Tag Archives: U.S. Agency for Global Media

Radio Waves: RCI Staff cut in half, DRM Newsletter Notes, and VOA in the Press

Radio Waves:  Stories Making Waves in the World of Radio

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors William Lee, Kris Partridge, Kim Elliott, and Jason Hauser for the following tips:


CBC’s plan for Radio Canada International sees its staff cut in half (CARTT.ca)

By Steve Faguy MONTREAL — This week, the CRTC began a two-week hearing into the renewal of CBC/Radio-Canada’s licences, a process which began more than a year ago. There will be days of questioning, dozens of intervenors appearing, and discussions of everything from children’s programming to the fees for CBC News Network to diversity, local news, online distribution and official minority communities. But one thing that probably won’t be discussed is a service the public broadcaster is specifically required by legislation to provide, relatively few know about, but that the company has seemingly treated like a forgotten stepchild: Radio Canada… [Note this article fades into a Paywall, but William recommends reading more at Fagstein.com]

Digital Radio Mondial Newsletter includes a number of announcements

Successful DRM for FM Simulcast Demonstration in Russia

The Russian company Digiton Systems, supported by DRM Consortium members, carried out a high-power field trial of the DRM standard in the FM band using the simulcast mode.  The trial report in St Petersburg covers the trial that took place from June – December 2019. The trial continues to be on air and its main findings will be collected in a more detailed ITU report.  Read more

The Indian Public Broadcaster Updates on 2021 Plans including digitisation

On the website of the Ministry of Information and Broadcasting, Prasar Bharati (the radio and TV Indian public broadcaster) has today clarified that no AIR station is being closed anywhere in any Indian state, some “fake news” widely circulated recently in the press.

All India Radio (AIR) stressed the importance attached to localism and the news projects included in its 2021-2022 plan. In its press release of January 13th.  Prasar Bharati mentions that it is also moving ahead with its plans to introduce Digital Terrestrial Radio in India. Select AIR channels are already available through Digital DRM technology to the listeners in many cities/regions on an experimental basis. Listeners in these cities/regions can experience the power of Digital Radio through a choice of multiple radio channels available on a single radio frequency in digital mode. Specialised Digital Radio Services available on DRM transmitters include AIR News 24×7 dedicated to news and current affairs, AIR Raagam 24×7 dedicated to classical music as well as local/regional radio services and Live Sports.

AIR Announces Tender for DRM Receivers

All India Radio announced a tender for the supply of DRM receivers.  More here

DRM FOR EDUCATION DURING COVID-19 AND BEYOND

DRM offers a solution for tackling the global disruption in education at a local level. DRM not only provides audio but also multimedia services consisting of Journaline text services, slides, graphics, and images simultaneously.  In this article published by Broadcast Cable & Satellite, a much-respected Indian publication, Yogendra Pal (Hon Chair, DRM India Platform) and Ruxandra Obreja (DRM Consortium Chair), set out the benefits of DRM technology in facilitating distance learning for all.  Read more 

DRM Providing Distance Learning Without the Internet

In the Fourth Quarter Broadcast Technology publication published by the IEEE, Thimmaiah Kuppanda and Alexander Zink, Fraunhofer IIs, explain how DRM and Journline technologies rise to the challenge of providing distance learning solutions where there is no internet availability.  Read more

Article published reproduced with permission from IEEE

How DRM Contributes to UN Sustainability Goals

In the latest edition of the ETSI magazine, Lindsay Cornell (BBC & Chair of the DRM Technical Committee), sets out how DRM (the only open digital radio standard) delivers substantial energy savings and gives access to remote communities.  Read more

Dxers Diary New Programme Launched on KTWR

Arun Kumar Narasimhan from Chennai in India has been producing and presenting a new short programme called “DXERS DIARY”.  From Sunday January 3rd he was on air presenting a 5-minute weekly DX programme in KTWR’s DRM broadcast (13800 Khz at 10.26 UTC) every Sunday. The programme is designed to make it easy for listeners to contribute to the advancement of the DX hobby.  The programme will include listeners’ logs, band scans from across the world and news and information on frequency changes by various radio stations. Listeners can send logs, bandscans and reception reports about DXERS DIARY to our email to [email protected].

Women in Broadcast Technology

The DRM Chair, Ruxandra Obreja is featured in a profile in IEEE focusing on “Women in Technology”.  Read more 

DRM SW Recordings Brazil, China and India

DRM shortwave recordings to Brazil broadcast by Radio Romania, China National Radio and recording received on the road in India.

Voice Of America White House Reporter Reassigned After Questioning Pompeo (NPR)

Voice of America White House reporter Patsy Widakuswara was reassigned Monday evening just hours after pressing Secretary of State Mike Pompeo on whether he regretted saying there would be a second Trump administration after President-elect Joe Biden’s victory was apparent.

Pompeo had appeared at the U.S. government-owned international broadcaster’s headquarters in Washington on Monday to make an address. He did not address last week’s assault on Congress by a mob filled with President Trump’s avowed supporters in his remarks, nor was he asked about it in a congenial question-and-answer session by VOA’s new director, Robert R. Reilly. To date, Pompeo, a steadfast Trump ally, has not substantively addressed the attack on the U.S. Capitol at all.

As Pompeo walked out of the VOA building, giving a thumbs up to a man with whom he exchanged remarks in the crowded foyer, Widakuswara lobbed several questions. She asked what he was doing to repair the reputation of the U.S. around the world. She finally asked: “Mr. Secretary, do you regret saying there will be a second Trump administration?” Pompeo did not acknowledge the questions.

She tweeted out videotaped footage of that exchange, which showed a throng of people around. Contemporaneous audio obtained by NPR shows she then turned to press Reilly: “Mr. Director, why did you not ask any of the questions that we wanted to know about?”

He asked who she was, and Widakuswara identified herself as a Voice of America White House reporter. An irate Reilly can be heard saying, “You obviously don’t know how to behave,” adding, she wasn’t “authorized” to be there to ask questions.

Widakuswara: “I know, but I am a journalist, and I am paid to ask questions.”[]

Voice of America journalists demand resignation of top officials, protest sidelining of two staffers (NBC News)

“It is not out of order for VOA journalists to ask questions of U.S. government officials. It is our job,” the journalists wrote in a letter.

WASHINGTON — A group of Voice of America journalists has signed a letter demanding the resignation of the director of VOA and his deputy, accusing them of using the network “to stage a propaganda event” for Secretary of State Mike Pompeo and for the “sudden and unexplained” reassignments of the chief news editor and White House correspondent.

The journalists said the actions of VOA Director Robert Reilly and Deputy Director Elizabeth Robbins violated the network’s decades-old charter, which states that the U.S.-funded outlet does not speak for the U.S. government, according to the letter obtained by NBC News.

Reilly and Robbins were recently installed by President Donald Trump’s appointee, Michael Pack, who runs the parent agency that oversees VOA, the U.S. Agency for Global Media.

The letter was sent to Pack, Reilly and Robbins and has so far been signed by two dozen journalists from the VOA’s staff of about 1,000.

At the network’s headquarters in Washington on Monday, Pompeo delivered a speech carried live on VOA, extolling the virtues of America’s free press and accusing the service of having overly negative coverage of the U.S. in the past. The broadcasters’ reporters were barred from asking questions and outside media were not allowed to attend, according to the letter and journalists who spoke to NBC News.

Pompeo “used this opportunity to attempt to direct VOA journalists to cease critical coverage of the United States,” and Reilly, who was on stage with the secretary of state, “did not challenge him — a disservice to our international audience,” the letter said.[]


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Radio Waves: Old Goats Are Going Away, Pack Accused of Fraud, Post-Brexit Radio Imports, and a TV Drama About Murder of G0HFQ

Radio Waves:  Stories Making Waves in the World of Radio

Because I keep my ear to the waves, as well as receive many tips from others who do the same, I find myself privy to radio-related stories that might interest SWLing Post readers.  To that end: Welcome to the SWLing Post’s Radio Waves, a collection of links to interesting stories making waves in the world of radio. Enjoy!

Many thanks to SWLing Post contributors Dennis Dura, Ronald Kenyon, Michael Guerin, and the Southgate ARC for the following tips:


Commentary: “The Old Goats Are Going Away” (Radio World)

Broadcasters need to act to refill our ranks before the dial goes quiet

I see trouble ahead in our business in the shortage of qualified broadcast engineers.

I am not speaking of IT people. I am speaking of the guy in a T-shirt and jeans who gets to the transmitter, looks for the problem, reads the schematic, crawls inside the box and replaces R-16, R-17, C-232 and Q-4, and the music again blares forth.

We are losing those guys every day, and they are being replaced by the guy who walks into the site, looks at the box, grabs his cell phone, calls BE or Nautel to find which board to pull, and ships it back while waiting for a loaner to get the rig going.

I never thought of myself as an old-timer. Starting in the business in 1963, old-timers were the guys I learned from, mostly World War II graduates. They knew everything about audio and RF. I wished I knew a tenth as much as they did.

My first real bit of engineering was converting a 50 kW FM station to stereo in 1963. No one listened to FM then, I think there were 10 FM radios in the city and five were in Cadillacs owned by mob hit men.

I remember putting the stereo generator in an eight-foot rack. It took up four feet of the rack and had enough 12AU7s in it to heat the building. It had two outputs, one L+R that went into the phase modulator of the serrasoid exciter and the L–R output that went into the exciter about 200 multipliers later (the crystal frequency was multiplied 864 times).

It was a technical nightmare compared to mono FM. Getting two matched phased phone lines from the studio to the transmitter over three exchanges was another task. But we were stereo most of the time.

The FCC had a rule that if you weren’t transmitting stereophonic program material for more than a certain length of time, you had to shut the stereo pilot off so as not to mislead the 10 listeners by illuminating their stereo beacon. So the pilot on/off was wired into the old Rust remote control so the studio could turn it off when a monophonic recording of a symphony played.

Times changed; we wound up with RF STLs, stereo generators on a single chip, CD players, computers and lots of stuff made in foreign countries that wasn’t worth fixing or whose parts were not available, so when they broke they wound up on a shelf at the transmitter site.[]

Voice of America CEO Accused Of Fraud, Misuse Of Office All In One Week (NPR)

Fresh crises and fresh challenges confront the Trump-appointed CEO of the parent of Voice of America, even with less than two weeks left of the Trump presidency.

To start, the Attorney General of the District of Columbia this week accused U.S. Agency for Global Media CEO Michael Pack of illegally funneling more than $4 million to his private documentary company through a not-for-profit that he also controls.

Then, five recent chiefs of Radio Free Europe/Radio Liberty – appointed under Democratic and Republican administrations – jointly warned President-elect Joe Biden that Pack poses “a long-term threat to the credibility and professionalism of the five networks” he oversees.

And now Pack is now being accused of trying to propagandize the Voice of America by a group of whistleblowers. They take exception to a planned appearance by Secretary of State Mike Pompeo at VOA’s Washington headquarters on Monday, just nine days before the Biden administration begins.

Pompeo will soon be out of his job. And it’s expected Pack will be replaced promptly as well. But he has sought to outlast his time in office by burrowing himself and conservative allies into boards that will steer Radio Free Europe/Radio Liberty, Radio Free Asia, and the Middle East Broadcasting Networks. The not-for-profit broadcasters are all funded by the federal government through USAGM.

Those networks, along with VOA and the Office of Cuba Broadcasting, collectively reach more than 350 million people across the world each week. They historically have demonstrated American pluralism by providing balanced coverage of news events and robust political debate, regardless of how it reflects on current government officials. The broadcasters are also intended to serve the citizens of nations which do not allow journalists to operate freely.[]

Radio imports (Southgate ARC)

Now that the United Kingdom has left the European Union, we will see major changes in importing radio equipment.

Definitive information is scarce but imports from the UK can have VAT paid on purchase or depending on the retailer, VAT may have to be paid before delivery. If it comes via An Post, any charges will have to paid before the item is sent out for delivery.

The Post Office employees will not be collecting money at the door. Whether duty is also collected is not very clear, but some sources say that anything originating outside the European Union will attract duty as well as VAT. There may also be a handling charge.

John EI7GL has compiled a list of radio and electronic dealers based in the European Union on his blog page and would welcome any updates you can supply.[]

TV drama about murder of radio ham G0HFQ (Southgate ARC)

On Monday, January 11, ITV will be broadcasting the first of a three part TV drama about the murder in June 1989 of Oxfordshire radio amateur Peter Dixon G0HFQ and Gwenda Dixon who were on holiday in Pembrokeshire

In the November 1989 Radio Communication magazine the RSGB asked:

Did you work GW0HFQ/M ?

As we’ve reported in previous editions of RadCom, Peter Dixon, G0HFQ. and his wife Gwenda were brutally murdered whilst on holiday in South Wales last June. Dyfed-Powys Police have asked us to say that they are still anxious to talk to anyone who had a contact with Peter whilst he was operating in Pembrokeshire as GW0HFO/M on 7 or 14MHz SSB. 28MHz FM/SSB or 144MHz FM. The dates between which they’d like you to check your logbooks are 19-29 June 1989.

Dyfed-Powys Police believe that Peter Dixon had a contact with another mobile station in the area on 28MHz FM on the morning of Wednesday 28 June.

