SWL Fest 2010 – March 5–6, 2010

For those of you readers who often feel you’re alone in your enthusiasm for radio, I highly encourage you to attend the NASWA-sponsored SWL Fest in Kulpsville, Pennsylvania this year. This will be my second year attending, and I have eagerly awaited the arrival of the ‘Fest.  It is jam-packed with radio-related information and attended by many radio kindred spirits.  From their website :

The Winter SWL Fest is a conference of radio hobbyists of all stripes, from DC to daylight. Every year scores of hobbyists descend on Kulpsville, Pennsylvania, just outside Philadelphia, for a weekend of camaraderie. The Fest is sponsored by NASWA, the North American Shortwave Association, but it covers much more than just shortwave; mediumwave (AM), scanning, satellite TV, and pirate broadcasting are among the other topics that the Fest covers. Whether you’ve been to every Fest (all 23, starting with the first year at the fabled Pink & Purple Room of the Fiesta Motor Inn) or this year’s will be your first, you’re sure to find a welcome from your fellow hobbyists.

The Winter SWL Fest has two days of sessions where you can learn about the latest developments in the radio listening hobbies, but there’s so much more going on. There’s a silent auction that takes place over the two days of the Fest, where you’re bound to find something of interest. There’s the Hospitality Suite, where attendees partake of tuning oil and other treats and engage in spirited conversations. There is the closing Banquet, with after-dinner remarks by a luminary from the field, often one of the many broadcasters who attend the Fest, followed by the raffle, where you could win one or more of the dozens of prizes, ranging from pens from stations up to top-notch communications receivers. And of course, the infamous midnight ride of Pancho Villa that closes things out every year.

Your hosts, Richard Cuff and John Figliozzi, work throughout the year to ensure that attendees have a great time over the weekend, and by all accounts, they succeed stunningly. How else could this event have lasted for 23 years and draw people from around the world to this small town in Pennsylvania? Won’t you join us?

Sure, I will!

If you’re interested in attending the SWL Fest, too, go to the official website and register!

Disco Music Via Shortwave and in DRM

The Disco Palace a radio station dedicated to disco music, has announced that they are now broadcasting disco music in stereo via shortwave radio and using DRM (Digital Radio Mondial) technologies. They are targeting North America and Europe with the following broadcasts:

Broadcast Frequencies
Europe from 1400-1500 UTC 6015 kHz
North America from 2000-2100 UTC 17755 kHz

The Disco Palace is based in Miami, Florida and owned by Alyx & Yeyi, LLC, is the first and only disco music radio station broadcasting in DRM on shortwave. Belgium-based TDP is the shortwave and DRM broadcast technical service provider of The Disco Palace.

For more information visit:

PCJ Media Brings Nash Holos to Shortwave

PCJ Media has announced the addition of Nash Holos (Ukrainian: “Our Voice”) to its program roster.

Nash Holos is a bilingual Ukrainian-themed radio program which focuses on Ukrainian culture with an international perspective. The program is produced and hosted by Paulette (“Pawlina”) Demchuk MacQuarrie.

Pawlina made her radio debut in 1990, when Nash Holos first went on the air in British Columbia, Canada. In 1996 she and her team disbanded but returned to the airwaves in 2000 and continues to broadcast on AM1320 CHMB Radio in Vancouver.

PCJ Media, producer of the New Happy Station Show, is bringing Nash Holos to the shortwaves. The first international edition of Nash Holos will air February 12th, 2009 at 0200UTC on 9955khz (via WRMI) and will be made available for download online at www.pcjmedia.com with weekly edition to be produced for PCJ Radio.

More Information:

Radio Prague To Continue Shortwave Broadcasts

From Andy Sennitt at RNW Media Network:

Nov 2009 Radio Prague QSL

Nov 2009 Radio Parague QSL Card. Click to enlarge.


An article on Radio Prague’s website deals with the situation following the Czech government’s decision to reduce the station’s budget, especially with regard to shortwave, which the Director of Radio Prague, Miroslav Krupicka, says accounts for about half the station’s audience reach:

“Radio Prague’s budget for this year has been reduced by 15.0 percent. It is a little bit more than we expected but we have to come to terms with it. It still makes it possible for us to continue shortwave broadcasts. What we have to do is to close one of the two shortwave transmitters that we have in Litomyšl. We will be able to cover basically more or less the same territory we have been covering so far, which means the whole of Europe, North Africa, let’s say the Middle East and parts of North and South America. We won’t be reducing very much the area that we cover so far.”

Those economy measures almost halve the shortwave transmission bill to 7.0 million crowns (US$ 387,000) a year. Dutch-based consultant and former RNW Creative Director Jonathan Marks and the AIB’s Simon Spanswick explain to Radio Prague’s Chris Johnstone why some international broadcasters have dropped shortwave altogether.

Humanitarian Radio Relief in Haiti

Radio Friends:

For those of you who don’t know, I’m the founder and director of a newly formed non-profit organization called Ears To Our World (ETOW). ETOW’s mission is to send self-powered shortwave radios to schools in the developing world–you may have seen us recently featured in the Dec. 2009 edition of Popular Communications. You can check us out at:

http://earstoourworld.org

Many of you have been watching and listening to the reports coming out of Haiti in the aftermath of the recent earthquake. As you can imagine, the need for information in Haiti is urgent and that means, of course, that radios are needed. In light of this crisis, ETOW has decided to temporarily broaden our mission; next week we will send a substantial number of ETOW radios (donated by Eton/Grundig) to Haiti via our partner, Operation USA. We are preparing our radios for shipment as rapidly as we can.

