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A few months ago, the radio manufacturer Tivdio contacted me to see if I would be interested in evaluating their new Tivdio HR-11S self-powered emergency radio. I receive requests like this frequently, and often pass on the opportunity since I generally don’t have the time to evaluate the overwhelming number of inexpensive DSP radios that have hit the market in the past few years.
But this time, I seriously considered it. There were two reasons I was interested in the HR-11S:
I purchased a Tivdio V-117 last year, and have been pretty pleased with it; indeed, I’m overdue a review on this unit. We’ve also posted several positive reviews of the Tivdio V-115.
At our non-profit ETOW, we’re always looking for reliable self-powered radios with shortwave for use in areas of the world where radio remains the primary news source.
Thus this radio is a rather rare breed. Tivdio dispatched the radio very quickly, but my work with the Radio Spectrum Archive and several other reviews already in the pipeline took priority.
I’ve had the HR-11S in service for several months, and have now explored every feature to some degree. What follows is my summary and review notes.
Green and Red radios are different models
First things first: note that I’m reviewing the GreenHR-11S. Tivdio also makes a Red version which is actually a different model number: the HR-11W.
The main difference between these models, as I understand it, is the green HR-11S is a shortwave version, and the red HR-11W is a NOAA weather radio version.
Both are useful; why not combine the two roles in one unit? I’m not surprised this radio can’t include both shortwave and NOAA weather radio. Through Ears To Our World, I’ve worked with self-powered DSP radios for many years, and know that a limitation of the DSP chip is that it can be set to feature either shortwave or weather radio, but not both, simultaneously, if both AM and FM are included.
Form factor
The HR-11S has a built-in solar panel.
The HR-11S adopts the standard “flashlight” form factor found in so many other self-powered radios. I think the flashlight functionality is a useful feature and results in a handy form factor. It’s compact, lightweight, and seems relatively sturdy, so is suitable for camping, travel, and off-grid utility.
Flashlight/Siren switch
A small switch on top toggles between four positions. The first two positions are off/on for the main white LED. Though the flashlight aperture is relatively small, the white LED provides enough luminosity to light your immediate path at night, and certainly more than enough to read by.
The third switch position engages a flashing red LED. The red LED is not terribly bright and I’m not sure how helpful this would be in an emergency situation.
The red LED is rather dim and can only flash.
I would much rather have the red LED maintain a steady beam which would be great for amateur astronomers, campers, or anyone else wishing to preserve their night vision.
The fourth position engages a LOUD siren. More than once when attempting to turn on the flashlight in the dark, I’ve accidentally engaged this pain-inducing feature. The switch is small, thus it’s very easy to engage the siren. In a quiet campground, this might annoy your neighbors––not to mention you, yourself. Of course, in an emergency situation, a loud siren could come in handy. I just wish its switch wasn’t combined with the flashlight switch.
The display HR-11S display is backlit and easy to read.
The HR-11S sports a keypad that allows direct frequency input––a very good thing, considering there is no tuning knob.
To band scan, you must use the #7 and #8 key on the keypad to increase and decrease frequency in predetermined steps. And, yes, the radio mutes between frequency changes.
You can also press and hold the #7 or #8 buttons to engage an auto-tune feature that finds the next strong signal.
The HR-11S’ rechargeable battery pack.
To input a frequency directly, simply press the enter button, key in the frequency, then press the enter button once more to engage that frequency. Very simple.
The volume up/down buttons are #1 and #2 on the keypad.
The keypad is not backlit and the layout for volume control, tuning, mode switching, etc., is a bit confusing; it doesn’t match any other radio I’ve ever used. Of course, with time you’ll master the keypad functions, but the design could be made more user-friendly.
Performance: setting expectations
SWLing Post community members know that I tend to review what I call “enthusiast grade” radios: receivers that perform well enough to attract the attention of DXers and dedicated listeners.
Self-powered radios, with few exceptions, rarely impress me in terms of performance. Indeed, some of the best that have been on the market have been analog units (I’m particularly fond of the Grundig FR200).
The Tivdio HR-11S is no exception––don’t expect to snag elusive DX with this unit. It’s not going to happen.
FM
The HR-11S is a capable FM receiver. Performance is on par with most average FM radios: you’ll easily receive all of your local broadcasters, but distant stations may require holding the unit in your hand, careful positioning, or adding an extra bit of wire to the antenna.
The FM audio is quite good via the HR-11S’s built-in speaker.
AM
The mediumwave, or AM broadcast band, is the HR-11S’ weakest suit. AM is plagued with internally-generated noises–especially in the lower part of the band–thus you’ll only be able to clearly receive local AM broadcasters that rise well above the noise floor. Thus I cannot recommend this radio for AM reception.
Shortwave
Shortwave reception is on par with other DSP self-powered radios I’ve tested. As I write this section of the review, I’m listening to China Radio International on 9,570 kHz in my office without even having the telescopic whip antenna extended. (CRI is a blowtorch station, however).
I find that the HR-11S can receive most strong broadcasters and even weaker stations, though the AGC is not ideal when fading is present.
If you’re seeking a self-powered radio with shortwave, the HR-11S is somewhat useful in this regard and is worth consideration.
Keep in mind, though, that an inexpensive dedicated ultralight shortwave radio like the Tecsun PL-310ET will perform circles around this unit.
Bluetooth
One feature I’ve found incredibly useful is the Bluetooth functionality. With Bluetooth mode engaged, you can connect the HR-11S to pretty much any mobile device and use it as a wireless portable external speaker. Since the speaker has decent audio fidelity for the size, and can be powered by battery, it’s a brilliant feature and will make watching videos on your smartphone, for example, that much better.
One negative? At least in my unit, I can hear some internally-generated noises in Bluetooth mode. This is especially noticeable at lower volume levels.
Recording
In full disclosure, I haven’t tested the recording functionality extensively. Built-in radio recording is an interesting feature, but one I would rarely use in a self-powered radio. I did make a handful of test recordings, however, and like many other DSP radios with a recording function, the HR-11S injects noise in the recordings.
Summary
Every radio has its pros and cons. When I begin a review of a radio, I take notes from the very beginning so that I don’t forget my initial impressions and observations. Here’s the Tivdio HR-11S pro/con list, from the first moments I turned it on to the present:
Pros:
Keypad entry
Great audio for size
Replaceable battery (Note: after unboxing unit, you must place battery in battery compartment; it’s packed in the side box)
Siren (see con)
Micro SD card for digital storage
USB can port audio from PC
Bluetooth––use as a portable wireless speaker for mobile devices (see con)
ATS (auto tune) function
Multiple power sources:
850mAh rechargeable lithium battery
hand-crank dynamo generator
Mini solar panel
DC 5V input (standard micro USB)
Backlit informative display
Customer service: Tivdio representatives seem to respond quickly to customer emails and comments on Amazon.com.
