Check out this video of Dan Robinson comparing his Sony ICF-6800 with the JRC NRD-301A, Eddystone 1650/9, RFT EKD-515, Drake R7A, and the WJ8718A/MFP:
Thanks for sharing, Dan! Impressive lineup!
Category Archives: Reviews
Video: Chris reviews the Tecsun 2P3 AM radio kit
SWLing Post reader, Chris, writes:
“I just wanted to let you know that I just put together the Tecsun 2P3 AM radio kit over the holiday break. I wanted to also let you know that I made a YouTube review on this radio and some of the short comings on this little radio. I think that some of your readers may be interested also. I have the link below for your review and if you like, you can share it with your readers.”
Many thanks, Chris, for sharing your video! I plan to purchase this kit soon and look forward to referencing your video again and appreciate your advice.
Click here to view Chris’ video on YouTube, or simply watch via the embedded video below:
The Tecsun 2P3 AM radio kit is available from various sellers on eBay–click here to search.
Allan’s video review of the CountyComm GP5/SSB
SWLing Post contributor, Dave Zantow (N9EWO), writes:
Allan’s (W2AEW) excellent “You Tube” Video has just been posted here on the CountyComm GP-5/SSB:
Many thanks for sharing this video, Dave!
Readers: I suggest you check out the library of informative videos Allan (W2AEW) has created over the years and even subscribe to his YouTube channel. His tutorial videos are quite professional and he does a brilliant job explaining complex electronic principles. Indeed, be sure to check out one of his latest on the ETOW HumanaLight kit:
Dave’s review of the CountyComm GP5/SSB
Dave Zantow (N9EWO) has just posted his review:
CountyComm GP5/SSB Pocket Portable (with SSB) Review Now Posted
Now posted up on my web page. It’s mid way down. Note : I also totally updated my Tecsun PL-360 review as well (the first top review on this same page).
Dave’s reviews are always top-notch, so you should read this one if considering the GP5/SSB. If you haven’t already, you can click here to read our recent review of the CountyComm GP5/SSB as well.
A review of the CountyComm GP5/SSB portable radio: a great preparedness radio
On Tuesday I received the new CountyComm GP5/SSB portable shortwave radio, a sample sent me from CountyComm. If you’re familiar with the current shortwave portable landscape, then you’ll quickly note that the GP5/SSB shares a striking resemblance to both the GP5/DSP and the Tecsun PL-360. While I hadn’t anticipated writing yet another radio article before the end of the year, having just published a lengthy review of the CC Skywave, my curiosity got the best of me…and before I knew it, I’d spent a few hours listening to and making notes about the CountyComm GP5/SSB as I put it through its paces. In the end, I found I had the makings of a review.
Who is CountyComm?
Unlike most other brands I review, CountyComm has only one or two shortwave radio offerings. I wanted to know a little of the back story and motivation behind creating the GP5/SSB, so I contacted CountyComm directly and spoke with their representative, Nick.
Nick explained that CountyComm is a retail distributor of products created primarily for US government use. In a sense, CountyComm is the consumer spill-over from the thousands of products intended, for example, for state and federal agencies.
According to CountyComm, the GP5/SSB is a case in point. The company received a large order from a US government department for an “inexpensive, small portable, AM/FM/SW radio with SSB” for emergency supply caches and diplomatic posts. The GP5/DSP (a.k.a., Tecsun PL-360) fit the bill, but lacked SSB. The request was large enough that CountyComm approached SiLabs–manufacturer of the DSP chip in many of the portables on the market–and asked for help. SiLabs made some design changes and worked directly with the factory in China to produce the GP5/SSB.
Besides SSB, another interesting design CountyComm implemented was extending the upper frequency range of the GP5/SSB to 29,999 kHz; previous and similar Tecsun models only had an upper limit of 21,950 kHz.
You may note that as of today, there are no similar Tecsun portables on the market–this is because the first batch of units were designed for (and all purchased by) CountyComm. However, I have already heard rumblings that there will soon be a Tecsun PL-365 on the market–if so, no doubt it will turn out to be the GP5/SSB.
