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This particular adventure began about three weeks ago with an email from CCrane. “Timeless, Easy to Use with Long Range Radio Reception” the headline read. Further, the accompanying text promised: Comes with needle and dial tuning, one button for power, one button for a bright display light, and has no clock or alarm. The radio in question was the C.Crane CCRadio-EP PRO.
The “Long Range Radio Reception” initially caught my eye, but the simplicity of an old-fashioned “needle and dial” – what I call “slide rule” – tuning” also appealed to me, so I emailed CCrane, asked them if they would like to send me one for review, which they did, without charge.
While waiting for the EP PRO to arrive, I examined the photos of the EP PRO on the CCrane website, and I noticed something peculiar: a switch on back for choosing between 9 kHz tuning steps and 10 kHz tuning steps. Whaaat?! Why in the world would you need such a thing on a radio with needle and dial tuning?
We’ll get to the answer to that question shortly, but first let’s take a tour of the CCrane EP PRO.
The case is a rectangle with rounded corners that measures 11.4″ W x 7.3″ H (8.4″ H with handle) x 2.75″ D and weighs 4.5 pounds without batteries. Starting on the left front panel, you’ll find a 5-inch speaker. To the right of that, there is the slide rule (needle and dial) tuning setup, with a small red light on the right side that illuminates when a station is found. Below that is a CCrane logo and further below is a switch for selecting AM (520 – 1710 kHz, 10 kHz steps; 522 – 1620 kHz, 9 kHz steps), FM (87.5 – 108 MHz), or FM stereo; a knob for adjusting bass, a knob for adjusting treble, and a knob for choosing between narrow (2.5 kHz) and wide (6 kHz) filter bandwidths.
On top of the EP PRO are a red POWER button, a black button for lighting the tuning dial, a flip-up carry handle, and a 36-inch telescoping antenna for FM reception. (Inside the case is a ferrite bar antenna – 12mm x 200mm (7.9″) long with CCrane’s Twin Coil Ferrite® technology.)
On the right side of the case at top is the tuning knob, below that a knob for fine-tuning the internal antenna for AM reception, and at the bottom a knob for volume. On the left side of the case, you’ll find a 1/8” stereo headphone jack, a line-in jack, and a socket for plugging in an external 6-volt AC adaptor which is provided with the EP PRO.
On the back of the radio is a hatch for installing four D-cell batteries (CCrane says it will run for about 175 hours at moderate volume with the dial light off), external antenna connections: spring loaded for AM and “F” connector for FM, a switch for selecting internal or external AM antenna, and the switch for selecting 9 or 10 kHz tuning steps.
That’s it. The EP PRO is almost Zen-like in its simplicity. There are no seek buttons, no automatic storage functions, no memories, no key pad. And there is a darn good reason for that. It turns out that the immediate predecessor of the EP PRO, the CCrane EP, was created by Bob Crane because his mother wanted a very simple radio that was easy to operate. The CCrane EP, a true needle and dial analog radio, was the result.
Bob believed that, besides his mother, there was a market for such a radio, and there was. Unfortunately, after a time, the analog chips necessary to build the CCrane EP became unavailable. As a result, the radio was redesigned internally using modern digital chips (essentially the same as those in CCrane’s model 2E and 3 radios) while keeping it simple and easy to operate. So inside what looks like an old-fashioned analog radio beats the heart of a high-performance digital radio that combines the high sensitivity needed to hear distant stations with excellent selectivity to block signals from the side.
In my view, the EP PRO is great fun to operate. In the predawn hours on a weekend morning with the rain falling softly outside, I started tuning slowly across the AM dial with the EP PRO in my lap. Near the bottom end, a couple of sports mavens were chatting about a pitcher who had a couple of rough two initial outings and then had “settled in.”
A bit further up the dial Dionne Warwick was telling me to “walk on by.” Then I ran into a music station competing with a talk show considering “the Bible, angels, and UFOs.”
Up the dial some more, apparently a good deal on a high performance car could be had at a dealership in Connecticut; then an air quality report for New York City, a female voice delivering a long discourse in French and so on up the dial.
I was impressed at the number of stations that the EP PRO was pulling in, and it brought me back to the simple joy of tuning around to see what’s on the air.
Each time a discernible station appeared, the red tuning LED would light up. As needed, I used the antenna tuning knob and the bandwidth selection switch to tweak the signal. The needle and dial tuning gives an approximate indication of where on the band the radio is tuned, so if you want a positive ID, you need to listen for a station ID or some other clue to the station’s location.
At one point I jumped to the FM dial and found I could easily pick up many FM stations even with the whip antenna collapsed. In all, I am of the opinion that both the AM and FM sides of the receiver are pretty “hot,” and at no time did I find myself wishing for an auxiliary antenna for more signal. Further, the sound through headphones or the speaker is very pleasant indeed. In my mind, the relatively unadorned exterior of the EP PRO belies its outstanding performance. To stretch an analogy, it’s a nitro-burning funny car in the body of a Honda Civic, and you don’t have to be a genius to drive it.
If you’re looking for a high-performance radio that is easy to use and sounds good through speaker or headphones, the CCRadio EP PRO delivers the goods. For a content DXer like me, the EP PRO encourages me to tune around and discover the magic of radio all over again.
Although the new Pro model had the makings of a great, simple DXer-grade receiver, the first production run was plagued with issues that, in the end, prevented me from recommending it to radio enthusiasts and DXers. Frankly speaking, I was quite disappointed.
I evaluated the original CCRadio-EP Pro over the course of several weeks, documenting my findings in detail and sharing them with C. Crane both during the evaluation period and in my full review.
But to C. Crane’s credit––being a company of integrity––they responded to each point of criticism, promising to address the issues in the receiver’s second production run.
Enter the second production run…
About six weeks ago, I took delivery of a second-production-run CCRadio-EP Pro.
The second-run units have actually been shipping for a few months now, but due to nearly two months of travel and a hectic schedule following, my evaluation took longer than I had hoped. And if you’ve been following the SWLing Post for long, you’ll have noticed that I never rush a radio evaluation…and for good reason. Post readers are placing their trust in my review, so I must feel confident it’s as accurate––and as transparent––as I can make it.
Speaking of transparency, by the way, please note that C. Crane provided the initial and second production evaluation units at no cost to me.
What follows is a review of the second-run CCRadio-EP Pro. I would encourage you to read my original review before proceeding, because I am (only) addressing all of the negatives I listed from the previous review. However, for your convenience, I’ve included quotes from the original here.
In a nutshell? C. Crane listened to my list of concerns, and I’m very pleased!
Muting between frequencies?
From my first production run review:
[M]echanically-tuned DSP radios, like the new CCRadio-EP Pro, may look like analog sets, but inside, they’re entirely digital. And one drawback to all of the mechanically-tuned DSP radios I’ve tested so far is a tendency to mute between frequencies. With each 10 kHz frequency step, you’ll hear a short audio mute. If you tune across the dial quickly, audio mutes until you land on a frequency.
I’m pleased to report that C. Crane has significantly decreased the amount of muting between frequencies. Indeed, even on the AM band (which was most affected in the first production run), muting no longer distracts me from the experience of band scanning.
Unlike an analog receiver, if you tune quickly across the band, the EP Pro essentially mutes audio completely. This is common with analog-tuned DSP receivers. This is still the case with the second production run unit, but this does not concern me, as I rarely move quickly across the bands while hunting weak signals.
Imaging?
From my first production run review:
Crane actually includes a note about weak images which you might find below and/or above your target signal. Weak images are an unfortunate reality of the CCRadio-EP Pro; they’re prevalent on both AM and FM.
On the initial production receiver, here’s how you might experience the images by way of example: let’s say you’re tuning to a strong local AM station on 630 kHz, noting that the EP Pro has 10 kHz tuning increments. As you tune to 630 kHz, you’ll hear the station on 620 kHz, though it won’t be as strong as it is on 630 kHz. Then if you tune to 640 kHz, you’ll likely hear a weaker image of the station there, as well. In my experience, images are present on both sides of the target station if the station is strong. If it’s a weak station, you might only hear it, say, 10 kHz lower but not above (or vise versa).
As you might imagine, this poses a problem for the weak signal AM broadcast band DXer.
I’m pleased to report that C. Crane has eliminated the false peaks around signals. This was a major negative from the original review. Now, as you tune across the bands, it feels more fluid, and when you hear a station you can be confident you’re actually on frequency as it seamlessly “locks” into place.
Well done, C. Crane!
Inaccurate dial?
At the top end of the band, the EP Pro tuned to 1600 kHz
From the first production run review:
I’ve also discovered that, on my unit, the top half of the AM dial is inaccurate. I estimate that the slide rule dial is off by about 40-50 kHz at the top end of the band. It’s much more accurate below 1,200 kHz, however.
I’m pleased to report that the dial on this second production run unit is now as accurate as any analog radio. I tested frequency accuracy across the entire AM/FM bands, and can reliably find stations. Another major negative C. Crane fixed!
Audio “pop” with power on?
From the first production run review:
[A]ny time you turn on the CCRadio-EP Pro, you’ll hear an audio “pop.” This is happening when power is applied to the audio amplifier. The pop is not soft, but fairly audible, and is present even if you turn the volume down all the way. The audio pop is prevalent via both the internal speaker and when using headphones. Fortunately, it’s much less pronounced via headphones. While not a major negative, I find it a bit annoying, and don’t doubt that other listeners will, too.
C. Crane has managed to minimize–not eliminate–the audio pop. It’s much improved over the first production run unit. I think I would still make note of it in the “cons” section if this were my first review of the radio, but it’s truly a very minor complaint at this point.
AM frequency steps limited to 10 kHz?
Note the new 9/10 kHz switch below the AM Antenna switch
From the first production run review:
My initial production run EP Pro is limited to 10 kHz frequency steps. This radio is primarily marketed to North America where 10 kHz increments are standard. Of course, if you’re trying to use the EP Pro to snag Transatlantic or Transpacific DX, you’ll miss the ability to tune between those broad 10 kHz steps. But, again, due to the imaging mention above, I think the CCRadio-EP Pro is simply not suited for DXing.
I’m pleased to report that C. Crane has added a switch that allows the listener to toggle between 9 and 10 kHz AM steps! This was an essential upgrade for those of us planning to use the CCRadio-EP Pro outside North America, or for those of us attempting to chase signals from across the ocean. Very nice, C. Crane!
Conclusion
To their credit, C. Crane has addressed all of the major negatives I listed in my review of the first production run units.
And as a result, I can now recommend the CCRadio-EP Pro with confidence.
I should add that during the course of this evaluation, I spent some valuable time on the mediumwave/AM broadcast band and have been very impressed with the EP Pro’s sensitivity and selectivity. The AGC can cope with weak signals quite well; I noted none of the soft muting which plagues a number of other DSP receivers. And the Twin Coil Ferrite tuning can substantially improve reception of weak signals––don’t ignore that control on the right side of the radio! Very useful.
With renewed confidence in the EP Pro, when I have time this fall or winter, I plan to take it to the field and pit it against my beloved (and recently re-capped!) Panasonic RF-2200. I’m beginning to think it might be a real competitor. We will see.
I would encourage you to also check out Guy Atkins’ recent evaluation of the EP Pro. I’m in agreement with his assessment, which leads me to believe quality control is also consistent in the production run. Good news all around. I’m very happy that C. Crane fixed early production run issues with both the CCRadio-EP Pro and the CC Skywave SSB. Well done! I’m so glad C. Crane paid attention.
You can purchase the CCRadio-EP Pro from the following retailers:
How to identify a second (or later) production run unit
I know I’m going to receive emails and comments about how to tell if one has a first or second production EP Pro. The answer is very simple…
If your unit has a 9/10 kHz step switch on the back (see photo directly above) then you have a second production run unit or later.
While the first production run EP Pro will please most average radio listeners, I couldn’t recommend it for the level of radio enthusiast and DXer who spends time reading reviews on the SWLing Post.
If you plan to purchase the CCRadio-EP Pro this year, I would encourage you to check with the retailer to make sure you’re getting a unit from the second production run or later.
UPDATE (05 November 2018): Please note that we have posted a second production run update to this initial review. In short, C. Crane addressed all of the major issues I noted in the review below. Click here to read the CCRadio-EP Pro update.
Without a doubt, C. Crane Company has become an established name in our radio community as a retailer and manufacturer that focuses on the world of broadcast listening. The company’s ads, website, and blog all promote broadcast listening as a viable and important part of our evolving media landscape. Their radio products are all designed with broadcast listening in mind.
The C. Crane CCRadio 2E
Currently the company manufactures one of the most capable AM broadcast receivers on the market: the CCRadio-2E.
The CCRadio-2E, however, is a pricey portable at $170 US, perhaps overkill for the casual broadcast listener.
So, for those seeking a simpler broadcast receiver, C. Crane later developed the original CCRadio-EP, a bare-bones, fully analog AM/FM radio with a large backlit slide rule dial, designed for the listener who wants to “go old school” in their receiving.
The original CCRadio-EP also attracted mediumwave/AM broadcast radio listeners because it had fairly impressive performance characteristics supported by C. Crane’s patented Twin Coil Ferrite AM antenna. In many ways, the original CCRadio-EP was somewhat reminiscent of the GE Superadio.
Yet while the original CCRadio-EP has––according to C. Crane––been a popular product, because certain vital EP components are now becoming obsolete, the company has been forced to redesign it; hence the new CCRadio-EP Pro.
The CCRadio-EP Pro: A different animal
Let’s be clear, though: unlike its predecessor, the CCRadio-EP Pro is no longer a true analog set.
Despite external similarities, internally this radio and its predecessor are very different receivers. Inside, the EP Pro is based on the Silicon Labs SI4734 DSP chip. Perhaps it goes without saying, but I consider the move to a chip a significant design change.
Crane kindly sent me a review sample of the new CCRadio-EP Pro. It’s important to note that the review unit came from a strictly limited first production run; the actual consumer rig’s first major production run is still a few weeks away. Thus this radio is not yet shipping.
I’ve had the CCRadio-EP Pro for a few weeks now, during which time I’ve given it a thorough evaluation. So, let’s take a close look at the CCRadio-EP Pro––first, in terms of performance.
AM Performance
Let’s face it: if you’re a radio enthusiast and reading this review, you’re likely mainly concerned with the EP Pro’s performance on the AM broadcast band. Personally speaking, that’s true for me, too.
The CCRadio-EP Pro (left) and Tecsun PL-660 (right).
Over the years of reviewing portable receivers of all stripes, I’ve learned that nothing beats a radio specifically designed for AM broadcast band performance. Without a doubt, C. Crane intends that the CCRadio-EP Pro be one of these radios. Indeed, in many ways, it’s an ideal set for broadcast listening, because it sports:
C. Crane’s Twin Coil Ferrite AM antenna
A large speaker
Wide/Narrow bandwidth switch
Dedicated external antenna connections
Although beefy internal AM antennas, large speakers, and external antenna connections were relatively common in the 1970s and 80s, these are rare features among modern AM/FM portable radios. The fact is, radios with superb AM broadcast performance are becoming a rather rare breed.
External antenna connections
In other words, the CCRadio-EP Pro has many design features that position it to be a formidable AM broadcast band receiver.
So, then, how does it perform? Well…that’s complicated to explain. The CCRadio-EP Pro has some positives, but also a notable amount of negatives.
Let’s start with the good news.
Positive: AM Sensitivity
Comparing the CCRadio-EP Pro (left) with the Sony ICF-5500W (right) and the Tecsun PL-660 (middle) at the Pisgah Astronomical Research Institute.
The CCRadio-EP Pro is quite sensitive on the AM broadcast band. When I’ve compared it with a number of shortwave portables I own, it almost always outperforms them on frequency. When my Tecsun PL-660––one of the most sensitive mediumwave receivers among my shortwave portables––is tuned to a marginal signal, it sounds about half as sensitive as the CCRadio-EP Pro.
The noise floor is fairly low while the audio is robust and room-filling via the EP Pro’s front-facing speaker.
Positive: No drifting
As I’ve said above, unlike the original (analog) CCRadio-EP, the EP Pro is a mechanically-tuned DSP radio. In all of my testing, I never noted a time that the radio drifted off frequency.
Positive: Nulling
Crane’s internal Twin Coil Ferrite AM antenna affords the listener excellent gain and nulling capabilities. In fact, I find the nulling quite sharp, a major positive for this listener.
Positive: Fine tuning control
On the right side of the CCRadio-EP Pro you’ll find a large tuning knob (top), the antenna trimmer (middle), and large volume knob (bottom)
Like the original EP, the EP Pro has a Twin Coil Antenna Fine Tuning adjustment.
This feature can help make small adjustments to received station to peak reception. This fine tune control is actually trimming the twin coil ferrite bar.
Positive: Wide/Narrow filter
The EP Pro does have a Wide/Narrow filter selection which essentially helps widen or narrow received audio. Note that this has no meaningful impact on the imaging mentioned below.
Altogether, this about sums up the CCR-EP’s positive performance capabilities on the AM broadcast band.
Now let’s look at the CCR-EP’s negatives, some of which are, unfortunately, significant.
The original CCRadio-EP revives the joy of a purely analog radio set. When you tune up/down the bands, there’s a fluidity to the whole process. While the interface is simple, analog tuning allows your ears to pick up on the nuances––the rise and fall of stations both strong and weak as you travel across the dial.
As we mentioned earlier, mechanically-tuned DSP radios, like the new CCRadio-EP Pro, may look like analog sets, but inside, they’re entirely digital. And one drawback to all of the mechanically-tuned DSP radios I’ve tested so far is a tendency to mute between frequencies. With each 10 kHz frequency step, you’ll hear a short audio mute. If you tune across the dial quickly, audio mutes until you land on a frequency. Here’s a video demonstrating the effect:
Needless to say, muting makes band scanning a more fatiguing process. It’s really a shame this affects the AM band. I hope that C. Crane engineers can minimize this issue in future production runs, but I understand much of this is a characteristic/limitation of this particular DSP chip.
Crane actually includes a note about weak images which you might find below and/or above your target signal. Weak images are an unfortunate reality of the CCRadio-EP Pro; they’re prevalent on both AM and FM.
Here’s how you’ll experience the images by way of example: let’s say you’re tuning to a strong local AM station on 630 kHz, noting that the EP Pro has 10 kHz tuning increments. As you tune to 630 kHz, you’ll hear the station on 620 kHz, though it won’t be as strong as it is on 630 kHz. Then if you tune to 640 kHz, you’ll likely hear a weaker image of the station there, as well. In my experience, images are present on both sides of the target station if the station is strong. If it’s a weak station, you might only hear it, say, 10 kHz lower but not above (or vise versa).
The CCRadio-EP Pro is powered by four D Cells.
As you might imagine, this poses a problem for the weak signal AM broadcast band DXer. Let’s say you’re trying to snag an elusive DX station on 640 kHz; although the EP Pro might have the sensitivity required to grab that station, it’s simply not selective enough (if selective is indeed the right word) to reject the local station on 630 kHz, thus your weak DX will have local competition.
This, more than any other negative, takes the EP Pro out of the realm of the mediumwave DXer.
I’ve also discovered that, on my unit, the top half of the AM dial is inaccurate. I estimate that the slide rule dial is off by about 40-50 kHz at the top end of the band. It’s much more accurate below 1,200 kHz, however.
Here is a few photo of the CCRadio-EP Pro tuned to 1600 kHz:
I hope C. Crane can address this in future iterations of the EP Pro. While I don’t expect slide rule dials to be extremely accurate, there nonetheless needs to be some reliability.
Note: C. Crane engineering is aware of this problem and even attempting to implement a fix on the first production run units. I will follow up when I learn more.
Negative Audio “pop” with power on
As you might have heard in the band scanning video above, any time you turn on the CCRadio-EP Pro, you’ll hear an audio “pop.” This is happening when power is applied to the audio amplifier. The pop is not soft, but fairly audible, and is present even if you turn the volume down all the way. The audio pop is prevalent via both the internal speaker and when using headphones. Fortunately, it’s much less pronounced via headphones. While not a major negative, I find it a bit annoying, and don’t doubt that other listeners will, too.
Note: C. Crane engineering tell me that they’ve minimized the audio pop since making the limited first production run, thus the first full production run should be improved.
Negative: AM frequency steps currently limited to 10 kHz
My initial production run EP Pro is limited to 10 kHz frequency steps. This radio is primarily marketed to North America where 10 kHz increments are standard. Of course, if you’re trying to use the EP Pro to snag Transatlantic or Transpacific DX, you’ll miss the ability to tune between those broad 10 kHz steps. But, again, due to the imaging mention above, I think the CCRadio-EP Pro is simply not suited for DXing.
