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Everything is the same as the previous model except it now covers 87.7 to 108 MHz.
People have been reported as being in big trouble for using 87.7 MHz, or is it because of their competitor, the Whole House FM Transmitter? This also covers the entire band but has serious build quality defects according to the Amazon reviews and costs more than the C.Crane FM-3.
Many thanks to SWLing Post contributor, Rafael Rodriguez, who writes:
Hi Thomas
Once again the Radio Tecsun model S2000 makes its appearance in a movie, this time in the Hollywood science fiction action and adventure production called “Moonfall.”
Without being a film critic, the movie is very regular ; but it gives screen to this radio that seems to be a favorite in the setting.
Good DX
Rafael Rodriguez R.
Bogotá D.C. – COLOMBIA
Great catch, Rafael. When I watch Moonfall, I’ll keep an eye out for that S2000! Thank you so much for sharing!
Many thanks to SWLing Post contributor, Al Hearn (WA4GKQ), who writes:
Thomas:
I’ve just received this Rotrics NexTube [see photo above] after a year of waiting. It was a KickStarter project and suffered numerous delays, and is just now shipping. It’s beautiful — real walnut wood, glass tubes and brass fixtures.
It appears at first glance to be yet another imitation Nixie tube clock but it’s actually much more than that. Each tube is a high-res IPS display that can display almost anything, including photos. It’s highly configurable, uses WiFi to connect to the Internet, and has an (yet undocumented) open API.
Being a ham and SWLer, I can envision someone much smarter than I programming this device to show real-time propagation data from beacons, propagation forecasts, etc. or other information of interest to those of us in the hobby. Imagine each of the six tubes graphically showing real-time band conditions on six different ham bands. It can already be used as a GMT clock. A set of three touch buttons allows app switching and user interaction.
With your infinite access to members of our hobby, I thought maybe you could find a way to expose this to those who might have an interest and expertise to create such an application for this amazing little device. I believe that its potential is almost unlimited, in ways the creators haven’t imagined.
73,
Al Hearn
WA4GKQ
Thank you for sharing this, Al! What a beautiful, modern take on the Nixie Tube clock! I love the simple design and versatility.
I’m very curious if any other readers have purchased the Nextube or have tinkered with the API. Please comment!
Hi Fastradioburst23 here, apologies to all of the SWLing Post community who tuned in last week but sadly CTRN wasn’t broadcast due to a problem at the sidings. The show will now go ahead this Sunday 24th July via WRMI on 9395 kHz at 2200 utc.
There’s always a chance of delays on the line but all being good this week there will be locomotive and electric classics for all train staff, station crew and passengers to enjoy including this classic below. Thanks in advance for travelling with us! Tickets please.
The Maritime Radio Historical Society is hosting a brilliant on-the-air event via KPH. I’ve pasted full details below, copies directly from the Maritime Radio Historical Society announcement:
The MHRS in cooperation with our good friends at the Cipher History Museum
will send a coded message in 5-letter groups via the facilities of coast stations KPH on Saturday July 23, 2022. The message will be encrypted using the famous Enigma code machine.
All KPH listeners are invited to try their hand at receiving and decrypting the message. Certificates will be awarded for proof of successful decode, first to decode and use of original hardware.
Mislaid your Enigma code machine? In the military you’d have some explaining to do, soldier. But for the KPH Crypto Event, no problem. See the ‘Enigma Simulator’ section below for a link to an easy-to-use Enigma simulator.
Enigma
The Enigma was the Germans’ most sophisticated coding machine for securely transmitting command and control messages via radio communications in WWII. It was considered so secure that it was used to encipher the most top-secret of messages.
The arrangement of Enigma’s rotors and plugboard connections provided a unique series of letter substitutions which changed with each keystroke. The daily rotor order and the ring and plugboard settings to be used were specified in a codebook distributed monthly to all users of a network.
For additional information on the Enigma please see Ralph Simpsons’ Cipher Museum History site
Crypto broadcast date, time and formats.
The crypto broadcast will commence at 2000Z (1300 Pacific) on 23 July on all KPH CW frequencies. The broadcast will consist of a ‘callup’ (in plain text) announcing the broadcast, followed by the cipher message. The callup and cipher messages will be sent at 15 WPM. The cipher message will be sent in 5 letter groups and the message will be sent twice to ensure proper reception.