First impressions
Appearance-wise, the GP5/SSB is nearly identical to its predecessor, the GP5/DSP or Tecsun PL-360. The vertical form factor is rather unique in the ultra-portable world, this radio is designed for one-handed operation, much like a handy-talky. The volume and tuning controls are on the right side of the radio and are designed to be operated by thumb (for right-handed operators, at any rate). All of the buttons on the front face are easily operated by your thumb–they’re small, but have a firm response. The GP5/DSP (like its predecessor) lacks a back stand, but does have a belt clip.
The small internal speaker produces clear audio, but sounds a little tinny; there is not even a hint of bass. Via headphones, the audio quality is far better.
Besides a slight modification to the keypad layout to accommodate the new addition of SSB and a bright green antenna tip, the radio is identical to the GP5/DSP and Tecsun PL-360.
FM Performance
The CountyComm GP5/SSB, like many other SiLabs-based receivers we review, has excellent FM sensitivity.
Medium Wave (AM broadcast band) Performance
While I have not yet had the opportunity to do a proper comp recording session with the CountyComm GP5/SSB versus comparable radios, I plan to do so in the near future…stay tuned for that, right here! I’ll create a post to give you a heads-up when I’ve added medium wave samples to this review.
With that said, I expect the GP5/SSB performance on medium wave will be very similar to that of the GP5/DSP and Tecsun PL-360. I like the included rotatable ferrite bar antenna that plugs into an external antenna port on top of the radio. It certainly helps with both overall sensitivity as well as nullifying unwanted signals.
Shortwave performance
I’ve had a couple of opportunities to compare the GP5/SSB with other portables on the shortwave bands; embedded audio samples follow of a strong station, a weaker station, and even an SSB sample. Note that all of the sample recordings were taken during poor band conditions–QSB (fading) is pronounced.
Single-sideband
Of course, when I received the GP5/SSB, the first thing I did was tune the ham radio bands in SSB mode.
Nick, the CountyComm rep in charge of the GP5/SSB design, is an amateur radio operator, and I’m pleased that he represented the importance of a truly functional SSB mode on this radio.
The GP5/DSP only has 1 kHz tuning steps: more than adequate for broadcast listening, but too coarse for SSB. Amateur radio operators do not necessarily transmit right on a frequency; they’re often slightly off-frequency, either accidentally or intentionally. And older ham radios are also prone to drifting until the rigs have properly warmed up. Radios with SSB need finer-tuning controls to hone in on SSB signals. But the GP5/SSB has a work-around for this.
The GP5/SSB accommodates SSB by allowing the listener to select either the upper or lower sideband, then use the BFO function to help fine tune and zero-beat a signal.
Specifically, here’s how to tune to an SSB (phone) amateur radio signal with the GP5/SSB:
- Turn on either the upper or lower sideband, depending on the meter band (generally, 40 meters and below are lower; all else, upper).
- When you hear a signal, use the 1 kHz tuning increments to find where it’s strongest.
- Now, press the BFO button once to activate BFO tuning; the U or L (indicating upper or lower) will begin to blink.
- While the sideband indicator is blinking, use the tuning wheel to adjust the BFO. Adjust tuning until the voices in the signal sound natural.
Once you’ve done this a couple of times, the process becomes second nature.
Overall, I’m very pleased with the SSB functionality and performance. While I prefer either very fine tuning increments, or a separate BFO knob (no room for that on this tiny radio), I appreciate that CountyComm has used the BFO function to eliminate the need for a separate tuning wheel.
Audio samples
While there are a number of portable radios with SSB on the market, there are very few in this $80 price range with SSB. Indeed, to my knowledge there are no other SSB-capable portables currently on the market that are as compact as the CountyComm GP5/SSB.
I decided the best comparison radio would be one with a similar price, thus I used the Tecsun PL-600, which (at time of posting) is readily available from Amazon for the same $80 price tag as the GP5/SSB.
Below, you can hear two representative audio samples of how each radio receives an SSB conversation between two ham radio operators on the 20 meter band. I like this sample because one of the operators has a very strong signal, while the other is much weaker:
You may notice that the GP5/SSB has a slightly higher noise floor and DSP artifacts while listening to the weaker signal. The PL-600 sounds a little muffled in comparison.
I listened to many SSB signals that afternoon on the 20 and 40 meter ham radio bands. At length I concluded that I prefer the PL-600 for weak-signal listening. The PL-600’s AGC could cope with the QSB better than the GP5/SSB.
With the majority of the SSB signals, however, I found that the GP5/SSB’s audio was clearer and voices seemed to “pop” out better than on the PL-600.
I should note that I also attempted to include the Grundig G6 in this comparison, but the G6 somehow picked up noise from my digital recorder, thus making the recorded audio sound worse than it actually was. To my ear, the Grundig G6’s SSB reception was very similar to that of the CountyComm GP5/SSB–the G6 perhaps has a very slight edge in terms of weak-signal reception.
Shortwave broadcast listening (AM)
Wednesday afternoon, I had the good fortune to tune in a relatively loud broadcast on 9620 kHz–turns out, it was Radio Nacional de España–! (This is a new shortwave relay service intended to replace the Radio Exterior de España (REE) service that ended in October 2014).
I still had the PL-600 hooked up to my digital recorder at that time; here’s the comparison:
CountyComm GP5/SSB on 9620 kHz
This morning I also had an opportunity to record Radio Australia on 12,065 kHz. This time, I had the Tecsun PL-310ET handy, so I used it for comparison:
CountyComm GP5/SSB on 12,065 kHz
As you probably hear in these examples, the GP5/SSB has fine sensitivity, though not quite as good as the PL-310ET.
I’ve also noted good selectivity during casual broadcast listening with the GP5/SSB.
However, I do not like the GP5/SSB’s AGC (auto gain control) as well as that of the other portables in this comparison–it’s a little too reactive to fading on the broadcast bands. To be fair, these audio samples really accentuated the AGC on the GP5/SSB since all were made during poor reception conditions and pronounced fading.
Under normal conditions, I believe I would be quite pleased with the GP5/SSB; it’s otherwise on par with most of the other ultra-portables on the market.
Summary
Every radio has pros and cons, and I jot down my reactions as I evaluate a new radio so as not to forget any details. The following is my list:
Pros:
- Audio well-tailored for AM broadcast listening–fidelity quite good via headphones
- Adequate sensitivity and selectivity
- Clear, simple LCD back-lit display
- SSB mode is quite functional
- BFO feature allows for zero-beat tuning
- Includes both upper and lower sideband selection
- Much like the PL-880, when in SSB mode, the GP5/SSB will select ham bands when changing meter bands
- Extended frequency range (up to 29,999 kHz)
- Very good medium wave reception with supplied external bar antenna
- Uses three standard AA batteries
- Can be charged with common mini USB adapter
- Displays temperature in Fahrenheit (if MW set to 10kHz steps) or Celcius (if set to 9 kHz steps)
- Great radio for an emergency kit or bug-out bag
- Designed for one-hand operation/included belt clip (see con)
- US Warranty
Cons:
- AGC doesn’t cope with fading as well as other comparable portables
- Audio from internal speaker rather tinny (without headphones)
- No back stand, nor rotatable whip antenna; thus this radio is not ideal for tabletop listening (see pro)
- Supplied belt clip feels flimsy, if you plan to use this in the field, consider purchasing the excellent CountyComm GP5 series rugged case.
Who should purchase the GP5/SSB?
If you’re looking for an ultra-portable radio for travel and general broadcast listening, I would encourage you to consider the new C. Crane CC Skywave, the Tecsun PL-310ET or the Tecsun PL-380. Overall, the performance and form factor of these radios are a better fit for broadcast listening. If you’re looking for armchair SSB listening, a larger portable with a larger internal speaker such as the Tecsun PL-600 is a good choice for the same price as the GP5/SSB.
If you’re looking for an ultra-portable radio with SSB, then the GP5/SSB is a very good choice (if not the only ultra-portable SSB choice currently on the market). While the SSB performance can’t compare with larger, pricier receivers and ham radio transceivers, it’s very good for $80 US.
If you’re looking for an emergency communications receiver–something to stash in your vehicle, emergency kit or bug-out bag–the CountyComm GP5/SSB is a great choice and value. Indeed, that’s who the GP5/SSB was designed for; that’s why this rig has excellent frequency coverage in all modes, with good sensitivity/selectivity and designed for portable, one-hand operation. In fact, CountyComm has even designed and manufactured (in the USA!) a robust, protective 1000-Denier case for the GP5/SSB. This case makes it very easy to strap the GP5/SSB to your belt or backpack securely.
In conclusion, the CountyComm GP5/SSB was designed for a specific purpose: to be an emergency communications receiver. It does this job quite well, despite any shortcomings in comparison to other popular shortwave portables, and for this purpose, I can recommend it.
WRTH 2015: A look inside
I received my copy of the 2015 World Radio and TV Handbook (WRTH) directly from the publisher last week. As many SWLing Post readers know, I always look forward to receiving this staple radio reference guide each year. While other reference guides have dropped out of the scene, WRTH has remained strong and the publication’s quality has been wonderfully consistent. In fact, I noticed in the Editorial that this is 69th edition of WRTH: obviously, a publication with longevity.
WRTH’s team of noted DXers from around the world curate frequencies and broadcaster information by region; while I’m not sure how they orchestrate all of this, the end result is truly a symphony of radio information. In addition to broadcaster listings, WRTH’s radio reviews, feature articles, and annual HF report make for excellent reading.
But the WRTH isn’t just a frequency guide: the publication always devotes the first sixty or so pages to articles relating to various aspects of the radio hobby. Following, I offer a quick overview of these.
The first article always features a WRTH contributor (indeed, it’s this very network of contributors that make WRTH and its listings such a success): this year, Mauno Ritola tells us how he got interested in the hobby and what being a contributor means to him. Many of you will recognize Mauno’s name–he’s quite a prominent Finish SW and MW DXer (and a very nice fellow, as well).
The second set of articles is always my favorite: WRTH receiver reviews.
This year, WRTH reviewed the CommRadio CR-1a (un update of their very positive CR-1 review last year). They also review the Tecsun PL-600 (above), the SDRplay software defined radio, the MFJ-1046 Preselector, and the Apache ANAN-10. The 2015 WRTH also has a special review section that features two HF noise and loop antennas: the AOR LA400 indoor loop and the Wellbrook ALA 1530S+ Imperium Loop (which wins the WRTH Award for Best Antenna). As I’ve come to expect from this publication, these are all great comprehensive reviews.
The following article is “Wooferton: 70 Years on the Air,” written by Dave Porter, one time Senior Transmitter Engineer at the site. In a few pages, you’ll gather the technological history of the site, dating back to a rather bumpy start in WWII.
Following this, noted DXer and WRTH contributor, Max van Arhem, speaks to The Future of DXing. He proposes that with the decline of international broadcasting on the shortwaves, there is still much challenge in the hobby–especially by broadening DXing in the FM and medium wave bands. [Indeed, I’ve certainly seen an increase of questions about medium wave DXing here on the SWLing Post. I hope to cover more of these topics in 2015.]
WRTH often features a snapshot of the radio scene in various parts of the world. This year, WRTH Contributor, David Foster, writes about his recent trip to remote Lord Howe Island and what he discovered about the radio landscape there. As a keen traveler myself, I found his article fascinating (Lord Howe Island is now on my travel list!).
As a bonus, WRTH includes a feature/review of the benchmark Watkins-Johnson 8711A receiver. Not only does the article speak to the mechanics and virtues of the 8711A, but it also places this particular model within the context of the Watkins-Johnson legacy.
The final sections of articles are dedicated to the WRTH Digital Update and HF propagation report/forecast.
As expected, this is another great edition of the World Radio TV Handbook. As I’ve said many times, though I use online frequency databases fairly regularly, there is just no replacement for a good printed frequency guide–especially for all of my off-grid DXing.
For DXers who collect QSL cards, you’ll find that broadcaster contact information in WRTH is often more up-to-date than a broadcaster’s own website.
Not only does WRTH contain more in-depth information on broadcasters and schedules, but it makes for quick reference, and doesn’t require a computer or Internet connection–much like, well, your shortwave radio.
Purchase your copy of WRTH 2015 directly from WRTH’s publishers, or from a distributor like Universal Radio (US), Radio HF (Canada) or Amazon.com. Happy reading–and listening–in 2015!
A review of the Elad FDM-S2 software defined receiver
The following review originally appeared in the November 2014 issue of The Spectrum Monitor magazine.
At the Dayton Hamvention this year, I made it a special point to check out the Italian radio manufacturer, Elad.
Although I’ve known about Elad and their products for some time, and often found them intriguing, I hadn’t yet investigated Elad’s offerings simply because I was under the impression they sold and warrantied their equipment only within Europe. Indeed, this was the case…until just recently. Elad has now begun shipping–and supporting–their products within the US, via their division Elad-USA. Thus my renewed interest in Elad at the Hamvention.
At their Hamvention booth in the East Hall of Hara Arena, the Elad staff gave me a superb table-tour of their array of products. Indeed, I was completely unaware of the broad scope of Elad’s product offerings, which include antenna switches, antenna splitters, test equipment, and, of course, software defined radios (SDRs). Their current SDR offerings are as follows: the Elad FDM-S1, the FDM-S2, and the newly released FDM-DUO. The FDM-DUO is actually a transceiver, while the “S” line is receive-only.
Among Elad’s SDRs, I found myself most interested in the FDM-S2 receiver; a quick demo at their booth caught my interest, as I instantly liked the GUI (graphical user interface), the features, and the specifications of this model. I requested that Elad provide the loan of this SDR for review, and they kindly complied.
Unboxing and installing the Elad FDM-S2
Contents of the FDM-S2 box are few and simple: the FDM-S2 receiver, a black cloth carrying bag, and a 4GB USB drive with installation software and documentation are enclosed. A standard USB cable was also included in the shipping box.
I found installation of the S2 to be fairly straightforward. I would encourage new owners to follow the included guide, since installation is a two-part process:
- First, you install a C++ package on your Windows PC. When complete, this triggers the actual Elad software installation, a two-part installation that you initiate only once.
- Secondly, you install the USB driver for the FDM-S2, found in the installation folder of the supplied software. Note: at present, the USB driver cannot be automatically discovered and installed by your PC–you must initiate this installation via the device manager. However, this is very easy: the guide takes you through the process step-by-step.
On the back of the FDM-S2 you’ll find an HF and VHF SMA antenna ports, a USB port, serial interface, and on/off switch.
The FDM-S2 derives its power from the same USB cable that is used for data; no separate external power supply is required–a huge plus, for those of us who like to travel.
Once I installed the software and driver, I hooked up my antenna to the HF SMA connector on the back, turned on the FDM-S2, and launched the application. The FDM-S2 clicked to life, and the application ran on the first go–very nice!
Scope of this review: application
Reviewing an SDR is challenging, especially with a third-generation SDR like the FDM-S2. There are nearly an infinite number of setting combinations for gain control, filters, demodulation, audio, even color schemes; covering all of these is beyond the scope of a basic review such as this, or indeed, virtually any review. In addition, the FDM-S2 can be used with several third-party SDR applications. Therefore, for the sake of this review, I decided to limit myself to evaluating the Elad application that ships with the FDM-S2. In addition, in this evaluation I attempted to retain many of the settings that come as defaults in the Elad application, to support new users. Finally, I limited myself to evaluating the shortwave bands.
After installing the Elad application, I spent a good hour or so familiarizing myself with the software. It’s quite a departure from the WinRadio Excalibur, SDR-IQ, and Microtelecom Perseus applications with which I’m most familiar. There is a modest learning curve involved with using the Elad FDM-S2–it took a good hour with the application to feel relatively comfortable with its functionality. But the trade-off is much more customization and functionality than one can achieve with the Perseus or WinRadio software, for example.
First impressions
First, let me begin by saying that new users will greatly benefit from reading the owners manual and join the Elad Yahoo group. If you’re attempting something that the owner’s manual does not cover, most likely someone in the Elad forum has already posted the answer. Elad’s engineer, Franco, also actively monitors and responds to requests on the Yahoo group.
