Category Archives: Radio History

Myke updates “At The Tone” and seeks recordings

Many thanks to SWLing Post contributor, Myke Dodge Weiskopf, who shares the following update and request regarding At The Tone: A Little History of NIST Radio Stations WWV & WWVH (read about it here). Myke writes:

The times have demanded that I kick out a slightly updated version of “At the Tone”, as well as a humble request to your readership. I’ve also shared a long WWVH recording with you for the Archive by special arrangement.

As usual, [At the Tone] is still available in the same old place:

https://shortwavemusic.bandcamp.com/album/at-the-tone-a-little-history-of-nist-radio-stations-wwv-wwvh

The good news is that anyone who purchased it previously can simply re-download the album in their chosen format from their purchase history page on Bandcamp. They will be instantly treated to the new version with all the additional tracks and liner notes.

The changes aren’t major, but rather in the “nice to have” category:

  • There’s a new second recording of the 1972 WWV station ID, postdating the big format change in 1971.
  • I’ve replaced the very short WWVH 1990 broadcast sample with a longer recording which I finally got around to cleaning up from the box of reels and cassettes sent to me by the station in 2015. I don’t know the exact date, because it came on an undated handwritten cassette labeled “JB on Old Audichron TCG”, but the broadcast format and announcement indicate it’s from the 1980s sometime up until the digital voice replacement in 1991. I attach a scan of the cassette itself.
  • I’ve done a better job cleaning up the (also WWVH-sourced) 1992 station ID recording from the original master cassette, so I’ve swapped out that track, although it’s otherwise identical in content.

So, to piggyback on that: my gift to you via Archive.org is the complete unedited 1980s WWVH recording, which runs 23 minutes total. I figured this would be a nice thing to share at this particularly turbulent moment in the station’s history.

The tape was in pretty bad shape when I received it, so while I’ve done the best I can to bring it up to par, there are some audibly wonky things going on from time to time.

Lastly, since WWV and WWVH are so much on people’s minds right now, I’m putting out one more call for recordings.

In particular, I don’t have good quality versions of the terrible 1991-era digital voices — I’d love to have longer or better tapes of those, especially if they include station IDs.

I also lost my recording of the emergency system test announcement in October 2010, not to be confused with the tests conducted in July of that same year!

Beyond those, though, I’d love to hear of any other recordings folks have dug up recently. There’s been some great stuff shared to the Archive already, but I’m always on the hunt for more to add to “At the Tone.” Contributors will be thanked in the liner notes and will be offered unlimited downloads of the set as they see fit to distribute. And if people have really special WWV recordings which they think might be locked away on on an obsolete or unplayable format, they should also get in touch – WWVH themselves entrusted me with transferring their own archival recordings, so I have some good credit in that department.

I can also vouch for Myke as a trusted custodian of any archived NIST time station recordings you may have.

Readers: if you have any WWV or WWVH recordings you’d like to share with Myke, please comment or contact Myke directly via his website.

Myke, I would like to thank you for adding this rare unedited 1980s WWVH recording to the Shortwave Radio Audio Archive. What a gem–many thanks!

If you would like to purchase and download At the Tone, please click here. As Myke mentioned, if you’ve already purchased At The Tone, simply login and download the updated version for free.

Richard sheds light on Cold War clandestine Radio Vltava

Many thanks to Richard Cummings of the website, Cold War Radio Vignettes, who writes:

I am putting together a series of blog posts about Radio Free Europe and Czechoslovakia, 1968.

In doing so so, I came across a clandestine radio station called Radio Vltava that broadcast
from East Germany into Czechoslovakia in support of the Soviet invasion and occupation.
There is little coverage in English about Radio Vltava but some information in German and Czech.

I also was able to come up with an audio of one of the first broadcasts as the station signed on.

I thought, and perhaps others, might find the blog interesting.

Click here to view this post.

Of course, if you (or others) see a need for corrections in the blog post, or have comments, please let me know.