As shortwave listeners, DXers and amateur radio operators, you know well the power of radio. If you’d like to help, please do what you can. Even a few bucks can help with our expedited shipping costs to get our radios to Haiti. Donations can be made via PayPal on ETOW’s website http://earstoourworld.org.

Let’s all do what we can to help these folks.

Thank you,
Thomas

A Look Inside the 2010 World Radio TV Handbook (WRTH) and Interview with Publisher

wrth2010The World Radio TV Handbook (WRTH)–a printed guide to broadcasts on shortwave, mediumwave, longwave, and FM, as well as on TV–is now available for purchase in its 64th edition. This guide is known as the key reference book for hard core DXers, shortwave radio listeners, broadcasters and radio enthusiasts of all stripes.

This year, WRTH‘s publisher sent me a copy of their latest reference directly from the UK; as has often been the case, I found myself immersed in its pages within moments of opening the mail package.

This year in particular, it is my belief that WRTH will become even more important to radio listeners.  The main reason for this is the fact that in 2009, International Broadcasting Services, Inc., decided to halt production of its fine broadcast guide, Passport to World Band Radio. [To learn more about this, check out previous posts here and here].

On SWLing.com, I had always suggested newcomers to the hobby check out Passport (PWBR) over WRTH simply because the main body of its guide was laid out in a “TV Guide”-like fashion, easy for a beginner to understand. In other words, it sorted broadcasts by Universal Time and listed all of the broadcasts available (primarily in English) with information about program content, where you could find it on the radio dial, and even included mini-reviews–often humorous–of the shows. This format was very accessible for those who may not yet have a full grasp of the nuances of shortwave radio listening.

Although not intentionally formatted for newcomers, WRTH is also reasonably easy to use, and a much, much more comprehensive guide to broadcasts than Passport to World Band Radio. Indeed, I find that I when I hear a unknown broadcast in a language that I also don’t know, I reach for WRTH to solve the mystery.

What’s inside WRTH?

The bulk of WRTH is a tried-and-true radio reference book with major sections delineated by convenient side bars which make navigating through this substantial book much easier.

Click to see sample of WRTH's International Radio section.

Click to see sample of WRTH's International Radio section.

WRTH offers the following:

  • Features and Reviews
  • National Radio
  • International Radio
  • Frequency Lists
  • Terrestrial Television
  • Reference

The “Features and Reviews” section is always the first thing I read when I receive my new copy of WRTH. This year, for example, WRTH features receiver reviews of the Icom IC-7600, IC-7000 (ham transceiver), Eton Satellite 750, and a selection of very low-cost portables. They also feature mini-reviews of some “Cold War Classics,”  as they are known, like the Collins R390, Racal RA17, Harris RF-590 and the Rohde & Schwarz EK 070.  [By the time I finished reading about these fine classic rigs, I’ll admit, my mouth was watering…] They also feature the BBC World Service, Samoan Radio, a Digital Update, and more.

As a shortwave and medium wave (AM broadcast) listener, I find that I use WRTH based on the way I’m listening to radio.  Either I listen for a particular station or country by looking it up in the national or international sections of WRTH, then listening on known frequencies at the appropriate time.  Or, I simply tune through the bands, and when I locate something of interest on my radio dial, I turn to WRTH‘s frequency list to see what station I’m hearing. WRTH will also give you useful information for QSLing and identifying the coordinates of the transmission site any given broadcaster is using. Indeed, WRTH gives you more info about a broadcast than any other radio reference book with which I’m familiar. This is one of the reasons it has become a staple reference for serious radio listeners.

An Interview With Nicholas Hardyman, Publisher of WRTH

This year, in particular, I had a few questions that only WRTH could answer–so I asked Nicholas Hardyman, WRTH‘s publisher, if he would agree to a brief interview.  He accepted with enthusiasm.

Thomas (SWLing.com): WRTH is now in its 64th edition; how has your content changed over the years?

Nicholas (WRTH): The biggest changes have been in the large increase in stations following deregulation across the globe. This is most evident is the explosion in the number of FM stations, although this is also happening in some countries that are still fairly heavily regulated. We have also seen a large increase in TV stations which we cannot, unfortunately, fully reflect in WRTH. The change that is coming is obviously the switch to digital transmissions both for TV and radio. It will be very interesting to see how that plays out.

Thomas: How do you gather all of your detailed broadcast information and update it each year?

Nicholas: Through the hard work and dedication of the finest set of contributors and editors any publisher could hope for. We have a very extensive and deep contributor network and consequently get a lot of information.

Thomas: Passport to World Band Radio has decide not to publish a 2010 edition; do you feel your customer base is broad enough to support your future publications?

Nicholas: Yes, I think it is. We serve several markets and different specialties within those markets so I hope our readers will continue to support our unique offering.

Thomas: Who are some of your typical readers?

Nicholas: DXers and listeners are our largest market, and of those, our typical reader is a man aged 50+ with a strong interest in technology and a loyal commitment to WRTH. We also have a lot of readers who have a professional interest in radio and others who are most interested in global transmissions.

Nicholas, thank you for the interview; I believe I speak on behalf of Shortwave radio listeners around the globe when I say that DXing wouldn’t be the same without a copy of WRTH at hand. Keep up the good work, and happy DX!

If you would like a copy of WRTH, simply click on one of the following to order your copy: