Category Archives: Guest Posts

An Introduction to WavViewDX SDR Playback Software (A Totsuka DXers Circle Article by Kazu Gosui)

Many thanks to SWLing Post contributor Nick Hall-Patch, who has kindly provided a translation of this article from the Japanese-language publication PROPAGATION by the Totsuka DXers Circle (TDXC). In this piece, Kazu Gosui introduces WavViewDX, an impressive SDR file playback and analysis tool developed by Reinhard Weiß of Germany.


About WavViewDX, SDR File Playback Software

by Kazu Gosui

Introduction

“WavViewDX,” developed by Reinhard Weiß of Germany, is SDR file playback software. It maps the received signals from SDR-recorded files into bar graphs, with time on the vertical axis and frequency (channel) on the horizontal axis, for each of the following channel separations: medium wave (9/10 kHz), short wave (5 kHz), and FM (50/100 kHz).  Clicking the cursor (blue crosshair) plays the received audio. By “visualizing the received signal” through mapping (see also the separate article by Satoshi Miyauchi), you can see at a glance the start and end times of broadcasts, fade in, fade out, channels you should listen to, and channels you don’t need to listen to.

Basic Usage and Screen Description

First, download and install WavViewDX from the WavViewDX webpage (https://rweiss.de/dxer/tools.html). The latest version is version was 1544 as of June 8, 2025, when this was written, but version 1662 is available in October 2025. When you launch WavViewDX, the Main Window (Figure 1) will appear, showing Analysis View, the Operation/Settings Panel, Logbook and Database.

Figure 1

To play back recorded files, you must import them. Click Import to display the Import SDR Recording settings screen. Source files can be selected as single or multiple files, or by folder. Set the reception location, time, channel separation, etc., and begin importing. A progress percentage will appear, and green and white bar graphs will appear on the Analysis View screen. Hovering the cursor over a bar graph and clicking will display a red circle, and the audio recorded for that channel and time will play. Scrolling the mouse will allow you to zoom in and out of the Analysis View.

When you import, a WVD format file is created. Once you’ve imported the files, you can simply load the corresponding WVD file at another time, and the files will be available to play immediately.

In addition to Import and Load, the following settings are available at the top of the Main Window.

  • Analysis: Allows you to select the file/folder and frequency separation when importing.
  • Carrier Views: Displays offset frequencies to identify and estimate the received medium wave station.
  • Database: Links with the MWLIST webpage (https://www.mwlist.org/ul_login.php) to identify and estimate the received medium wave station.
  • Logbook: For documenting stations heard, along with creation of audio recordings during playback.
  • More: Allows you to set multiple options, such as manual tuning and contrast setting.
  • Setup: Allows you to set the sound device and select the file format for recording audio clips during playback.
  • About: Allows you to select the software version, Help, etc.

The Main Window also displays the frequency list linked to the aforementioned Database and the Logbook.  The database frequency list can be selected by region, such as Europe or East Asia. The Logbook allows you to record reception records and associate recorded audio files.

The right side of the Main Window contains the operation and settings panel. At the top are the Frequency Display and Spectrum View. Hovering the cursor over Spectrum View allows you to select PBT (Pass Band Tuning) and NOTCH.

Below these are:

  • Spectrum Zoom (x1, x2, x4), which expands the spectrum;
  • Bandpass Bandwidth Presets ([2.5] etc.), which change the reception bandwidth;
  • Player Time Controls (Play/Pause; -30s etc.), which control the playback time;
  • Carrier View, which displays the offset frequency; (+/- 30Hz, and can be shifted above and below the nominal .000 frequency)
  • Demodulator Modes, which change the reception mode.

(Keyboard shortcuts are available for the above functions.)

  • The AF Highpass Filter adjusts the audio frequency passband to improve intelligibility.
  • The Spike Filter reduces popping during reception.
  • Phasing combines two synchronized recording files to reduce same-frequency interference and noise.
  • NCE (Neighbor Channel Eliminator) reduces interference from adjacent channels.
  • Binaural allows you to select the sideband of the AF output during playback.
  • The AF Audio Recorder allows you to record by clicking during playback. Recording formats include WAV, FLAC, and MP3.

As you can see, there are so many features it’s impossible to introduce them all. Detailed adjustments to each function make it even easier to use; it may seem tedious at first, but give the features a try. The user interface is intuitive, so you’ll quickly get used to it. If you’re unsure how to use something, just press the F1 key and refer to the Help.