The usual KPH channel marker or ‘wheel’ running at 20 WPM will precede the announcement for the crypto broadcast to give listeners a chance to tune to the strongest signal in their area.
The KPH CW frequencies are (in kc):
426 (after an announcement on 500)
4247.0
6477.5
8642.0
12808.5
17016.8
22477.5
Upon completion of the CW transmissions, the broadcast will be repeated on all KPH RTTY frequencies. The RTTY transmission will be 170cps shift Baudot, 45 baud.
The KPH RTTY frequencies are (in kc):
6324.5
8427.0
12585.5
Code Machine Key Settings – IMPORTANT!
Decoding an Enigma message requires the use of two keys: a Daily Key (valid for particular day), and a Message Key (unique to each individual message sent that day).
The Daily Key
Prior to decoding a message, the daily key must be set into your Enigma code machine. The daily key settings were specified in codebooks and distributed monthly. Please consult the following codebook to obtain the daily key setting for the GMT date of the broadcast.
Click HERE for the Enigma codebook. Use the “Armee-Stabs-Maschinenschlussel No 28” (Army Staff Machine Key Number 28). Notice each daily setting is across one line, starting with the first day of the month on the bottom of the sheet.
The Message Key
Starting in 1940, for additional security, the machine operator would randomly choose two groups of three letters to encode each message (in addition to the daily key settings above). These were known as the ‘message key’. The first group of three letters is used to encode the second group of three. Then the first group (in plaintext) and the second group (now encoded) are sent in the message header, along with the date and letter count, as explained in the above link. The recipient then uses the message key to decode the message. For more information see the following video on Enigma decoding procedures.
Click HERE to watch a video on Enigma coding procedures.
Enigma Simulators
So you had to toss your Enigma machine overboard when your U-boat was captured? Again, no worries. MHRS has you covered! Software simulations exist for the Enigma code machine.
Click HERE for an Enigma simulator. It is web-based, no download necessary.
Certificates
Upon proof of successful decode, the following certificates will be awarded:
– First to decode the Enigma message
– Successful decode using *original* hardware (i.e., an actual Enigma machine)
– All successful decodes of the message
To apply for a certificate, send the decoded message to [email protected] with the subject line ‘decoded Enigma message’. The First to Decode award will be based on the timestamp of the first email demonstrating a successful decode. For the Enigma Original Hardware certificate, send the decoded message *plus* a photo of your Enigma machine showing the daily key setting. Printed certificates will be mailed for ‘First-to-Decode and ‘Original Hardware’ awards. Certificates for ‘Successful Decode’ will be emailed in digital form suitable for printing at home.
More Information
For more information or questions about the KPH cipher broadcast send email to [email protected] with the subject line:
Of course, any of those Apollo era comms include loads of Quindar Tones, so this reminded me of the following post from the SWLing Post Archives. I thought I might resurrect it for those who might not have caught it when first published. Enjoy:
Quindar Tones: Those iconic NASA PTT confirmation beeps
Apollo 11 (Photo: NASA)
Yesterday, my family watched the successful launch of the NASA Demo-2 SpaceX Dragon via YouTube.
As astronauts Robert Behnken and Douglas Hurley communicated with Mission Control, we heard PTT confirmation beeps after each transmission.
Those beeps, of course, reminded me of past NASA missions and those iconic confirmation tones we heard in audio from the Mercury, Gemini, and Apollo days all the way into Space Shuttle missions.
I couldn’t find any information about Quindar Tones at the US Space and Rocket Center–although, admittedly, the place is massive and I could have easily overlooked it–so I did a little research when I returned home.
“I’ve always wondered what purpose the ‘beeps’ served that one heard intermittently during the voice communications with the Command and Lunar Modules during the Apollo missions, as well as other space missions.”
Journal Contributor Mike Dinn provides an MP3 clip ( 123k ) from a network audio check that includes numerous Quindar Tones.
Journal Contributor Markus Mehring replies:
“‘Other space missions’ is quite an accurate observation, since the ‘beeps’, in fact, are still in use today on Shuttle flights, at least on the UHF frequencies.”
