New High Power Broadcast of VORW Radio International to Europe & Africa!

 

Hello shortwave listeners! I wanted to share an exciting update about a new high power broadcast I’ll be doing for listeners in Africa, Europe and beyond!

Beginning Monday the 11th of December, 2023 and continuing every Monday – this radio program will be heard across Africa, Europe & Beyond from a high power transmitter in Issoudun, France.

The broadcast is 1 hour in length and I always consider it to be a light entertainment program. The aim of this radio show is to provide good music and occasional news commentary to listeners worldwide. Oftentimes, listener music requests are taken and played – and all are invited to participate.

 

Here is the broadcast schedule for this additional airing:

Mondays 1900 UTC  – 11920 kHz – Issoudun 100 kW – Africa, Europe, Middle East

For this airing I will resume QSL verification of reception reports, there will be a new QSL every month!

Reception reports and feedback are most welcome at [email protected]

That’s all for today, I just wanted to let you all know that there’s a new airing out there if you’d like something to listen to!

73’s John

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“Attempt to Pass AM for Every Vehicle Act in Senate Falls Short”

Photo by Courtney Corlew

(Source: Radio World via Dennis Dura)

Attempt to Pass AM for Every Vehicle Act in Senate Falls Short

Sen. Rand Paul objected, saying “mandating that all cars have AM radio is antithetical”

A maneuver by Senate sponsors of the “AM Radio for Every Vehicle Act” to pass the bill by avoiding a vote of the full Senate this week has fallen short.

The push to use “unanimous consent” to pass the bill was led by Sens. Ted Cruz (R-TX), Edward Markey (D-MA) and Ben Ray Luján (D-NM). However, (R-KY) objected to its passage.

“Mandating that all cars have AM radio is antithetical to any notion of limited government,” Sen. Paul said on the floor of the U.S. Senate on Tuesday.

Paul said there is irony in seeing Republicans come to the floor to pass bills that place mandates upon American businesses, “therefore picking winners and losers.” [Continue reading…]

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More radio of the imaginary kind

Hi all SWLing Post Community, FastRadioBurst 23 here. This week the Imaginary Stations crew bring you WS12S featuring a celebration of the twelve inch single. This show will be beamed to Europe by Shortwave Gold on Sunday 10th December 2023 at 1000/1400 hrs UTC on 6160 kHz and then on 3975 kHz at 2100 UTC. Expect some special extended mixes remixed by the ionosphere.

Then on early Monday 11th December via the transmitters of WRMI we have CBRG at 0300 UTC on 9395 kHz. More about CBRG below:

For more information on the shows please email [email protected] and check out our old shows here.

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The Sony ICF-8000: Bob’s nostalgic journey

Many thanks to SWLing Post contributor, Bob Butterfield, who shares the following guest post:


The SONY ICF-8000

By Bob Butterfield

As many radio enthusiasts have experienced there are some pieces of equipment that come and go for a variety of reasons.  Many times, there are regrets about radios or accessories that are here one day and then gone another.  Years ago, I was gifted a Sony ICF-8000 “Super Sensitive” FM/MW/SW portable radio.  My ICF-8000 was one of those that “went.”  To tell you the truth, I am not actually sure where it went off to!  In those days I used my “Super Sensitive” radio on vacation trips, on the back deck, and for local MW/FM and casual SW listening.  When a new position with the Government necessitated relocation, I left this radio behind at my parents’ house where it was regularly used by my mother in the kitchen.  That is when things get fuzzy.  Suffice it to say that I am not sure what happened to it.

As far as I can determine, the Sony ICF-8000 is a close relative of the earlier Sony TFM-8000W, another “Super Sensitive” model.  What sets them apart is that the Sony TFM-8000W has the Public Service Band (PSB) and the Sony ICF-8000 does not.  The ICF-8000 has its SW bands spread out into 4 bands: 1.6 to 3.5, 3.5-7, 7-14, and 14-26.1 MHz.  In contrast the TFM-8000W has a slightly shorter SW frequency range split into three bands: 1.6-4, 4-10, and 10-22 MHz.  Both radios have continuous coverage with no gaps from MW to SW as well as FM.  These radios are almost identical in appearance.  Other than the PSB and three SW bands on the TFM-8000W, the only other visual differences from the ICF-8000 are how the bands are arranged, identification of the Public Service Band on the face plate, and the addition of an on/off squelch toggle switch for the PSB.  Internally the TFM-8000W has a couple more semi-conductors.  In line with these two radios is the older Sony TFM-1600W “Super Sensitive” which came out circa 1971, has its own distinctive but similar appearance, and is set up like the ICF-8000 with FM/MW/SW.

A while ago the “I used to have that radio nostalgia bug” hit me, and I have been searching since for a decent ICF-8000 to purchase.  Sony TFM-8000Ws in decent shape are up for sale on eBay on occasion, but I was looking for the ICF-8000.   Finally, I spotted one recently (which was listed as a TFM-8000W!) at a price and condition I was comfortable with.  After negotiation with the seller, I purchased it.   There is some useful information on the Web about the Sony TFM-8000W.  Jay Allen has a good piece on this unit worth checking out.  The Sony ICF-8000 appears to be much harder to find, information on the Web is skimpier, and I am not sure how long they were produced.  It is quite possible that its production run was limited.  Manufacturing likely started in 1976 when it probably replaced the Sony TFM-8000W.  One reference I located on the Web listed the ICF-8000 being made as early as 1974 but provided no source.   I also found evidence of at least two versions of ICF-8000s being produced; one with a switch located in the battery compartment allowing multiple different voltages including that for Japan, and one operating on 120 volts only.  The corresponding model number identification panels on the rear are annotated accordingly with voltages available.  Both versions have “FM/AM Multiband Receiver” lettering on the face plate.   Sony, like Panasonic, often tweaked models for domestic and foreign markets, adding or modifying features to fit those markets accordingly.  If anyone has more information on these models, year(s) manufactured, availability of free manual copies, etc., drop them in the comments section.

The Sony ICF-8000 I purchased was in very good shape having just some minor imperfections showing on the faceplate paint. No cleaning was necessary, nevertheless I gave it one.  All switches were quiet and functioned as they should.  A nice feature of the ICF-8000 is its exceptionally smooth tuning mechanism which utilizes a flywheel.  In addition, on my radio, the tuning scale is practically spot-on on all the bands.  Not usually the case in an analog set of this type forty-five plus years old.  When added to the fact that the SW frequencies are spread out in four bands instead of three, tuning is easy.  The presence of a fine-tuning knob is a nice touch and can be useful.  Also available is a tone control knob, signal/battery strength meter, a lighted dial, AC/DC capability, external antenna connection, world time calculator wheel (at the rear on the battery compartment cover), and a dual FM AFC and AM Broad/Sharp bandwith control.

Nostalgia aside, the Sony ICF-8000 has provided reliable performance on all bands so far.  MW sensitivity is adequate while SW reception is above average using the built-in telescoping antenna which measures 44 inches (111.75 cm) in length.  I did a limited shortwave reception comparison in the 49-meter band between the ICF-8000 and the Panasonic RF-2600 with its 37 inch (94 cm) built-in telescoping antenna and found the Sony performing equally with the Panasonic; at times even better perhaps due to its longer antenna.  When connected to an external 75-foot (22.86 meters) longwire I found the ICF-8000 shortwave reception to be particularly good.  I did not experience any overloading, nor did I encounter multiple images.  The sound was, as others have attributed to the TFM-8000W, “mellow”.  If this is not to your liking on the shortwave bands the tone adjustment is useful.   Noise levels were well tolerated.  I suspect that the Sony TFM-8000W would perform similarly.

Is the Sony ICF-8000 a fantastic DX machine?  No, it is not.  Is it “super sensitive”?  Maybe not “super,” but definitely above average, and surely sensitive enough for general listening.  Is it an attractive, affordable classic, easy to use, and sturdy radio with decent performance that can hold up through the years?   I think so.  Does it bring back fond memories?  Absolutely!

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CBC/Radio-Canada to cut workforce in budget shortfall

Many thanks to SWLing Post contributor, David Iurescia, who shares the following item from Radio Canada International:

CBC/Radio-Canada to cut 10 per cent of workforce, end some programming as it faces $125M budget shortfall (RCI)

Public broadcaster says most cuts will take effect over the coming year

The Canadian Broadcasting Corporation/Radio-Canada announced Monday that it plans to cut about 10 per cent of its workforce and axe some programming to cope with a potential $125 million budget shortfall.

In a news release, the public broadcaster said it plans on cutting 600 union and non-union positions across the entire organization. The corporation said about 200 vacant positions will be eliminated on top of that.

CBC and Radio-Canada, the French-language arm, will each be cutting in the range of 250 jobs, while the rest of the cuts will come from the technology and infrastructure department and other corporate divisions, said the corporation.

CBC spokesperson Leon Mar said some of the cuts will begin immediately but most will take effect over the coming year.

CBC/Radio-Canada — which received around $1.3 billion in public funding in the 2022-2023 fiscal year — also announced Monday it will reduce its English and French programming budgets for the next fiscal year and cut about $40 million from independent production commissions and program acquisitions.

Mar said that will mean fewer new television series and fewer episodes for existing shows.

The corporation said earlier this year it had begun cutting $25 million through measures such as limiting travel, sponsorships and marketing, and delaying technology initiatives.

The public broadcaster blamed its budget issues on rising production costs, declining television advertising revenue and fierce competition from the digital giants.

CBC/Radio-Canada said it’s also grappling with forecast reductions to its parliamentary funding beginning in the next fiscal year. A fund to help the public broadcaster offset revenue losses during the pandemic is also ending, it said. The fund supplied the CBC with $21 million a year for two years.

We understand how concerning this is to the people affected and to the Canadians who depend on our programs and services. We will have more details in the months ahead, but we are doing everything we can to minimize the impact of these measures, said CBC/Radio-Canada president Catherine Tait in a prepared statement. [Continue reading…]

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Perry spots a Zenith Transoceanic in “The Alligator People”

Many thanks to SWLing Post contributor, Perry Lusk (KG7YC), who writes:

I spotted this on an old “B” rated film:

Might be more fun to identify the movie than the Zenith Transoceanic we all know.

The answer is The Alligator People (1959). The man is diagnosed with a fatal medical problem and try’s getting an experimental procedure that involves alligator DNA and later turns into a, you guessed it, an alligator!

Wow! That sounds like a wild ride for the protagonist!

So we may all recognize a Transoceanic when we see one, but does anyone know the exact model? Feel free to comment!

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Dan spots an ICOM in the trailer for the new film “I.S.S.”

Many thanks to SWLing Post contributor, Dan Robinson, who writes:

An ICOM transceiver features in the new movie I.S.S. A film from the space disaster genre about U.S. and Russian astronauts and cosmonauts on the space station when nuclear war breaks out down on Earth. See if you can ID the radio, which flashes by quite quickly in the trailer for the movie:

Click here to view on YouTube.

Did you catch it? If you want to confirm, check out this screen shot from the trailer… Continue reading

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