Once on, the FDM-S2 defaults to the frequency of 0 Hz. Indeed, the Elad software uses Hz as the unit of measure for frequency, so any frequency entered must be in Hz: for example, to enter 9,420 kHz, you must key in 9420000, then press “Enter.” As a shortcut, you can enter 9420 and the “+” key on your number pad which will automatically add the trailing “000.” I found that a bit unusual in the beginning as most SDR software defaults to kHz, but after using the FDM-S2 for a few minutes, it became second nature.
There are several ways of tuning the FDM-S2:
- Frequencies can be directly keyed in (as described above)
- You can click on a frequency in the spectrum and waterfall windows (if the center frequency isn’t locked)
- You can use the scroll wheel on your mouse like a tuning wheel, to scan up or down
- You can use the arrow keys on your keyboard (left/right are defaults with up/down controlling tuning steps)
- With your mouse pointer, you can click and drag one of the three horizontal tuning bars at the bottom of the window
I find it easiest to tune by using the horizontal tuning bars to move to a particular meter band, then locking the center frequency and use the scroll wheel on the mouse to scan in 1 or 5 kHz increments. This makes tuning feel like the experience I’m most used to with other SDRs. I must say that I really like the horizontal tuning bars; these make it quite easy to quickly center on a meter band.
I would also note that I’m favorably impressed with the S2’s waterfall and spectrum display; not only can you customize the colors via the settings window, but you also have the options to embed timecode in the waterfall and to display broadcaster information from the frequency database in the spectrum.
The FDM-S2 has a total of four “virtual receivers,” labeled RX1, RX2, RX3 and RX4. Depending on the receiver configuration and bandwidth you’ve chosen in the S2’s device configuration (see below), you can use each virtual receiver simultaneously. Each receiver can have its own filter settings and modes selected–your only limitation is that each of the four receivers must be tuned within the FDM-S2’s bandwidth.
FDM-S2 receiver bandwidth configurations
The S2 currently has seven receiver configurations:
- 1 Channel 192 kHz bandwidth
- 1 Channel 384 kHz bandwidth;
- 1 Channel 768 kHz bandwidth;
- 1 Channel 1,536 kHz bandwidth;
- 1 Channel 3,072 kHz bandwidth;
- 1 Channel 6,144 kHz bandwidth; and
- 2 Channels 384 kHz bandwidth.
If you set the S2 to a total bandwidth of 192 kHz in one channel, all four of your virtual receivers are limited to that 192 kHz area. This is a great configuration if you plan to listen to a single broadcaster at a time, and don’t need to see so many signals within the spectrum display. It’s also an excellent configuration to save storage space if you wish to record a relatively small chunk of IF spectrum.
If you choose the 6,144 kHz bandwidth, you can use each of the four virtual receivers simultaneously within the bandwidth. For example, on Saturday evenings I could tune RX1 to the Voice of Greece on 9,420 kHz; RX2 to The Mighty KBC 7,375 kHz; set RX3 to search for pirates around 6,925-6,975 kHz; and listen to the 40 or 30 meter ham radio bands on RX4. All at once! [Note: in the screenshot above, each virtual receiver is marked in the spectrum with a green, yellow, red or blue vertical marker.]
The two-channel 384 kHz option is also a powerful and unique feature of the S2. With this configuration selected, you can have two completely independent receivers with 384 kHz of bandwidth, each. Though this may be more radio than you need, each receiver has four virtual receivers of its own. That’s a whopping 8 virtual receivers!
Most of the time, I keep the configuration set to 1,536 kHz, unless I want to listen in two different meter bands at once. At 1,536 kHz, I can record spectrum and capture a full broadcast band to play back later. I’ve even recorded 6,144 kHz of spectrum, and played it back with no hiccups on my Intel i5 PC, although it did chew through a lot of storage space (roughly 2 GB of data per minute of recording). That equates to 120 GB per hour–but the result is a recording of everything between, say, 4 and 10 MHz. For shortwave radio archiving this is a most impressive capability!
DRM
While Digital Radio Mondiale (DRM) is not the most popular mode on the shortwave broadcast bands, DRM is built into the FDM-S2; there is no need to purchase a separate license or plugin as with most SDRs. If you’ve never listened to DRM, you might be surprised by the impressive listening results.
Within the first few days of using the FDM-S2, I was simply blown away by the DRM signal lock I achieved with Radio New Zealand International. Indeed, I’ve found that the FDM-S2 provides the most stable DRM decoding locks of any other receiver I’ve tested to date.