Cons:
Tuning is cumbersome (no tuning knob)
Mutes between frequencies
Siren too easy to activate, resulting in accidental activation
AM broadcast band (MW) is plagued with internally-generated noises
Keypad configuration is not intuitive and difficult to memorize for use at night or low light settings
Hand strap is very difficult to insert (hint: use a thin loop of wire to help thread it)
At low volume, noises can be heard in Bluetooth mode
Noises heard in recording function
Conclusion
Running an ATS scan on shortwave.
As I mentioned early in this review, I must set realistic expectations when reviewing self-powered radios. When most consumers consider a self-powered radio, they’re seeking a simple, basic radio that will provide information during times of need: power outages, natural disasters, or while hiking, camping, boating, or simply in an off-grid setting.
Internally-generated noises––especially on the AM band––will disappoint radio enthusiasts. If Tivdio could address this in future iterations of the HR-11S, it would substantially improve this unit.
My overall impression is that the HR-11S is chock-full of features, but none of them are terribly refined. There are even some internally-generated noises in Bluetooth mode, which really surprised me as it seems like an oversight by engineering.
I see the Tivdio HR-11S is a bit of a “Swiss Army Knife” of a self-powered radio. It has more functionality and connectivity than any other self-powered radio I’ve tested to date. Its features will, no doubt, appeal to the average consumer––and a quick look at Amazon reviews seem to support this theory. As a radio enthusiast, however, I would pass on the HR-11S until the internally-generated noises have been addressed.
For those who are interested, Tivdio passed along several coupon codes that SWLing Post readers can use to save money, should they decide to purchase the HR-11S:
The following review first appeared in the January 2018 issue of The Spectrum Monitor magazine.
[IMPORTANT UPDATE (October 21, 2018): I’m pleased to report that C. Crane have addressed issues that I found in the first production run of the CC Skywave SSB. Click here to read the update.]
Those who know me know I’m all about travel, and all the things that make the travel experience enjoyable. I like to pack light, taking only the essentials, and if I’m traveling by air, I can easily fit two weeks of fun into one small carry-on. To me, the idea of lugging a huge suitcase, being subject to lost check-in luggage, and fretting over finding room in an overhead bin to squeeze in a huge bag simply has no appeal. Even though I often opt for the budget ticket, which means loading later, I know I can literally be the last one on board without fear because my travel bag is so compact that, if nothing else, it will fit underneath the seat in front of me.
Yet even though I travel light, I never ever travel without a radio. That’s a given in my bag. Since packable real estate in my carry-on is at a premium, I opt for the most bang-for-buck I can manage in a portable radio.
My radio travel partners
To date, I have a few favorite full-featured travel radios and know quite well both their strengths and weaknesses. Here’s a list with some notable pros and cons:
Pros: A 1990s era marvel of compact technology, it sports SSB mode, sync detection, headphone and audio out jacks, external antenna jack, and long life on two AA batteries. It has excellent sensitivity and selectivity. No muting between frequencies spoils listening pleasure.
Cons: Speaker audio is poor, no FM RDS, no weather radio, no AIR band, the battery cover may be easily broken, ribbon cable can break (in early models) and the clamshell design, while a cool feature, isn’t always practical and makes the unit feel prone to damage. Plus, the SW100 series is no longer manufactured and, due to desirability, typically have a price point well above the competition.
Pros: A compact, ergonomic full-featured radio which sports SSB mode, AIR band, external antenna jack, reasonable audio from internal speaker, very good shortwave and mediumwave performance for the size. No muting between frequencies.
Cons: Rubberized coating becomes sticky as it deteriorates, no weather radio, no audio-out jack, no RDS, and it’s no longer manufactured.
Pros: Very affordable (typically $40-50 shipped), excellent shortwave, mediumwave and FM reception, external antenna jack, average audio fidelity from built-in speaker, internal battery charging, common 5V mini USB plug, reasonably durable.
Cons: No SSB mode, no weather radio, no AIR band, no RDS, no dedicated audio-out jack, limited shortwave coverage compared with other portables 2.3 – 21.95 MHz
Pros: SSB mode, great shortwave, mediumwave, fm reception, vertical form factor great for handheld listening while walking/hiking, external ferrite bar antenna enables excellent AM/mediumwave reception.
Cons: Vertical form factor means it’s prone to fall over if placed on a bedside table, no direct entry keypad for frequencies, tinny audio from built-in speaker, no RDS, no AIR band, detachable external ferrite bar antenna is an extra piece to keep up with while traveling.
Pros: SSB mode, AIR mode, squelch control, FM RDS, dedicated fine-tuning control, external antenna jack, internal speaker provides better audio than other compact travel radios. Excellent sensitivity.
Cons: Slightly larger form factor than other travel radios. Somewhat awkward ergonomics. 7 VDC power port is non-standard. No dedicated audio out jack.
Pros: Overall excellent performance on shortwave, mediumwave, and FM. AIR band, North America weather radio (excellent sensitivity) with alerts, squelch control, common 5 VDC USB mini power port with charging capability, a great value at $89
Cons: No SSB mode, no external antenna jack, no RDS,
What radio I decide to pack really depends on the type of trip I’m taking.
If I really want SSB mode to listen to HF pirates, ham radio, or utility stations, I tend to grab the Sony ICF-SW100, the Grundig G6, or more recently, the Digitech AR-1780 [and now the XHDATA D-808].
If I plan to do extended hiking or walking during my trip, I might grab the CountyComm GP5-SSB.
If I only plan to listen to AM/FM/SW broadcasts, and it’s a short trip––or one during which the radio might receive rough treatment––then I might grab the Tecsun PL-310ET. If I leave the PL-310ET in a hotel or drop it, I’m only out about $40. I’ve even been known to simply give one of these to someone, like a kid for example, who shows a fascination in shortwave radio.
If I plan to do off-air audio recordings during my travels, then the Sony ICF-SW100 because it’s the only radio with a dedicated audio-out port. Plus, it’s a great performer.
If I’m travelling by air, however, I almost always choose the CC Skywave: its unique combination of AM/FM/SW coverage, NOAA weather, and AIR band are simply hard to beat. It’s compact, durable, and gets the job done. Plus, the Skywave seems to operate for ages on a set of AA batteries. C. Crane really knocked it out of the ballpark with the CC Skywave.
But there was one glaring omission on the original CC Skywave: Single-sideband (SSB) mode.
Enter the CC Skywave SSB
Earlier this year, I learned about a new radio in development at C. Crane: the CC Skywave SSB. I saw a Beta unit very early on and a few weeks later, knowing how much I appreciate the original Skywave, C. Crane asked me to help test the new Skywave SSB. I was happy to do my bit.
I actually do quite a bit of alpha- and beta-testing for manufacturers. While it’s time-consuming volunteer work, and requires meticulous attention to detail––even seemingly minor details––it gives me an opportunity to have meaningful positive impact on an upcoming product. Manufacturers that actively involve enthusiasts in their testing phase tend to produce better quality. I wish all manufacturers did this (yes, Tecsun, I’m looking squarely at you!).
