for digital uses, like those of Spotify, Pandora, Google, Apple and Amazon. It also randomly assigns judges to preside over ASCAP and BMI rate-setting cases, according to the Recording Industry Association of America (RIAA).

The package also includes The CLASSICS (Compensating Legacy Artists for their Songs, Service, and Important Contributions to Society) Act which compensates artists for pre-1972 recordings, which had previously not been eligible for digital royalties.

You can read the entire article here

It should be interesting to see the impact this has on availability of songs and costs of streaming services over time.

Robert Gulley, AK3Q, is the author of this post and a regular contributor to the SWLing Post. Robert also blogs at All Things Radio.

Coast To Coast: Art Bell (W6OBB) is dead at 72

(Source: Chicago Tribune)

Art Bell, a radio host best known for a paranormal-themed nightly show syndicated on hundreds of stations in the 1990s, died at his home in southern Nevada, authorities said Saturday.

Nye County Sheriff Sharon Wehrly announced in a Facebook video that Bell died Friday in Pahrump. He was 72. An autopsy will be conducted to determine cause of death, she said.

Bell hosted the popular radio talk show “Coast to Coast AM” before he left the airwaves in 2002. He broadcast the show from his radio station, KNYE, in Pahrump.

The program focused on Bell’s conspiracy theories and his fascination with the paranormal and unexplained phenomenon such as UFOs and crop circles. He served as his own producer, engineer and host, according to the Las Vegas Review-Journal.

Fans, including celebrities like William Shatner and singer Josh Groban, took to Twitter to praise Bell. Groban recalled staying up late to listen to the host’s “one of a kind” voice and how “his shows were so weird & spooky but somehow managed to hold off your skepticism.”

Former business partner Alan Corbeth said during Bell’s 2008 induction into the National Radio Hall of Fame that nobody was better than Bell at understanding “how to create theater of the mind…”[…]

Click here to read the full story at the Chicago Tribune.

Clyde Haehnle: Loss of a broadcasting icon

(Source: The VOA Museum via David Snyde)

Museum Icon Passes Away

The National Voice of America Museum of Broadcasting mourns the loss of one of its major leaders and benefactors. Clyde Haehnle passed away peacefully on Sunday, April 8th.   Over the years, this icon in the development of broadcasting technology, not only locally but nationally, was the driving force behind the museum.

A veteran broadcasting engineer and executive, Mr. Haehnle was instrumental in the early meteoric development of Powel Crosley’s WLW. While working at WLW, fresh out of electrical engineering school at the University of Cincinnati, he was assigned in 1942 to work on design and construction of VOA-Bethany Station, the transmission facility of the newly- minted Voice of America. The facility operated from 1944 thru 1994 and beamed programs worldwide from the highest power shortwave transmitters built in the world at that time.

The rhombic antenna design requiring extensive mathematical calculations fell to Mr. Haehnle. His work accomplished with pencil, paper and a slide rule resulted in some of the most efficient antenna arrays ever built and enabled the VOA programs transmitted from the hilltop north of Cincinnati to be heard by eager listeners worldwide. P of Engineering at AVCO Broadcasting. He held many patents in electronic technology and continued to be a curious and thoughtful proponent of technology well into his ninth decade.

Mr. Haehnle’s untiring leadership and support has enabled the National Voice of America Museum of Broadcasting to develop into a rich educational institution celebrating the role broadcasting has made in the dissemination of programs globally encouraging democratic principles to truth-starved audiences.

The Museum plans a celebration of Mr. Haehnle’s extraordinary life later this spring.

Read more about Clyde.

“Threatened radio shut down” in Germany

UPDATE:  Many thanks to Mike Barraclough who notes that a report today is that this has been averted. Click here to read.

(Source: Southgate ARC)

Germany – up to 10 million people could be hit by threatened radio shut down

The airwaves across many parts of Germany could fall silent next week due to a financial dispute between radio stations and an FM broadcasting provider.

The company Media Broadcast announced on Friday that it would cut off FM broadcasters for several radio stations if they did not immediately fulfil certain payment demands.

“Up to 10 million radio listeners could be affected by their FM broadcaster being cut off from Wednesday onwards,” company head Wolfgang Breuer told Die Welt.

Major public service broadcasters such as MDR, NDR and Deutschlandfunk are among those who could be cut off, the newspaper reported.

The dispute began when Media Broadcast, formerly a subsidiary of Deutsche Telekom, decided to move focus away from FM radio and onto digital platforms last year. The shift meant that broadcasting antennae across Germany, for which Media Broadcast had previously been responsible, were sold to private investors.

Broadcasters and their network operators were then left furious when many of the new owners raised prices for the use of their antennae, leading to a stalemate in business negotiations.

Hessian broadcaster FFH told dpa that a 50 percent rise in the cost of antennae use had left them with a “massive problem”.

In order to break the stalemate, Media Broadcast recently agreed to continue operating all antennae until the end of June, so as to provide more time for negotiations. Yet such an arrangement would still require the stations to contract the company during that period.

Media Broadcast now claims that around 75 percent of stations have not done this, and has threatened to cut these stations off if they do not officially contract the company by Monday.

Though digital and online streaming radio will still be available, the mass cut-off of FM radio broadcasts would affect a huge proportion of the population. According to Bild, around 92.7 percent of Germans said they still preferred listening to radio on an analogue device in a poll last year.

Up to 10 million people could be hit by threatened radio shut down

https://www.thelocal.de/20180406/up-to-10-million-people-could-be-hit-by-threatened-radio-shut-down