Actual Usage 

Let’s try it out. The import settings are set to MW 9+10kHz Channel Analysis Configuration. Configuration, and other settings are set to default. (editor’s note:  “SDR Calibration” allows the use of reference carrier frequencies in the data, for those SDRs without a frequency standard, so that each carrier frequency in the passband will be displayed accurately.)   Once the import is complete, a bar graph will appear. Figures 2 and 3 show the analysis view of the actual file import from early May 2025, during the Hachijojima DXpedition showing evening reception; time is UTC.

Figure 2

Figure 3

9kHz separation is used in Figure 2. You can hear the audio from 630kHz at the time indicated by a circle. Black areas of the bar graph indicate no signal, while white to green indicates good signal reception. If you miss an ID during reception, press the up arrow key to rewind the time by 5 seconds and listen again.   Click Recording to record the ID.

As you can see, the bar graph color changes from black to white and then white to green over time. This indicates that as the day turns from daytime to evening and then nighttime, channels that previously had no reception begin to receive broadcasts. Sunset on this day was 9:29 UTC (18:29 JST), and the received signal fade in was between 8:30 UTC (17:30 JST) and 9:15 UTC (18:15 JST).

Next, click Analysis and switch to MW 10kHz channel analysis. The Analysis View after switching is shown in Figure 3. This shows the reception status with 10kHz separation. Most channels are black, with a few white spots. There is very little green. In this image, there are certainly no 10kHz channels with good audio, but by clicking on the white, we can see some with faint English talk and music. I checked the database and found that these channels appear to be Hawaiian stations (see orange circle marks in Figure 3) that have been active since around 8:30 UTC.

Also, Latin music was heard on 1230 kHz (Orange circle in Figure 3). This may be Radio Dos from Argentina. By visualizing reception status like this, I was able to determine where to listen and where not to listen. During the Hachijojima expedition in May, I was blessed with outstanding reception conditions from the evening through the early morning hours of the following day, and was able to track 187 overseas medium wave stations, including 165 in Australia, 5 in New Zealand, 2 in Papua New Guinea, Solomon Islands, Tonga, Marshall Islands, Kiribati, Palau, Fiji, Tuvalu, Indonesia, and the Philippines, achieving significant results. Playback and analysis took about a week, which was shorter than usual, thanks to WavViewDX.

Summary 

As mentioned above, WavViewDX has proven to be an efficient tool for analysis, allowing users to discover previously unnoticed stations. Since it can play files recorded with various SDRs, we hope that many DXers will use it. WavViewDX is compatible with multiple PC operating systems, including Windows, Linux, and macOS, and is freeware. According to Reinhard Weiß, additional features and enhancements are planned for the future, so we look forward to seeing its future developments. Finally, we would like to express our gratitude and respect to Reinhard Weiß for developing such useful and excellent software.

Reference Materials 

Table 1. Supported IQ Formats

ELAD FDM-SW2 Generic RAW recordings
GQRX recordings HDSDR
Jaguar Linrad RAW, single and dual-channel
recordings PERSEUS (*.wav)
PERSEUS P22 (*.P22) SDR#
SDR Console SDR Uno
SDRconnect SpectraVue
WiNRADiO DDC WiNRADiO RXW (only for G33)
Winrad

Trying WavViewDX on FM 

WavViewDX is primarily geared toward medium wave DX, but it seems like it can be used for FM DX as well. The image in Figure 4 shows reception from 79-87MHz using an RSPdx-R2 and an indoor YouTwin antenna. It supports stereo and has good audio quality. With an outdoor antenna, it could also be used for FM DX, such as with sporadic E and other short-lived propagation enhancements.

Figure 4


These English translations were prepared for IRCA’s DX Monitor, and are used with the kind permission of  IRCA as well as of the authors and the editor of the Totsuka DXers Circle publication, PROPAGATION.

We love you telephone thing, listening in…

Greetings all SWLing Post community, here’s what Imaginary Stations crew will sending up into the atmosphere next week. There’ll be another telephone tribute via shortwaveradio.de called Skybird Telegraph & Telephone Co. 2 on Saturday 1st November 2025 at 1200 hrs UTC and then again on Sunday 2nd November 2025 at 1000/1400/2200 hrs UTC on 3975 kHz and 6160 kHz.

Expect all sort of phone related tunes, an interview with a telephone answering machine, a report about the furthest tin can telephone call ever, dialing tones from all around the world and the all-time top 10 of missed calls, all subject to availability of course and if there’s any snow on those telegraph wires.

Fab fact: By the way do you know why the telephone is sometimes known as “The blower”? Early telephone handsets and local exchange apparatus used to produce audible “blowing” noises (clicks and hums and the suction-like sound of magneto generators). Wonderful! 

Get connected and tune in for more telegraph and telephone madness!

On Wednesday 5th November 2025 at 0300 UTC via WRMI we bring you another KBIN. The show is some recycled radio including mixes from some of our Imaginary Stations favourite shows so tune in and catch yourself another great value for money transmission.

More on Skybird Telegraph & Telephone Co. below:

For more information on all our shows, please write to us at [email protected] and check out our old shows at our Mixcloud page here.

FastRadioBurst23

Taming the Noise: Don Moore’s Simple, Cheap Filter Solution for Traveling DXers

Many thanks to SWLing Post contributor Don Moore–noted author, traveler, and DXer–who shares the following post:


A Cheap and Simple Noise Filter

By Don Moore

Don’s traveling DX stories can be found in his book Tales of a Vagabond DXer [SWLing Post affiliate link]. If you’ve already read his book and enjoyed it, do Don a favor and leave a review on Amazon.

My DXing career started over fifty years ago in an upstairs bedroom in tiny Milesburg, Pennsylvania. I had a consumer-grade multi-band radio and some copper wire strung from the roof to a nearby tree.  It was a simple setup but it worked very well. Do you know what I didn’t have? A noise problem. The only time I remember noise ruining my DX was when my mother was using the electric mixer and that meant she was making cookies or a cake. I never complained.

Times have changed, haven’t they? What DXer doesn’t complain about noise these days? I know people who have left the hobby because the place they lived at and DXed at for decades gradually became so noisy they couldn’t DX anymore.

Unsurprisingly, a lot has been written about how to find and eliminate noise in your home. However, most of my DXing is done as I wander the globe. I try to find places to stay at that should be good for DXing. But no matter how good a place looks beforehand, there’s no way of knowing what the noise level will be until I get there.

As a traveling DXer, I need quick, easy, and compact noise solutions. The best solution I’ve found are these CCTV distortion filters (ground loop isolators) that Brett Saylor recommended to me several years ago.

No, these weren’t designed for radio use. And they aren’t a miracle solution that will eliminate all the noise that plagues DXers. Sometimes they’re no use at all. But I’ve DXed in dozens of locations over the past ten years and there have been multiple occasions where one of these filters has turned what would have been a disappointing stay into a good DX session. I don’t go anywhere without two of these packed in my mobile DX shack.

But let me show you some results. All of these SDR screenshots were made with SDR-Console using an Airspy HF+ Discovery SDR connected to a PA0RDT mini-whip antenna.

I spent last summer in the north suburbs of Chicago and several times went to a park to test my DX equipment. Around midday, the lower shortwave frequencies were filled with noise peaks. On this first image, it’s hard to pick out WWV on 5 MHz from all the noise peaks. In the second image the filter hasn’t totally eliminated the noise, but WWV’s signal is now strong and clear.

The noise was nearly as strong on 49 meters but the filter almost totally eliminated it. CFRX’s signal on 6070 kHz was slightly weaker with the filter, but it was significantly more listenable without the noise.

Which frequencies noise affects can vary between locations. At that park the noise was gone above about 11 MHz.  While traveling across the US in mid-October, I stopped at a park just west of Kansas City to do some more DXing and equipment tests.  The noise there was bad in the middle shortwave bands, such as in the 25 meter band.

But the filter did a good job cleaning it up.

Finally, about two years ago when I was DXing in Rafina, Greece, the noise was bad on the higher bands. Here are before and after screen shots on the 16-meter band.

These filters should work with any coax-fed antenna. I’ve used them with beverages, Wellbrook loops, the PA0RDT, and the MLA-30+ loop. If the antenna has an interface, such as the last three mentioned, the filter goes between the interface and your receiver (and not between the interface and the antenna).  I’m not sure what the impedance on these is, but I’ve used them with both 50- and 75-ohm coax cable.

Sources of the Filters

An Internet search for “CCTV Ground Loop Isolator” brings up all kinds of products. They are probably all the same but I have no way of knowing that. So I recommend getting the exact ones that I have purchased. Just compare the product to the pictures of mine.

Here are links to three current sources for these exact ones on Amazon. They can also be found on eBay and other sites. [Note that all of these links are affilliate links that support the SWLing Post at no cost to you.]

A Few More Ideas

At just a couple dollars each, every DXer should have a few of these filters in their shack. But types of noise vary and at several places I’ve DXed from using one of these filters made no difference at all. When that happens I have a few other solutions to try.

The first thing I try is to either move the antenna or, if it’s directional, to point it in a different direction. On several occasions that’s all it has taken to totally eliminate what at first seemed like an impossible noise problem.

If the noise is coming in through the power lines, unplugging the laptop and DXing off of battery power might do it. (I only use SDRs powered off the USB connections on my laptop.)  If you do that, be sure to unplug the cord from the outlet and move it away from the wall.  If you unplug the cord from the laptop and leave the other end plugged into the outlet, it may act as an antenna and radiate the noise from the power lines into your SDR. And, yes, I learned that lesson the hard way!

Do you have any interesting experiences or solutions to the DX noise problem? Please leave them in the comments section. 

Dial S for Shortwave

Greetings all SWLing Post community, here’s more about what the Imaginary Stations crew will be sending up to the ionosphere this week. On Saturday 25th October 2025 at 1100 hrs UTC on 6160 kHz and then again on Sunday 26th October 2025 at 0900/1300 hrs UTC on 6160 kHz and at 2100 UTC on 3975 kHz and 6160 kHz, we’ll be bringing you a telephone tribute via the shortwaves called Skybird Telegraph & Telephone Co. 

There will be lots of phone related tunes, a shortwave first in a live on-air attempt of trying to break the world record of ripping two telephone directories at the same time and an interview with someone who used to say “thank you” to the speaking clock (*subject to availability and if our phone lines are working). Tune in and join us in a celebration of the “dog and bone” (as it’s known in cockney rhythming slang).

On Wednesday 29th October 2025 at 0200 UTC via WRMI  we bring you another Ancient Analogue Archive.  This is the show where we dig deep into forgotten music on archive.org). Expect all sorts of everything (and more).

More on Skybird Telegraph & Telephone Co. below:

For more information on all our shows, please write to us at [email protected] and check out our old shows at our Mixcloud page here.

FastRadioBurst23

Get a (vertical and horizontal) hold of yourself

Greetings all SWLing Post community, here’s more about what the Imaginary Stations crew will be broadcasting via those airwaves this week. On Saturday 18th October 2025 at 1100 hrs UTC on 6160 kHz and then again on Sunday 19th October 2025 at 0900/1300 hrs UTC on 6160 kHz and at 2100 UTC on 3975 kHz and 6160 kHz. We will be bringing you a visual shortwave special called Test Cards on Radio.

This show is a must for fans of test cards and TV trade test transmissions alike and will feature all kinds of frequency tones for screen calibration purposes and test card related music from around the world. If you love those test cards, you’ll love this show.

On Wednesday 22nd October 2025 at 0200 UTC via WRMI  we have a different episode of Testcards on Radio. We’re talking more test card musical classics and test tones for screen calibration fans and rooftop antenna adjusters. Tune in and enjoy. More on the theme below.

For more information on all our shows, please write to us at [email protected] and check out our old shows at our Mixcloud page here.

FastRadioBurst23

Mysterious radio signals

Greetings all SWLing Post community, here’s more about what the Imaginary Stations crew will be getting up to via those shortwaves this week on Saturday 11th October 2025 at 1100 hrs UTC on 6160 kHz and then again on Sunday 12th October 2025 at 0900/1300 hrs UTC on 6160 kHz and at 2100 UTC (new time slot) on 3975 kHz and 6160 kHz.

We can’t tell you anything about the theme of this show, but we can say it will be transmitted by Shortwave Gold. Listeners are encouraged to contact us and let us know what they think the theme is by tuning in and making a link with the tunes played and there will be a special e-QSL for the winner. Full details of how to contact us will be contained in the broadcast. Tune in and see if you can guess the theme.

On Wednesday 15th October 2025 at 0200 UTC via WRMI  we have an episode of Radio Ace. It’ll be full of everything radio related, and will there be any appearance from Flash Frisbone this time? Does he still exist? Has he changed his name? Or has he left the radio altogether and become a car mechanic? You’ll only know if you tune into Radio Ace.

For more information on all our shows, please write to us at [email protected] and check out our old shows at our Mixcloud page here.

FastRadioBurst23

A Radio Postcard from Seoul

Many thanks to SWLing Post contributor Mark Hirst, who shares the following guest post:


A Radio Postcard from Seoul

Hechi is a mascot for the Seoul Metropolitan Government

by Mark Hirst

I recently spent a very memorable week in Seoul, motivated to travel there by Hallyu or the Korean Wave, a cultural phenomena exemplified by the TV show Squid Game, animated movie K-Pop Demon Hunters, boy band BTS, and girl group Blackpink.