After the Skywave SSB arrived, I started putting it through its paces. Typically, pilot run units have quirks and glitches buried in non-standard operating procedures. Try as I might, I couldn’t find any on the Skywave SSB. I’ve since learned that C. Crane invests heavily in pre-production testing; I saw their full list of iterative notes, and they were incredibly detailed. Result? No obvious problems. I’ve always believed that while C. Crane doesn’t always produce the most affordable products––nor do they stuff every bell-and-whistle into them––what they do produce is well thought out, user friendly, well documented, and performs at or near the top of its class.
Features
The CC Skywave SSB comes with a surprising amount of features for such a compact radio. Many of these features are also found on the original CC Skywave.
I’ve placed upgraded features in bold:
AM, FM, NOAA Weather band plus Alert, Shortwave (1711-29.999MHz) with SSB mode, and Airband
Frequency direct entry, plus auto scan and store
Lighted LCD display
Selectable fast or fine tuning (on all bands except weather)
Dedicated fine tuning control, selectable on front panel
400 memory presets
Runs on 2 AA Alkaline batteries (not included)
(Optional) CC Skywave AC power adapter w/ mini USB plug required for charging NiMH batteries.
Stereo headphone jack and fold-out back stand
Clock with 12/24 hour format and alarm
Rotary volume knob
Squelch control
High quality CC Buds Earphones and radio carry case included
Run Time (on batteries––approximate):
± 70 hours (earbuds)
± 60 Hours (built-in speaker)
10 Aviation Memories can be scanned for activity
You’ll notice there are actually very few obvious upgrades from the original Skywave to the Skywave SSB: just SSB mode, expanded HF coverage (from 1,711 to 29,999 kHz), and dedicated fine tune button/control. I’ve also learned that aviation band scanning is much faster on the newer model than on the original Skywave.
Other than those items, in terms of features, it’s very similar to the original CC Skywave.
Appearance
CC Skywave SSB (left) and the original CC Skywave (right)
The original Skywave and Skywave SSB are nearly identical in terms of form factor; overall dimensions are identical (4.8″ W x 3″ H x 1″ D), although the Skywave SSB weighs 1.2 oz more than the original––a difference that’s scarcely detectable.
The tuning knob, volume control, power port, and headphones jack are in the same places on the SSB. The chassis color is different, however; the original Skywave is black, whereas the new Skywave SSB is grey––a dark warm or “dim” grey,” to be accurate.
Original CC Skywave (left) and CC Skywave SSB (right)
Where one finds the true difference between the new Skywave SSB and its predecessor is on the front panel. The Skywave SSB has dedicated buttons to enable both SSB mode, select upper or lower sideband, and a fine-tune control. The Skywave also has a dedicated backlight button. This accounts for a total of four additional buttons compared with the original Skywave.
In a rather nice touch, both the SSB and fine tune buttons have tiny red LED indicators to let the user know when they’re engaged.
The CC Skywave SSB also has a redesigned speaker grill which more closely resembles the grill on their CC Pocket radio. Much to my surprise, once I shared detailed photos of the CC Skywave SSB, many of my readers expressed their disappointment with the speaker design. Many claimed it looked “cheap” as compared with the original Skywave and thus felt the chassis might be more subject to breakage. Some even got the impression that the speaker grill was raised in a way that it would lend itself to harm.
Actually, this is not accurate. Though it may appear that the speaker grill is elevated in photos, it’s actually in a recessed portion of the chassis and surrounded by an absorbent rubber ring, rising only ? 1 mm above the chassis, if that. And the hard plastic case feels as solid and robust as any portable I’ve tested. I wouldn’t hesitate to toss it in my pack.
Personally, I think the Skywave SSB is a handsome little radio! Perhaps I’m not as sensitive as others about chassis design, but I’m actually happy it’s not a clone of the original Skywave, making it much easier for owners of both models to distinguish them when packing!
From Pilot/Beta to production
While C. Crane allowed me to post a number of photos once the product announcement had been made, I would not publicly comment on performance. Indeed, I never post performance comments about pre-production units since I wouldn’t be evaluating the same product that hits the store shelves.
So once C. Crane posted an ordering page for the Skywave SSB, I placed an order, just like everyone else.
In truth, I was told there were only minor differences between the pilot unit and the production unit: some silk screening and other very minor changes.
Production Quirks
[IMPORTANT UPDATE: Again, please note that the following production quirks have been addressed in the second production run of the CC Skywave SSB. Click here to review the update.]
I was eager to get started on the review of the Skywave SSB, so as soon as I received it, I did what I always do: compared it with other radios!
I make my comparisons, by the way, at least fifty yards from my house to separate the radios from any inadvertent sources of local noise.
Production Radio #1
My first comparison was with the Digitech AR-1780 and the original CC Skywave. I quickly noted that the Skywave SSB was very slightly less sensitive than the other radios. I had tested the pre-production unit enough to know that the Skywave SSB’s performance should at least be on par with, if not a little better than, the original Skywave.
Upon careful listening, I discovered the production unit had a faint, internally-generated whine on some of the shortwave bands; when tuned to marginal signals, this whine manifested in the form of variable background noise. Between signals it was audible as a faint background whine, hardly noticeable. With that said, the whine was most notable while tuning––since the Skywave SSB mutes between frequency changes, the whine was most conspicuous during audio recovery between steps.
The pre-production unit had no trace of an internally-generated whine. Audio was very clean in comparison.
Here’s a sample of the first production radio being tuned down from 10,000 kHz in 5 kHz tuning steps:
I contacted C. Crane promptly, and to their credit, they immediately dispatched another unit from inventory, via UPS Next Day, along with a return label to send my faulty unit back to their engineering team.
Production Radio #2
The second unit arrived while I was on Thanksgiving vacation, but was sent to me directly at my hotel. The day I received the replacement Skywave SSB, I put it on the air. The first listening session with it, alone, revealed that this unit did not have the internally-generated whine, however, this unit had issues with sensitivity. All of my comparison receivers were outperforming this Skywave SSB on the shortwave broadcast bands. When I compared it with the pre-production Skywave SSB unit and the first production unit, the second production unit was about four to five S-units less sensitive…Odd.
I sent both production radios back to C. Crane with detailed notes and sample recordings. Their engineering team confirmed my findings and started looking into the variations in QC and double-checking their inventory to make sure none shipped with these problems.
Production Radio #3
A few days later, I was sent a third production unit. After putting it on the air, I immediately noticed the same faint noise characteristics of my first full production unit, which is to say, the notorious whine.
Once again, I contacted C. Crane. This time, I requested that no less than three radios be sent to me, and that they kindly expedite the request.
Production Radios #4, #5, and #6
I tested all three radios from this final batch of production units. What follows is an assessment of those radios.
