Tag Archives: WWFD

Radio Waves: WWFD All Digital, End of CBC Long Dash, HD Aviation Interference, NC Broadcast History Museum Plans, and Ukrainian Radio Resistant to Jamming

Radio Waves: Stories Making Waves in the World of Radio

Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors Dennis Dura, Mark Koskinen, Stuart Smolkin, and Ron Chester for the following tips:

AM Digital WWFD Concludes Its Test Phase (Radio World)

The Hubbard station now is a full-time, all-digital operation

WWFD in Frederick, Md., has concluded the experimental phase of its MA3 HD Radio operation. It has notified the FCC that after five years, it will now continue to operate as a full-time all-digital AM station as is allowed under commission rules.

Dave Kolesar at a meeting of SBE Chapter 37 in Wheaton, Md.
The Hubbard-owned facility was the first AM station in the United States to convert to the MA3 mode, doing so under experimental authority in 2018.

Dave Kolesar, the engineer and program director who spearheaded the initiative and has given numerous presentations at engineering conferences about it, tells me that Hubbard recently asked the FCC to conclude the special temporary authority. [Continue reading…]

The end of the long dash: CBC stops broadcasting official time signal (CBC)

Segment connected Canadians, kept the country on time for over 80 years

The beginning of the long dash indicates exactly 1 o’clock eastern standard time.

For more than 80 years the beeps and tones of the National Research Council (NRC) time signal have connected Canadians at exactly 1 p.m. ET.

But as of Monday, CBC Radio One audiences won’t be listening for the beginning of the long dash — they’ll have listened to the end of it.

Variations of the daily message and the “pips” that sound along with it have played over CBC’s airwaves since Nov. 5, 1939 — forming a link that connects Canadians from coast to coast to coast.

CBC and Radio-Canada have announced they’ll no longer carry the National Research Council (NRC) time signal.

Monday marked the last time it was broadcast, ending the longest running segment on CBC Radio. [Continue reading and listen to the report on the CBC...]

Xperi Discussing HD Radio Power Boost Proposal With Aviation Groups (Radio World)

The Aerospace Industry Association and the Air Line Pilots Association International have voiced interference concerns

Several aviation groups have recently expressed concern about the potential for interference on navigation systems if a proposal to increase power for digital FM stations in the United States is adopted. Now, HD Radio developer Xperi said it is working to address those concerns.

In comments filed with the FCC (MB Docket 22-405), the Aerospace Industries Association (AIA) and the Air Line Pilots Association International (ALPA) raised the possibility of interference between HD Radio stations at 107.9 MHz and the adjacent Aeronautical Radio Navigation Service (ARNS) band operating from 108.0 – 117.975 MHz.

The ARNS band is occupied by safety critical navigation and landing systems essential for safety of flight, according to the groups. They include Instrument Flight Rules (IFR) needed for landing during low visibility conditions at night and during inclement weather. [Continue reading…]

State Broadcast Leaders Announce Plans for Broadcast History Museum in North Carolina (Beasley Media)

State broadcast leaders have unveiled details of a North Carolina Broadcast History Museum. Details were announced during a press conference that took place on Friday, October 13th at the Governor’s Mansion in Raleigh, NC.

The museum initiative is a 501(c) 3 non-profit corporation dedicated to preserving North Carolina’s broadcasting legacy.

North Carolina has a rich broadcast history, dating back to March 1902, when radio pioneer Reginald Fessenden transmitted a 127-word voice message from his Cape Hatteras transmitter tower to Roanoke Island. Then fast forward to July 23, 1996, when WRAL-TV became the first television station in the United States to broadcast a digital television signal. The state has been and continues to be a wealth of pioneers and innovators in industry.

North Carolina has been and continues to be a wealth of pioneers and innovators in industry. The State has numerous famous broadcast personalities, including Andy Griffith (born in Mount Airy), Charles Kuralt and David Brinkley (both from Wilmington), National Sportscaster Jim Nantz (from Charlotte), and National Public Radio Newscaster Carl Kasell (from Goldsboro).

The Museum is seeking assistance from the public and people who worked in broadcasting to collect artifacts, documents, photographs and recordings that chronicle the history of prominent radio and television stations, broadcasters, programs and events. Through exhibits and collections, the Museum seeks to highlight the contributions made by North Carolina Broadcasters in shaping the industry and the state’s culture landscape.

