Category Archives: Recordings

Another “Wacky Wake-Up Crew” recording

After posting a recording of 630 AM WAIZ’s “Wacky Wake-Up Crew” last week, a few readers asked for another recording, so here you go!

I made this recording yesterday morning (Monday, October 19, 2020) with the Icom IC-705 connected to my homebrew NCPL antenna:

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Icom IC-705 blind audio tests: Let’s take a look at your choices!

Before I had even taken delivery of the new Icom IC-705 transceiver, a number of SWLing Post readers asked me to do a series of blind audio comparison tests like I’ve done in the past (click here for an example).

Last week, I published a series of five audio tests/surveys and asked for your vote and comments. The survey response far exceeded anything I would have anticipated.

We received a total of 931 survey entries/votes which only highlights how much you enjoy this sort of receiver test.

In this challenge, I didn’t even give you the luxury of knowing the other radios I used in each comparison, so let’s take a look…

The competition

Since the Icom IC-705 is essentially a tabletop SDR, I compared it with a couple dedicated PC-connected SDRs.

WinRadio Excalibur SDR

The WinRadio Excalibur

I consider the WinRadio Excalibur to be a benchmark sub $1000 HF, mediumwave, and longwave SDR.

It is still my staple receiver for making off-air audio and spectrum recordings, and is always hooked up to an antenna and ready to record.

In the tests where I employed the WinRadio Excalibur, I used its proprietary SDR application to directly make recordings. I used none of its advanced filters, AGC control, or synchronous detection.

Click here to read my original 2012 review of the WinRadio Excalibur.

Airspy HF+ SDR

The Airspy HF+ SDR

I also consider the Airspy HF+ SDR to be one of the finest sub-$200 HF SDRs on the market.

The HF+ is a choice SDR for DXing. Mine has not been modified in any way to increase its performance or sensitivity.

In the test where I employed the HF+ I used Airspy’s own SDR application, SDR#, to directly make recordings. I used none of its advanced filters, AGC control, noise reduction, or synchronous detection.

Belka-DSP portable receiver

The Belka-DSP

I recently acquired a Belka-DSP portable after reading 13dka’s superb review.

I thought it might be fun to include it in a comparison although, in truth, it’s hardly fair to compare a $160 receiver with a $1300 SDR transceiver.

The Belka, to me, is like a Lowe HF-150 in a tiny, pocket package.

Elecraft KX3 QRP transceiver

The Elecraft KX3

The KX3 is one of the best transceivers I’ve ever owned. Mine has the CW roofing filter installed (only recently) and is, without a doubt, a benchmark performer.

Click here to read my full review.

If you check out Rob Sherwood’s receiver test data table which is sorted by third-order dynamic range narrow spaced, you’ll see that the KX3 is one of the top performers on the list even when compared with radios many times its price. Due to my recording limitations (see below) the KX3 was the only other transceiver used in this comparison.

Herein lies a HUGE caveat:

The WinRadio application

As I’ve stated in SDR reviews in the past, it is incredibly difficult comparing anything with PC-connected SDRs because they can be configured on such a granular level.

When making a blind audio test with a stand-alone SDR radio like the IC-705–which has less configurability–you’re forced to take one of at least two paths:

  • Tweak the PC-connected SDR until you believe you’ve found the best possible reception audio scenario and use that configuration as a point of comparison, or
  • Attempt to keep the configuration as basic as possible, setting filters widths, AGC to be comparable and turning off all other optional enhancements (like synchronous detection, noise reduction, and advanced audio filtering to name a few).

I chose the latter path in this comparison which essentially undermines our PC-connected SDRs. Although flawed, I chose this approach to keep the comparison as simple as possible.

While the IC-705 has way more filter and audio adjustments than legacy transceivers, it only has a tiny fraction of those available to PC-connected SDRs. Indeed, the HF+ SDR, for example, can actually be used by multiple SDR applications, all with their own DSP and feature sets.

In short: don’t be fooled into thinking this is an apples-to-apples comparison. It is, at best, a decent attempt at giving future IC-705 owners a chance to hear how it compares in real-word live signals.

Recordings

The Zoom H2N connected to my Elecraft KX2.

Another limiting factor is that I only have one stand-alone digital audio recorder: the Zoom H2N. [Although inspired by Matt’s multi-track comparison reviews, I plan to upgrade my gear soon.]

The IC-705 has built-in digital audio recording and this is what I used in each test.

The WinRadio Excalibur and Airspy HF+ also have native audio recording via their PC-based applications.

With only one stand-alone recorder, I wasn’t able to simultaneously compare the IC-705 with more than one other stand-alone receiver/transceiver at a time.