First production run noises
I spent two full hours searching for birdies (internally generated noises) and other anomalies on the three CC Skywave SSB production units I received that Monday. Each radio’s noise location varied slightly (within 20-40 kHz).
Birdies
Birdies are a fairly common occurrence among sensitive receivers, and the CC Skywave SSB has about an average number. Fortunately, the birdies I noted are outside the space where I do my broadcast listening:
2,305 kHz
9,220 kHz
11,520 kHz
Background audio whine/tone
All of the production units (save Radio #2) had a very slight audio whine present––either via the internal speaker or headphones––on certain portions of the spectrum.
In the first full production unit I received, I believe this whine may have slightly affected the unit’s overall sensitivity. On the last three production units I received, the whine didn’t seem to have as much of an impact on overall sensitivity.
The whine is still there, however. And occasionally when the unit is tuned to a weak signal within one of these zones, other faint sweeping noises can be detected in the background.
Sometimes it’s even more noticeable when the broadcaster is weak and is located within one of the “whine zones.” Here’s an example of 10 MHz WWV time station comparing the original Skywave with the Skywave SSB. Note that at the time this was recorded we had terrible propagation due to a geo storm, so WWV was very weak, indeed.
Here are the frequency ranges where I noted the background whine:
7,830 – 8335 kHz
8,610 – 8,690 kHz (note: very faint)
9,770 – 10,415 kHz
11,585 – 11810 kHz
Another oddity is a noise I found prevalent on CHU Canada’s 7,850 kHz frequency. I’m guessing it may be due to the presence of a DSP birdie on top of a relatively strong broadcaster.
Here’s a video comparing the original Skywave with one of the production models:
I noted no birdies or noises on the mediumwave band.
I’ve no doubt, C. Crane will tackle these issues and solve them by the time the second production run ships.
In the meantime, I’ve become somewhat of an expert on the CC Skywave SSB, having evaluated a total of seven models and spending more time evaluating them than I have any other portable.
Let’s take a look at what we can expect from the CC Skywave SSB with these first production quirks aside.
Audio
Like its predecessor and many other travel radios (the Digitech AR-1780 and XHDATA D-808 being notable exceptions) the Skywave SSB’s audio from the internal speaker is adequate. It’s just shy of what I would call “tinny” because it does cover the mid-range . For spoken word content in AM and SSB, it does the job quite well. With music, you simply can’t expect any bass notes or room-filling audio. But then again, in a compact radio, my expectations are simply lower. The Digitech AR-1780 and XHDATA D-808 have the best audio of my compact travel radios, but they’re also the largest, so have a slightly bigger speaker.
I did note a minor amount of background hiss present somewhere in the audio amplification chain on the first production run units–most noticeable via headphones.
With the supplied CC Buds, you’ll be a happy camper.
Audio sounds rich via the headphones jack.
Performance
Of course, what we all want to know is how well the CC Skywave SSB performs. In a nutshell (spoiler alert!) it’s very similar to the original Skywave.
I break this down band-by-band below, starting with my favorite band.
Shortwave
Keeping in mind the frustrating experience with quality control, when I received the final three production units, I was very pleased with performance on the shortwave bands. The AGC characteristics are relatively stable, making weak signal listening a pleasant experience. Even though the Skywave SSB lacks a synchronous detector, I found that stability––even with periods of notable selective fading––is impressive.
In the realm of compact travel radios, both my pre-production and (better functioning) production models are strong performers. The Skywave SSB is slightly less sensitive than my larger, full-featured portables like the Tecsun PL-660, PL-680, PL-880, and Grundig Satellit. All of these radios, however, have longer telescoping whip antennas. If I add the gain from the included CC Reel antenna, the Skywave SSB can even hold its own with many of these.
I’ve been very pleased with the original Skywave for broadcast SWLing for a few years now. I’m happy to report that the Skywave SSB offers an incremental improvement over the original Skywave.
FM
Much like other modern DSP portables, FM performance is stellar for such a compact radio. The Skywave SSB was able to receive all of my benchmark FM stations. While audio fidelity from the Skywave SSB’s internal speaker is not a strong point, via headphones you’ll be quite pleased.
AM/Mediumwave
I’ve found the Skywave SSB to be capable mediumwave receiver. Performance characteristics are very similar to the original Skywave and the AGC settings even make MW DXing a pleasant experience. Since the internal ferrite bar isn’t terribly large, better performance can be achieved by coupling the Skywave SSB to an inexpensive loop antenna, like the Grundig AN200 AM Antenna.
Weather radio
Like the original Skywave, the Skywave SSB is an impressively capable weather radio receiver. From my home, I’m able to pick up a marginal NOAA weather radio frequency that most of my other weather radios cannot. The Skywave SSB also includes a handy weather alert feature that will monitor your chosen NOAA/Environment Canada frequency and wake up the receiver if an alert is issued.
Note that the weather alert feature works on a timer and, most importantly, if operating from battery, drains batteries as quickly as if you were monitoring a live station with the squelch open.
AIR band
While I didn’t compare performance with a triple conversion scanner, I’m favorably impressed with AIR band performance. During my tests, I noted no imaging or overloading on the AIR band, a very good thing. Additionally, the Skywave SSB offers improved scanning features for the AIR band, making it easier to monitor ground, tower, and even approach/departure frequencies at larger airports. When employing the squelch feature, you almost get the impression you’re holding a scanner, rather than a shortwave portable, in your hands.
Longwave
Like the original CC Skywave, the SSB does not cover the longwave band. In North America, there is very little to listen to on longwave, so many consumers will never take notice. I’m sure longwave DXers will wish it was a part of the package, however. Admittedly, when I’m traveling in Europe and other parts of the world where there are still stations on longwave, I’ll certainly miss the band.
Comparing to other compact travel radios
Trying to decide if the CC Skywave SSB will have the performance characteristics to displace my other travel portables, I compared it with the radios I mention at the beginning of this article.
In terms of overall sensitivity and selectivity, the CC Skywave SSB essentially runs neck-and-neck with, or in some respects slightly edges out, the Tecsun PL-310ET, Grundig G6, and CountyComm GP5-SSB.
However, both the Sony ICF-SW100 and the Digitech AR-1780 are more sensitive than the Skywave SSB. The Digitech AR-1780 has the best audio characteristics of the competitors, but is also slightly larger and heavier than the others.
Note, too, that the Sony ICF-SW100 and Grundig G6 are the only radios in this comparison that don’t mute between frequency changes. They’re the best band-scanning receivers.
And how does the Skywave SSB compare with the original CC Skywave? I find that the Skywave SSB has a slightly lower noise floor which is perhaps helped even further by better audio/tone characteristics. Sensitivity is about the same, but signals pop out of the background static better on the Skywave SSB.
In terms of features, the Skywave SSB likely offers the most for the traveler.
