Many thanks to SWLing Post contributor, Dan Robinson, who writes:
Just ran across this guy’s site Pentti Stenman, who is in Finland.
Check out his audio and QLS, pennants as well…
Pentti’s collection is impressive indeed! Since he’s in Finland, some of his site is in Finnish, but it’s still quite easy to navigate and you can have Google translate it into any language.
I have pasted direct links below to Pentti’s various galleries.
QSL Gallery
Recordings:
Thanks again, Dan, for the tip!
Many thanks to SWLing Post contributor, Zack Schindler, who writes:
Oh this brings back memories. I bought a lot of stuff from Radio West. Here is their catalog from 1983. Had them install a Collins mechanical filter in my Kenwood R-1000.
Click here to download Radio West Catalog 5 (PDF).
Thanks for sharing this bit of retail nostalgia, Zack! This download is one of thousands available at the excellent American Radio History website.
Any other patrons of Radio West? Please comment!
This link was forwarded to our Amateur Radio Club by a member (who is quite proficient in Morse code, unlike me!) and I just had to share it with Thomas and the SWLing gang!
https://www.on6zq.be/w/index.php/Audio/CqSerenadeFr
There is both a French version and an English version of the song, so enjoy them both!
Robert Gulley, K4PKM (formerly AK3Q), is the author of this post and a regular contributor to the SWLing Post. Robert also blogs at All Things Radio.
Talk about hitting all of my nostalgia points! Hat tip to SWLing Post reader, Mitch, for sharing this ad from a 1960s comic book:
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Many thanks to SWLing Post contributor, Dennis Dura, who shares the following article which appeared in Jacob’s Media Strategies on Dec 31, 2018. I’ve pasted an excerpt below, but you’ll want to read the entire piece by clicking here:
Rekindling Our Fading Romance With AM Radio
I know I may sound like a relic from another era, but chances are if you’re a Baby Boomer (or gasp – even older), you were inspired by AM radio as a kid growing up whether it was in a big city or a small town. If you’re a member of a younger generation, you may not even know that AM – or amplitude modulation – has a magic power. At night when the clouds are just right, AM signals have the ability to “skip” across geography, unlike frequency modulation (FM) which is line of sight. “Clear channel” stations had an even easier time being heard beyond their metro confines – often covering many states during the nighttime hours.
Many of us radio veterans remember those nights, lying in bed, where your trusty bedside AM clock radio pulled in signals from all over the U.S. As a boy in Detroit and not especially well-traveled, I learned how to pronounced Des Plaines (Des-planes) and Touhy (2E) by listening to Chicago radio stations like WBBM and WLS. Tuning in KYW in Philly (which came in “like it was next door”), I learned how to spell the quirky town of Conshohocken from listening to Phillips Ford commercials. It was from a jingle that got in your head (CON-SHO-HO-CKEN). At least, it got in mine.
It didn’t matter if you lived in Dallas or Des Moines, or a small town in Delaware – you were able to pick up big AM radio stations from faraway. And if you talk to today’s broadcasters on the other side of 50, many will tell you their careers were likely inspired by these booming, exciting blowtorches on AM radio that provided a soundtrack for our teens.
AM radio was where we first heard the Beatles, the Supremes, the Stones, Stevie Wonder, and even the Doors. Big AM Top 40 stations of the day – KHJ, WABC, CKLW, WLS – played all these cool rock songs, right next to Herb Alpert & the Tijuana Brass, Elvis, Bobby “Boris” Pickett, and the Singing Nun. And even though the fidelity of amplitude modulation is obviously technically inferior to that of FM, there was something very different and even romantic about hearing all those songs first on AM radio.[…]
Continue reading the full piece at Jacob’s Media Strategies.
Thanks for the tip, Dennis! I think this piece speaks to so many of us radio listeners–especially this one who prefers the “fidelity of amplitude modulation” over so many other mediums.
Many thanks to SWLing Post contributor, Andy Howlett, who writes:
Always nice to see another WRTH arrive, even though I haven’t actually bought one for many years. Attached is a pic of the very first one I bought, back in 1980.
I only got it as it contained a review of the then spanking-new Trio R-1000 HF receiver, which I was thinking of splurging my meagre wages on.
On the basis of that review, I went ahead with the purchase and discovered it was a cracking RX and I only sold it on in the early 90’s to enable the purchase of an ICOM R-7000, another cracker!
Merry Christmas to you and all listeners everywhere.
Thank you for sharing your memories with us, Andy, and Merry Christmas to you!
I recently discovered a bi-weekly experimental arts-and-culture program called The Organist at KCRW. The latest episode is simply brilliant for those of us who love radio nostalgia.
Here’s the description for Part 1:
This week, we’re sharing a highly subjective journey through one narrow, eccentric, corridor of radio advertising, as heard through the ears of one man. His name is Clive Desmond. Clive is a radio advertising producer, writer, and composer. He’s been doing it for more than thirty years, and he’s won some of the industry’s top awards. Through those years he’s been sort of a zelig figure: you can find his face somewhere in the margins of every one of the medium’s key aesthetic revolutions. He’s rescued beautiful forgotten nuggets of radio history, and he’s delicately arranged them into a glittering associative chain—a constellation of jingles and spots that somehow all add up, to a life: The life of Clive Desmond as heard through the radio.