Note: C. Crane engineering has informed me that future production runs of the CCRadio-EP Pro may have a 10/9 kHz switch, thus eliminating this negative. If you’re reading this review a few months after time of posting––crossed fingers––this may already be resolved.
FM Performance
If you’re looking for a simple AM/FM radio, and plan to spend most of your time on the FM band, you’ll like the CCRadio-EP Pro.
Positive: Audio
FM audio is very good on the CCRadio-EP Pro. I think it would be safe to say that it’s superior to most other receivers currently on the market in its $85 price range. Audio is room-filling and has good characteristics with dedicated adjustments for Bass and Treble. FM audio is reminiscent of 1970s-era solid-state receivers like the GE Superadio (a big positive, in my book). The bass is not very deep and resonant, nor the treble super-crisp, but the sound overall is very pleasant to the ear.
Positive: Sensitivity
The EP Pro is a sensitive FM receiver. It received all of my benchmark local and distant FM stations.
Positive: No drifting
As with AM, the EP Pro does not drift off frequency (again, this is actually a DSP radio).
The FM band is less affected by some of the negatives that impact AM broadcast band listening:
Negative: Inaccurate dial
As with the AM dial, FM frequency markings are slightly off. I measured the entire FM band and found that the upper half of the dial (above 102 MHz) seemed to deviate the most. See images below comparing the Tecsun PL-660 and CCRadio-EP Pro tuned to the same FM frequencies:
Here are a few examples of the CCRadio-EP Pro and Tecsun PL-660 tuned to the same frequencies:
Note: As mentioned above, C. Crane is trying to implement a fix for this in future production runs.
Negative: Imaging
As with the AM band, you will find imaging on the FM band. This bothers me less on the FM band, but I live in an area where the FM dial isn’t incredibly crowded. If you live in an urban market with stations packed into the dial, then the imaging concern will probably make the experience of listening to a weak station adjacent to a strong station quite unpleasant.
What about muting between frequencies? While you can hear frequency steps on the FM band, there is little to no muting between frequencies. It almost feels more like an analog radio.
Funny, but the weak signal images around a strong FM frequency actually help contribute to an analog-like experience during band scanning, as stations seem to rise and fall as you tune.
There is another factor that I don’t really consider a positive, but is worth noting. The EP Pro is one of the best mechanically-tuned DSP receivers to use on the FM band because the slide rule dial is wide––there’s a larger space for the needle to travel. FM band scanning would be a pretty pleasant experience if only the dial markings were more accurate.
Summary
Every radio has its pros and cons. When I begin a review of a radio, I take notes from the very beginning so that I don’t forget some of my initial impressions. Here is the list I formed over the time I’ve spent evaluating the C. Crane CCRadio-EP Pro.
Pros:
Excellent AM sensitivity
Good audio via internal speaker
Internal Twin Coil Ferrite AM antenna provides excellent gain and nulling
My conclusion is that the first production run of the CCradio-EP Pro is simply not an enthusiasts’ radio.
If you read the list of negatives in the AM performance section of this review, you’ll know why I simply can’t recommend it…at least not yet. If C. Crane could minimize AM muting, improve imaging and fix the frequency accuracy, this radio may prove more promising. But at this point, the limited production run CCRadio-EP Pro lacks the level of refinement that I’ve come to expect from a C. Crane radio.
For what it’s worth, I have been in close contact with C. Crane regarding these issues; the company is taking them to heart and even looking to implement some fixes/adjustments prior to their full production run. As these issues are resolved, I’ll amend this review. Click here to read the second production run review.
The lack of refinements is somewhat disheartening. Otherwise, the CCR-EP Pro would be a great mediumwave DXing machine. When on frequency, it’s quite sensitive and stable! Perhaps some mediumwave DXers could overlook the negatives above to take advantage of this. I would not, however. I’d soon find the problems frustrating and turn to other receivers in my arsenal. Sensitivity is important, but personally I would sacrifice sensitivity to have an overall better tuning and listening experience.
On the other hand––as C.Crane makes a point of stating––the CC-Radio EP Pro was designed around the needs of Bob Crane’s mother: so is essentially an effective radio for casual listening that’s utterly simple to use. In this respect, at least, the EP Pro is a success.
The EP Pro has no multi-function buttons, no menus, and no memories. The knobs and buttons are tactile and obvious. The backlit dial is also a nice touch; I love it. The EP Pro is old school design around a modern DSP chip and, in terms of audio, a hat tip to classic solid state analog radios from the 1970s and 80s.
The casual listener––especially those who use radio to primarily listen to their one favorite station––will enjoy the EP Pro. For example, I have an older friend who’s in the process of replacing his bedside radio of 30+ years. He wants a set he can tune to his staple AM broadcast station (which is not a super-easy catch) and leave it on frequency––essentially, he wants a “set it and forget it” radio. I think the EP Pro will work well for this application.
But for radio enthusiasts––like most of you wonderful people who read the SWLing Post––I would pass on the EP Pro and consider a more capable mediumwave radio instead like the original CCRadio-EP, the CC-Radio 2E, or a vintage solid state set like the GE Superadio, Sony-5500W, or the venerable Panasonic RF-2200.
You can purchase the CCRadio-EP Pro from the following retailers:
I’m in the process of writing up a review of the C. Crane CCRadio-EP Pro, but a number of readers have been asking about how pronounced muting is between frequencies while band scanning.
To be clear, the CCRadio-EP Pro is not a true analog set like the original CCRadio-EP (even though it looks like an analog set). The EP Pro is based on the Silicon Labs SI4734 DSP chip, hence the frequency steps in 10 kHz increments and are not fluid/seamless as they would on analog sets.
Muting is more pronounced on the AM broadcast band than it is on the FM band. Here are two video demonstrations:
The audio “pop” that I note (when the CCRadio-EP Pro is first turned on) is bit annoying and can even be heard in nearby radios if they’re on. While doing my comparisons with the Sony ICF-5500W and the Tecsun PL-660, for example, the audio pop could be heard in both units as I turned on the EP Pro. I’m willing to bet this is only prevalent in the DSP chip version of the EP series.
Follow CCRadio-EP Pro posts by bookmarking this tag: CCRadio-EP Pro
Earlier this week, I took delivery of the latest radio from C. Crane: the CCRadio-EP Pro. C. Crane sent me an early production model for evaluation.
Since posting an announcement last November, several SWLing Post readers have contacted me and asked if I would take a look at this next iteration of the venerable CCRadio-EP.
Yesterday, I started a proper evaluation of the EP Pro by taking it to a park where I compared it with my trusty Tecsun PL-660 on AM/mediumwave.
First impressions are favorable in terms of sensitivity, stability and audio, but with a number of caveats.
The Silicon Labs SI4734 diagram
The EP Pro is not a true analog set like its predecessor–it’s based on the Silicon LabsSI4734 DSP chip.
On the plus side, the new EP Pro will not drift like its analog ancestor (a common complaint from EP owners).
But truth be told, I’m not the biggest fan of mechanically-tuned DSP radios. Why? For one thing, it’s nearly impossible to eliminate muting between 10 kHz frequency steps on the AM band. Note here that the EP Pro is fixed at 10 kHz steps, though C. Crane tell me a future production run will have a 9/10 kHz step toggle.
Additionally, the EP Pro produces false peaks/images on either side of a strong AM or FM signal. In fact, C. Crane includes the following informational insert with the EP Pro:
This is going to be a quirky radio.
The tuning mechanism is…well…unusual…and takes some getting used to. I’ve also discovered that the top half of the AM dial is inaccurate. Here’s the EP Pro centered on WTZQ at 1600 kHz:
I estimate that the slide rule dial is off by about 40-50 kHz at the top end of the band. It’s much more accurate below 1,200 kHz, however. I plan to hook the EP Pro up to a signal generator and note the results in my forthcoming review.
Speaking of an EP Pro review, I plan to publish it within the next two weeks, so stay tuned!
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On top of the EP PRO are a red POWER button, a black button for lighting the tuning dial, a flip-up carry handle, and a 36-inch telescoping antenna for FM reception. (Inside the case is a ferrite bar antenna – 12mm x 200mm (7.9″) long with CCrane’s Twin Coil Ferrite® technology.)