As I mentioned in each test, the audio levels were not consistent and required the listener to adjust their volume control. Since the IC-705, Excalibur, and HF+ all have native recording features, the audio levels were set by their software. I didn’t post-process them.

Blind Audio Survey Results

With all of those caveats and disclaimers out of the way, let’s take a look at the survey results.

Blind audio test #1: 40 meters SSB

In this first test we listened to the IC-705, WinRadio Excalibur, and Belka-DSP tuned to a weak 40 meter station in lower sideband (LSB) mode. Specifically, this was ham radio operator W3JPH activating Shikellamy State Park in Pennsylvania for the Parks On The Air program. I chose this test because it included a weak station calling CQ and both weak and strong stations replying. There are also adjacent signals which (in some recordings) bleed over into the audio.

Radio A: The Belka-DSP

Radio B: The WinRadio Excalibur

Radio C: The Icom IC-705

Survey Results

The Icom IC-705 was the clear choice here.

Based on your comments, those who chose the IC-705 felt that the weak signal audio was more intelligible and that signals “popped out” a bit more. Many noted, however, that the audio sounded “tinny.”

A number of you felt it was a toss-up between The IC-705 and the Belka-DSP. And those who chose the WinRadio Excalibur were adamant that is was the best choice.

The WinRadio audio was popping in the recording, but it was how the application recorded it natively, so I didn’t attempt to change it.

Test #2: 40 meters CW

Icom IC-705In this second test we listened to the Icom IC-705 and the Elecraft KX3 tuned to a 40 meter CW station.

Radio A: Icom IC-705

Radio B: Elecraft KX3

Survey Results

The Elecraft KX3 was preferred by more than half of you.

Based on your comments, those who chose the KX3 felt the audio was clearer and signals had more “punch.” They felt the audio was easier on the ears as well, thus ideal for long contests.

Those who chose the IC-705, though, preferred the narrower sounding audio and felt the KX3 was too bass heavy.

Test #3: Shannon Volmet SSB

In this third test we listened to the Icom IC-705 and WinRadio Excalibur, tuned to Shannon Volmet on 8,957 kHz.

Radio A: WinRadio Excalibur

Radio B: Icom IC-705

Survey

The Icom-705 audio was preferred by a healthy margin. I believe, again, this was influenced by the audio pops heard in the WinRadio recording (based on your comments).

The IC-705 audio was very pleasant and smooth according to respondents and they felt the signal-to-noise ratio was better.

However, a number of comments noted that the female voice in the recording was actually stronger on the WinRadio Excalibur and more intelligible during moments of fading.

Test #4: Voice of Greece 9,420 kHz

In this fourth test we listen to the Icom IC-705, and the WinRadio Excalibur again, tuned to the Voice of Greece on 9,420 kHz.

Radio A: Icom IC-705

Radio B: WinRadio Excalibur

Survey

While the preference was for the IC-705’s audio (Radio A), this test was very interesting because those who chose the Excalibur had quite a strong preference for it, saying that it would be the best for DXing and had a more stable AGC response. In the end, 62.6% of 131 people felt the IC-705’s audio had slightly less background noise.

Test #5: Radio Exterior de España 9,690 kHz

In this fifth test we listened to the Icom IC-705, and AirSpy HF+, tuned to Radio Exterior de España on 9,690 kHz. I picked REE, in this case, because it is a blowtorch station and I could take advantage of the IC-705’s maximum AM filter width of 10 kHz.

Radio A: Icom IC-705

Radio B: Airspy HF+

Survey

The IC-705 was preferred by 79% of you in this test.

Again, very interesting comments, though. Those who preferred the IC-705 felt the audio simply sounded better and had “punch.” Those who preferred B felt it was more sensitive and could hear more nuances in the broadcaster voices.

So what’s the point of these blind audio tests?

Notice I never called any radio a “winner.”

The test here is flawed in that audio levels and EQ aren’t the same, the settings aren’t identical, and even the filters have slightly different shapes and characteristics.

In other words, these aren’t lab conditions.

I felt the most accurate comparison, in terms of performance, was the 40M CW test with the KX3 because both employed similar narrow filters and both, being QRP transceivers, are truly designed to perform well here.

I essentially crippled the WinRadio Excalibur and Airspy HF+ by turning off all all but the most basic filter and AGC settings. If I tweaked both of those SDRs for optimal performance and signal intelligibility, I’m positive they would have been the preferred choices (indeed, I might just do another blind audio test to prove my point here).

With that said, I think we can agree that the IC-705 has brilliant audio characteristics.

I’ve noticed this in the field as well. I’m incredibly pleased with the IC-705’s performance and versatility. I’ll be very interested to see how it soon rates among the other transceivers in Rob Sherwood’s test data.