Here is a two hour audio sample of the FDM-S2 recording RNZI DRM:
[On a side note: It simply boggles my mind when I realize that this RNZI broadcast originates from a transmitter some 8,400 miles (13,518 km) from my receiver. Regardless of what one thinks about the future or utility of DRM, this is nothing short of magical in my book.]
Note that only the first virtual receiver, “RX1,” employs the DRM mode. This is important to note, as I find I’ve sometimes finished listening to a DRM broadcast, turned off the FDM-S2, then when I turned it back on later, initially wondered why I was hearing no audio on strong AM signals. I had inadvertently left the DRM mode engaged–user error only, in this case. Just something to be aware of.
But finding a DRM broadcast is very easy with the Elad software; there is a dedicated button that appears when the DRM mode has been selected. When you press the schedule button, it will load all of the DRM broadcasts from the HFCC schedule. You can simply scroll through this list and click on a frequency to find an audible DRM broadcast. So far, on the FDM-S2, I’ve decoded RNZI, Radio Exterior de Espana, and even All India Radio from my QTH in eastern North America. Not bad!
Recordings
One of the reasons I latched onto the FDM-S2 at the Dayton Hamvention this year was that I immediately saw the potential of the S2 as a recording receiver. Besides posting recordings on the SWLing Post, I also actively make recordings for the Shortwave Radio Audio Archive, so no surprise that one of the first functions I evaluated on the FDM-S2 was its recording capability.
There are two recording modes: AF and Full Span Input Spectrum. You switch between modes in the Recording tab of the Settings window. After the settings have been saved, you simply locate the broadcast or chunk of HF spectrum you wish to record, and press the red record button located on the screen’s bottom left quadrant.
The Elad application also gives you a great degree of control for automatically naming the recorded files; mine is currently set up to embed the frequency, date, time, and device in the filename.
There are few things I’ve reported to Elad as possible improvements for recording:
I do wish that it wasn’t necessary to open the settings window to switch between bandwidth configurations and recording modes (IF or AF); my Excalibur has all of this on the front panel, which is more convenient. While there is a more direct way of opening the recording settings window–simply right click on the red record button–I think it would be preferable to at least have the option of including the information on the main user interface. Also, when you stop a recording, the receiver turns itself off; this obviously needs to be corrected. Fortunately Elad has noted these concerns and plans to address them in future software updates.
Additionally, I’ve noted that while one can record either IF or AF, both can’t be recorded at the same time, a lacking shared, incidentally, by the Microtelecom Perseus. While I probably do more recording than most SWLs, I frequently record both spectrum and an individual broadcast simultaneously on the WinRadio Excalibur. I hope Elad will consider adding this to their software, as well.
Performance
Features are always nice to play with, and the FDM-S2 is chock-full of them–but most important are your receiver’s ability to detect faint signals, block adjacent ones, as well as cope with unpredictable conditions.
The FDM-S2 has a wide frequency coverage: 9 kHz-52 MHz, 74-108 MHz, and 135-160MHz. It’s one of the few SDRs on the market that doesn’t need a module or add-on for FM and VHF coverage. It has separate SMA connectors for HF and VHF antennas. While I have not thoroughly tested beyond the HF bands as of this writing, but many experienced FM DXers tout the S2’s abilities in their own reviews, and I don’t doubt them.
On the shortwave bands, the S2’s performance has impressed me: this SDR has remarkably excellent sensitivity and selectivity. Indeed, its performance is on par with my WinRadio Excalibur, and surpasses that of my RFSpace SDR-IQ, no mean feat. I have made many A/B comparisons with my Excalibur on weak signals; the two receivers are nearly indistinguishable. I’ve conducted blind-listening tests on weak signals (much like those described here) and found that the two recordings were nearly identical. On occasion, I might favor one receiver’s AGC over the other in a recording, but a slight tweak to the AGC settings could readily fix any discrepancies.
Herein lies the difficulty of reviewing an SDR’s performance–the user has so much power to control variables and thus shape the receiver’s function, that it’s hard to make an “apples-to-apples” comparison. But clearly, the Elad holds its own.
