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Many thanks to SWLing Post contributor, Kelsie, who writes:
Hi Thomas,
We have just launched a new bi-weekly music show on WRMI. Underground Sounds will be playing the freshest tracks by new and established independent artists from all around the world, together with the latest music news, exclusive performances, and interviews. The first show went out on June 25th, with the next due to go out on Sunday July 9th, with new shows occurring every other Sunday at 2100 UTC on 15770 kHz.
W9IMS Accelerates into Another Special Event Season – with a Chance for an Indy Racing Certificate
By Brian D. Smith
It’s back to the track for collectors of W9IMS cards and certificates.
The first of this year’s three special events tied to the major races at the Indianapolis Motor Speedway will begin at midnight Eastern Time (0400 UTC) this Sunday, May 7, and continue through 11:59 p.m. (0359 UTC) the following Saturday, May 13.
And for hams and SWLs, your chance for a 2023 Checkered Flag Award begins – and could end – with it. To earn the certificate, you’ll need to contact or tune in W9IMS during all three special events this year: the Grand Prix, the Indianapolis 500 (May 22-28) and the NASCAR 200 at the Brickyard (August 7-13).
Catch W9IMS during Grand Prix week and you’re one-third of the way to Victory Lane. Miss it and you’ll have to wait till 2024 for another shot at the certificate.
So when and where do you find W9IMS? Any time of the day or night is possible, but prime time is from 6 to 10 p.m. (2200-0200 UTC) weekdays, and the prime bands are 40 and 20 meters (generally around 7.245 and 14.245 MHz). And this year, improved solar conditions could prompt a rare move to 15 and 10 meters, likely around 21.350 or 28.340 MHz.
The choice of frequencies will be gametime decisions based on a variety of factors, including QRM, band openings and the number of calling stations. So your surest move is to check W9IMS spots, which are frequently posted on DX Summit (www.dxsummit.fi).
While some on-air times are unscheduled, you can also increase your odds by going to the W9IMS QRZ page (www.w9ims.com) and clicking the Grand Prix link under the heading “2023 Operating Schedule” – which displays the shifts that operators have already signed up for.
If time is running short, listen for happy hour – the last blast on Race Day (May 13 for the Grand Prix), usually starting at 11 p.m. Indy time (0300 UTC). That’s when W9IMS ops traditionally switch to contest-style QSOs and exchange only signal reports so they can work as many stations as possible. But remember that W9IMS special events can end early if the station encounters sparse QSOs or adverse solar or weather conditions.
Should you manage to bag W9IMS, don’t celebrate for too long: The Indianapolis 500 special event begins on May 22, only 9 days after the end of Grand Prix week. Then comes the longer wait till the NASCAR race in August.
You’ll qualify for a new and unique QSL card for each W9IMS event you log, regardless of whether you snare all three in ’23. But why not complete the set and nab the certificate – starting with the first race this coming week?
Hams and SWLs alike are eligible for any and all W9IMS cards and certificates; you can even QSL via the bureau. And if you forgot to send in your information from a previous year, it’s still possible to obtain nearly all of the previous cards and certificates. Consult the W9IMS QRZ page for full details.
Hello shortwave listeners! I wanted to make this post in order to provide an updated broadcast schedule for my transmissions to North America for the Spring of 2023.
This radio program is 1 Hour in length and features miscellaneous discussion (sometimes about current events, other times about random subjects on my mind) at the start of the program and is then balanced out with listener requested music. I hope for it to be an enjoyable light entertainment program with good music and discussion!
Main Broadcasts:
Saturday 0600 UTC (2 AM Eastern / 1 AM Central) – 4840 kHz – WWCR 100 kW – North America
Monday 0400 UTC (12 AM Eastern / 11 PM Central Sunday Evening) – 4840 kHz – WWCR 100 kW – North America
Repeat Airings:
Tuesday 2000 UTC (4 PM Eastern / 3 PM Central) – 15770 kHz – WRMI 100 kW – Eastern North America
Wednesday 1300 UTC (9AM Eastern / 8 AM Central) – 15770 kHz – WRMI 100 kW – Eastern North America
Thursday 1600 UTC (12 PM Eastern / 11 AM Central) – 15770 kHz – WRMI 100 kW – Eastern North America
Thursday 2200 UTC (6 PM Eastern / 5 PM Central) – 9955 kHz – WRMI 100 kW – South America
Friday 2100 UTC (5 PM Eastern / 4 PM Central) – 9955 kHz – WRMI 100 kW – South America
Saturday 0700 UTC (3 AM Eastern / 2 AM Central) – 1300 kHz – WNQM 5 kW – Tennessee
Saturday 2200 UTC (6 PM Eastern / 5 PM Central) – 6115 kHz – WWCR 100 kW – Noth AMerica
It is hard to imagine a less spectacular looking piece of radio gear than the SDRplay RSPdx. It is literally a black box. Aside from the printing on top of the box, the most exciting thing about the RSPdx are the two red plastic covers on the antenna connectors on the side. There are no switches, no knobs . . . you can’t do anything to it except connect an antenna (or antennas) on one side and a USB cable on the opposite.
But once you connect the USB cable to your laptop and fire up the SDRuno software (that you have previously downloaded and installed), you are now in command of a listening post that covers from 1 kHz to 2 GHz.
We’ll get to the important stuff in just a minute, but first a little background.
For an oldster retrocrank like me, a proper radio has knobs and switches . . . preferably a knob or switch for every job. Lately, however, I have noticed that a lot of DXers and ordinary listeners are reporting good success with SDRs – software-defined radios. So I started to wonder about them.
There are three elements to a software-defined radio like the SDRplay RSPdx: the SDR box itself, which is the part of the system that actually receives the radio signals; a Windows computer (laptop or desktop), which provides the command and control for the SDR; and whatever antennas are required to receive the signals that the listener would like to hear. And, just to be absolutely clear, you need all three elements for the SDR system to work at all.
With my curiosity about SDRs rising, I inquired of Thomas, SWLing’s Maximum Leader, whether SDRplay – one of SWLing Post’s sponsors – might like me to take a look at one of their SDRs. Their answer was an emphatic Yes, and I had an RSPdx in my hands just a couple of days later at no cost to me or the SWLing Post.
I have to admit I had some trepidation about the process of bringing the RSPdx online because any time you have three different elements from three different sources that must work together for a system to function properly, there is always the possibility that some of the elements might not “play well together.”
Installation is easy and fast. Connect the RSPdx to the computer using a USB A-male to B-male cable (which the user must supply; often called a printer cable), then connect the antennas using the appropriate cable. In my case, I connected an MFJ 1886 Receive Loop to the Antenna C connector and an off-center fed dipole to the Antenna A connector.
To SDRplay’s great credit, they have produced an excellent video for first-timers and folks not familiar with SDRs — https://youtu.be/Oj_-dOLVzH8 . I recommend watching it, perhaps a couple of times, before you get started.
When you first fire up the SDRuno software, you will see the main panel:
Click on the “RX” button, and the Receive panel will be displayed. After you slide it over, it will look something like this:
Click on SP1 or SP2 in the main panel, and one of the peak displays will appear:
Finally, click on the PLAY button in the main panel, and whatever frequency you have selected will begin to play. Continue reading →
It dawned on me recently, perhaps due to sloppy thinking or unintended distractions, that I never wrote about my modified Loop on Ground (LoG) receive antenna that I use at parks and such. For over a year now, I have been using 3-conductor rotor wire bought cheap at the local hardware store and have wired the conductors in series. Grayhat (Andrew) was the inspiration when he decided to create a folded dipole along the side of his house.
The usual construction of a LoG antenna for shortwave is a single wire of about 60 feet in circumference in order to not go above one wavelength for 20 meter band usage. If you recall, going above one wavelength will start creating weird lobes in the reception pattern. See – Loop-On-Ground Antenna Part 2.
However, I did not like this 19 foot diameter wire on the ground in public parks just waiting to be tripped over. Like, the time when a horse got loose from its owners and almost tripped over my 60 foot wire. I don’t think I would have liked the resulting lawsuit!
So out of fearful necessity I took some leftover RCA 3-conductor rotor wire, about 29 feet of it, and wired a loop with the conductors in series. This gives about 81 feet of total conductive length. But since it is folded onto itself, there is an undetermined loss of resonant length. Callum (M0MCX) of DXCommander fame has experimented and found folded dipoles need three times more length in the folded section to reach resonance, so my loop is probably around 69 feet (electrically). See – Fold the end of a Dipole Back – What’s Happening?.
In the picture below, the black wire with Ring Terminal at the bottom goes all the way around to the other side, soldered to the green wire, which goes around and is soldered to the red wire, which goes around to the Ring Terminal at the top, plus tie-wraps to hold the wires together.
The next picture is how the Wellbrook Medium Aperture preamplifier is connected to the loop with BNC cable that goes to the 12V power injector. I have had this Wellbrook unit for maybe 6+years with no signs of problems. WARNING – do NOT use the Wellbrook preamplifier in the presence of high powered RF energy like your Amateur Radio antenna pumped with 1000 watts from a linear amplifier; the Wellbrook premap might just overload and get damaged! I did use this loop and preamplifier at last year’s 2022 ARRL Field Day and was able to get away with it because we were only using 100 watts per station. Listening to the 9pm 3916-net trivia group was fun but I still needed to keep it away from the transmitting antennas. Continue reading →
Many thanks to SWLing Post contributor, Don Moore–noted author, traveler, and DXer–for the following guest post:
A DXpedition to East Sandy
By Don Moore
When I was in college over forty years ago, seven of us had a small DX club in central Pennsylvania. A couple of times a year we would gather at the house of one of our parents for an all-night DX session. We shared tips and ideas, had fun, and always heard some new DX. Good DX can happen anywhere if conditions are right and most of mine over the past fifty years took place at wherever home happened to be at the time. But most of my best experiences and best memories of DXing were not made at home. They were made by getting together to DX with other hobbyists such as we did back in college.
Nowadays when I get together to DX with other hobbyists it’s to go on a DXpedition, which is nothing more than taking your receiver to a place where DXing will be better than at home because there’s less noise and you can erect better antennas. Simple DXpeditions can be done from cars. My old friend Dave Valko used to go on what he called micro-DXpeditions. He drove to a remote spot in the mountains not far from town, laid out a few hundred feet of wire, and then DXed from his car for a couple hours. He frequently did this around dawn and around sunset and got some great DX. I know several other DXers that do this today, either at countryside locations or in large parks.
I’ve done micro-DXpeditions a few times. It’s fun but it always lacks an important element: other DXers. For me, the best DXpeditions aren’t just about hearing interesting stuff (although that is very important). They are also about sharing the hobby with other interested friends. And the best way to do that is to go on a real DXpedition with them.
For three years in a row prior to the pandemic a group of eight of us had rented a lodge in rural central Ohio for an annual DXpedition. Covid shelved our plans for 2020 but by the summer of 2021 we were all looking forward to a fourth DXpedition in September. Then another wave of covid swept across the country and we canceled a few weeks before the event. Fortunately, the worst of those days are behind us and we finally had our fourth DXpedition the first week of October of this year. Unfortunately, only five of us could make it – Ralph Brandi, Mike Nikolich, Andy Robins, Mark Taylor and I.
For four nights our DXpedition home was the same place in western Pennsylvania that we had canceled at in 2021. The location was a rural house on the bluffs overlooking the Allegheny River near the old East Sandy railroad bridge (now a hiking trail). It’s always a gamble going to a new place chosen solely based on the AirBnB listing and other information found online. But this site had all the appearances of being a good place to DX from. The pictures and Google satellite view showed that there were trees around the house and large nearby open fields surrounded by woodland. The terrain was relatively flat when viewed on 3D satellite view. We would have plenty of space for a variety of antennas. Furthermore, it didn’t look to be a noisy location. The nearest neighbor was over a quarter mile to the south and because the house was the last one on the road that powerlines stopped at the driveway. I couldn’t have done much better if I had designed the location myself.
Good antennas are the most important part of any DXpedition and erecting them is usually the most time-consuming part of set-up. Still, you never really know what’s going to fit until you’re there. I arrived at 2 p.m. and Mark pulled in a few minutes later. We immediately walked the grounds and were pleased with what we saw. Ralph arrived while we were laying out the first antenna. Mike and Andy arrived later in the afternoon in time to help finish up.
Our DXpedition antenna farm consisted of two delta loops, a DKaz, and two BOGs. The delta loops used Wellbrook ALA-100LN units and are as I described a few years ago in my article on radio travel. These are easy to erect and are good all-around antennas for anything below 30 MegaHertz. The DKaz (instructions here) is a rather complex-to-build antenna designed for medium wave. Ralph uses one at home which he had taken down for the summer to make yard work easier. He brought the pieces and put it up by himself. The two BOGs (Beverage-on-the-ground) were a 300-meter wire to the northeast and a 220-meter wire to the north. Beverages are good for long wave, medium wave, and the lower shortwave frequencies. Continue reading →
There is a richness in human experience, and I want to sample it.
When I worked the world on the HF ham bands, I considered myself a “conversation hunter.” I wasn’t content to simply make a contact, exchange signal reports, and move on; I wanted to talk to people in foreign lands, to chat with folks who did unusual things, to hear things you would not normally hear otherwise.
Here’s a quick sampling:
I spoke with a ham in England, a falconer, who flew the birds for the movie “Lady Hawke,” and who had a side business of manufacturing tiny transmitters that falconers could use to track their birds.
The chief groundskeeper for a major university in Ohio once explained, on ten meters, the difference between commercial and consumer lawn mower engines (the commercial units are designed to be rebuilt quickly and easily).
Recently, on 2 meters I heard a ham explain how he used VHF/UHF crossband repeat to provide coverage for a special event.
Similarly, I enjoy hearing the unusual on the AM, FM, or shortwave broadcast bands. For example, one evening years ago, on shortwave I heard “Radio Peace and Love” from somewhere in the Caribbean, followed (on another frequency) by “Mark from Michigan” extolling the militia movement. On another occasion, I heard a story on Radio New Zealand about a Maori weaver’s collective.
So, bottom line, I am interested in the unique, the unusual, the weird (could be all three!) . . . and I prefer stuff that is NOT syndicated across a bunch of stations. Marion’s Attic comes to mind as I write this.
So, now it’s your turn: what’s your favorite programming that is off the beaten path? Please respond, and be sure to mention the time and frequency when it might be heard.
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