Fascinating, Richard! Thank you for sharing–I really enjoyed the off-air recording of the Radio Vltava sign-on and interval signal.

AFRTS: Thousands of hours of Roger Carroll shows now online

Roger Carroll

(Source: Radio World via Richard Langley)

Beginning in the early 1940s and for more than 50 years, the U.S. armed services produced long-form radio programs on vinyl disc to broadcast to troops overseas.

These were usually recorded by the top voice talents in Los Angeles and were heard over the American Forces Radio TV Service. Many of the same talent later created other shows specifically to aid the military with recruitment. The latter programs were then distributed to American radio stations for free on-air use.

Until recently, this trove of historical programming had been M.I.A., but now thousands of hours are available for online streaming, thanks to Army veteran Thom Whetston, who served in Panama and Korea.

“For years, AFRTS recorded many hours a week of personality-oriented music shows, and these were sent all over the world,” Whetston said. “The guys that hosted them got complimentary copies, and luckily one air talent in particular, Roger Carroll, saved most of his albums in his garage. For the last 10 years I had been writing a blog about AFRTS, and about a year ago, with Roger’s help, I began building a website where people can hear these shows again.”[…]

Continue reading the full article at Radio World…

Click here to visit Roger Carroll’s Best Sounds In Town and listen to the archive.

WWVH: “Working at NIST Hawaii”

From left to right: Dean Takamatsu, Dean Okayama, Director Copan, Adela Mae Ochinang and Chris Fujita.
Credit: D. Okayama/NIST

Many thanks to SWLing Post contributor, Eric McFadden (WD8RIF), who shares a link to the following article from the NIST website authored by Andrew Nobleman, a Grants Management Specialist at NIST. Eric notes that he first discovered this piece from an article in The Spectrum Monitor magazine:

Time on the Beach: Working at NIST Hawaii

The National Institute of Standards and Technology (NIST) has campuses in Maryland, Colorado, South Carolina and Hawaii.

Now, I know what you’re thinking, “Hawaiian campus? How do I get a job at NIST?”

Perhaps calling it a “campus” is a bit of an exaggeration. Ensconced within the U.S. Navy’s Pacific Missile Range Facility on the western Hawaiian island of Kauai (pronounced ka-why-ee), sits one of NIST’s shortwave radio stations, perhaps best known by its call sign, WWVH.

Kauai is a beautiful and remote island with unique climate diversity. In the middle of the island, you have one of the wettest places on Earth, Mount Waialeale (pronounced why-ah-lay-ah-lay), which receives an average of 1,148 centimeters (452 inches) of rain per year. Twenty-five kilometers away, the island’s western coast gets a mere 56 cm (22 inches) of rain per year. This is where you will find the NIST radio station.

WWVH’s main objective is to broadcast Coordinated Universal Time (UTC)—the official time for the entire planet—throughout the Pacific region. Those signals help their audience coordinate, calibrate and synchronize their clocks and equipment, which are vital to telecommunications, internet connections and a whole host of other services.

In addition to accurate time and frequency information, the station also broadcasts weather alerts and space weather reports.

“At the tone …”

From Alaska to Australia and from California to China, if you tune your receiver to WWVH, you’ll hear Jane Barbe speaking to you. If you don’t already know her by name, you may know her voice. It was her recorded voice that in past decades told callers who left their phones off the hook for too long (ask your parents), “If you’d like to make a call, please hang up and try again. If you need help, hang up and then dial your operator.”

Although Barbe died in 2003, her beloved voice lives on.

WWVH actually broadcasts her voice using several frequencies: 2.5, 5, 10 and 15 megahertz. The different frequencies cast a wide net so that users of the broadcast will receive a signal regardless of interference from mountains, atmospheric activity or the time of day. This technique allows users to always have access to the correct time as well as the other information provided by WWVH.

WWVH’s sister station, WWV, broadcasts out of Fort Collins, Colorado. Both stations broadcast on the same frequencies. While WWVH uses Barbe’s voice, WWV uses that of former San Francisco radio host Lee Rodgers, who died in 2013. If the ionospheric conditions are just right, users can hear both stations. In addition to using different voices, WWVH and WWV make their announcements at different time intervals to prevent overlap and confusion.

Why Hawaii?

In 1947, NIST determined it needed to create a second station to supplement WWV and expand its coverage area to the Pacific Rim. The WWVH broadcast station was originally built at Kihei on the Hawaiian island of Maui in 1948. After 20 years, however, the encroaching ocean began damaging the property and equipment. So in 1971, WWVH moved nearly 322 km (200 miles) west to its current home on Kauai. This more-westerly location proved to be ideal, as it allowed the station’s signal to reach even more distant locales.

At one point, there were nine employees at WWVH, including an on-site groundskeeper for the station’s 12 hectares (30 acres). Back then, the station was manned around the clock, but automation has whittled the staff down to four, who are now responsible for all station and land maintenance.

Taken together, engineer Dean Okayama, electrical technician Dean Takamatsu, electrical technician Chris Fujita, and administrative assistant Adela Mae Ochinang, have nearly 100 years of experience operating the facility.

In addition to the staff on location, John Lowe, leader of the Time and Frequency Services Group at NIST’s Boulder, Colorado, campus, manages WWVH and WWV, as well as the long-wave station WWVB, which is also in Fort Collins.

A typical antenna at the station, constructed of fiberglass (to resist corrosion from the salty ocean air) with a copper-wound core. Seen in the distance is the island of Niihau.
Credit: D. Okayama/NIST

The Pros and Cons of ‘Paradise’

“Oh, you’re going to go out to Hawaii. Lucky you, you get the easy work,” is something Lowe has heard often from his fellow NISTers. He says he seldom explains the intense labor he puts in while on Kauai because people don’t believe him anyway. He comes to the station at least once every two years, and the staff capitalizes on the extra set of hands by saving challenging projects for his visits.

In addition to Lowe’s visits, there is a yearly rotation of staff between WWV and WWVH for continuity purposes in case of an emergency. Fujita says the exchange “usually involves more work at the Kauai location than the Fort Collins location due to shorthandedness on Kauai, but nothing a few beers can’t fix after work.”

The marine environment, while great for beach relaxation, poses a constant challenge for the station. The salty air and heat have literally caused the transmitters to catch fire! One time when that happened, the naval base’s fire department was alerted before the radio station staff was. Unfortunately, the firefighters put out the fire with a dry chemical agent, a corrosive material that rendered the transmitter useless. Shortly after replacing that transmitter, its backup failed. Fujita says, “It feels like we’re chasing transmitters. Once you replace one, it seems like you have to replace another.”

Despite all the staff’s projects and problems, they maintain a 98 percent on-air rate, which, according to Lowe, is amazingly good. Someone is always on call, and it’s all-hands-on-deck during inclement weather, such as the April 14-15, 2018, monster storm that deluged the northern part of the island with 127 cm (50 inches) of rain in 24 hours, but which thankfully spared the area around WWVH. Checks are done daily to ensure the broadcasts are in close agreement with the UTC.

For Okayama, these major responsibilities translate into a passion for the job. If Monday is a holiday, he has to be reminded on Friday not to come in.

For the staff, the work is both fascinating and challenging. But what about all the fun that comes with working right next to a Hawaiian beach?

Surf’s up?

When the clock strikes noon, Fujita packs up his gear and walks down to the beach carrying a surfboard to catch some killer waves. He and Takamatsu have been excitedly eyeing the waves since the moment they walked in that morning.

At least that’s what would happen on TV.

The reality is much more in line with what happens at the other NIST locations: You go to the lunchroom to eat your packed lunch. When Okayama is asked if they spend their lunch break on the beach, he laughs. “It’s like asking someone who lives next to Disneyland if they go every day,” he says. “We don’t eat outside and lay under the palm trees. It’s hot and humid. There are bugs flying around.”

