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As veteran SWLs may recall, the HRO-600 was pictured in the old Communications Handbook receiver sections.
The radio sold for the then astronomical price of $5600 US. Produced just as National was declaring bankruptcy, the 600 was the final radio from the company.
The condition if this HRO-600 is poor so it may not be salvageable, but it’s nice to see another one show up on the used market since supposedly only 200 or so were made.
Thank you for the tip, Dan! I hope someone grabs this HRO-600 and does a proper restoration job!
The Tecsun PL-660 (left) next to the XHDATA D-808 (right)
Many thanks to SWLing Post contributor, Andy, who writes:
Hi Tom,
I wonder if any of your readers has noticed anything with later model PL-660s.
My old PL-660 met with an accident recently (purchased about 2015?).
I bought a new one and was disappointed by what appears to be
a difference with the narrow and wide filter.
My old version seemed to work well, with 3kHz and about 6kHz
widths as one would expect.
The new one is a disaster, you seem to get 3kHz and 18kHz widths roughly
resulting in poor performance, especially on local AM stations.
It’s like the same station appears twice.
Also the filter is not symmetrical.
It’s all on the HF side of the signal and it’s awful.
The older model centred the correct bandwidths properly.
I’ve tried to do a bit of research, not much really but the little info that I have found appears to show that others have the same problem.
It makes the use of the wide filter in any mode useless.
I’m gonna send mine back.
73 de Andy G0FTD
Thanks for sharing this, Andy. I haven’t purchased a PL-660 in ages–in fact, I gave mine to a friend interested in shortwave a few years ago. I still use my PL-680 regularly. I suppose it’s possible you might have received a lemon; this isn’t uncommon as quality control varies with production batches.
SWLing Post readers: If you have noticed these symptoms–especially an abnormally wide filter width–with your late model PL-660, please comment.
Of course, who really knows? North Korea isn’t public about any of their activities, so we rely on information from enthusiasts who have taken it upon themselves to investigate and confirm. Johnson assumed, “The most likely use [of DRM] would be as an audio feed to other stations and sites.” He used Radio New Zealand’s DRM service as an example, but I felt this to be unlikely with North Korea who doesn’t seem to use FM, MW, or shortwave relay sites in other parts of the world.
Fortunately, our friend Mark Fahey is an expert on North Korean media, broadcasts, and propaganda. Mark is the author and curator of the dynamic Behind The Curtain project.
I reached out to Mark via text message regarding North Korea’s use of DRM. Here’s what Mark shared with me earlier this week. This roughly follows the string of messages we exchanged.
Mark writes:
[October 3, 2022] I have been turning into the North Korean DRM today on the new reported frequency in the [Red Tech] magazine: 6140kHz, though it’s not VOK, it’s a relay of 819kHz Pyongyang.
This service is called KCBS – Korean Central Broadcasting Service – it’s the main domestic service that is available on MW (a few FM outlets) and domestic SW across North Korea.
I will grab an audio ID off DRM for you at the top of the next hour – 0100 UTC. The DRM broadcast is only running one audio stream. It’s ACC audio 14.56kbps. As for purpose, maybe to feed the national AM relays, but also could be for North Korean ships, etc.
The other DRM frequency of 3205kHz is not on the air at the moment. I will check for it over the next 24hrs etc.
I just recorded the top of the hour. It was going in and out of DRM sync – I will send it now. I will grab a better sample tonight when there is a darkness path. The sun is well up in Pyongyang & Sydney at the moment (Noon Sydney – 10AM North Korea). Here is the Top Of The Hour ID from 10 minutes ago…
KCBS 6140 kHz (October 3, 2022)
I will record the station opening as well tomorrow morning – this domestic service also has an interval signal (the same tune as VOK–the first bars of “The Song (Hymn) of Kim Il Sung”). The opening is at 2000 UTC.
[October 4, 2022] OK here you go: both audio files (one from 6140kHz and the other from 3205kHz) are just from minutes ago as KCBS Pyongyang signed on. The signals go in and out of DRM lock here and this morning 3205kHz was the better–displayed at SNR at 13dB but still the DRM signal was breaking up.
Both DRM transmitters are running the same program: the main MW national service as heard on 819kHz in Pyongyang.
So I’m sure this DRM has nothing to do with the Voice Of Korea and is for domestic purposes.
I actually do not think it has anything to do with feeding remote transmitters as the DPRK has fibre and microwave links already in place for that purpose. I myself think it’s more likely intended for North Korean fishing vessels, navy, merchant shipping etc. But of course, nobody truly knows!
KCBS 3205 kHz (October 4, 2022)
KCBS 6140 kHz (October 4, 2022)
Thank you so much for your recordings and insight, Mark!
As I mentioned, Mark has a massive DPRK audio repository on his website Behind The Curtain. These are recordings you simply can’t find anywhere else, including hours of pristine Pyongyang FM recorded on a CC-Crane Witness Mark personally smuggled into Pyongyang.
In fact, the above photo is the CC Witness in Mark’s hand overlooking central Pyongyang.
Mark told me that the CC Witness was ideal–he used it on a number of content gathering trips to North Korea as it resembled an MP3 player or dictation recorder rather than a radio. Since it wasn’t suspected as being a radio recording device, it passed through the North Korean border each time without incident.
It’s an understatement to say that Mark took a number of risks to gather North Korean media from “Behind the Curtain.” Thank you, again, Mark, for sharing this info about DPRK DRM broadcasts.