While I can credit Netflix and its huge library of Korean TV and film content for introducing me to K-drama, it was KBS World Radio and its Weekend Playlist programme on shortwave that led me to K-pop.

Early on in my holiday planning, I discovered that KBS has a public exhibition called KBS ON located in their headquarters building. Later during the trip, radio would appear unplanned in one of the other museums I hoped to explore.

Travelling to Seoul of course was a unique radio listening opportunity to hear and record stations that would otherwise require a Web SDR or internet streaming. Armed with a relatively recent copy of WRTH, I was able to compile a list of radio stations with the intention of making some short audio and video recordings.

What follows is a description of my experiences at KBS ON, some historical references to radio at the National Museum of Korean Contemporary History, and notes about the radio stations I was able to hear during my stay.

All photos are my own.

The Korean Broadcasting System

The Korean Broadcasting System or KBS is the national broadcaster of Korea, providing radio, TV, and internet based content to its national audience. KBS World is the outward facing arm of the organisation providing similar services to an international audience.

The headquarter buildings of KBS are located in Yeouido, an area of Seoul that also hosts Korea’s National Assembly Building. Technically a river island, Yeouido is bordered by the Han River, offering spectacular views of central Seoul and a skyline familiar to K-drama fans everywhere.

The main KBS building is a short walk from Yeouido station on Line 5 and Line 9 of the Seoul metro system. Your route takes you through Yeouido Park where you can see a preserved Douglas C-47 cargo plane dating from the Korean War.

The main building sits along side several other KBS related areas including the KBS Hall and KBS Art Hall. Even to the untrained eye, it’s obvious that the facility is communications related with a prominent red and white antenna tower on the main building, with red scaffolding on an adjacent block housing another tower and communication dishes.

Other notable locations at the site include a roadway and building entrance where K-pop idol groups arrive every Friday to record Music Bank, a programme that showcases the latest hits of the music genre. This photo opportunity is so popular with fans that it has a dedicated playlist on the KBS World English YouTube channel.

KBS ON Exhibition Hall

The KBS ON Mural featuring the mascot Kong

The KBS ON exhibition is part of a range of locations promoted by the official visitor guide to Seoul, details of which can be found here.

Accessing the exhibition is through distinctive blue bordered doors into a large reception area. The exhibition proper then begins at the top of a short flight of stairs.

Although all sections of the tour are in Korean, section overviews are also provided in other languages. QR codes link to audio commentaries to provide the remaining explanations for non-Korean visitors.

The audio commentary supports the following languages:

  • Korean
  • English
  • Simplified Chinese
  • Japanese
  • Bahasa Indonesia
  • Vietnamese
  • Spanish

The tour proceeds through a series of linked sections and topics which are described below.

KBS History

This section is comprised of information panels outlining the origins of KBS. Originally known as the Gyeongseong Broadcasting Station (callsign JODK) beginning in 1927, the name KBS emerges in 1945 following the liberation of Korea from Japan. KBS was established as a public broadcaster in 1973.

On Air

Through a series of large screens, this section describes the various channels KBS provides including terrestrial TV, international radio, cable, and Digital Multimedia Broadcasting, a radio transmission technology developed in South Korea.

Current Affairs / Culture programme

As a public broadcaster, this section highlights the current affairs and educational output of KBS.

Virtual Studio

This interactive section demonstrates the familiar ‘blue screen’ or chroma key technology used in news and weather forecasts. Visitors are encouraged to present their own Korean weather forecast!

Drama

The visitor is treated to a display of props and magnificent costumes from Korean period dramas, with panels and displays highlighting the role of KBS in driving growth in the K-drama industry.

Props and Costumes

Entertainment programme

Supported by large screens, this area showcases a range of local programming including talent and variety shows.

Music Bank

While the shows in the previous sections will be unfamiliar to most, Music Bank is more well known to overseas fans of K-pop. This high profile programme features live performances every Friday evening from the big names of the genre with a lottery system for fans to attend recordings.

Vertigo

This section demonstrates AI based technology developed by KBS to allow a single fixed camera to track individual members of an idol group simultaneously as they sing and dance on stage. Previously, these so-called ‘fancam’ shots required a separate camera for each performer incurring extra costs and logistics problems.

Examples of Vertigo in action are shown on large screens, featuring performances by girl groups STAYC and Illit.

Visitors can step on to a virtual stage adjacent to the displays where a single camera will automatically track your face and body without physically moving. Continue reading