You would expect Lowe to soak up some rays during lunch on his occasional visits, but he is adamant that he runs for the air conditioning when the clock strikes noon. He believes it’s a unique place to work, but the blistering sun isn’t exactly comfortable.

Not to say that no one has ever surfed during lunch. Fujita tried it once, but says, “It’s too cumbersome to go to the beach at lunch. To change and get all your stuff ready, walk to the beach, wax the board, maybe get one or two waves, then come back and shower. It’s cutting it close.”

A Visit from the Boss

In its entire history, WWVH had never had a visit from the director of NIST. But that changed on March 7, 2018, when newly minted NIST director Walter Copan and his wife, who were on a long-planned Hawaiian vacation, took the opportunity to stop by the site.

“The WWVH team are truly NISTers, and they are our ambassadors of metrology on America’s westernmost shores,” says Copan. “The WWVH team was also recognized by a 2008 NIST Bronze Medal, now on display in their entrance hallway, for the development and installation of a new antenna array by the employees themselves. Their work is a true example of the NIST values, which include perseverance and inclusivity.”

It was a great experience to interact with the NIST director, says Ochinang. Copan shared with them his vision for NIST’s future and some interesting things about himself, like the fact that he is a trained opera singer.

When asked if they took advantage of the extra body to get more work done, Fujita says, “We did not subject the NIST director to intense manual labor, no. That wouldn’t be good … especially not on his first visit.” Fujita adds that, since the Copans’ vacation was not a government-sponsored trip, “We would have to reimburse him for work performed.”

I guess they’ll have to wait until Lowe is back in town.

The Kauai Life

Outside of work, life on Kauai is generally more laid back than the mainland or even the larger islands of Hawaii.

Although it sounds great, living in a tropical paradise is not for everyone. Many of those who move to Hawaii succumb to “rock fever,” the claustrophobia that comes from being on a small island.

Fujita and Ochinang were both born on Kauai, and though they left for a few years, coming back was easy. Okayama and Takamatsu are both from Honolulu, which is on the island of Oahu, the third largest Hawaiian island. Still, they seem to have acclimated well to life on a tinier island. Kauai reminds Okayama of a quieter Oahu in the 1960s when his family used to camp peacefully under the stars at the beach. Takamatsu’s father was from Kauai, so in a way, it feels like he’s returned to his roots.

The Kauai lifestyle and close working quarters have created a family atmosphere. They all take care of each other and no one wants to leave. Ochinang has been at WWVH for 35 years and doesn’t plan on going anywhere. “Sometimes people joke around,” she says, “but sorry, this is a good place to work and I’m not retiring anytime soon!”

So, if you want a job there, you’ll have to hang up and try again later.

*June 18, 2018, Editor’s note: Public tours of the WWVH facility are not available due to limited staff, but thank you for your interest and keep tuning in!

Click here to read the full article and view photos of WWVH on the NIST website.

VOA Museum ‘Rock the Radio’ fundraiser gala September 22

(Source: Southgate ARC via Richard Langley)

Event to be held on 74th anniversary of VOA-Bethany Station dedication

Whether you engaged in dance parties in the 50s, sock-hopped through the 60s, or grooved to music of the 70s, chances are that radio provided the music of the moment.

It also meant a lifeline of accurate Voice of America news, features and music for people living in war-torn or oppressed countries.

The National Voice of America Museum of Broadcasting in West Chester will host its second annual fundraiser, “Rock the Radio” dinner-and-dance party on Saturday, Sept. 22 from 5:30 to 10:30 p.m. at the VOA museum in West Chester. Blue Stone Ivory, Cincinnati’s premier horn-driven classic rock band, will provide music from the Cold War era to help celebrate the 74 th anniversary of the VOA-Bethany Station.

“We’ll have a cocktail reception in the museum, a fabulous dinner and irresistible dance music that will keep people tapping their toes or entice them out onto the dance floor,” said Jack Dominic, museum executive director. “Funds go toward museum renovation to make the first floor accessible to people of all abilities.”