The vast Okeechobee, Fla., antenna farm of privately-owned WRMI, which transmits programming to the world via shortwave radio, was hit hard by Hurricane Ian.
WRMI has 14 transmitters and 23 antenna systems. “We had winds up around 100 miles per hour, and that did a real number on our antenna field,” said Jeff White, general manager of WRMI.
“So far we have three antennas that are probably destroyed beyond repair: one to Europe, one to Africa and one to Central America and the South Pacific.”
As pressing as rebuilding these three antennas is for WRMI, “The biggest job we have at the moment is putting back up dozens of telephone poles that carry the transmission lines from the transmitter building to the antennas,” said White. [Continue read at Radio World…]
Many thanks to SWLing Post contributor, Alex, who notes that some of VOK’s language services are now available in podcast form. If you wish to hear some old school propaganda in high fidelity, this is a good way to do so: check it out on Castbox.
After posting information about the new Belka upgrades yesterday, Belka designer, Aleksandr Buevskiy, reached out to me and shared the following details and clarification about the latest design:
I would like to share some more details/photos about Belka so that there is clear understanding of what features the new version has.
First, regarding its name. Now there’s no “DX”, “DSP” or something else. Belka is just named “Belka”. As simple as that 🙂
Second, frequency range was extended with the same parameters and performance. It’s now 0,1-31 MHz.
In previous versions there were 32 memory cells, we’ve now added a few more – 36 is exact number now to be precise.
One more thing about memory cells is that now there is a possibility to listen to memory cells before loading. See attached how it looks like (I’ve added video illustrating memory cells listening just because there were questions).
I also attach several photos of new version and add block diagram. You’ll find attached also PCB photo of new version:
Cheers,
Alex
EU1ME
Thank you for sharing all of this detail, Alex. I believe your new Belka will be a hit! I’m sure readers reach out with their reviews and we will share them here on the SWLing Post!
I received the following message/announcement below from Ethan at Ham & HiFi regarding some inventory they have of the original Chameleon CHA RXL loop antenna. This antenna is the one Dan Robinson originally reviewed and Josh at Ham Radio Crash Course demonstrated in a video.
Note that they’re offering this deal as an exclusive to SWLing Post readers and also volunteered to give back a modest percentage of the sales to the SWLing Post coffee fund. They would obviously like to move this inventory, hence the discounts, etc.
This antenna would benefit from a BCI filter especially if you live near a broadcast station; something like this one (you would need adapters for SMAs). As Ethan notes this loop has been replaced by the CHA RXL-Pro at Chameleon (click here to read Dan’s review of the new loop).
Many thanks to Ethan for sharing the following announcement/promotion:
Here’s a great chance to pick up a Chameleon RXL LOOP antenna at an unbeatable price! This broad-banded receiving antenna is perfect for shortwave listening and other applications as it covers 137.5KHz through 30.0MHz. The only difference between this antenna and Chameleon’s new RXL PRO is the preamp design, otherwise its construction is identical.
Ham & HiFi is making these RXL LOOP antennas available to SWLing.com subscribers for $320 + shipping. The new RXL PRO retails for $525, so this is a great chance to save some money! Again, this price is only available to SWLing Post subscribers, so please be sure to reference this promotion.
Place your order by contacting Ethan at 866-988-0073 or email at [email protected].
Internet Archive has begun gathering content for the Digital Library of Amateur Radio and Communications (DLARC), which will be a massive online library of materials and collections related to amateur radio and early digital communications. The DLARC is funded by a significant grant from the Amateur Radio Digital Communications (ARDC), a private foundation, to create a digital library that documents, preserves, and provides open access to the history of this community.
The library will be a free online resource that combines archived digitized print materials, born-digital content, websites, oral histories, personal collections, and other related records and publications. The goals of the DLARC are to document the history of amateur radio and to provide freely available educational resources for researchers, students, and the general public. This innovative project includes:
A program to digitize print materials, such as newsletters, journals, books, pamphlets, physical ephemera, and other records from both institutions, groups, and individuals.
A digital archiving program to archive, curate, and provide access to “born-digital” materials, such as digital photos, websites, videos, and podcasts.
A personal archiving campaign to ensure the preservation and future access of both print and digital archives of notable individuals and stakeholders in the amateur radio community.
Conducting oral history interviews with key members of the community.
Preservation of all physical and print collections donated to the Internet Archive.
The DLARC project is looking for partners and contributors with troves of ham radio, amateur radio, and early digital communications related books, magazines, documents, catalogs, manuals, videos, software, personal archives, and other historical records collections, no matter how big or small. In addition to physical material to digitize, we are looking for podcasts, newsletters, video channels, and other digital content that can enrich the DLARC collections. Internet Archive will work directly with groups, publishers, clubs, individuals, and others to ensure the archiving and perpetual access of contributed collections, their physical preservation, their digitization, and their online availability and promotion for use in research, education, and historical documentation. All collections in this digital library will be universally accessible to any user and there will be a customized access and discovery portal with special features for research and educational uses.
We are extremely grateful to ARDC for funding this project and are very excited to work with this community to explore a multi-format digital library that documents and ensures access to the history of a specific, noteworthy community. Anyone with material to contribute to the DLARC library, questions about the project, or interest in similar digital library building projects for other professional communities, please contact:
Kay Savetz, K6KJN
Program Manager, Special Collections [email protected]
Twitter: @KaySavetz
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