Noise reduction
While I’m not a great fan of digital noise reduction, the Elad software has a variable noise reduction feature that I admit to have used on several occasions. I found that by increasing it to approximately 10-20%, audio characteristics of an AM signal were mostly preserved while noise was effectively mitigated. This is where the S2 has a distinct advantage over the Excalibur which has no noise reduction feature.
AM Synchronous detection
With that said, the Excalibur has an edge on the S2 when it comes to blocking adjacent signals. At the time of review, I’m using version 1.12 of the Elad software, which lacks a selectable AM sync detector–a powerful tool to block noise, which may only be present in one sideband of an AM broadcast. Elad engineering tells me that they have this feature planned for a future software update.
Flexibility
Remarkably enough, the FDM-S2 can actually be used with a number of third-party SDR applications. The FDM-S2 comes with Winrad EXTIO Dlls compatible format: all software based on Winrad derivatives (like HDSDR and Studio1) work, and have been tested by S2 users. So if I really need sync detection, for example, I can simply find and use another SDR application to run the S2.
Indeed, flexibility may be among the most powerful features of the S2. If for any reason you don’t like the Elad application, you can simply use another one.
Summary
Invariably, all radios have strengths and weaknesses; here is a list of my notes from the moment I put the S2 on the air:
Pros
- Beautiful, rich audio fidelity via headphones or my amplified speakers
- Excellent sensitivity
- Excellent selectivity (which would be enhanced with USB/LSB selectable sync–see con)
- Low noise floor
- Four virtual receivers: RX1, RX2, RX3, and RX4
- Superb DRM decoding built-in, no additional license key or plug-in purchase required
- Noise reduction is quite effective with few digital artifacts, even at low levels
- Tasteful waterfall and spectrum displays
- Wonderfully rapid tuning via horizontal tuning bars
- Power derived from USB port (no external power supply needed)
- Separate HF/VHF antenna ports
- Ability to embed and record UTC time in waterfall display
- Can display schedule information in waterfall and spectrum
- ES2 supported by third-party OEM and open-source SDR applications; not confined to Elad application (as tested)
- Small form factor/footprint, convenient for travel or limited shack space
- Networking features for remote receiver control (not tested)
- Iterative agility: application/firmware updates influenced by customer feedback
- Great value–$300 less than most of its competitors
Cons
- Recording cannot be fully controlled from the front panel; to adjust most settings, you must do so via a separate settings window
- Receiver turns off completely after stopping a recording (Elad plans to fix this)
- AM sync currently lacks USB/LSB selectivity
- Elad application has steeper learning curve than other OEM SDR applications
- Though highly customizable (see pro), changing color schemes requires patience and practice
- Some reports from users indicate that sensitivity may be compromised if you live near a blowtorch AM station
- IF and AF recordings cannot be made simultaneously; AF recordings cannot be made from an IF spectrum recording without a virtual audio cable application (similar to the Microtelecom Perseus)
While the Elad FDM-S2 has some growing to do, I expect many of these concerns may be addressed in updates over time, and I look forward to trying the S2 with other SDR applications. I’m fairly confident that Elad is serious about their products’ iterative agility, which is to say, software development based on customer input. They’ve been responsive to email and active on the Elad Yahoo email discussion group, which indicates promise. I believe they’re serious about supporting the North American market as well as they even attended the 2014 Dayton Hamvention.
Frankly, at $580 US (via Elad USA) I think the FDM-S2 is quite reasonably priced, especially considering this SDR’s performance and features. After all, it’s only $80 more than the RFSpace SDR-IQ, while it is $300-400 less than the Microtelecom Perseus and WinRadio Excalibur. That’s good value, in my book.
But with each review, I always ask myself: “Would I buy it?”
For the Elad FDM-S2, the answer is, unhesitatingly, Yes! I intend to purchase the FDM-S2 from Elad immediately following the publication of this review. I believe it will make a fine addition to the shack–I can see myself using it often for travel, future DXpeditions, and, of course, shortwave radio archiving.
As always, the proof is in the pudding: look for my Elad FDM-S2’s coming contributions to the Shortwave Radio Audio Archive in the near future. And listen for yourself.