Monthly Archives: November 2018

FTIOM & UBMP, November 11-17, 2018

From the Isle of Music, November 11-17, 2018:
This week, our special guest is Angel Yos, leader of La Mecánica Loca, whose album Vamo’ Hacerlo won the Popular Dance Music – Young Talents category in Cubadisco 2018. Put on your dancing shoes and enjoy!
The transmissions take place:
1. For Eastern Europe but audible well beyond the target area in most of the Eastern Hemisphere (including parts of East Asia and Oceania) with 100Kw, Sunday 1500-1600 UTC on SpaceLine, 9400 KHz, from Kostinbrod, Bulgaria (1800-1900 MSK)
2. For the Americas and parts of Europe, Tuesday 0100-0200 UTC (New UTC) on WBCQ, 7490 KHz from Monticello, ME, USA (Monday 8-9PM EST in the US). This has been audible in parts of NW, Central and Southern Europe with an excellent skip to Italy recently.
3 & 4. For Europe and sometimes beyond, Tuesday 1900-2000 UTC and Saturday 1200-1300 UTC (New CETs) on Channel 292, 6070 KHz from Rohrbach, Germany.

Uncle Bill’s Melting Pot, November 11 and 13, 2018:
Episode 87, Steiermark, Slovenia & Schwyz, features some of the best Volksmusik in this region from the 1960s and 1970s.
The transmissions take place:
1. Sunday 2300-2330 UTC (NEW UTC) (6:00PM -6:30PM Eastern US) on WBCQ The Planet 7490 KHz from the US to the Americas and parts of Europe
2. Tuesday 2000-2030 UTC (NEW CET) on Channel 292, 6070 KHz from Rohrbach, Germany for Europe. If current propagation conditions hold, the broadcast should reach Iceland AND Western Russia due to a long skip.
Also recommended:
Marion’s Attic, a unique program produced and hosted by Marion Webster featuring early 20th Century records, Edison cylinders etc played on the original equipment, comes on immediately before UBMP on Sundays from 2200-2300 UTC on WBCQ 7490 Khz.

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Midland WR120 Review: Aaron says weather radios, like smoke detectors, are something we all need

Storm with lighteningMany thanks to SWLing Post contributor, Aaron Kuhn, who writes:

“Weather radio? I’ll just use my cellphone for alerts.”

If you’ve ever uttered or thought the above words – take heed.

Late last week I awoke at around 12:30 AM to the sound of some incredibly strong winds outdoors. Glancing down at my completely muted phone, I opened up my text messages to reveal a Tornado Warning. In a panic, I threw on some clothes, gathered a dog harness and leash and made my way the pantry closest for shelter.

Then I checked my phone again – and realized that tornado warning was from 30 minutes ago and already expired. Crap. That was too close for comfort. I promptly went on to Amazon and ordered the Midland WR120.

I unboxed and set the radio up yesterday and I’m quite happy with it.

The first thing I suggest doing after initial setup is turning off the button beeps which are incredibly annoying. Past that, I’ve found the radio perfect for my needs of setting it on a window sill and (hopefully) forgetting about it until it alerts me to any nearby danger.

Since SAME Alerts work on a county basis, I was very happy to discover this radio allows you to disable certain kinds of alerts that may not be relevant to you.

One thing that I think Midland should include in the box printed (instead of ads for weather apps they don’t publish anymore!) is the “Editable Events list:
http://midlandusa.com/wp-content/uploads/2011/11/Editable-Events.pdf

By default, the radio doesn’t allow you to turn off 30 some events, including Tornado Warnings among them – this is a good thing in my opinion! However, it is a bit concerning when you first go to setup the radio and realized Tornado Warning is missing in the alert list. The reason for this is because this is one of the 30 some alerts you can’t disable.

Overall I’m happy with the radio, and hoping it’ll never fire off in the middle of the night on me any time soon – but I know it’ll be a lot more reliable than my cellphone prone to being muted.

I view weather radios like smoke alarms now, it’s stupid for you to not have one. I wasn’t expecting Tornadoes in November in Southeastern Pennsylvania, but apparently nature is one to surprise us continuously.

Thank you so much for sharing your story and your WR120 review, Aaron.

I love this quote: “I view weather radios like smoke alarms now, it’s stupid for you to not have one.” I agree completely!

A few weeks ago, there was an alert sent to every phone in the US all at the same time. I received my alert nearly 30 minutes late. Mobile phones and their networks are pretty amazing technology, but they’re not flawless.

We are so lucky to have a robust weather radio broadcasting infrastructure here in the US and Canada. An inexpensive radio like the WR120 will deliver weather alerts reliably and give you a preparedness edge.

And thank you for mentioning the number of events you can edit out of the alert system. No sense in receiving alerts you don’t need.

In addition, some weather alert radios default to receive alerts from counties and regions surrounding your own. I would suggest turning those off–limiting the alert area to your own county–else you could get a lot of alerts that don’t pertain to your location. Using the smoke detector analogy, receiving alerts from surrounding counties is much like putting a smoke detector directly over your stove! You’re just asking for false alarms. 🙂

Thanks again, Aaron, for the important PSA!

Keep in mind as the holiday season approaches: weather radios make for life-saving, affordable gifts.

Click here check out the Midland WR120 ($26.56 shipped) on Amazon.com (affiliate link).

Post readers: Do you have any other weather alert radio suggestions?  Please comment with your suggestions and experience.

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Review Update: CCRadio-EP Pro’s major improvements!

In April, I posted a review of C. Crane’s latest iteration of the much-loved EP series: the C. Crane CCRadio-EP Pro.

Although the new Pro model had the makings of a great, simple DXer-grade receiver, the first production run was plagued with issues that, in the end, prevented me from recommending it to radio enthusiasts and DXers. Frankly speaking, I was quite disappointed.

I evaluated the original CCRadio-EP Pro over the course of several weeks, documenting my findings in detail and sharing them with C. Crane both during the evaluation period and in my full review.

But to C. Crane’s credit––being a company of integrity––they responded to each point of criticism, promising to address the issues in the receiver’s second production run.

Enter the second production run…

About six weeks ago, I took delivery of a second-production-run CCRadio-EP Pro.

The second-run units have actually been shipping for a few months now, but due to nearly two months of travel and a hectic schedule following, my evaluation took longer than I had hoped. And if you’ve been following the SWLing Post for long, you’ll have noticed that I never rush a radio evaluation…and for good reason. Post readers are placing their trust in my review, so I must feel confident it’s as accurate––and as transparent––as I can make it.

Speaking of transparency, by the way, please note that C. Crane provided the initial and second production evaluation units at no cost to me.

What follows is a review of the second-run CCRadio-EP Pro. I would encourage you to read my original review before proceeding, because I am (only) addressing all of the negatives I listed from the previous review.  However, for your convenience, I’ve included quotes from the original here.

In a nutshell?  C. Crane listened to my list of concerns, and I’m very pleased!

Muting between frequencies?

 

From my first production run review:

[M]echanically-tuned DSP radios, like the new CCRadio-EP Pro, may look like analog sets, but inside, they’re entirely digital. And one drawback to all of the mechanically-tuned DSP radios I’ve tested so far is a tendency to mute between frequencies. With each 10 kHz frequency step, you’ll hear a short audio mute. If you tune across the dial quickly, audio mutes until you land on a frequency.

I’m pleased to report that C. Crane has significantly decreased the amount of muting between frequencies. Indeed, even on the AM band (which was most affected in the first production run), muting no longer distracts me from the experience of band scanning.

Unlike an analog receiver, if you tune quickly across the band, the EP Pro essentially mutes audio completely.  This is common with analog-tuned DSP receivers. This is still the case with the second production run unit, but this does not concern me, as I rarely move quickly across the bands while hunting weak signals.

Imaging?

From my first production run review:

Crane actually includes a note about weak images which you might find below and/or above your target signal. Weak images are an unfortunate reality of the CCRadio-EP Pro; they’re prevalent on both AM and FM.

On the initial production receiver, here’s how you might experience the images by way of example: let’s say you’re tuning to a strong local AM station on 630 kHz, noting that the EP Pro has 10 kHz tuning increments. As you tune to 630 kHz, you’ll hear the station on 620 kHz, though it won’t be as strong as it is on 630 kHz. Then if you tune to 640 kHz, you’ll likely hear a weaker image of the station there, as well. In my experience, images are present on both sides of the target station if the station is strong. If it’s a weak station, you might only hear it, say, 10 kHz lower but not above (or vise versa).

As you might imagine, this poses a problem for the weak signal AM broadcast band DXer.

I’m pleased to report that C. Crane has eliminated the false peaks around signals. This was a major negative from the original review. Now, as you tune across the bands, it feels more fluid, and when you hear a station you can be confident you’re actually on frequency as it seamlessly “locks” into place.

Well done, C. Crane!

Inaccurate dial?

At the top end of the band, the EP Pro tuned to 1600 kHz

From the first production run review:

I’ve also discovered that, on my unit, the top half of the AM dial is inaccurate. I estimate that the slide rule dial is off by about 40-50 kHz at the top end of the band. It’s much more accurate below 1,200 kHz, however.

I’m pleased to report that the dial on this second production run unit is now as accurate as any analog radio. I tested frequency accuracy across the entire AM/FM bands, and can reliably find stations. Another major negative C. Crane fixed!

Audio “pop” with power on?

From the first production run review:

[A]ny time you turn on the CCRadio-EP Pro, you’ll hear an audio “pop.” This is happening when power is applied to the audio amplifier. The pop is not soft, but fairly audible, and is present even if you turn the volume down all the way. The audio pop is prevalent via both the internal speaker and when using headphones. Fortunately, it’s much less pronounced via headphones.  While not a major negative, I find it a bit annoying, and don’t doubt that other listeners will, too.

C. Crane has managed to minimize–not eliminate–the audio pop. It’s much improved over the first production run unit. I think I would still make note of it in the “cons” section if this were my first review of the radio, but it’s truly a very minor complaint at this point.

AM frequency steps limited to 10 kHz?

Note the new 9/10 kHz switch below the AM Antenna switch

From the first production run review:

My initial production run EP Pro is limited to 10 kHz frequency steps. This radio is primarily marketed to North America where 10 kHz increments are standard. Of course, if you’re trying to use the EP Pro to snag Transatlantic or Transpacific DX, you’ll miss the ability to tune between those broad 10 kHz steps. But, again, due to the imaging mention above, I think the CCRadio-EP Pro is simply not suited for DXing.

I’m pleased to report that C. Crane has added a switch that allows the listener to toggle between 9 and 10 kHz AM steps! This was an essential upgrade for those of us planning to use the CCRadio-EP Pro outside North America, or for those of us attempting to chase signals from across the ocean. Very nice, C. Crane!

Conclusion

To their credit, C. Crane has addressed all of the major negatives I listed in my review of the first production run units.

And as a result, I can now recommend the CCRadio-EP Pro with confidence.

I should add that during the course of this evaluation, I spent some valuable time on the mediumwave/AM broadcast band and have been very impressed with the EP Pro’s sensitivity and selectivity. The AGC can cope with weak signals quite well; I noted none of the soft muting which plagues a number of other DSP receivers. And the Twin Coil Ferrite tuning can substantially improve reception of weak signals––don’t ignore that control on the right side of the radio! Very useful.

With renewed confidence in the EP Pro, when I have time this fall or winter, I plan to take it to the field and pit it against my beloved (and recently re-capped!) Panasonic RF-2200. I’m beginning to think it might be a real competitor. We will see.

I would encourage you to also check out Guy Atkins’ recent evaluation of the EP Pro. I’m in agreement with his assessment, which leads me to believe quality control is also consistent in the production run. Good news all around. I’m very happy that C. Crane fixed early production run issues with both the CCRadio-EP Pro and the CC Skywave SSB. Well done!  I’m so glad C. Crane paid attention.

You can purchase the CCRadio-EP Pro from the following retailers:

How to identify a second (or later) production run unit

I know I’m going to receive emails and comments about how to tell if one has a first or second production EP Pro. The answer is very simple…

If your unit has a 9/10 kHz step switch on the back (see photo directly above) then you have a second production run unit or later.  

While the first production run EP Pro will please most average radio listeners, I couldn’t recommend it for the level of radio enthusiast and DXer who spends time reading reviews on the SWLing Post.

If you plan to purchase the CCRadio-EP Pro this year, I would encourage you to check with the retailer to make sure you’re getting a unit from the second production run or later.


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Registration open for 32nd Annual Winter SWL Fest!

David Goren (left) and Richard Cuff (right) during the Shindig live broadcast at the Winter SWL Fest.

Many thanks to SWLing Post contributor (and SWL Festmeister–!) Richard Cuff, who writes:

Announcing a radio-related event that might interest folks here:

Registration now available for 32nd Annual Winter SWL Fest, to be held February 28th – March 2nd, 2019 at the Doubletree Suites Philadelphia West hotel in Plymouth Meeting, Pennsylvania. Even though the Fest has its roots in shortwave, our theme is now “Radio In All Its Forms.” We believe we’re the largest remaining gathering of radio enthusiasts left, and we hope you can join us!

We’re sticking with the formula that’s worked for the past two years: Formal events will begin roughly midday Thursday, February 28th, with the concluding banquet and raffle Saturday evening, March 2nd. It will be a while before the forum topics for the 32nd Fest are fleshed
out, but the program for 2018 is available as a reference for you to see what to expect.

You can register online and pay via PayPal at the website, http://swlfest.com; if you’re “old school” you can download and print off a paper registration form at the site and send in via Postal mail.

Do try and have your hotel and event registrations finished by January 25th; the special rate for Fest hotel rooms expires about that date, and rooms will likely be more expensive or even unavailable after that. Event registration fees also increase as of that date.

Links to an e-mail discussion group and our Facebook group appear on the right of the Fest website, if you have any questions or want to learn more about the event from those who have been there before.

Thank you, Rich!  You can count on my attendance! I look forward to the Winter SWL Fest each year!

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SDR Primer Part 3: From High-End SDR Receivers to SDR Transceivers

The following article originally appeared in the October 2018 issue of The Spectrum Monitor magazine:


Welcome back to the world of SDRs once again

In September we began of our three-part Primer on Software-Defined Radios (SDRs). Part One (September) focused on the nomenclature and components of a functioning SDR system; Part Two (October) took a look at some affordable SDR station options that will propel you into the world of SDRs for less than $200 US. This month, in Part Three––our final installation––we’ll dive a little deeper into the SDR rabbit hole, and investigate higher-end SDRs as well as ham radio transceivers with embedded SDRs.

Investing in SDR hardware

As we mentioned in Part 2 of our primer, gaining entry into the world of SDRs can be quite affordable. With merely $200 or less, you can fully explore the radio spectrum with an SDR that has truly excellent performance characteristics.

So, why would you pay more?

Let’s consider this.  If, say, you happen to live in an RF-dense environment, such as a busy city, if you live near strong broadcaster(s), and/or if you’re a DXer who’s seeking benchmark performance, then you might wish to devote a little more of your cash to your SDR hardware.

When you pay more for an SDR, the additional cost is typically going toward the hardware rather than the software. Indeed, my favorite SDR (software) applications are absolutely free, and pair with a number of benchmark SDRs. But good hardware is vital to performance. The lineup of SDRs––that is, the receiver hardware––discussed below typically has better filtering, preselectors, shielding, and receiver architecture focused on HF performance. They also tend to offer a more robust front end, lower noise floor, and better dynamic range. All of this, of course, results in better performance overall. Some of these SDRs also offer unique specialty features, like built-in web servers.

The following SDRs are carefully hand selected, and in my view, represent a balance between price and performance. And again, this is by no means a comprehensive list; it’s simply a selection of what you’ll find currently available on the SDR market.

So, without further ado, we’ll begin our discussion with “black box” SDRs, then move on to  SDR transceivers and transceivers with embedded SDRs.

SDRplay RSPduo

The SDRplay RSPduo

In May of this year (2018), the UK-based SDR designer and manufacturer SDRplay released their latest receiver: the SDRplay RSPduo.

What sets this little black box apart from the competition is just what its name implies:  the duo is a dual tuner SDR.  In other words, it’s two independent SDRs rolled into one.

Being the price leader in the world of SDRs, SDRplay retails the RSPduo for $279.95. And, I must add, it’s a true bargain for a feature-packed 14-bit high-performance device.

The RSPduo’s tuners can operate individually, anywhere between 1kHz and 2GHz, with up to 10MHz of working bandwidth. You could also set up the RSPduo so that both tuners can operate simultaneously, again between 1kHz and 2GHz, with up to 2MHz of bandwidth per tuner. The RSPduo has a high-stability reference along with external clocking features which makes this SDR an affordable option for industrial, scientific, as well as educational applications. It’s housed in a quality steel enclosure.

SDRplay’s development team is already working on new features such as true diversity reception, which will be included as a free upgrade to their popular SDRuno proprietary application.

To be clear, there is no other sub-$300 SDR on the market that currently has true dual-tuner functionality. Thus, the RSPduo is a good value, in my opinion––and an inexpensive upgrade to a proper dual-receiver SDR––so if this is something you’d like to add to your shack, go ahead!  Bite the bullet, and acquire an RSPduo. Likely you won’t regret it.

Check out the RSPduo via:

KiwiSDR

Photo by Mark Fahey

Like the RSPduo, the KiwiSDR has a unique feature that makes it stand out among the other receivers mentioned here: it is designed to be fully controlled via a web-browser-based SDR application. Not only can you use your KiwiSDR locally, but you can share it with the world via the KiwiSDR network. You can configure the KiwiSDR to allow up to eight simultaneous guest users, assuming only that you have access to the modest amount of Internet bandwidth this requires.

The KiwiSDR ships as a simple modular kit, and requires no special tools to assemble: the SDR is a custom circuit board (known as a “cape”) that you connect to BeagleBone Green or BeagleBone Black mini computer. (Click here to learn more about the BeagleBone).

The KiwiSDR is available in two versions: the SDR cape, alone, and a more complete version which includes the SDR cape, BeagleBone computer, enclosure, and GPS antenna. Both versions include all SDR software loaded on a micro-SD card.

Although the KiwiSDR might sound like an experimenter’s receiver since it requires a degree of assembly and configuration––at least, a bit more so than the other units I review here––it’s actually fairly simple to assemble, install, and put on the air. In fact, the only challenge that you might face is that of setting up your router for global access to your KiwiSDR. It does require either a static IP address or (more commonly) an IP address forwarding service. Check out the support documentation in advance to make sure your Internet connection will work.

The KiwiSDR covers from 10 kHz to 30 MHz, thus is not a wideband receiver like the SDRduo. Like the SDRs that follow, it focuses its performance on HF and lower bands.

I find it incredible that for just $299 US, you can purchase the full KiwiSDR kit––one that includes everything you need to put your SDR on the air and online. Because of this, I believe the KiwiSDR has become the dominant web SDR platform currently on the market. Perhaps this remarkable fact overshadows the fact that the KiwiSDR is also a superb performer, touting a brilliant dynamic range as well as overall excellent sensitivity and selectivity.

As my friend and fellow radio listener Mark Fahey, an early adopter of the KiwiSDR, is quick to point out, the KIwiSDR is unique in that it doesn’t connect to a PC or other computer to operate. It’s a stand-alone:  just connect an antenna, DC supply, and network cable, then you’re ready to go. All of the “work” is delivered by the piggyback BeagleBone CPU.

What’s not to love? While the web-based SDR application is full-featured, it does lack spectrum recording and some other advanced controls. This is due to the relatively modest processing power of the onboard CPU. That said, The KiwiSDR application does contain features/functionality via extensions that are fairly impressive.

Additionally, when updates are rolled out for the KiwiSDr application, these take effect globally. Only recently, for example, audio recording and amazing TDoA (Time Distance of Arrival) functionality were added.

Oh, and one more thing before we move on: the KiwiSDR is the only SDR I know that is exclusively controlled by a web-based SDR application for both the online guest and the local user/owner. There is no separate downloadable application.  Thus, whether you’re using your own local KiwiSDR or an online SDR, the user experience is exactly the same. It’s seamless and user-friendly…just as it should be.

Want to try the KiwiSDR before purchasing? Easy! You can browse and select any one of two hundred KiwiSDRs online on SDR.hu.

Check out the KiwiSDR via:

ELAD FDM-S2/FDM-S3

Italian-based SDR manufacturer, ELAD, has built a solid reputation over the years for truly pushing the SDR performance envelope in the $500-$1000 market.

I have owned their Elad FDM-S2 for four years now (check out my full review in the November 2014 issue of The Spectrum Monitor). The FDM-S2 continues to impress and to hold its own among more recent competitors––a true indication of excellent engineering and hardware.

The FDM-S2’s frequency coverage is 9 kHz-52 MHz, 74-108 MHz, and 135-160 MHz. I should note here that besides being a great HF and mediumwave performer, the FDM-S2 is an FM DXer’s choice receiver; FM performance on this rig is just superb.

ELAD supports all of their SDRs with their own proprietary application which, of course, is designed to take full advantage of the SDR’s available performance. The ELAD application is feature-packed and even includes built-in DRM decoding. Interestingly, it will allow the FDM-S2 to be used as two completely independent tuners in “double DDC mode”––the working bandwidth of each tuner, in this case, is 384 kHz, and each can be placed within one of the FDM-S2’s input ranges.

In truth, I like pairing my FDM-S2 with the excellent (and free) SDR Console SDR application; I prefer its user interface and recording functionality over the ELAD application.

If you live in an RF-dense area, you might consider one of ELADs external pre-selection filter systems to keep the FDM-S2 from overloading in the presence of very strong signals.

The FDM-S2 is currently priced at $529 US.

Photo of the new ELAD FDM-S3 from the 2018 Hamvention

Note that ELAD will soon be releasing the newest addition to their product line: the FDM-S3. I know very little about the FDM-S3, but I do know ELAD is promising groundbreaking performance and dynamic range, setting a new benchmark for the $1000 price bracket. We do know the FDM-S3’s processing bandwidth is an impressive 24.576 MHz––wide enough to include the entire FM broadcast band!

I’m not sure if FM DXers will be able to take advantage of spectrum recording at a 24 MHz bandwidth, because I suspect it could push 24GB of data per minute. The FDM-S3 may well keep up, but I’m not sure the typical computer hardware can handle that kind of data transfer…it may be likened to, in radio terms, drinking from the proverbial fire hose!

However: ELAD will be sending me a loaner FDM-S3 to review in the coming months, so stay tuned for more on this DXer’s dream rig!

The current FDM-S3 price, by the way, is 949.90 EUR.

WinRadio Excalibur

The WinRadio Excalibur

My first foray into the world of benchmark SDRs was made with the Australian-made WinRadio WR-G31DDC Excalibur. And although this SDR has been on the market for the better part of a decade, it still outperforms many of its competitors.The Excalibur’s frequency range is 9 kHz to 49.995 MHz, providing absolutely stellar performance across the spectrum.

It’s a favorite SDR in my radio shack, despite the fact that it can only be fully controlled by WinRadio’s own proprietary SDR application (at least, I know of no other compatible applications). On the plus side, the WinRadio application is one of my favorites.

The application’s file size is extremely compact––only a 9MB download. The user interface is logical, ergonomic, and responsive. Other than SDR Console, it has some of the best recording functionality available today.

I’ve logged more airtime with the Excalibur than with any other SDR I own, mainly because of its superb overall performance, responsive application, and recording functionality. I use the Excalibur as a benchmark for receiver evaluations and find that very few can match its solid performance.

The WinRadio Excalibur can be purchased through a number of distributors worldwide for about $950.

Enablia TitanSDR Pro

The Enablia Titan SDR Pro is an outlier product in our SDR Primer series, in that it retails in excess of $2,000. However, it’s the highest performing SDR I’ve ever tested. Serious weak-signal DXers will likely be quite pleased with this rig.

And speaking as a radio archivist, the Titan has the most powerful set of audio and spectrum recording features I’ve used, to date. Selectable spectrum recordings can be made from within the wide working bandwidth, and it can run up to four fully-independent SDR receivers, simultaneously.

The Titan comes with 16 frequency preselectors onboard, and a 9 kHz to 32 MHz frequency coverage. Its front end is simply bullet-proof, and thus could be operated in a demanding RF environment.

The TitanSDR ships with a brilliant proprietary application. It’s designed to make managing the Titan’s multiple virtual receivers and four independent SDR receivers as straightforward (and easy!) as possible. As I said in my review, Enablia engineers quite successfully accomplished this. The only downside is that only the TitanSDR application can run only the TitanSDR; no other third-party apps work with it. In addition, when making spectrum recordings, the file format is unique and the header information is actually stored in a separate file. This means when you are transferring a set of spectrum recordings, the header file must also be accounted for.

Of course, there is the daunting price tag of the TitanSDR, which makes it clear that this was a receiver designed for government and commercial use, in particular, for signal intelligence.  Thus it’s likely no surprise that the basic version of the TitanSDR retails for 1380 EUR, the TitanSDR Pro for an even heftier 1970 EUR.

To be fair, there are not many readers who would consider the TitanSDR Pro, but I thought it worth mentioning as it demonstrates a clear case of hardware becoming an innovation’s primary focus.

Enablia’s website is quite basic, so I would recommend you contact them directly to ask for a price quote if you’re interested in one of their TitanSDRs.

Other SDRs

The SDRs above represent merely a small slice of SDR market availability. There are several other notable manufacturers and SDRs worth considering, thus worth noting.

The Bonito Radiojet 1309 Plus

Germany-based Bonito manufactures a number of SDRs, antennas and components that are highly regarded among DXers. Bonito’s “hybrid” SDRs pack a lot of performance yet require very little in terms of computer resources.  Their latest SDR, the Bonito RadioJet 1309 Plus covers 0.02 MHz to 1600 MHz with a spectrum display that can be widened to 3.2 MHz. I have not personally evaluated the RadioJet 1309 Plus, but I did review an early version of the RadioJet (the 1102S) that lacked the additional IQ-receiver of the 1309. I found it an impressively sensitive and selective receiver with excellent audio characteristics. Click here to read that review.

The RFspace Cloud-IQ

RF Space has been manufacturing SDRs longer than many other manufacturers, and the company offers a number of products, including the SDR-IQ, the NetSDR+, the Cloud-IQ, and––soon to come––the CloudSDR.

In Part 2 of our primer, we mentioned the AirSpy HF+ which packs impressive HF performance. Airspy also manufactures the Airspy R2 and Spyverter R2–this $218 US combination produces a compact SDR package with excellent dynamic range and superb frequency stability.

I’m also fond of the classic Microtelecom Perseus SDR, which I’ve seen sold used for approximately $700 US. WinRadio, too, offers higher-end SDRs with a wider frequency range and working bandwidth than the Excalibur––so if your budget allows, you might consider these.

Regardless, keep in mind that if you want to use your monetary resources efficiently, there is no need to splurge for higher-end SDRs unless your use and application demands increased performance. Before you pull the trigger to buy such a rig, I would simply take into consideration the unit’s frequency range, working bandwidth, and performance characteristics, as well as taking the time to read plenty of user reviews. This increases the odds that you’ll get just what you want.

SDR Transceivers

So far, I’ve only mentioned SDR receivers in this primer, but there is a healthy selection of “black box” type SDR transceivers on the market, as well. By “black box,” I mean the transceiver itself (all of the hardware) housed in a box––with, of course, the relevant ports for antennas, data, power, mics, CW keys, and a number of peripherals. These SDRs almost always require a computer for operation, although lately manufacturers are beginning to offer optional touch-screen front panels which can bypass the need for external computer operation.

Unlike the world of tabletop radios, where it might be less expensive to invest in a general coverage transceiver rather than a dedicated receiver, SDR transceivers almost always cost more than an equivalent SDR receiver.

Also note that SDR transceiver applications do not always include audio and spectrum recording functions.  In addition, their working bandwidth might be more narrow that other receive-only SDRs, although they may offer more virtual receivers and spectrum “slices.”

Finally, SDR transceiver applications tend to be proprietary; when you purchase the transceiver, you’re also likely receiving the only SDR application that will interface with it. Hypothetically, if you purchase an SDR transceiver and the company that produced it goes under, you might have issues when the application is no longer updated with operating system upgrades and iterations.  The lesson here is that I believe you should try to stick with the healthiest companies and those with solid, large user bases. This increases the likelihood that the application will be supported in the future.

Low-cost, low power SDRs for the experimenter

We’ll start with the least expensive SDR transceivers designed with the experimenter in mind, that can, with a little adaptation, also be employed by ham radio operators as very low-power transceivers.

The HackRF One ($299) by Great Scott Gadgets is an excellent SDR. It has an incredibly wide frequency range (1 MHz to 6 GHz), and can transmit anywhere from 3 mW to 30 mW depending on the frequency. That’s flea power, true, but if your goal is to experiment in your local surroundings, it’s typically more than enough output. The HackRF is open-source and sports a large user community that have employed it in dozens of applications. The HackRF was one of the first SDRs to really give experimenters a full tool set to manipulate the world of wireless.

Check out the HackRF One via:

The LimeSDR board

The LimeSDR ($299) is another crowd-funded project that has been incredibly popular.  Like the HackRF, it is a low-cost, open-source SDR platform that can be used to support just about any type of wireless communication standard. What makes the LimeSDR unique is that it is integrated with a Snappy Ubuntu Core, which means users can simply install applications from an app store to increase functionality. As LimeSDR states, their platform “gives students, inventors, and developers an intelligent and flexible device for manipulating wireless signals, so they can learn, experiment, and develop with freedom from limited functionality and expensive proprietary devices.

Again, only consider the HackRF of LimeSDR if your main goal is to experiment with the world of wireless. If you’re looking for a full-featured SDR transceiver intended for ham radio, read on.

Ham Radio SDR Transceivers

The Flex Radio booth at the 2018 Hamvention.

Without a doubt, the dominant name in the world of US ham radio transceivers is Texas-based Flex Radio.  Flex has been around since the very earliest days of SDR transceivers and has produced a wide variety of high-performance rigs. In recent years, their product development and production has focused on higher-end transceivers with the discerning DXer and contester in mind. Their signature series SDRs pack incredible performance, yet can be operated from modest PCs since most of the processing horsepower and hardware are all within the radio chassis. Flex has also developed a fully wireless touch-screen Maestro Control Console that can be used over a local network, or even the Internet, to seamlessly control a remotely-connected Flex SDR. Flex Radio SDRs can cost anywhere from $2,000 – $7,500 US.

The Flex-6600

Gary Wise (W4EEY), my go-to guy for all things Flex Radio, also notes:

“One of Flex’s newest models, the Flex-6600, includes 7th Order Contest Band Bandpass Filters and dual Analog to Digital Converters. Which means that, using this radio, one can listen on one band while transmitting on another. Contesters call this ‘Single Operator Two Radio’ operation, and if you can do it successfully, it leads to big contest scores. Having this functionality in one box, without additional controllers and interfaces, is remarkable.”

Indeed.

Two other SDR transceiver manufacturers with large user bases are the Sweden-based SunSDR and India-based Apache Labs. Both companies produce high-performance SDRs and, like Flex, set benchmarks in terms of transceiver performance. I will not comment at length about either company because I’ve not had the opportunity of personally testing their products, but I encourage you to search online reviews about their products.

Tabletop SDR transceivers

The Elad FDM-DUO transceiver is both a stand-alone tabletop and fully-functioning SDR when paired with a PC.

There are a number of full-featured tabletop SDR transceivers on the market. One of the first SDR manufacturers to build a fully self-contained tabletop model with PC integration was ELAD, with their FDM-DUO QRP transceiver. Tabletop SDRs at the time of the FDM-DUO’s release were very limited in their functionality when connected to a PC. Some of them had stripped-down applications and lacked features like spectrum recording and multiple virtual receivers. The FDM-DUO, when connected to a PC running ELAD’s software, gives the user full control of the SDR.  Indeed, the experience is identical to that of using the FDM-S2 mentioned above, however the DUO is also a transceiver. Since the DUO’s release, other SDR manufacturers have designed models with full SDR application integration.

The Flex 6600M is a handsome standalone SDR transceiver.

Recently, Flex Radio introduced their Flex “M” Signature Series SDR Transceiver. These tabletop SDRs can be configured with most of the SDR receivers Flex currently produces. Their displays are impressive and useful; indeed, the spectrum waterfall resolution and size is one of the best I’ve seen on a tabletop transceiver.  The front panel is large and sports a number of controls, the design harkening back to large contest-grade transceivers like the Ten-Tec OMNI VII and Orion series.

The SunSDR MB1 at the 2018 Hamvention.

This year at the Hamvention in Xenia, OH, I had a chance to check out the SunSDR MB1. Like the Flex M series, the MB1 sports a comprehensive front panel and an amazing assortment of connections on the back panel. As I took a tour of this radio––and it really did require a tour, it’s so densely feature-packed––I was most impressed by the thought that went into this stand-alone SDR transceiver. I love the front panel display, graphics, and overall ergonomics. I understand it will also deliver benchmark performance; indeed with prices starting at a steep $7,000 US, I would expect nothing less!

SDR transceiver summary

As we’ve pointed out in this part of our primer, pure SDR transceivers are a product for radio operators willing to invest more financially in order to take advantage of the advanced functionality and performance a true SDR can provide. At present there are surprisingly few players in the pure SDR transceiver market; this is a product category ripe for expansion. And as more manufacturers get into the game, I believe competition will direct prices into even more affordable territory.

Transceivers based upon SDR technology

The final category we’ll discuss is transceivers based upon SDR technology.  It’s a sign of the times, indicating the direction that all enthusiast-grade transceivers and receivers are likely heading.

The Icom IC-7300 transceiver

Because the fact is, whether or not you feel inclined to embrace SDRs in your radio world, you may be surprised that you already have: for many years now, radio manufacturers have built their transceivers and receivers on SDR and I/Q quadrature down-sampling technology. All of the transceivers introduced in the past few years that sport on-board spectrum displays––like the Icom-IC7300, Icom IC-7610, and the new Yaesu FT-DX101D––are, of course, based on SDR technology.

Many others, like the Elecraft KX3 and KX2, which look much more like a traditional radio, are also based on SDR architecture. Indeed, almost all of the major manufacturers implement SDR technology in their current product lines. Manufacturers have caught on, learning how to leverage SDR technology in a way that maximizes receiver performance while keeping the overall price more affordable than comparably-performing legacy radios of former days.

Yet while these radios are SDRs at their core, they often are limited in their functionality when connected to a PC; most can be completely controlled by a PC and many can even export their I/Q data, but usually they won’t offer the working bandwidth and the advanced functionality of a true SDR transceiver.

Conclusion

If I’ve piqued your curiosity about the world of SDRs, and have yet to add one to your shack, I would encourage you to invest in an SDR receiver––at the very least, in one of the affordable rigs mentioned in Part 2 of this series.

Speaking for myself, I was once a “knobs and buttons” radio operator who thought I’d never want to control a radio through a computer and monitor. But when I hesitantly invested in my first SDR, I found it eye-opening––not to mention somewhat democratizing, in that it sets all radio listeners on the same level, as the spectrum becomes visually understandable, and thus accessible, to all who encounter it. I found that if you love to listen, also being able to look at your audio, especially when editing or archiving, but any time you’re tuning around through the spectrum,  just clarifies and enhances your overall radio experience. I soon became hooked…and have never looked back.

Now, I can assure you, I’ll never again be without an SDR. The ability to visualize our radio spectrum via SDR’s virtual window is truly illuminative.  What’s more, I’d even venture to speculate that you may share in finding the experience, if you’ll forgive the colloquialism, pretty darn cool.

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NY Times Op Ed: “My Love Affair With AM Radio”

Many thanks to a number of SWLing Post contributors, including The Professor, Patrick Stenbacka, and Larry W, for sharing a link to this opinion piece in the New York Times by author Erin Aubry Kaplan:

LOS ANGELES — Like many people who grew up in the 1970s, I came of age with AM radio. Everybody I knew — the black kids on my block, the white and Asian kids at my junior high school — followed the Top 40 and discussed the merits of the newest releases by Elton John and Eddie Kendricks.

[…]At home, the kitchen-counter radio was always tuned to KABC. It aired restaurant shows, call-in psychologist shows, news shows, all featuring sophisticated discussions of things I had only vague ideas about. My mother listened while she ironed or cooked or sat at the table paying bills. The radio was her company, and because I admired her (but didn’t quite know how to talk to her), it became mine, too.

To my ears the hosts — people like Michael Jackson, Dr. Toni Grant, Geoff Witcher — sounded like my mother: impassioned but thoughtful, often witty, opinionated but not obnoxiously so.[…]

Read this full Op Ed piece at the New York Times.

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Build a 433 MHz radio chat device with the Raspberry Pi

(Source: Southgate ARC)

Build a Secret Radio Chat Device

An article in Raspberry Pi magazine MagPi by PJ Evans of Milton Keynes shows how you can build a 433 MHz radio chat device to send wireless messages without needing WiFi

“Sure, WiFi is all well and good, but is it the only option for wireless communication on the Raspberry Pi? What if there isn’t a network available or you need a longer range? 433 MHz radio is where you want to be. In this tutorial we’ll add this capability to a pair of Pi boards and show how to send wireless messages from one to the other with no WiFi network. Then, we’ll increase the range with a touch of science and start talking to RF-based switchable main sockets. Have Pi-controlled sockets all around the house!”

The tutorial article appears on pages 44-47 of issue 75 November 2018 MagPi and can be seen online at
https://www.raspberrypi.org/magpi/build-433mhz-radio-chat-device/

Or you can download the PDF of MapPi magazine
https://www.raspberrypi.org/magpi-issues/MagPi75.pdf

PJ Evans
https://mrpjevans.com/bio/
https://twitter.com/mrpjevans

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