The drama will be shown on ITV at 9pm on Monday, January 11, details at
https://www.itv.com/presscentre/ep1week2/
pembrokeshire-murders

A description of the murder is at
https://www.nickdavies.net/1992/06/27/the-tantalising-mystery-of-a-murder-in-pembrokeshire/

The October 1989 issue of 73 magazine carried a report, see page 13
https://worldradiohistory.com/Archive-DX/73-magazine/73-magazine-1989/73-magazine-10-october-1989.pdf


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Radio Survivor: “Inside the ‘Little Known’ Voice of America and the U.S. Agency for Global Media”

View of the Capitol Building from the roof of VOA headquarters on Independence Avenue.

(Source: Radio Survivor)

Over the past few months, there’s been a flurry of media attention focused on the United States Agency for Global Media (USAGM). Some reports describe it as a “little-known” agency and, in fact, it may seem mysterious to many in the United States, since it oversees international broadcasting programs all over the world, including Voice of America and Radio Free Europe/Radio Liberty.

USAGM has been in the news following the appointment of new CEO Michael Pack, subsequent personnel changes, and even a congressional hearing on September 24. This week we explore the history of USAGM and talk about some of the recent changes at the organization. We are joined on the show by Jane Curry (Professor of Political Science at Santa Clara University), Mark Pomar (National Security Fellow at Clements Center for National Security at University of Texas, Austin) and Brandon Burke (Associate Archivist at the Hoover Institution Archives). Jennifer Waits and Eric Klein host this week’s episode.

Click here to read the show notes and listen to this podcast at Radio Survivor.

Click here to subscribe to the Radio Survivor podcast on iTunes.

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USAGM’s Chief Executive John Lansing resigns

John Lansing (Source: BBG)

(Source: VOA News via Richard Cuff)

WASHINGTON – The U.S. Agency for Global Media’s Chief Executive John Lansing said he will be leaving his post at the end of the month.

Lansing, a veteran government broadcast and cable television executive, was named four years ago by U.S. President Barack Obama to be the first chief executive of the U.S. Agency for Global Media, which oversees the Voice of America, Radio and Television Martí, Radio Free Europe/Radio Liberty, Radio Free Asia, and Middle East Broadcasting Networks.

Lansing made his mark at the agency early on by championing a free press.

“Despite some very dark moments, we have not been silenced. We will continue to report the truth. We will continue to find new ways to get independent reporting and programming to global audiences who rely on it,” he said this year on World Press Freedom Day.

USAGM board Chairman Kenneth Weinstein said in a statement, “John has put USAGM on solid footing to advance our mission to inform, engage and connect people around the world in support of freedom and democracy. … The Board is very grateful for, and deeply impressed by, the results achieved during his tenure.”

Lansing has boosted the networks’ global weekly audience by more than 100 million and expanded the agency’s use of platforms from encrypted live broadcasting to shortwave radio to push content into countries that jam or ban American programming.

Under his watch, the agency also created Current Time, a network broadcasting news, features and documentaries for Russian speakers in 2017. Polygraph and Faktograph are websites aimed at combating a stream of disinformation by Russia state-controlled media. A new Persian-language service, VOA365, also started broadcasting earlier this year.

In a statement released late Thursday, Lansing said he would be starting a new position at chief executive at National Public Radio, a publicly funded nonprofit membership media organization based in Washington.

Lansing acknowledged challenges ahead for the agency with countries such as Russia, China, North Korea and Iran trying to control information and spread their influence throughout the world.

“Please keep abiding by the highest standards of professional journalism. Please keep fighting for press freedom. Please keep telling the truth. The world needs you now more than ever,” he concluded in his statement to employees.

Weinstein said in his statement, “It is the Board’s top priority to find the best individual to run USAGM upon John’s departure.”

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Independent review says U.S.-funded broadcaster failing to spread fair and balanced news

(Source: Washington Post via Mark Fahey)

A U.S. agency that is supposed to broadcast objective Spanish-language news programs into Cuba fails to meet basic standards of journalistic fairness[…] The review of [Radio] Martí content, conducted by Spanish-speaking academics and former journalists and released Tuesday, found the news organization routinely allows “almost any criticism of the Cuban government and its leaders” on the air. The effect, the report concluded, is that the station has sometimes resembled anti-communist propaganda and has failed to be a broker of fair and unbiased broadcast journalism, as is mandated by Congress.

John F. Lansing, the chief executive of the station’s parent organization, the U.S. Agency for Global Media, said the review did not find that the biased coverage had been directed by any political appointee of the Trump administration. Rather, he said, the failures flow from a “broken culture” at Martí, which has relied on Cuban dissidents as on-air personalities and on a small group of anti-communist organizations as sources for some content.

“I know it’s tempting to make an assumption about the Trump administration, particularly given the terms that have been used about the press, but I can tell you unequivocally that there has been no influence by the Trump administration,” said Lansing, a holdover from the Obama administration. Rather, he said, the report reveals “a lack of basic journalist standards across the board.”[…]

Read the full article on the Washington Post.

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USAGM’s increased audience: a side-effect of changing measurement methodology

Many thanks to SWLing Post contributor, Kim Andrew Elliott, who shares the following article and writes:

USAGM (US International Broadcasting and Associated Media) reported a 24 percent increase in measured audience in 2018. Why the sudden increase? Did a major war break out? No, the measurement methodology changed …

https://www.uscpublicdiplomacy.org/blog/usagm-audience-increase-less-startling-meets-eye

THE USAGM AUDIENCE INCREASE: LESS STARTLING THAN MEETS THE EYE

by Kim Andrew Elliott

A February 2019 email newsletter from John Lansing, CEO of the U.S. Agency for Global Media (new name for the Broadcasting Board of Governors) proclaimed that “2018 was a banner year” for USAGM. He noted that “USAGM programming was consumed by 345 million adults weekly worldwide—including radio, television and internet—an unprecedented year-on-year increase of 67 million from 2017.” This refers to the USAGM’s Audience Impact Overview for 2018 issued November 2018.

That would be a 24 percent increase in one year. As an international broadcasting audience research analyst for 42 years (10 in academia and 32 for the Voice of America and its parent agencies), a 24 percent “year-on-year” increase gets my notice. Why there was such a dramatic increase? Did a major war break out, causing people to seek information from abroad? No, nothing beyond the ongoing simmering regional conflicts. Did one of the USAGM entities score a new television affiliate, with a prime-time slot in a populous country? If that had caused the increase, I am sure it would have been highlighted in the report.

According to the press release (apparently no longer at the USAGM website but available here), “The measured weekly audience grew to 345 million people in FY 2018, from 278 million people in FY 2017, an unprecedented increase of 67 million.” The reader could easily interpret this as a sudden one-year audience increase of 67 million, but it is actually a change in the “measured” audience.[…]

Click here to continue reading the full article at the USC Center on Public Diplomacy. 

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Broadcasting Board of Governors (BBG) rebranded as U.S. Agency for Global Media (USAGM)

(Source: BBG/USAGM Press Release)

WASHINGTON, Aug. 22, 2018

John Lansing (Source: BBG)

Effective immediately, the Broadcasting Board of Governors (BBG), an independent U.S. government agency that employs thousands of talented journalists, storytellers, and media professionals, is now the U.S. Agency for Global Media (USAGM).

The U.S. Agency for Global Media is a modern media organization, operating far beyond the traditional broadcast mediums of television and radio to include digital and mobile platforms. The term “broadcasting” does not accurately describe what we do. The new name reflects our modernization and forward momentum while honoring our enduring mission to inform, engage and connect people around the world in support of freedom and democracy.

We recognize the overdue need to communicate the evolving, global scope of our work as well as our renewed, urgent focus on the agency’s global priorities, which reflect U.S. national security and public diplomacy interests. USAGM is an independent federal agency that provides accurate, professional, and objective news and information around-the-globe in a time of shifting politics, challenging media landscapes, and weaponized information. Our identity and name will now address these realities.

The decision to change our name was a result of thorough research and extensive consultation with numerous internal and external stakeholders, including the BBG Board of Governors, agency staff and leadership at all levels, the five networks, Congress, the Administration, and interagency colleagues.

As with the BBG, the U.S. Agency for Global Media encompasses five networks: the Voice of America (VOA), Radio Free Europe/Radio Liberty (RFE/RL), the Office of Cuba Broadcasting (Television and Radio Martí), Radio Free Asia (RFA), and the Middle East Broadcasting Networks (MBN). These networks collectively reach an unduplicated weekly audience of 278 million people in 59 languages and in more than 100 countries. Insulated by a firewall from political influence, these networks will continue to deliver truth and professional journalism to people living in some of the world’s most closed societies.

Now more than ever, people around the world need access to the truth. USAGM continues to tell the truth, and illuminate the world like no other news organization in the world.

Video: Lansing On USAGM

Click here to view on YouTube.

Learn more about U.S. Agency for Global Media 

For more information

Nasserie Carew

US Agency for Global Media Public Affairs

202-203-4400

[email protected]

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