Summary
Every radio has its pros and cons, of course. When I begin a review of a radio, I take notes from the very beginning so that I don’t forget my initial impressions. Following is the list I’ve formed over the time I’ve been evaluating the CC Skywave SSB:
Pros:
Overall well thought out, considerate design
Excellent form factor for travel
Very good sensitivity and selectivity for a compact radio
Faster AIR scanning compared with the original Skywave
Better HF frequency coverage than the original Skywave (1.711-29.999 MHz, compared to 2.300-26.100 MHz)
Pleasant SSB audio
Multiple bandwidths in both AM and SSB modes
No overloading noted
Well-written operation manual
Excellent weather band reception
Nice red LED indication lamps for SSB and Fine Tune engagement
Supplied with:
a quality external reel antenna
CC Buds earphones
Soft case with Velcro closure
Excellent battery life from two AA cells (AA cells are a plus for travelers as they’re so ubiquitous)
Engaging SSB mode requires 2-3 seconds of delay (common for this DSP chip)
Some ticking noise in audio when pressing buttons (identical to the Digitech AR-1780)
No RDS
No audio-out jack
No longwave reception
ATS Scanning in 1st production run stops at 26,100 kHz
No synchronous detection (though not expected in this class of compact portable)
Shortwave ATS tuning time about half as fast as the original Skywave (original is quite speedy!)
$149 $169 price is at the top of its class
Conclusion
I love the CC Skywave SSB. Sure, I wish it had RDS, an audio-out jack, didn’t mute between frequencies, and was a little less expensive. But overall, it’s a fantastic package. I’m impressed with the amount of performance the Skywave SSB provides with such a short telescoping antenna.
Most reading this review will be scratching their heads wondering if: a) having SSB mode is worth the $60 premium over the original Skywave ($89 vs. $149)? and b) is any compact radio, for that matter, really worth $149––?
Because of how I travel, I would say that I easily use ultra-compact portables like the Skywave SSB about 70% of the time I’m found listening to portables.
When the Skywave SSB was first placed on the C. Crane website, they posted a price of $169––when the units started shipping, they reduced the cost to $149, and reimbursed those who had placed an order with the higher price. [UPDATE: Early 2018, they once again increased the price to $169.]
Though the initial $169 price made me wince a bit, I still ordered one. Why? Because to me being a traveler who loves an ultra compact, having an ergonomic, full-featured, durable, compact travel radio with SSB, AIR and NOAA weather radio is worth it!
Therefore, the CC Skywave SSB will be my travel radio of choice going forward––it’s essentially a Swiss Army Knife of a travel radio.
There’s another factor, too: I trust C. Crane. Despite the frustrating quirks I experienced reviewing my first production run units, I know C. Crane takes care of their customers in the long run, and will replace any faulty units without hesitation. They’ve taken every item of feedback I’ve provided directly to their engineers and quality-control specialists, and the work continues to resolve this radio’s concerns. If you have a Skywave SSB with noise, don’t hesitate to contact C. Crane about it.
Overall, I am optimistic about this radio. I expect the second production run will produce radios performing as they should––like the final production units I tested, but without the internally-generated noises. [Click here to read second production run update.] And if this occurs as I expect, you can expect good performers.
At any rate, I know this: I’ll be one of the first to test units of their second production run…and to let you know just what I find. (Bookmark the tag CC Skywave SSB for updates.)
I thought you and your readers might be interested in this […] a cool little radio I learned about from the YouTube channel of a drone flyer I follow.
I like the craftsmanship:
I’ve actually been following the Muzen OTR for several months via Indiegogo thanks to my buddy and radio-enabler, David Korchin (K2WNW).
If the name Muzen sounds familiar, it’s likely because we featured the company last year in this post. After publishing the post, I was so interested in Muzen products, I reached out to a retailer who used to be a US distributor. Sadly, he no longer carried Muzen products, though he was a big fan.
The Muzen OTR is $69 US shipped. For an FM radio, Bluetooth, AUX-in speaker that’s handcrafted, with serious audio fidelity, in such a small size, I think it’s quite a good deal. On top of that 10% of the funding will go to Radio Caroline.
Even though I’m going through a serious down-sizing at the moment, John’s note prompted me to back this campaign, so I bit the bullet this morning and ordered a Muzen OTR. [In a sarcastic tone: “Thank’s a lot, John!”] Ha ha!
Many thanks to SWLing Post contributor, Kevin Turinsky, who notes that NPR is having a “final” clearance sale on the excellent C. Crane CCRadio-2. The price is $110.11 US plus shipping.
It’s funny that, while I’ve written dozens and dozens of radio reviews over the years, I’ve never written even a single review that included an HD radio.
Well, the time to begin is now: HD radio, here we come.
Those readers living outside North America may be scratching their heads, asking, “What exactly is ‘HD radio?’” To answer in clear terms, I’ll turn the question over to Wikipedia:
HD Radio is a trademarked term for iBiquity’s in-band on-channel (IBOC) digital radio technology used by AM and FM radio stations to transmit audio and data by using a digital signal embedded “on-frequency” immediately above and below a station’s standard analog signal, providing the means to listen to the same program in either HD (digital radio with less noise) or as a standard broadcast (analog radio with standard sound quality). The HD format also provides the means for a single radio station to simultaneously broadcast one or more different programs in addition to the program being transmitted on the radio station’s analog channel.
Got that? In brief, HD radio is digital radio broadcasts that occupy the same FM/AM spectrum currently allocated for analog broadcasts. Wikipedia adds:
[HD radio] was selected by the U.S. Federal Communications Commission (FCC) in 2002 as a digital audio broadcasting method for the United States, and is the only digital system approved by the FCC for digital AM/FM broadcasts in the United States.
For my own part I had mostly ignored HD radio, assuming there would be few stations to listen to from my rural home location. That is, until recently, when I purchased a car that has built-in HD radio reception. I was impressed by the number of commercial stations I found that I can receive via HD radio. In truth, only a handful of the mainstream HD station offerings had any appeal for me, but I really took notice when I received a commercial-free jazz station via the HD2 channel of my favorite NPR member station, WFAE. Having been a jazz fan since I studied music in college, I was intrigued: could a portable HD radio receive this distant HD station reliably? I had my doubts; moreover, I really didn’t want to purchase a radio, then be obligated to send it back if it didn’t receive anything.
Instead, I contacted Sangean. The company was more than happy to send me a loaner radio for review. I requested the HDR-16––at the time it was Sangean’s most affordable HD portable, one about which a number of SWLing Post readers had expressed their curiosity.
Overview
The Sangean HDR-16 is a simple radio with a modern design. The chassis is a glossy black hard plastic and feels substantial. It has a useful fold-out carry handle and substantial telescoping whip antenna. The front face features a 16-character two-line backlit display, five function buttons, five dedicated preset buttons, and a dedicated power button. On the right side of the radio you’ll find a dedicated (two function) tuning knob and smaller volume/tone knob. The left side of the radio features an “aux-in” port, a “rec-out” port, an earphone jack, and a 7.5 volt “DC-in” port.
Features
HD Radio digital and analog AM / FM-Stereo reception
10 Memory Presets (5 FM, 5 AM)
PAD (Program-Associated Data) Service
Support for Emergency Alerts Function
Automatic Multicast Re-Configuration
Automatic Simulcast Re-Configuration
Auto Ensemble Seek
Real Time Clock and Date with Alarm and Sleep Function
2 Alarm Timer by Radio, Buzzer
HWS (Humane Wake System) Buzzer and Radio
Snooze Function
Tone & Bass Control
Information Display for Channel Frequency, Call Sign, Radio Text, Audio Mode, Service Mode, Signal Quality and Clock Time
Easy to Read LCD Display with Backlight
“Battery Low” LED Indication
Auxiliary Input for Additional Audio Sources
Record Output for Connecting to Hi-Fi System or Recording from Audio Program
I/O Jacks: DC In, Line-Out (Rec-Out), Aux-In, Headphone and HD / FM Rod Antenna
Audio
The HDR-16 sports two 2.5” front-facing speakers that deliver crisp audio that can be customized with simple treble/bass EQ settings. I found increasing the treble just a bit and the bass quite a lot produced the best audio for music broadcasts. Even the default audio settings are pretty good, however. The HDR-16 doesn’t have the rich fidelity of the Eton Field BT or the Tecsun S-8800, but it does offer stereo sound that is room filling and pleasant. Sangean obviously took audio fidelity seriously when designing the HDR-16.
The left side features AUX in, Record Out, Earphone and a DC power port.
Note that the the HDR-16 sounds especially good in spoken word/news broadcasts.
Operation and Ergonomics
The Sangean HDR-16 is a very simple and intuitive radio to operate. I sorted out all of its functions simply by following button and knob labels, but even the most tech-challenged person in your family could give the owner’s manual a single read-through and operate the HDR-16 with ease.
But let’s get one gripe out of the way…perhaps a case of simplicity gone too far: the HDR-16 only has five station preset buttons. Five! Actually, it offers a total of 10 memory allocations: five for AM, five for FM. Still…even in my rural market, I can easily program ten station memories on an FM radio, especially since HD Radio channels offer that many more new options. But the HDR-16 forces me to curate my presets down to a mere five stations per band. In my view, this strict limitation is an unfortunate design oversight.
Performance
The HDR-16 is an AM/FM radio that receives both legacy analog broadcasts and HD/digital broadcasts on both bands. I’ll break down performance by mode and band below.
HD performance
Digital FM
Of course, what I was most eager to explore was FM HD reception from my home. After unpacking the HDR-16, I placed the radio on my kitchen countertop and initiated an HD Seek scan via the dedicated button on the front panel. Couldn’t have been easier.
The HDR-16’s scan/seek functionality is impressively quick.
I quickly found there were a number of commercial radio stations––about four, to be exact––that I could instantly receive with little to no effort. Mind you, I live in a relatively rural market in a mountainous area. No doubt, if I initiated an HD radio search in LA or New York City, the dial would be chock-full of terrific stations.
All of the HD radio stations I received were either local, or powerhouses from neighboring markets. I was disappointed to find that I could not receive my most desired station, WFAE HD2.
I then moved the HDR-16 to a south-facing window and tuned to WFAE’s FM frequency of 90.7. I found I could easily receive the analog station and its RDS information, but still had no option to listen to HD2. After tinkering with antenna position and placement in our kitchen window, a sweet spot for reception was found, and voila! WFAE HD2 came in fully decoded, without any drops.
Recalling the days when I used to tinker with the rabbit ears on a TV, once I found that sweet spot, I carefully left the HDR-16 alone and didn’t move it further. As a result, over the course of the afternoon, I had nearly 100% copy from WFAE HD2.
I knew WFAE was a fringe station and checked their propagation map for HD radio. My location was actually outside of the fringe reception area. I looked up GPS coordinates of the WFAE 90.7 MHz transmitting site and found it is exactly 101 miles/162 km from my home.
Obviously, the HDR-16 is a sensitive HD radio on FM!
Via the 1/8″ stereo AUX in jack, you can use the HDR-16 as amplified stereo speakers for your favorite portable music device.
Turns out, FM HD reception is pretty flaky when dealing with fringe stations, though.
Over the course of the next weeks, I tried the HDR-16 in different positions and locations. There was only one spot in my house where the HDR-16 could get reliable reception of WFAE HD2. When I started the evaluation, it was August; our trees were still had a canopy full of green leaves. Sangean kindly allowed me to hang onto the HDR-16 to see if reception improved in late fall when all of the leaves were off the trees. As I write this review, we’re in winter, and the tree branches are bare. But curiously, reception of WFAE’s fringe signal is about the same as before. Nor have I noticed any difference in the reception of other commercial stations.
The HDR-16 accepts four C cells.
My conclusion is that the HDR-16 is a true performer on the FM band in HD mode. I have no other HD radios with which to compare it, but based on what I know about HD radio, this rig certainly exceeded my expectations.
Digital AM
The HDR-16 can also receive AM HD signals. There are far fewer AM HD broadcasters on the air, however. In fact, one of the first in our region dropped their HD coverage last year due to a lack of listeners.
With that said, I’ve read that a number of HDR-16 owners who live in the vicinity of AM HD broadcasters love the fact they get a digital audio quality signal on the AM band. One SWLing Post reader recently told me he even gets the occasional night-time AM HD DX signal with an HDR-16.
There are no local AM HD stations near me, and despite my best efforts, I never decoded an AM HD broadcaster in the evening. Perhaps if I did a little research and planning, then inductively coupled the HDR-16 to a MW mag-loop antenna, it would increase my chances.
Analog performance
FM
I’ve done almost as much analog FM listening on the HDR-16 as I have HD listening.
The HDR-16 can hold its own with most of my portable radios, in that it can receive all of my benchmark FM stations, and even some fringe analog stations.
RDS decoding also seems to be quite effective, even with fringe stations.
AM
AM (mediumwave) performance is surprisingly good. Perhaps my expectations were low, but I expected analog AM reception to be an afterthought. Or perhaps to have acceptable AM HD reception, Sangean had to put some extra effort into overall AM performance. Honestly, I don’t know, but what I do know is I’ve been pleased with the HDR-16 on the AM band. The AGC is pretty stable, noise relatively low, and sensitivity better than on other similar digital radios.
Many of my shortwave portables, like the PL-660, PL-310ET, and PL-880, could outperform the HDR-16 on the AM band, but frankly performance is on a level that it’s going to please most radio listeners. I’ve even had luck getting solid copy from one of my favorite AM DX stations, CFZM (740 kHz) with the HDR-16.
Should you purchase the HDR-16 for AM/MW DXing? No; there are better radios for this exclusive function. But for what I would consider a “bonus” band on a digital radio, I’m very pleased.
Summary
Every radio has its pros and cons. When I begin a review of a radio, I take notes from the very beginning so that I don’t forget some of my initial impressions. Here’s the list I’ve developed over the time I’ve spent evaluating the HDR-16.
Pros:
Excellent FM HD radio reception
Excellent FM analog reception
Very good AM broadcast band reception for a modern digital portable
Good audio from internal stereo speakers
Nice carry handle that tucks away
Both auxiliary-in and -out jacks for audio
Dedicated earphone jack
Design is compact, sleek, yet sturdy
One of the more affordable HD radio options currently on the market
Easy access to bass/treble tone controls through volume multi-function
HD seek functions work on all but the most fringe stations
Cons:
No ability to internally recharge C batteries
No external antenna jack to improve FM HD reception with directional antenna
Limited to just 10 memory presets (five for AM, five for FM)
Fringe HD stations may continuously flip between digital and analog, annoying when HD station content and analog broadcast content are quite differentUpdate: I recently tried to have the receiver replicate this behavior but it did not, so I’m striking it from the cons list!
Conclusion
Can I recommend the HDR-16? Absolutely.
If you’re looking for an AM/FM HD radio that’s well-rounded, simple to operate, and provides quality audio, I don’t believe you could go wrong with the HDR-16. The HDR-16 has proven to me that it’s a worthy FM HD receiver as it’s sensitive enough to snag fringe HD stations with some reliability. I’m certain I could design a small FM antenna and get 100% copy from my favorite HD station 101 miles from my home.
I think the HDR-16 would be a safe purchase for anyone, as it’s easy to operate, relatively compact, and makes the process of seeking HD stations a breeze.
I’m especially pleased with the HDR-16’s AM analog reception. It pleasantly surpassed my expectations and makes it easy to recommend the HDR-16. The HDR-16 is one of the few HD portables that also includes AM HD reception.
If you’re looking for a well-rounded HD and analog portable, grab the HDR-16. If you’re looking for a mediumwave DX machine, go for a benchmark mediumwave radio instead, like a GE Super Radio, C.Crane CC Radio 2E, CC Radio EP Pro or even a “Holy Grail” vintage Panasonic RF-2200.
I like Sangean’s high gloss finish (though it does show fingerprints rather well!).
I’m very tempted to purchase the HDR-16; I’ve found it difficult to justify, though. Living in a rural location, I have fewer HD stations to choose from––all but one are commercial, chock-full of advertising, and lack any real variety and diversity. I am very pleased with WFAE’s jazz station on HD2, but it’s hard to justify a $100 purchase just to receive one station over the air. Especially since I can easily stream WFAE HD2 from my Sangean WFR-28, Como Audio Solo, or Amazon Echo.
But if I lived in an urban area, with the accompanying diverse radio market, I wouldn’t hesitate to buy the HDR-16.
Here are some retail options for the HDR-16––at the time of this writing, almost all retailers price it at $100–Amazon, New Egg and some eBay vendors offer free shipping:
In closing…I should add that there’s another tempting Sangean HD radio coming just around the corner: the HDR-14. It’ll be priced lower than the HDR-16, and is even more compact, suggesting that it might make an excellent portable for the traveler. I will certainly review the HDR-14 when it’s available, as I’ll be very curious if its equally effective at snagging fringe HD FM stations. Note that the HDR-14, unlike the HDR-16, has only one speaker, so I doubt audio fidelity will match that of the HDR-16, which should be a better choice for home and local use.
As Low-Power Local Radio Rises, Tiny Voices Become a Collective Shout
SEATTLE — A knowledge of geography is essential if you are running a tiny, 100-watt radio station. Hills are bad, for example, as are tall buildings. Salt water, though, which lies at this city’s doorstep, can boost a radio signal for miles, like a skipped rock.
For a low-power FM radio station, anything measurable in miles is good.
But on a recent Thursday night, one station, KBFG, was struggling to even get on the air. The station’s signal, audible since November in an area measurable in square blocks, had flatlined. The Ballard High School basketball team was about to take the court and the live play-by-play was in doubt.
“We’re bootstrapping it,” said Eric Muhs, a physics and astronomy teacher. Headphones were slung around his neck, and a mop of unruly gray hair came further undone as he leaned into his laptop trying to fix a software glitch. But Mr. Muhs, 60, one of KBFG’s founders, admitted that the stakes for failure were relatively low. “Almost nobody knows that we exist,” he said.
Low-power nonprofit FM stations are the still, small voices of media. They whisper out from basements and attics, and from miniscule studios and on-the-fly live broadcasts like KBFG’s. They have traditionally been rural and often run by churches; many date to the early 2000s, when the first surge of federal licenses were issued.
But in the last year, a diverse new wave of stations has arrived in urban America, cranking up in cities from Miami to the Twin Cities in Minnesota, and especially here in the Northwest, where six community stations began to broadcast in Seattle.[…]
Many thanks to SWLing Post contributor, Jack Kratoville, who shares the following guest post:
A review of the Digitech AR-1780
by Jack Kratoville
As a previous post noted, the quest for the perfect radio drives us far and wide; in this case, as far as Australia. Since it’s rare these days to be able to walk into brick and mortar to touch, play and even bring home a radio to test; I’m grateful for online communities like the SWLing Post to research new and existing product. The caveat being “another must-have for my collection.”
I truly thought I had found happiness with my traveling Grundig tandem of the G5 and G6 – that is until the DSP chip was introduced. For the past 2 years, I’ve been satisfied packing the CCrane Skywave, Tecsun PL-360 and one wild card for domestic travel. My bottom line is when I’m listening to a certain radio in a given location, did I ever regret not bringing something else? The Skywave has satisfied over 95% of the time.
When the AR1780 popped up on this site, something about it piqued my interest. I had heard the Digitech name and it was always associated with a less than favorable opinion. This radio, however, was drawing unexpected praise. It was the video reviews that put me over the top with rich audio coming through even cheap condenser mics. I called Jaycar and had one shipped. Now you can add me to the list of those who are quite pleased with this addition to my radio family.
I’ll start with the primary reason to consider this radio – the sound emanating from the on board speaker. The AR1780 sounds better or as good as any unit this size. And this isn’t just a benefit for FM listening, but for AM/SW/AIR as well. I’ve never seen such tonal balance across all bands.
If you’re looking for a smaller portable with above par performance and excellent audio, you can stop here and place your order. Otherwise, on to my observations:
FM
I enjoy FM DXing and the fidelity of this band. Even though I’ve become accustomed to the sound of the Skywave (it does mellow with age), the AR1780 blows me away. Crisp highs and lows with rich bass that highlights both music and vocals. There is no tonal adjustment on this radio and, frankly to my ears, it doesn’t need one.
Performance is on par with the Skywave and other DSP units. While the Skywave has slightly better selectivity, the 1780 pulls in a tad more signal with its longer whip. The RDS feature works great and is a plus when skips and trop bring in distant signals.
