Category Archives: SWLers

The Winter SWL Fest 25th Anniversary

For those of you readers who often feel you’re alone in your enthusiasm for radio, I highly encourage you to attend the NASWA-sponsored SWL Fest in Plymouth Meeting, Pennsylvania this year. The ‘Fest is jam-packed with radio-related information and attended by many radio kindred spirits.  From their website :

The Winter SWL Fest is a conference of radio hobbyists of all stripes, from DC to daylight. Every year scores of hobbyists descend on the Philadelphia, Pennsylvania suburbs for a weekend of camaraderie. The Fest is sponsored by NASWA, the North American Shortwave Association, but it covers much more than just shortwave; mediumwave (AM), scanning, satellite TV, and pirate broadcasting are among the other topics that the Fest covers. Whether you’ve been to every Fest (all 25, starting with the first year at the fabled Pink & Purple Room of the Fiesta Motor Inn) or this year’s will be your first, you’re sure to find a welcome from your fellow hobbyists.

For 2012, its 25th Anniversary, the Winter SWL Fest will have three days of sessions where you can learn about the latest developments in the radio listening hobbies, but there’s so much more going on. There’s a silent auction that takes place, where you’re bound to find something of interest. There’s the Hospitality Suite, where attendees partake of tuning oil and other treats and engage in spirited conversations. There is the closing Banquet, with after-dinner remarks by a luminary from the field, often one of the many broadcasters who attend the Fest, followed by the raffle, where you could win one or more of the dozens of prizes, ranging from pens from stations up to top-notch communications receivers. And of course, the infamous midnight ride of Pancho Villa that closes things out every year.

Your hosts, Richard Cuff and John Figliozzi, work throughout the year to ensure that attendees have a great time over the weekend, and by all accounts, they succeed stunningly. How else could this event have lasted for 25 years (!) and draw people from around the world to southeastern Pennsylvania? Won’t you join us?

Sure, I will!

If you’re interested in attending the SWL Fest, too, go to the official website and register!

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John Allen keeps radio history alive

(Source: Delmarva Now)

A fat and sassy black cat purrs in John Allen’s lap. Relaxing in his favorite chair, Allen’s fingers vanished into the silky fur as he stroked his cat while listening to the Big Band sounds coming through a 1930s radio.

With its warm wood finish and the soft yellow glow of light from the dial, the vintage radio is as soothing as the thin shadows in the room.

[…]Stacked neatly in his living room are a dozen or so radios from the past. The sets are piled several deep. Other are stored in his shop, tucked tightly on shelves.

[…]”Maybe if you count the regular radios, the military radios, and the spy radios, I might have a little more than 200,” he said.

That’s right, he said “spy radios.”

Click hear to read the full story on Delmarva Now. If you like this sort of article, you have to check out the BBC radio documentary on Gerry Wells.

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Where radio history and art meet: An interview with Geoffrey Roberts

Fanciful and functional: A Marconi Mk III crystal shortwave tuner set in the service of Australian signallers. (Photo: Wikimedia Commons)

At the SWLing Post, we love radio history and that of technology in general; clearly, steps taken in our past indicate how we will blaze trails into our future. But that’s not the only reason to appreciate vintage technologies.  Developed in an environment with limited resources and infrastructure, the forms these technologies often took were resultingly unique:  hand-wrought, self-servicing, robust, efficient, interactive, engaging, elegant, and sometimes truly magical.  In other words, an art form.

And in the world of radio, form simply couldn’t follow function more intimately than in a crystal radio.

Even the name is magical, suggesting, perhaps, a receiver which culls sound waves from clear stone, or unleashes ancient voices long immured in ice.  But a crystal radio has yet another mystery up its sleeve:  it has no power source. These sets are passive receivers, meaning that while other radios use a power source (usually electricity) to amplify radio signals, the crystal set draws power from radio waves received via a long wire antenna. It’s the simplest type of radio receiver, and can be made from a few inexpensive parts, like an antenna wire, a tuning coil of copper wire, a crystal detector, and  earphones.

My first crystal radio set was made with a Quaker Oatmeal box, a bunch of wire, and a small earpiece.  Nothing elegant about it, but it was nonetheless magical, as I listened to the sound waves it drew from the ether.  Ultimately, all crystal radios have the same components as my oatmeal box variety–a tuning coil of copper wire, crystal detector, antenna and earphones–but fortunately not all follow the oatmeal box design. Indeed, some are worthy of an art museum, such as London’s Tate.

Introducing Geoffrey Roberts

Geoff Roberts' "HGW1 Time Machine." A crystal radio like no other. The Time Traveller would feel at home in front of this machine. (photo: Geoffrey Roberts

One glance at Roberts’ collection of hand-made crystal receivers, and it’s clear one is in the presence of a remarkable artist.

Roberts’ designs are very much inspired by the earliest crystal radios, and he also takes cues from classic science-fiction. The stunningly fanciful receiver to the right, for example, is titled, “HGW1 Time Machine.”

Indeed, his crystal sets would be absolutely at home aboard Nemo’s Nautilus or any steampunk time travel machine. They fire the imagination.  It comes as no surprise, therefore, that Roberts was recently asked by the curator of the Tate Britain to exhibit his singularly fascinating works, along with those of the Crystal Radio Club, in a show entitled the ‘Restless Times Exhibition,” which commemorates the work of artisans and artists for the period between the wars of the past century (1914-1945).

We simply had to know more about what makes Geoff Roberts tick, so asked him if he would allow us to interview him for the SWLing Post. He’s most kindly obliged–so with no further ado, I present crystal radio artist, Geoff Roberts.

SWLing: When you design a new radio, from what–or where–do you draw inspiration?
Geoff: When I’m designing a radio I have a particular circuit in mind that I would like to try out, and from the circuit diagram I can visualise what possible layout combinations it could have. The inspiration for the design is based upon a theme that I’m thinking of at the same time as the circuit, i.e., the ‘Time Machine’ or Captain Nemo’s Nautilus.

Side view of the HGW1. (photo: Geoffrey Roberts)

SWLing: Do you know what the radio will look like before you start building it? Do you make preliminary sketches, for example, or do you have an image in your mind?
Geoff: There is no initial engineering drawing with my radios; I complete a radio before I have put pen to paper, but there may be some thumbnail sketches of various parts that make up the whole design. Sometimes if I’m having difficulty resolving an idea I sleep on it, and it is more often than not resolved by the morning.

SWLing: Many of your radios are named after classic science fiction authors. Tell us about your relationship with science fiction.
Geoff: I have always had a fascination for science fiction in whatever form it is, be it TV series like Dr Who or Star Trek or the classic stories by Jules Verne or HG Wells. I do not actually read many science fiction novels–I simply do not have the time–it is reserved for practical things.

The Heart of Oak Crystal Radio (photo: Geoffrey Roberts)

SWLing: So why do you build crystal sets? Why not more modern pieces of technology?
Geoff: The crystal sets, to me, are a satisfying way to employ the combination of traditional hand craftworking skills and radio or electrical knowledge that I have learnt over years of practical experience. Crystal sets are a timeless electrical device that are just as appropriate today than yester year, possibly even more so in the coming ‘Green Age’ of renewable or low energy useage. It is still an evolving technology with better components, lower electrical loss materials, and Litz wires, plus highly-tuned circuits: these were just not available to the amateur builder many years ago at the dawn of radio. I have built many modern electronic devices employing integrated circuits or transistors, but there is an increasing complexity of circuitry and miniturization that really only favors the robot and not that of a human hand. I keep coming back to a simpler, more satisfying art form that is a collectable piece of equipment, rather than a disposable one.

SWLing: Tell us a little about your history in radio…when did you first become interested?

The "Jules Verne" (photo: Geoffrey Roberts)

Geoff: I first became interested in radio at an early age of eleven, when my uncle who used to visit us every Wednesday evening would always bring a small gift or piece of chocolate. One evening he was carrying a small oak box about six inches square. He opened the lid, and there were a few small brass parts on a black face plate.  There were three labels: “aerial,” “earth,” and “phones,” and a big knob in the middle. He connected up a pair of headphones, and put a wire round the picture rail, and one to an earth stake outside just below the back room window. I was amazed I could hear voices and music. I spent most of my early youth listening to pop music from Radio Luxembourg on that old crystal set, sometimes late into the night and under the bedclothes when, unknown to my parents, I should have been sleeping.
From that day onward I was hooked on radio more and more, and built my first crystal set from a toilet roll tube and wire from out of an old transformer that I found on a junk heap on waste ground nearby home.

Detail from the HGW1 dial pointer. (photo: Geoffrey Roberts)

I used to cut out the capacitors and resistors and started to make up a collection of commonly used parts. By the age of 12 I had been given a Philips Electronic Engineers Kit for Christmas. This kit was really for kids to learn basic electronics by using a simple breadboard designs.
One evening I built a one-transistor radio from the kit and heard two radio hams talking to each other. This was another big revelation to me in that it was possible to talk to a friend by using radio. It was not long after I had my own license to operate on the radio waves, and started a career with GPO telecommunications just after leaving school–but that is another story.

SWLing: When you listen to radio–on a crystal set, on shortwave or otherwise–what stations would we most likely find you listening to?

Geoff: I still have the fascination with radio now after nearly six decades have passed, and I still listen to my favorite pop music–as it was then, it still is now. Someone said, ‘All you need is Love’ and that is very true…

SWLing: What are your plans going forward? Do you have other radio designs in mind?
Geoff: I plan to build more radios in the next few years and have extended my workshop this year to take in more light engineering equipment. The Dr. Frankenstein radio is in my visualisation as a project; it will be made of spare parts, of course, but not too many dead bodies!! [haha]

SWLing: What was your experience like at the Tate Britain’s crystal radio exhibition?

"We did not have the use of a longwire or earth in the Tate Gallery so I made a frame aerial which performed very well inside the Tate considering the building was mostly solid stone and ironwork. (source: Heart of England Crystal Radio Club)

Geoff: It was a wonderful and awe-inspiring experience recently to be invited to exhibit and actually operate some of my crystal receivers in the Tate Britain ‘Restless Times’ exhibition a couple of months ago. A feeling that I will relish for the rest of my life, and that will always give me fresh enthusiasm.

SWLing: If I wanted to buy one of your crystal radios, where could I purchase one?
Geoff: I would be only too pleased to make a crystal receiver to order for you personally to your specification, or to my own design, and you can find full ordering details on my website or by emailing me direct…Thank you for listening to my little story.

Geoff Roberts, G8DHI "Thank you for listening to my little story."

SWLing:  The pleasure was all mine. Thank you, sir, not only for bringing forward such a simple, magical technology, but doing so with such artistry and spirit.  Best of luck!

Post Script
Geoff, you’re one cool guy. Thoroughly enjoyed the interview. Please do let us know when you finish “Frankenstein;” we’d love to publish some photos here, if we may–and warn the public, should it escape!

Many, many thanks to @NW7US who led me to the website of Geoffrey Roberts–Geoff’s Crystal Receivers–and, in turn, to this delightful gentleman, artist, and ham. Sure you’d like him, too.
Resources:

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How to celebrate National Radio Day

ETOW's self-powered shortwave radios continue to be an invaluable source of information in post-earthquake Haiti.

August 20th is National Radio Day, a day for celebrating the invention of radio and this amazing 110+ year old communications medium, still so vital to information access throughout our world.

Those of you who still believe in the relevance of radio, please consider giving the gift of radio by making a tax-deductible donation to Ears To Our World (ETOW). ETOW sends self-powered (wind-up) shortwave radios to some of our planet’s most rural and impoverished  schools and communities, often where there is no internet access nor power grid.

We’ve mentioned ETOW in many previous posts. The organization has been featured in the Wall Street Journal, Popular Communications, the BBC World Service, VOA, and Public Radio International’s The World Technology podcast.

Those who think shortwave radio has limited use in today’s information age should see how much impact it has in parts of the world where ETOW works. In these regions, often remote or war-torn, radio connects communities with the rest of the world–and it can mean the world.

Click here to visit ETOW’s website and make a donation.

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Radius – Shortwave inspired audio art

I have a particular fondness for artists who use shortwave radio to inspire their work, so you can imagine how pleased I was to stumble upon Radius–an experimental radio broadcast platform based in Chicago, IL, USA. In their own words:

Radius features a new project semi-monthly with statements by artists who use radio as a primary element in their work. Radius provides artists with live and experimental formats in radio programming.

The goal is to support work that engages the tonal and public spaces of the electromagnetic spectrum.

All audio works are broadcasted locally on 88.9 fm with a secondary stream online.

Radius’ website contains audio by episode. Most of this work is toward the art spectrum of the sonic journey–me, I love it.

Want a taste? Check out some of this audio from Episode 08 by Osvaldo Cibils:
Episode 08: Osvaldo Cibils by Radius #4
 

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Radio Documentary: The Wireless World of Gerry Wells

I just discovered (via PRI’s The World Technology Podcast) a 2010 radio documentary about lifelong radio designer and repairman, Gerry Wells.

If you haven’t heard it before, I suggest you drop what you’re doing and give it a listen below. This is the most charming radio doc I’ve ever heard out of the BBC World Service.

For archival purposes, I have a full copy of the radio doc available for download by clicking here.

Again, a special thanks to Clark Boyd with PRI’s The World for bringing this to my attention.

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“At The Tone”–A history of WWV in audio

NIST Radio Station WWV Transmitter Building in Fort Collins, Colorado.

If shortwave radio has a pulse, it is the constant beat of the WWV and WWVH time stations.

Some of the first memories I have of hearing shortwave radio are of my father tuning in WWV each Sunday morning (on his RCA 6K3), to set his watch. Had this not been my father’s routine, I’m not so sure I would have known what  shortwave radio was for many years.

Indeed, I’m so fond of WWV, that I have to make a modest confession: I often tune it in simply to listen to its predictably reassuring announcements of the time. Somehow it calms and comforts me that all is right on the airwaves.

Actually, WWV is and has always been much more than simply a time station. It is the most reliable way for us here in North America to check propagation characteristics both by listening to the signal strengths of the transmissions on 5, 10, 15 and 20 MHz, but also by the announcements made at specific times throughout the day.

Lately, WWV has even been announcing test tsunami warnings. It was the search for broadcasts of these warnings that lead me to Myke Dodge Weiskopf’s site, Myke.me. (Regular readers of the SWLing Post will be familiar with Myke’s work.) When I wrote to thank Myke for the audio, he drew my attention to something irresistible to a WWV disciple like me.

“At The Tone: A Little History of NIST Radio Stations WWV & WWVH”

Myke has meticulously and artfully created a CD audio archive of the WWV and WWVH time stations. A description of the project from its “about” section:

At The Tone is the first comprehensive audio survey of NIST Radio Stations WWV and WWVH: two legendary shortwave radio broadcasters whose primary purpose is the dissemination of scientifically precise time and frequency. Comprised of a 74-minute audio CD and a 32-page, full-color booklet, the set represents a huge cross-section of the stations’ “life and times,” including recordings of obsolete formats, original voices and identifications, special announcements, format changes, “leap seconds,” and other aural oddities from 1958 to 2005.

After listening to some of the sample audio from the project, I was hooked: I purchased the CD on Myke’s website and have enjoyed hearing the many tracks of audio history from WWV. The accompanying track notes alone provide a very complete history of the these NIST stations, and are the perfect companion to the audio tracks.

Indeed, I liken this audio journey to learning some untold life experience of a good friend or family member. WWV has been my radio companion all these years, but until I encountered Myke’s archive I had never heard the many voices of the station, leap seconds, experimental formats, etc. It puts the station in perspective, and opens an audio window to the time before “Coordinated Universal Time.”

It may seem foolish to wax enthusiastic about a time station.  But before you judge me for my indulgence in this unlikely source of nostalgia, I encourage you to cruise to Myke’s site, purchase “At The Tone” and see (or rather, hear) for yourself!

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