The IC-705 can actually be tailored much further by adjusting filter shapes/skirts, employing twin passband tuning and even using its noise reduction feature.

If anything, my hope is that these blind audio tests give those who are considering the Icom IC-705 a good idea of how its audio and receiver performs in real-word listening conditions.


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Using the Icom IC-705 to record a local AM broadcast station

In my previous post, I mentioned how much I enjoy the built-in digital audio recorder in the new Icom IC-705. While I wouldn’t buy a QRP transceiver specifically for built-in audio recording–there are less expensive options out there–it is an incredibly useful feature in my world.

After publishing that post, I was reminded that Monday morning (October 12, 2020) I connected the IC-705 to my homebrew Noise-Cancelling Passive Loop antenna mounted indoors at my parents’ house.

My NCPL antenna

Their house is like so many others in that it is inundated with RFI (radio frequency interference). I find that the NCPL antenna does a fine job mitigating most of that noise on the mediumwave band when I position it so that the bulk of the interference is nulled.

Monday morning, I tuned the IC-705 to my favorite local AM station: WAIZ on 630 kHz.

Weekday mornings, Dave and his “Wacky Wake-Up Crew” always put me in the right mood. They’re incredibly goofy/corny and 100% original.

It’s extraordinarily rare these days to find a local radio station, with local talent, creating a local daily radio show. Almost all of their ads are local, too.

I made the following off-air recording for myself, but decided to upload it for others to enjoy. I’m not sure what the receiver audio EQ or bandwidth filter was set to when I recorded this. It’s not a demo of receiver performance, just a little radio fun.

Enjoy:

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April’s collection of Japanese language WebSDR recordings for September 2020

Many thanks to SWLing Post contributor, April TimeLady, who writes:

As I believe this may be of interest to you and your readers here is a link to a collection of recordings I have uploaded to archive.org of Japanese SDR recordings I made over the course of September 2020. I uploaded them as .wav files and archive converts it to .flac and .mp3.

Click here to listen to April’s recordings on the Internet Archive.

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Can you help Bruce identify this shortwave noise?

Many thanks to SWLing Post contributor, Bruce (VE6XTC), who is trying to identify noises he’s hearing on the HF bands. Perhaps readers can help.

By request, Bruce has provided me with two recordings via his Kenwood TS-440S:

Recording 1: 7,335 kHz at 0500 UTC on September 13, 2020

Recording 2: 7,405 at 0500 UT on September 13, 2020

Post readers: If you can help Bruce by identifying these HF noises, please comment!

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Richard logs shortwave pirates WDOG and Radio Station EFP

Many thanks to SWLing Post contributor, Richard Lacroix, who shares the following:

First off, thank you goes out to John Hudak’s timely post on the ODXA group. Shortly after his post, I was able to quickly tune-in and intercept 2 pirate radio stations on September 5 2020 during the period 00:30 to 02:17 UTC.

John’s post read:

“Pirate station WDOG is on 5060kHz. USB right now as I write this – 0027UTC Sept. 5, 2020 (8:27 p.m. EDT Fri. Sept. 4). Fairly good signal, playing various rock and pop songs. Frequent ID’s between songs and sound of dog barking.”

There were in actuality 2 sequential broadcasts. The first from WDOG on 5060.0 kHz USB from an unconfirmed start time until sign-off with “Star-Spangled Banner” played by Jimi Hendrix at Woodstock at 01:53 UTC.

The second broadcast followed suite by Radio Station EFP, as well on 5060.0 kHz, but this time in AM mode. Radio Station EFP continued to broadcast until approximately 02:17 UTC after which it started to exhibit deep signal path fades and eventually went off-air at 02:17:40 UTC.

Armed with the combination of devoted listeners posting reception reports and a radio always at the ready, this made for a very exciting 2 hours of SWL.

Included is a 10 minute audio compilation for everyone to enjoy which I stitched together from the 2 plus hours of off-air broadcast recording I saved:

This is brilliant, Richard! Thank you so much for sharing your notes and recording.

I haven’t done nearly enough pirate radio listening this summer. Your timely report reminds me it’s time to change that! Arrrrr!

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April’s collection of Japanese language WebSDR recordings for July and August 2020

Many thanks to SWLing Post contributor, April TimeLady, who writes:

Please find in this email links to two months of Japanese SDR recordings I have made. One is for July and the other is for August. I have uploaded them to archive.org.  I send you these links because I think it may interest your audience to listen to Japanese language SDR recordings. Nearly all of the domestic broadcast recordings are NHK, specifically the late night program since I like it. Enjoy!

July 2020 recordings

August 2020 recordings

Thank you for sharing your off-air recordings with us, April!

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