“These beeps are called ‘Quindar-Tones’. Their purpose is to trigger the ground station transmitters when there is an outgoing transmission from Earth. The CapCom in the Mission Control Center, who is taking care of communications with the crew, uses his communication gear in a PTT mode exclusively. ‘PTT’ is short for Push-To-Talk, which means that the CapCom presses a button every time and as long as he wants to talk. (The crews back during Apollo – and also today – usually communicate via PTT as well, but they also have the so-called ‘VOX mode’ at their disposal, in which their microphones are voice-triggered by a certain adjustable threshold volume levels. VOX is used when they don’t necessarily have their hands free.)
When the CapCom presses his PTT button to start a transmission, an intro tone (2.525KHz sine wave with a length of 250ms) is generated and triggers the ground station transmitters to send. And when he is finished talking and releases the button again, a slightly lower outro tone (2.475KHz, sine, 250ms) is generated to trigger the ground station transmitters to turn off. So in short, these are remote control trigger tones.
Steve Schindler, an engineer with voice systems engineering at NASA’s Kennedy Space Center, offers the following history of [Quindar Tones] origins.
“Quindar tones, named after the manufacturer of the tone generation and detection equipment, are actually used to turn on and off, or “key,” the remote transmitters at the various tracking stations (Merritt Island Launch Area–now Kennedy Space Center, Bermuda, Australia, etc.) that were used to communicate with the Mercury through Apollo spacecraft and, in some cases, are still used with the Space Shuttle.”
[…]”Although it usually worked well, there were a couple of peculiarities with this system. If the transmitter was keyed and the telephone line connection broken, the transmitter would never get the tone to turn off. To prevent this there was a “transmitter on” light at each remote site that would come on when the transmitter was keyed. Someone was supposed to monitor the circuit and if the audio dropped, but the “transmitter on” light was still on, they would have to manually unkey the transmitter. Also, just before communications was handed over to a new tracking station, the key-unkey tone pair was sent 10 times to ensure that everything was functioning correctly. This was done before the audio was patched to the tracking station’s line so it wasn’t heard in the control room or on NASA Select audio.
The Quindar system was actually built from a piece of equipment that was used to put multiple teletype circuits on a single phone line by means of frequency domain multiplexing. Because replacement parts are no longer available, an “out-of-band signaling” system was installed in 1998 for the transmitters located in the U.S. This system uses a continuous tone that is below the normal audio frequency range. When the tone is present, the transmitters are keyed. When the tone is not present, the transmitters are unkeyed. It worked fine, but the Astronaut Office complained about the lack of tones which everyone had become accustomed to as an alert that a transmission was about to start. So, the Quindar tone generator, which was still installed in case it was necessary to key the transmitters at an overseas site, was re-enabled.
Even though you won’t hear the same Quindar tones in present-day space missions, you can listen until your heart is content at the website Apollo In Real Time.
If you’re fascinated with the NASA audio soundscape in general, you might check out the electronic music duo Quindar featuring longtime Wilco member Mikael Jorgensen, and art historian-curator James Merle Thomas.
Quindar: Mikael Jorgensen & James Merle Thomas. Photo by Chad Ress, Spacesuits by Cassandra C. Jones
Science Friday featured an extended interview with the group in 2017. If you love electronic music–especially if you’re a fan of Wilco, it’s well worth a listen:
FCC Enforcement Bureau traced FM signals after receiving complaints
Continuing its efforts to fight illegal broadcasts, the Federal Communications Commission has sent notices to five property owners and managers in and around New York City.
The letters from the Enforcement Bureau inform the owners that the FCC, after receiving complaints, traced unlicensed signals to each property in April, May or June. These letters inform the owners that under federal law, anyone who allows pirate radio broadcasting on a property can face significant financial penalties — up to $2.1 million.
The recipients are given 10 business days to show that they are no longer permitting pirate radio on their properties and to identify individuals engaged in pirate radio on the property that they own or manage. [Continue reading…]
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Many thanks to SWLing Post contributor, Ron, who shares information about the latest C.Crane FM transmitter:
