Future of Radio Netherlands Archive Material

(Source: PCJ Media Press Release)

pcjOver the past few months PCJ Radio International has been contacted by a number of individuals concerning what is PCJ’s plans with the Radio Netherlands archive material that is now in our possession.

Hopefully this will answer some of the questions.

First question: Will PCJ create a website where the programs will be available for download?

Short answer is yes. Clips of various Radio Netherlands programs from 1947 to 1997 will be available.

Second question: Why will only clips be made available for download?

The answer to this is simple. Over the last year PCJ Radio International has been very active to remove youtube videos of Radio Netherlands material that is now our property. By having this material uploaded onto youtube the value of the archive diminishes.

The other reason is 8 months ago we had to bring action against an ebay seller who was selling a CD of Radio Netherlands material that is now the property of PCJ Radio International. We are well aware that if the archives are made available online there is a risk this will happen.

Third question: Will anyone be able to access the full archive of material?

Yes. The Nederlands Instituut voor Beeld en Geluid (Netherlands Institute for Sound & Vision) in Hilversum, Netherlands will be able to request material for their own research. Those who are doing research will also be able to access the material.

Fourth question: Will concerts, radio shows, and printed material be available for license by second parties?

If audio, visual or printed items will be used for commercial purposes, there will be a licensing fee. The fee will depend on the item.

Fifth question: What will happen if anyone publishes material from the archives without written consent or licensing from PCJ Radio International?

A cease and desist letter will be sent, and the individual or organization will have 14 days after a written warning to remove the copyrighted material. If after 14 days the material has still not been removed, PCJ Radio International will have no recourse but to take legal action.

Sixth question: Why is PCJ Radio International being so controlling of the material?

It has to do with cost. There is the cost of the shipping container, climate control room for the tapes, discs and films, and a full time staffer whose job it is to catalogue the tapes, discs and films. The most expensive cost is the digitizing of the films. Some of these films are 40 years old and need to be sent to a special lab for colour correction and to make any repairs necessary before they can be copied. Just to give you an example, the cost for one 25 minute film can be between 300 to 500 Euros, depending on the condition.

PCJ Radio International’s series From The Radio Netherlands Archives over the next few months will present some of the best programs from the collection.

For more information please contact PCJ Radio International at anytime: [email protected].

A review of the Como Audio Solo

como-audio-solo-table

Regular SWLing Post readers might remember that this past summer, I made an impulse purchase–and in doing so, backed a Kickstarter campaign for the new Como Audio Solo.

But exactly why did I buy this small, self-contained digital music device–? Having just completed an in-depth review of several WiFi radios, I certainly didn’t need another.  But the good-looking Solo, with its clean design and walnut casing really caught my attention…I couldn’t resist checking it out.  Plus, in backing the radio via Kickstarter, I was able to purchase it for $100 less than the predicted future retail of $299 US.

The Kickstarter campaign funding Como Audio was prompt in communicating updates with backers and providing even more product options during the wait for production and delivery. Although several other snazzy finishes for the Solo were brandished before me, I stuck firmly by the walnut veneer I’d originally chosen.

Fast forward to the present. I finally received my Como Audio Solo a few weeks ago, and have had time to play with it. While I haven’t had time to explore every nuance of this radio, of course, I have had an opportunity to form some opinions.

Design

I don’t often comment on the design of radios I review, but in this case it’s worth noting.

The Como Audio Solo, in wood, is elegant and simple. Love it:

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The only element of the design I’m not typically keen on?  I’m not the biggest fan of devices that sport colored backlit displays; to me they appear a bit flash and faddish, undermining a radio’s overall aesthetic.

But I must say, the Solo pulls it off.  The color display in this case is somehow not too distracting–it’s soft yet crisp, and easy to read even at a distance.

In short, the Solo is a stunning piece of kit, especially with that warm walnut casing, and looks right at home in any setting–office, living area, kitchen, or at the bedside.

I’ve only one gripe with the Solo’s ergonomics: the front control knobs are a little too close to the bottom of the recessed controls area. When I try to turn a knob–for example, attempt to tune the FM band–I find my fingertips won’t fit between the knob and lower edge of the recessed panel, making the knobs a little hard to turn in one fluid motion. (Of course,this is also due to the fact that I have big fingers; my wife doesn’t seem to have this problem).

But this isn’t a dealbreaker as I’m finding I don’t often need to reach for the front controls, anyway.  Why? Because the rig’s IR remote–or better yet, its smartphone app–control the radio effectively at any convenient distance from the radio.  Sweet.

Audio

como-audio-solo-speaker

I’m a sucker for quality audio fidelity, and I must admit that this was one of the biggest deciding factors in purchasing the Solo: it touted extraordinary audio in a modest package, being designed around an acoustic chamber/chassis containing a 3″ woofer and 3/4″ dome tweeter fueled by a 2 X 30 watt RMS amplifier. I was very curious whether it could live up to its initial claim.

After turning on the Solo for the first time, I immediately wanted to hear audio, so I put it in Bluetooth mode and played a few songs, ranging from Jazz to Electronica.

In a nutshell:  Wow.

The audio is strikingly reminiscent of my Tivoli Audio Model One…which is to say, it’s excellent. It packs more audio punch than any of the radios I reviewed in my WiFi radio comparison.

Out of the box, the audio is fairly well-balanced, too. But you can tweak the equalizer, and I did, drawing in a little more bass and treble.  My wife (also a bit of an audiophile) was impressed. And yes, the sound is all the more remarkable considering the radio’s relatively small form-factor:  little box, big voice.

FM Reception

como-audio-solo

The Como Audio Solo is one of the few Wifi radios on the market that has a built-in analog FM and DAB receiver (save the $120 Sangean WFR-28, which has analog FM reviewed here).

Since I live in the US, I can’t comment on DAB reception.  I have, however, had an opportunity to test the FM analog reception.  Keep in mind, I live in a rural area and require a decent FM receiver with telescopic antenna fully extended just to listen to my favorite regional programming.

When I tune the Solo to my benchmark FM stations, it can receive them–but not as effectively as many of my other radios, including the WFR-28. Even when forced to use the Mono setting only, the stations it receives carry too much static for good listening.  So obviously the Solo isn’t as sensitive as some of my other radios, at least in this setting. Indeed, few stations it receives in this area are able to lock in to the point that there’s no static in the received audio. For out-of-towners, this is a bit of a disappointment.

With this said, I imagine if you live in an urban area, the FM receiver should more than please you. I’ve no doubt it can faithfully reproduce beautiful audio from local FM outlets.

I should add that, while FM reception isn’t stellar for distant stations, the RDS information does convey even when the audio isn’t full fidelity.

WiFi radio

comoaudiosolo-internetradio

Of course, the main reason I purchased the Como Audio Solo was to use and review it as a WiFi radio…nothing at all to do with that sharp walnut chassis, or audio power.

As I outlined in my WiFi Radio primer, WiFi radios rely on station aggregators–extensive curated databases of radio stations–to surf and serve up the tens of thousands of streaming stations around the globe.

Based on feedback from Como Audio shortly after the Kickstarter launch, I was under the impression that the station aggregator of choice was vTuner. This concerned me, as vTuner’s reputation as an aggregator is somewhat maligned due to a series of documented faults and weaknesses.  Fortunately, this turned out not to be the case: after the initial confusion, I soon discovered Como had adopted the more robust Frontier Silicon aggregator, instead–a better choice.

Click here to read our primer on setting up your Como Audio product on the Frontier Silicon radio portal.

Since I’m a pretty big fan of Frontier Silicon and since I’ve already been using their service with my Sangean WFR-28, once I connected my radio to my user account, the WiFi portion of the radio felt identical to that of my WFR-28. Simply brilliant, as the Frontier Silicon radio portal gives the user flexibility to create station lists and folders with ease–all of which readily convey to the radio itself.

The Solo also features six dedicated memory buttons on the front panel for quick access to favorites.

Turns out, there’s also a comprehensive manual available online for download (click here).

Summary

 

como-audio-solo-bluetooth

And am I please with the Solo so far?

I’ll reply with a resounding “Yes!”