The Museum is guided by a distinguished group of broadcast professionals that include Caroline Beasley, CEO, Beasley Media Group; Don Curtis, CEO, Curtis Media Group; Jim Goodmon, CEO, Capitol Broadcasting Co.; Wade Hargrove, media lawyer; Harold Ballard, Broadcast Engineer; Carl Venters, Jr., Broadcast Executive; David Crabtree, CEO, North

Carolina Public Media, Dr James Carson, Broadcast Executive; Jim Babb, Broadcast Executive, Cullie Tarleton, Broadcast Executive, and former member of the NC House of Representatives; Dave Lingafelt, Broadcast Executive, Carl Davis, Jr., Broadcast Engineer, Jim Heavner,

Broadcast Executive, and Mike Weeks, Broadcast Executive.

The North Carolina Broadcast History Museum web site will serve as a digital repository accessible by the public that will grow in content and importance as items are gathered and

displayed. The museum web site is under construction and currently available online at www.NCBMuseum.com. Future plans include a brick-and-mortar facility for education, inspiration and enjoyment.

For more information, please contact Michael Weeks, North Carolina Broadcast History Museum Board Trustees Chairman, at [email protected] or call 252-721-0470.

Ukraine claims to have invented a new radio that’s immune to Russian jamming (Business Insider)

Ukrainian Deputy Prime Minister Mykhailo Fedorov announced on Tuesday the launch of radio technology that “cannot” be blocked by Russian jamming.

Fedorov, who also serves as Ukraine’s Minister for Digital Transformation, wrote on Telegram that the Himera radio is “a unique technology that works despite enemy electronic warfare,” according to Ukrainska Pravda’s translation.

“The Russians cannot block the radio’s signals or decrypt it,” he said, adding: “The radio can also be integrated into a situational awareness system or used as a GPS tracker to search for and evacuate soldiers.”

Russia’s electronic warfare capabilities have long proved a thorn in Ukraine’s side, as Michael Peck previously reported for Insider.

Russia has managed to achieve “real time interception and decryption” of the Motorola walkie-talkie systems in widespread use by Ukraine, according to a May report by the Royal United Services Institute. [Continue reading…]

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Radio Waves: The Gamut All Digital at 4 Years, Glory Days of Pirate Radio, AIR to Kashmir, and Podcast Collaborations

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Radio Waves: Stories Making Waves in the World of Radio

Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to Eric Jon Magnuson for summarizing these news items for Radio Waves!

Hubbard Is Four Years In With All-Digital AM. Here’s How It’s Doing. (Inside Radio)

It has been just over four years since Hubbard Radio’s adult alternative “The Gamut” WWFD, Frederick, MD (820) powered down its analog signal and began operating as a digital-only AM station under experimental authority granted by the FCC. Since then, new FCC rules permitting all-digital AMs industrywide have broadcasters taking a closer look at WWFD as they consider options for struggling AMs.

WWFD posted a 1.5 share (12+) in Nielsen’s Frederick, MD spring survey with a weekly cume of 3,300. Before it went all digital, Dave Kolesar, Senior Broadcast Engineer at Hubbard and the station’s PD, says it was a ratings no-show, “a wasted signal.”

The idea for making the all-digital leap came around Christmas 2016 when Kolesar concluded that a music format on AM – even one as differentiated as The Gamut’s expansive playlist – was “pretty much a nonstarter that exists for the purpose of having an FM translator. In all-digital mode, the AM signal has the capability of becoming relevant again” with digital sound quality, and artist and album title and album artwork displays.

According to Xperi, about 35% of cars on the road in the DC market are equipped with HD Radio receivers. Yet only a small fraction of listening to radio in the market is to AM radio. The station focuses on the one-third of the market that could enjoy a music format that looks and feels like any other service in the dashboard. The strategy involves using the FM translator as promotional vehicle for the digital AM frequency: “when you’re outside the coverage area of our 94.3 FM signal, tune into 820 and hear us while you’re driving around,” Kolesar explains. [Continue reading…]

OPINION: Remembering the glory days of pirate radio 55 years on (Eastern Daily Press)

Radio DJ Tom Edwards looks back at his youth spent broadcasting off the East Anglia coast

Although I’ve lived in Lincolnshire for nearly 30 years having been born and educated in Norwich, I will of course always be a Norfolk man. At 77 years of age now I’ve been a broadcaster for 57 of those years.

During Easter of 1964 a somewhat mysterious radio station came on the airwaves playing non-stop music and the presenters seemed to be just ad libbing at the microphone in contrast to the rather staid BBC light programme which hardly played any popular music. The station turned out to be the now famous Radio Caroline, which was transmitting from a ship off the East Anglia coast.

I was a Bluecoat at Pontins holiday camp at Pakefield and the site had a Radio Pontins Tannoy system so I asked the boss for some money to buy some 45 hit singles which he agreed to and so started doing record requests for the happy campers.

Other stations, whether they were ships or wartime fortresses, suddenly began to appear right around the coast of the UK. Apart from Caroline there were other stations including Radio London, Radio England, Radio270 and Radio 390.

The more I heard of these stations, which were becoming so popular with an estimated audience of 22 million, the more I wanted to be out there at sea with them. I wrote and sent tapes of my Pontins shows to all of them. While on a few days off in Norwich, a man called Reg Calvert called me and said he liked what he heard and offered me a weekend try out on Radio City. [Continue reading…]

AIR’s Station At 9,000 Feet Along LoC In Kashmir Broadcasts Programs For People Living Across Border (India Times)

Surrounded by the barbed wires, dense deodar trees and Pir Panchal mountains in the backdrop, this is the All India Radio (AIR) Srinagar’s Radio Station which has been set up close to the Line of Control (LoC) in Rustum area of J&K’s Uri sector.

Set up in November 2020, the station has been built 9,000 feet above the sea level.

The radio station has been set up with an aim to provide access to the Kashmiri people living on the other side of the border to listen to their favourite programs.

“The local news, music programs and especially Pahari and Gojari programs are aired from this station for the Kashmiri population living on the other side of the LoC,” said Qazi Masood who heads the station in Uri. [Continue reading…]

Podcast Collaborations: The positives, the pitfalls, and the public interest (Public Media Alliance)

Three top public media podcast executives discuss with PMA the benefits and complications that come with collaborations, and how ultimately, they can help public media organisations fulfil their public service obligations.

As the podcast market globally becomes ever more saturated and competitive, PMA invited three top podcast executives from three leading public media organisations to discuss how collaborations might provide the pathway for public media organisations to remain the premier podcast producers. It came after a talk about podcast collaborations at Radiodays Europe in Malmö, Sweden in May 2022.

They spoke to PMA’s Editorial Manager, Harry Lock.

Harry Lock: Could you give me some examples of podcasts which you’ve worked on where you collaborated with another organisation? How does it actually work logistics-wise?

Arif Noorani, Director of CBC Podcasts: Hunting Warhead is a collaboration we did with VG, Scandinavia’s biggest newspaper, on a story they’d spent more than two years on (it was nominated for a Prix Italia.) Production wise – CBC led the podcast and embedded a VG team member in the production team providing contacts, research and notes on scripts.

We have three international co-productions with the BBC World Service – launching in the next year. It’s an equal joint effort – Jon Manel, commissioner for the BBC World Service and I co-lead all aspects of the project. We think the combined heft of CBC Podcasts and the BBC World Service was attractive. We meet weekly and more (along with Whatsapping each other if it’s urgent) to discuss production, content, rollout and all the business side of things. We have one point person between the production teams and the BBC/CBC to keep it streamlined. To make this work, you have to have lots of trust between all sides, and a shared vision of the type of content you want to make (in this case journalistically-driven serialised narrative storytelling rich in characters and heartbeat). Jon and I have informally collaborated for a few years so that really helped. We’ll also combine our audience building, digital and marketing efforts in the launch and rollout.

Andrew Davies, Digital and Engagement Editor, ABC Australia: Co-productions and collaborations with external organisations/partners is still a relatively new area for the ABC in podcasting. There have been a number of collaborations between Radio National (ABC’s specialist talks network) and the BBC but those have mostly been radio focused. The ABC’s Audio Studios team did a co-production with WNYC Studios a few years ago with Short & Curly, our very popular ethics podcast for children.

More recently we’ve worked with Arif and the CBC Podcasts team around the release of series two of our popular Stuff The British Stole podcast. That involved the CBC team helping with audience building (through cross-promotion, publicity, marketing and digital/social content) in the North American market. That was a really successful collaboration and we were excited to work with the CBC as we knew they recognised not just what a great show it is but also wanted to help it reach a bigger audience. There were a large number of people involved from both broader teams but I want to echo Arif’s point about having clear point people on both sides to keep things streamlined.

Tim Watkin, Executive Producer of Podcasts & Series, RNZ: RNZ Podcasts has produced 46 podcasts in partnership with 38 different organisations. That includes other broadcasters and media, production houses and funders. Collaboration can take many forms.

The most common form of collaboration for RNZ is where we make a podcast alongside an independent production company. For example, Eating Fried Chicken in the Shower is a series that was pitched to us by an independent producer, Charlie Bleakley, and host James Nokise. RNZ paid for the series but was very hands-on, more than a mere commission. We provided a supervising producer, sound recordist on location, draft audio edits, studios for the final mix and promotion. [Continue reading…]

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FCC to consider allowing AM broadcasters to transition to digital

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(Source: Radio World)

All-Digital on the AM Band? The FCC Might Allow It Soon

AM radio station operators in the United States may soon have the option of switching their transmissions to all-digital.

It’s not a done deal; but the concept is about to take a step closer to reality, because the Federal Communications Commission will consider a proposal at its next meeting that would start a process. It will take comments on whether to allow AM band licensees to make the switch if they want.

Ben Downs, VP/GM of Bryan Broadcasting in Texas, petitioned the FCC in March to initiate a proceeding to authorize the all-digital mode of HD Radio.

Allowing stations to use all-digital transmission is an idea that some broadcasters feel could give business-challenged AM stations in the United States new life or at least another option. Turning off their analog signals would mean that most existing receivers could no longer pick up that signal; but many AM broadcasters are currently heard on FM translator simulcasts now. And adding the all-digital AM option could open up new possibilities for them as the number of digital receivers in the marketplace continues to grow.

[…]Chairman Ajit Pai described the proposal in a blog post Monday: “Just as the FCC is trying to keep pace with changes in the market, so are AM radio operators, and the commission wants to give them as much flexibility as possible to compete in the digital age,” Pai wrote.[…]

Read the full article at Radio World.

Click here to read the proposal (PDF) that will be discussed at the November FCC meeting.

The Radio World article mentions WWFD in Frederick, MD–a station that has been broadcasting AM digital for over a year. We posted a note about this last year and I even included a short recording/video with reception when traveling through the area.

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“One possible version of AM radio’s future”

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(Source: LA Daily News)

Radio: Is that an AM digital signal I hear? No, but it could be.

by Richard Wagoner

One possible version of AM radio’s future was posted on a Facebook group called “I Love AM Radio.” It came from group member Steve West and was a recording of WWFD/Frederick, MD as received on a radio in Beacon Falls, CT. This is a driving distance of about 320 miles via I-95; as the crow flies it’s probably closer to 275. Still very impressive.

Of course, long-distance AM radio reception is not new … people have been listening to distant stations since radio broadcasting began in the 1920s. In my case, when I was young and before I even knew what phenomenon I was really experiencing, I remember picking up stations at night from great distances on my tube table radio, then wondering why I could not hear them during the day.

I also wondered why I picked up a buzz sometimes … turned out that was due to my Dad using a fluorescent light in his office down the hallway from my bedroom. But I digress.

What makes this recording intriguing is that WWFD doesn’t transmit analog audio like most stations. Instead, they are all digital, under special permission of the FCC. Only those with HD radios can hear them. West is demonstrating that long distance digital AM radio reception is indeed possible, and — perhaps (though it may be wishful thinking) — AM radio could be better than FM from a practical standpoint.

All-digital is a mode of the HD Radio system that uses the space formerly used for analog broadcasting and puts the digital signal there instead of sandwiching the digital around the analog as with the hybrid system currently in use on all other AM HD stations, which locally includes KNX (1070 AM), KSUR (“K-Surf” 1260 AM), KFWB (980 AM), and KBRT (740 AM).

The problem with the hybrid mode is that the digital portion of the signal extends out far enough from the main frequency of a station and thus can cause interference to other stations nearby. Hybrid mode thus limits the digital signal to a fraction of a station’s broadcast power.

All-digital, being centered on the frequency, allows a station to broadcast the digital signal at a station’s full power, permitting better coverage, less interference, and better sound quality.

At least that’s the theory. Right now more testing is needed, primarily to see what happens when more stations are using the system. The problem is the all-digital system is not yet authorized without special permission, and of course, many stations would be reluctant to try it, as doing so means losing every listener without an HD radio … most of the potential audience.

West’s recording is not perfect. The signal is like any digital signal — as on your computer or your digital television, the signal is either there … or it is not. Being received at such a great distance the reception is not perfect and cuts out, but as I said, it does show some great potential.[…]

Click here to read the full article at the Los Angeles Daily News.

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Radio World: Bryan Broadcasting Asks FCC to Allow All-Digital AM

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(Source: Radio World via Ulis K3LU)

A prominent advocate for the AM band is petitioning the FCC to allow stations to use all-digital transmissions in the United States.

Bryan Broadcasting Corp. on Monday filed a petition for rulemaking asking the commission to initiate a proceeding to authorize the MA3 all-digital mode of HD Radio for any AM station that chooses to do so.

Permitting such modernization would “give AM broadcasters a needed innovative tool with which to compete” without harming others in the spectrum ecosystem, it wrote.

Bryan is licensee of four AM stations, five FMs and six FM translators in Central Texas. Ben Downs is the vice president and general manager, and submitted the petition along with the company’s attorney David Oxenford of Wilkinson Barker Knauer. Downs also has served on the NAB board in the past, and he has been a vocal advocate for various regulatory steps to “revitalize” the AM band.

All HD Radio receivers in the market that have AM functionality would be able to receive such all-digital signals. But legacy AM receivers would not, which has long been a barrier to serious discussion of all-digital. Now, some observers say, the availability of FM translators for AM licensees has made something that once seemed unthinkable at least worth discussing.

There is one AM station in the country with special temporary authority to broadcast in all-digital. Hubbard’s WWFD in Frederick, Md., near the nation’s capital has been on the air since last summer. The station’s Dave Kolesar has been speaking in public about the ongoing experiment and will do so again at the upcoming NAB Show.[…]

Click here to continue reading.

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All-digital AM HD: WWFD’s experiment is attracting attention

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(Source: InsideRadio via Ulis K3LU)

All-Digital AM Grabs Automakers’ Interest.

The fate of AM radio in the car dashboard may pass through Frederick, MD. That’s where the latest experiment on an all-digital AM signal is taking place, on Hubbard Radio’s adult alternative “The Gamut” WWFD (820). The project, in conjunction with digital radio developer Xperi and the National Association of Broadcasters’ PILOT program, is already generating interest from carmakers in the U.S and around the world.

The Federal Communications Commission in July approved a proposal to allow WWFD to turn off its analog signal for the next year while remaining an all-digital operation. The aim is to use the real-world environment to conduct experiments designed to improve the all-digital AM service.

WWFD has 4,300-watts day (non-directional) and 430-watts night (directional) and the company proposes to operate with roughly the same output when it goes digital-only, 24-hours a day. Dave Kolesar, Hubbard’s senior engineer overseeing the project, said it’s an ideal station to use for a test case since it’s non-directional by day and directional at night.[…]

The switch has already been flipped and Xperi senior manager of broadcast technologies Mike Raide said preliminary results are encouraging. “We haven’t had any problems with OEM receivers,” he said, noting he drove 70 miles from the transmitter site and still picked up WWFD without any problem. In fact, one DX listener in the Pittsburgh area, roughly 300 miles away, said they were able to hear the station during the daytime. “That’s a testament to how robust all-digital is,” Raide said.[…]

“At a time when we’re all hearing rumors about car manufacturers cutting AM from their factory offerings, something like this could come along and show the auto manufacturers that AM still matters and AM has a digital solution as well,” Kolesar said.[…]

Click here to view the full article at InsideRadio.

In August, I received a strong lock on WWFD in neighboring West Virginia via my car’s built-in HD receiver. The next day, I made this short video of my reception on the Sangean HDR-14 (read review here) in neighboring Germantown, Maryland:

I found that WWFD covered the DC metro area quite well.

Post readers: Do you believe, as this article implies, that AM HD could revitalize the band?

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Bill tunes to WWFD in AM HD

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Many thanks to SWLing Post contributor, Bill Mead, who writes:

Thomas, I’m sending you a short clip from WWFD 820 kHz in Frederick, MD. It’s America’s only all-digital station, apparently. They are HD only with a relatively eclectic music format. I’m hearing them at my QTH in Harrisburg, PA, about 80 miles or so north of their transmitter which is 4.3 Kw daytime. I sort of doubt they’ll come in at night when they drop down to 430 watts, but who knows.

My experience with HD on MW is that it can be heard at pretty decent distances under ideal conditions but the slightest bit of interference, a lightning strike or someone switching on the lights for example, and it’ll lose the HD lock.

My HD receiver is a Sony XDR-F1HD. It’s well-known as an excellent FM DX machine. What’s not as well-publicized is that it’s a very decent MW receiver as well. All it needs is a good MW loop antenna directly connected to the AM ANT terminals on the back of the radio.

Click here to view on YouTube.

Excellent! Thanks for sharing, Bill. I’m passing by Frederick, MD in a couple of weeks and plan to tune to WWFD in both my car and with the Sangean HDR-14.

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