The National Voice of America Museum of Broadcasting gala committee. From left, back row: Greg Stevens, Chris Wunnenberg; Jack Dominic; Karl Ulrich. Front row: Patti Alderson and Melinda Zemper

The evening also includes the official opening of the museum’s new main exhibit hall and a private viewing of a Cold War exhibit supported by the U.S. Coast Guard’s alumni association for the USS Courier. The Courier was a floating Voice of America radio station stationed off the coast of Greece near the Panama Canal Zone from 1952-1964. It was tasked to defeat Soviet jamming near VOA target areas and contained a barrage balloon that held its medium-wave antenna aloft.

“Here in the U.S., we remember radio as entertainment, but it was a crucial way the Voice of America communicated throughout World War II and the Cold War to our troops and allies overseas and to people who lived in countries without a free press,” said Ken Rieser, president of the VOA museum board. “We want to recognize our nation’s commitment to tell the truth in media and educate people in countries where media is censored about what was going on in the world.”

Cost is $150 per person or $300 per couple, with various levels of sponsorship available for individuals, businesses and organizations. Sponsors so far include: Patti and Dick Alderson; Barbara and Larry Kellar; Mr. Mechanic; Oak Tree Communications; Sebaly, Shillito and Dyer; and Greg and Diane Stevens; Gary and Dee West; and Chris and Sandie Wunnenberg.

Sponsorship levels are: Platinum, $10,000; Gold, $8,000; Silver, $5000; and Bronze, $1,000. Sponsor recognition ranges run from free gala tickets, inclusion in the printed program, billing in all public relations and signage, recognition from the podium, logo inclusion on the museum website, and tables for 10 guests.

For 50 years, the VOA-Bethany Station transmitted Voice of America broadcasts to countries worldwide that lacked a free press, first in Europe during World War II and to South America during the Cold War. It was decommissioned by the federal government in 1994.

The iconic art deco building has been developed into the National VOA Museum of Broadcasting with the help of the entire community, mostly with volunteer labor. The Smith Family Foundation recently awarded the museum a $5,000 grant for education, event programming and exhibit development.

The museum is open Saturdays and Sundays from 1 to 4 p.m. at 8070 Tylersville Road. Museum general admission is $5 for adults and $1 for children. The museum recently added three new docents, but is still accepting more docent volunteers.

For more information about gala sponsorships, tickets, or to volunteer, email [email protected] , call Dominic at (513) 777-0027, or go to www.voamuseum.org.

Also, check out this article in Radio World.

Gary seeks information about radio recordings by the Judica Cordiglia brothers

Many thanks to SWLing Post contributor, Gary Wise (W4EEY), who writes with the following inquiry:

Have you (or your subscribers) ever investigated the supposed radio recordings of the Judica Cordiglia brothers of Italy back in the 1960’s?

Two YouTube videos just crossed my path which sparked the question.

The brothers allegedly recorded transmissions from failed Russian Manned Space flights before the successful flight of Yuri Gagarin. I remember reading about these when I was growing up. The second video contains a snippet of a voice recording from a supposed female cosmonaut as she reports rising cockpit temperatures before she died.

Click here to view on YouTube.

Click here to view on YouTube.

Spooky and sad if true – but certainly a part of radio history if it can be documented.

Wow–I have never heard of these recordings and as you say, Gary, this is quite sad if true.

Post readers: Does anyone have more insight about the Judica Cordiglia brothers recordings?  Please comment!

Guest Post: The Days of AM Pop Music in New York City

Dan Ingram (September 7, 1934 – June 24, 2018)

Many thanks to SWLing Post contributor, Patrick, who shares the following guest post:


Dear Thomas,

Thank you for all good articles on the SWLing Post.

After the passing of Top 40 radio disc jockey Dan Ingram of WABC 770 AM and later WCBS 101.1 FM, the golden days of Top 40 radio in New York City, the biggest radio market in the United States has been observed in TV and articles. Since 1988, no major AM station in the New York market plays pop music.

Video: Big Dan Ingram Tribute of YouTube

Click here to view on YouTube.

In 1960 WABC 770 AM changed format top Top 40 with upbeat disc jockeys, taking advantage of its 50,000 Watts clear-channel undirectional transmitter with the possibility to reach distant suburbs even 100 miles away during daytime and large portions of eastern United States and Canada after sunset. Its competitors at time were Top 40 stations 1010 WINS, 570 WMCA and 1050 WMGM but with directional transmitters.

Link: News12: A look inside the WMCA Meadowlands radio tower

http://www.news12.com/story/38678814/a-look-inside-the-wmca-meadowlands-radio-tower

Link: WMCA Transmitter Building in LEGO

http://robbender.blogspot.com/2011/02/wmca-transmitter-building-in-lego.html

Link: Photos of the WMCA Transmitter on Flickr

https://www.flickr.com/photos/docsearls/albums/72157686311013535

In the mid-1960s and on to the 1970s WABC had a long line of radio personalities like Dan Ingram, Harry Harrison, Ron Lundy, “Cousin Bruce” Bruce Morrow, and Chuck Leonard to name a few. Teenagers would enjoy listening to WABC with their transistor radios being popular. In the 1970s WABC was often No 1 or 2 in the New York radio ratings.

However, the Top 40 format was to become less popular in AM with FM stations starting to play hits. WMCA dropped its Top 40 format in the fall of 1970. Despite rivals from FM stations like WXLO 99X, soul station WBLS, album-oriented rock stations like WPLJ and WNEW-FM, WABC stayed on top until 1978 with the only notable AM competitor being 660 WNBC with an adult-leaning Top 40.

But when FM-station Mellow WKTU 92 changed format to disco and became Disco 92, an FM became the No 1 station in New York City putting down WABC to No 2 in December 1978. WABC started to play more disco but the audience became confused. With new management WABC started to aim for an older audience playing more adult contemporary songs. By 1981 WABC played more oldies and started to promote talk shows. In May 1982 it was announced that WABC would become a talk radio station. On May 10, the music ended on WABC and it was in radio called the day music died.

Video: Dan Ingram air check from 1980 on WABC in AM Stereo (Youtube)

Click here to view on YouTube.

Link: AM Stereo – the Kahn system (WNYC)

https://www.wnyc.org/story/am-stereo-the-kahn-system/

Video: The end of music on WABC (Youtube)

Click here to view on YouTube.

Video: Aircheck from WKTU Disco 92 in 1979 (Youtube)

https://www.youtube.com/watch?v=1IYPazTGO2I

Click here to view on YouTube.

1010 WINS dropped rock and roll music in 1965 and became an all-news station. 1050 WMGM (WHN from 1962) had various music formats until 1987 when it became all-sports.

660 WNBC was the last of the major Top 40-stations to drop music. It had various pop music formats until 1988 when it became all-sports 660 WFAN since WHN/WFAN changed to that frequency. 660 WNBC introduced shock jock Don Imus and afternoon jock Howard Stern.

Videos: WNBC sign-off

(WCBS-TV)

Click here to view on YouTube.

(WNBC-TV)

Click here to view on YouTube.

Many of the disc jockeys, including Dan Ingram, would join 101.1 WCBS-FM, playing oldies with the Top 40 disc jockey upbeat. The classic Top 40 era with double-digit ratings and the nighttime signal reaching hundreds of miles away was gone.

The website Musicradio 77 has a lot of resources and memorial about WABC but also WMCA: https://musicradio77.com

Patrick


Thank you, Patrick, for the stroll down Memory Lane–and thanks for sharing the informative links and videos!

I truly appreciate honoring Dan Ingram as well–no doubt, there are many SWLing Post readers who remember him from WABC. He was and will always be a radio legend.

Post readers: Do you have any memories of AM Pop Music in New York City? Please comment!