I love the Solo’s design–this certainly is a handsome product. Moreover, I love the audio, and am pleased that it delivers the fidelity promised by its Kickstarter campaign. The Solo and Duet are loaded with features, connections, Aux In and Aux Out audio and digital ports–more, in fact, than any similar device with which I’m familiar. I regret that the rig’s FM isn’t suited for country life, but the audio coupled with its stylish exterior do make up for this somewhat.

como-audio-solo-back

I do wish the Solo had an internal rechargeable battery option. Being able to move the receiver to different locations within a home or building could be a major plus for rural FM reception. As my friend John pointed out, however, the audio amplifier is robust enough, it might have been a challenge to implement an affordable-but-effective internal battery without compromising the audio amplifier’s needs.

In truth, I favor audio fidelity over portability for a tabletop radio.

 

In conclusion…do I have any backer’s remorse?  Absolutely not–!

In short, the Como Audio Solo is a keeper.  I’m still marvelling at this classy and dynamic radio that fills our home with rich beautiful audio. A few weeks in, the Solo has already become a permanent feature in our abode. It’s one of the few radios I have that meets my artist wife’s approval in terms of both design and audio.comoaudiosolo-fm

Great job, Como Audio!  If the Solo is any indication of radios to come, I’ll certainly be looking for your future innovations.

Click here to order the Como Audio Solo and Como Audio Duetto.

From The Radio Netherlands Archives Program 4

pcj(Source: PCJ Media)

October 30th & 31st PCJ Radio International presents program four in the continuing series From The Radio Netherlands Archives.

This month we put the spotlight on Eduard Franz Conradin (aka Eddy Startz). Startz was hired as a program maker for Philips Omroep Holland-Indie in 1927. In 1928 he started presenting programs in English, French, and Spanish. The name Happy Station came from the first words he spoke in English when he said “This is Philips Radio PCJJ your happy station) on November 19th, 1928. Hence The Happy Station Show was created.

The program will include some rare clips from his early days with PCJJ, PCJ and Radio Netherlands. Also part of the program will be a full 80 minute edition of Happy Station by Startz.

Times and frequencies:
Europe – 0600 to 0800 UTC – October 30, 2016
Frequency: 7780khz
North America – 0100 to 0300 UTC – October 31, 2016
Frequency: 7570khz
Email: [email protected]

From the Isle of Music Preview (Oct 24/25) and Schedule Note

promoftiomoct2582016small-copy

A feast of Cuban vocal music with Los Van Van for dessert…
From beautiful harmonies to stunning a cappella imitations of instruments, Cuba’s best vocal groups are a delight.
Our October 25 (October 24 in the Americas on WBCQ) program offers a few of them along with special guest Luz Divina Reyes, Director of Vocal Elé. We’ll include a little Los Van Van from the 90s, so come to listen, stay to dance.
Two options for listening on shortwave:
WBCQ, 7490 KHz, Tuesdays 0000-0100 UTC
(8pm-9pm EDT Mondays in the Americas)
Channel 292, 6070 KHz, Tuesdays 1900-2000 UTC
(2100-2200 CEST)
See the NOTES section of our Facebook page for instructions for listening online if you are out of range or don’t have a shortwave radio.

The upcoming time changes across the world will affect us as follows:
1.  The Channel 292 transmission will remain at 1900-2000 UTC, when the clocks change in Europe (Oct 30), this will mean 2000-2100 CET rather than 2100-2200 CEST).
2.  The WBCQ transmission will remain at 8pm Eastern time US, which means that when the clocks change  in the US  (November 6), we will be from 0100-0200 UTC

On Sale: Shortwave Shindig T-Shirts

ShortwaveShindigTee

I’ve just learned that my buddy, David Goren, is selling his remaining stock of Shortwave Shindig T-Shirts for $15 each (shipped!). That’s a great deal in my book–especially for a shirt sporting a  Jeff Murray, K1NSS original design!

I just purchased a spare Shindig T-Shirt. David only has a few select sizes and colors left (Black/White and Medium/Large).

Click here to order!

LF Closure in Ireland Postponed Yet Again

rte

In yet another reversal concerning the fate of Longwave in the UK, this was reported in Radio Survivor Oct 10:

Ireland’s Longwave Station RTÉ 252 Spared from Imminent Closure

By on October 10, 2016 in International, Radio Bands

Listeners located in the U.K. who enjoy Ireland’s RTÉ 252 radio service are breathing a sign of relief. The planned 2017 closure of this longwave station has now been put on indefinite hold, according to Independent.ie.

An Irish diaspora in the U.K. is the primary audience for RTÉ 252, which broadcasts programming from the Radio 1 nationwide news and talk service. As Paul Bailey explained in a post this past June, the cost and complexity of maintaining the large LW transmitter and antenna amid budgetary pressures, along with the perceived obsolescence of the service, were the cited reasons for retiring the station.

There was public outcry in the wake of the original decision to shut down RTÉ 252, which resulted in delaying the date two years. That was followed by research from a group called Irish in Britain that argued the station helped listeners in England, Scotland and Wales keep up to date with matters at home and retain a “sense of Irishness.” A survey the group conducted showed that 92% of respondents listened to the station most or every day. Apparently, that added up to enough pressure on the Irish state broadcaster to keep RTÉ 252 going for the time being.

 You can read the full article here.

I have been watching this issue for some time and am encouraged to see people fighting for LF radio, indeed any continuation of broadcast radio. The key element in my mind being the many people who do not live within a regional broadcast area should not be discarded, or forced into services which which cost them significantly more money.

Here in the states people are still struggling to deal with reduced service areas due to the digital switch over of OTA television. With our “digital revolution” we are trying to force people into a “one size fits all” box, and there is no one box which can fit everyone.

The future is quite uncertain, as these reversals have shown, but I wish the Irish listeners well in their ongoing battle – they have accomplished more than most!!

Robert Gulley, AK3Q, is the author of this post and a regular contributor to the SWLing Post. Robert also blogs at All Things Radio.

Global HF Pirate Weekend and the 2015-2016 Pirate Radio Annual

Hammarlund-HQ-120X-DialLightMany thanks to Andy Yoder, author of the Pirate Radio Annual, who writes:

I thought maybe you’d be interested in info about the upcoming Global HF weekend. This event was run a few years ago, with the concept of friendship and cooperation among stations and listeners from around the world. Successful tests would give the stations new listeners in different parts of the world and listeners the chance to hear new stations.

November 5-6, 2016

General frequency ranges:
15010-15100 kHz
21455-21550 kHz

Basic schedule:
European morning, 0800-1200 UTC from Europe to Asia/Japan/Oceania.
European afternoon, 1200-1600 UTC from Europe to North American and vice versa.
European night, 2200-2400 UTC from North America to Asia/Oceania.

Of course, these are general frequency ranges where pirates have broadcast during prior Global HF Pirate weekends. Some stations will surely operate on frequencies and times outside of these ranges. These will be updated on HF Underground and on the Hobby Broadcasting blog (http://hobbybroadcasting.blogspot.com/) as schedules are received from stations.

Thank you, Andy! I’ll certainly set aside radio time on the weekend of November 5-6 for pirate radio listening! If conditions are favorable, this could be an excellent time to log some Euro as well as domestic pirates!

Speaking of pirate radio and Andrew Yoder…

2015-16 Pirate Radio Annual

pirate-radio-annual

Pirate radio is perhaps one of the most dynamic aspects of the diverse landscape of SWLing. In direct contrast with major broadcasters, many of whom are now thinning out their offerings, pirate radio just seems to adapt and grow.

I’ve had Andy’s latest Pirate Radio Annual (PRA) since my return from Canada in August. I read through much of the volume the first night I received it. I especially love exploring the extensive pirate station profiles.

In short: If you’re a fan of pirate radio, the Pirate Radio Annual is a must.

Not only is this book, which explores the pirate radio scene, well written and insightful, it is chock-full of information. It’s a bit like the programming section of the former Passport to Worldband Radio, only focused on pirates. The book also comes with an accompanying audio samples CD.  Andy Yoder, the author, has been covering the pirate scene for decades; he’s also the former publisher of hobbyist magazine Hobby Broadcasting and actively blogs about pirate radio on the Hobby Broadcasting Blog.

The 2015-16 Pirate Radio Annual is divided into several sections:

  • An intro to the guide which introduces the WGM feature
  • WGM: World’s Greatest Mistake
  • Pirate station classification
  • Global HF Pirate weekends
  • Profiles of pirate radio stations heard in 2014 and 2015, with an additional section on international pirates heard in North America
  • An index for the included audio CD

At $16.95, it’s also very affordable. You can order the 2015-16 Pirate Radio Annual from Universal Radio.

Thanks, Andy, for putting together such a quality publication!