Mediumwave / AM
As sensitive as the Skywave and G5. I’ve gone up and down the dial and my unit doesn’t produce birdies or hets anywhere. Very happy about that. For local signals, once again the sound is wonderful with choices of wide bandwidth. And even with distant music stations, rare as they may be, the AR1780 produces more fidelity than noise. When Zoomer 740 comes in full strength, this radio sounds as good as it gets. Where the Skywave has a tonal advantage is when filtering is at its narrowest. I can still hear signals clearly, whereas the Digitech can get a bit muddy. Depends on signal.
I’ll mention here that the advantage of CCrane’s products is upgraded filtering. The AR1780 burps and clicks when you enter anything on the keypad – even from the Skywave’s keypad if the radios are close to each other! Otherwise, they are very similar in response to outside RF and other noise producing electronics.
Shortwave
I receive everything on this radio as I do on the Skywave & G5.
Where I find weakness with the AR1780 is the soft muting and the scan feature is far, far slower than the Skywave. I’ve scanned for signals on other radios and loaded the presets on the Digitech.
I haven’t found any birdies yet, but it will whistle while starting up on Radio Miami, then calm down completely once fully captured. But that’s only when 9395 is the start up frequency. If I switch to SW and it starts elsewhere and I hit the preset for 9395 – nothing! Strange, but an acceptable artifact. I have to admit, it sounds great listening to music on WRMI!
SSB
I don’t have the Skywave SSB, but the Digitech is slightly less sensitive than the G5. Not sure if it’s due to filtering, antenna length, the DSP chip or all of the above. It’s there, but sometimes not worth straining to listen to. I haven’t tried an external antenna as of yet. The G5 doesn’t feature the USB / LSB option, so the Digitech is easier to tune. Full disclosure, SSB was never a deal breaker for me and I’m satisfied with what I can hear.
AIR Band
A touch more sensitive than the Skywave here. As all my testing is done strictly from the whip – that might be the advantage.
General
I have to say the build of this radio is very impressive. Buttons are very firm and responsive. The tuning knob is superb. As the weakest physical part of the Skywave, the AR1780’s knob, and its fine tuning counterpart, are spot on perfect. Nothing sloppy here.
Battery consumption (4 AA) seems above average, although not super-impressive. It’s hard for me to analyze at the moment as I’ve been playing with this radio constantly. I probably take more notice when I’m replacing 4 instead of 2 and may eventually jump over to rechargeable AAs. Interestingly, I took the 4 batteries I had worn down just one notch in the AR1780 and stuck them in a Sangean PDR-18. The meter on the PDR-18 showed only one bar or less.
The Skywave gives you 10 pages of 10 memories, the AR1780 gives you 50 pages! Even without explanation in the manual, setting these up are very intuitive.
The dial provides plenty of information. Curiously, if tilted while off, there are indicators for Music, Voice, Snyc, DAB & WB. While none are employed by the AR1780, perhaps there’s something else in the works!
What I find annoying
The display defaults to the temperature or the alarm. If you use signal strength or time during operation, it defaults to temp when you turn it off. Both of my Tecsuns will let you set display for both radio on and off. It bugs me most because holding the radio always sends the thermometer up by 10-12 degrees!
It takes a good 3 seconds to power up or switch bands. I’ve heard of other radios having this trait, but this is my first experience. And this action does use a bit of power because switching bands, not the dial light, will show the first signs of battery wear. (Again, I’ve had no issues with severe battery draw and compare 4 alkaline usage with my G5.)
The Skywave has spoiled me with its super-fast scanning. The Digitech is similar to most Tecsuns. I’ve noticed them all skipping segments on the SW band.
I hear a difference between FM stereo and monaural from the onboard speaker. This is the result of a right or left channel only feed to the speaker when the radio is in stereo. The Grundig Mini 100 did this and without a mono setting, it drove me crazy. I like to see the stereo indicator, but it looks like the AR1780 needs to be set in Mono when listening to FM through the speaker.
There are a number of general traits that the AR1780 shares with the Skywave that I would have preferred to be more like the CC Pocket:
I prefer a lock switch over a long-press lock button.
When you switch to a different page on the Pocket, it only changes that band and stays on the current frequency. Both the Digitech and Skywave switch over all bands to that page number.
One last minor annoyance (getting very picky here), the dial light seems to flash when you turn the radio off. The Pocket doesn’t.
OK, the bad
As a portable / travel radio, I can’t image why there is no pouch!
Add $5 and provide something to protect this in the go bag. At least this problem can be remedied. A pouch from the Sangean ATS-606 fits perfectly.
But the biggest flaw I found (and this may answer the power consumption others have noted) is the light continues to function in the locked position! All buttons are disabled, but press anything and the light comes on. I can imagine packing this radio and as it gets pressed against something else, the light remains on until the batteries are drained. A major design error here.
Conclusion
I’m more than impressed and extremely happy I made this purchase. I have no doubt this radio will be a primary travel companion. Since I always take a few on the road, surprisingly this won’t displace the Skywave. (I really enjoy that radio), but rather the veteran Grundig G5. While still considered one of my favorites, the Digitech provides as much performance and a few more features in a smaller package.
If I were choosing between the Digitech AR1780 and the Skywave SSB – that would be a touch choice. As I mentioned before, SSB has never been a deal breaker during travel and I love the original Skywave as is. Portable means smaller and the Skywave is the perfect size. I use the weather band more than LW, but the fidelity on the AR1780 is absolutely superb.
And while I’ve read the Skywave SSB is going through initial run growing pains, CCrane has been stellar when it comes to customer service and final product. They’re radio geeks like us – Digitech is simply a badge on a product manufactured by another company. (Jaycar seems like decent people.) Bottom line – let’s see how the Digitech is holding up after 2-3 years of usage.
I treat my radios like babies, but I’ve seen most wear down with unresponsive buttons, scratchy volume or fading displays. In fact, the only two grizzled veterans still operating at 100% are my Grundig G6 and Tecsun PL-360. Even my 7600GR’s volume is failing.
Worth it so far? Absolutely – without a doubt. Any future quirks, discoveries and disappointments will be shared.
Jack, thank you for sharing this excellent review!
I couldn’t agree with you more–the AR-1780 must have the best on-board audio of any compact shortwave portable I’ve tested. As you state, what makes it stand out is the fact that audio is wonderfully balanced across the bands. And what better way to check mediumwave audio? Why Zoomer Radio (CFZM) of course! One of my favorite night time catches.
Thanks for the note about switching FM to mono while listening via the built-in speaker. I don’t believe I had tried that yet.
And, like you, I find the active backlight during keylock such an odd behavior. I actually opened one of my travel bags during the holidays to find that the backlight was somehow fixed in the “on” position…with keylock engaged! I supposed the LED backlight has little effect on battery consumption because I imagine this the backlight was engaged for as much as three days, yet the battery still showed full bars.
The AR-1780 is a quirky radio, but by golly it’s a good one and a great value! Thanks again for the excellent review, Jack.
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