Many thanks to SWLing Post contributor, Christian, who notes:
The price of the Eton Mini has dropped again to a historic low of $24.15. I’ve been watching Grundig prices on Amazon and they’ve been moving around a lot. The lowest prices only seem to last a day or two. As we all know Amazon can change them at any time.
Many thanks to SWLing Post contributor, John C, who writes:
I wanted to inform your readers and you of a really cool SWDX contest that’s free of charge and lasts throughout the month of December.
The attached website has all the contest rules. I participated last year and enjoyed it very much. They sent a really nice certificate suitable for framing for participating. Hopefully you will post this info on SWLing and maybe some SWDXers will participate. Thanks so much in advance, and 73!
Thank you for sharing details about this SWDX contest, John!
Many thanks to SWLing Post contributor, Justin Moore, who writes:
This may be of interest to your readers in Switzerland (and nearby!). From Bruce Sterlin’s Beyond the Beyond blog at Wired:
“From October 24, 2018 to January 27, 2019, Museum Tinguely will host a sonic journey giving access to works of radio art from the last hundred years in a unique way. As visitors navigate the space with headphones and specially programmed smartphones, their movements act as “human radio dials,” activating works (current and historical, well-known and unknown) by artists including Antonin Artaud, John Cage and László Moholy-Nagy through to Michaela Mélian, Milo Rau and Natascha Sadr Haghighian. The installation was designed by the artist, architect and musician Cevdet Erek and realized by Meso Digital Interiors. The resulting interplay of sound and space is both technically sophisticated and aesthetically striking, giving visitors an immersive experience of the world of radio. In the second part of the exhibition, diverse aspects of the theme of radio will be discussed in 14 themed weeks, offering visitors a chance to engage and experiment actively with this fascinating medium.
Over the hundred years since its emergence, the radio medium has been explored by musicians, composers, writers, philosophers and fine artists (and many others who do not fit into such categories). They have examined the production of programs, ways of recording, transmitting and receiving, and the possibilities for recording broadcasts. In the first exhibition of its kind, Radiophonic Spaces brings together more than 200 pieces for radio from around the world with the aim of documenting this sustained engagement with the medium by artists of all fields, and allowing visitors to hear it. Unforgettable broadcasts that existed only in obscure archives can be experienced afresh, presenting the history of a medium whose rootedness in actuality means it gives a picture of the century of its existence. The major disasters of the last hundred years are revisited here, as are the great technical and social achievements of the period—to current positions such as Documenta Radio (2017). The “sonic journey” combines artistic approaches to radio art and broadcasting with a scholarly project led by the research group on experimental radio at the Bauhaus-Universität in Weimar. The results of this creative interplay unfold in an immersive journey featuring some 200 gems of international radio art. Historical and contemporary works are related to one another: from Antonin Artaud, John Cage and László Moholy-Nagy through to Michaela Mélian, Milo Rau and Natascha Sadr Haghighian. With the help of a headphone system, visitors gain access to individual works of radio art, triggered by their movements. In a space designed in cooperation with the artist, architect and musician Cevdet Erek and realized by Meso Digital Interiors, visitors immerse themselves acoustically in this art form. This experience resembles the reality of using an actual FM radio: looking for channels until a voice, a piece of music or a sequence of sounds prompts the listener to stay a while longer, or at least to note the frequency so as to be to return to the channel and the voice later. The range of channels on offer is confusing, overwhelming, sometimes too much, but it reflects both the sprawling variety that characterizes the medium and the possibility to decide quickly what to listen to.”
https://www.wired.com/beyond-the-beyond/2018/10/radiophonic-spaces-museum-tinguely/
https://www.tinguely.ch/en/ausstellungen/ausstellungen/2018/radiophonic-spaces.html
Many thanks for the tip, Justin!
(Southgate ARC via Eric McFadden)
The Hindu reports the news broadcasts from All India Radio are being used to teach students English
To make learning English interesting and interactive for high school students, the district administration has undertaken a novel initiative.
All 149 high schools, 11 Kasturba Gandhi Balika Vidyalayas and 11 model schools in the district have been instructed to implement All India Radio (AIR) English news listening programme as part of listening enhancement programme, English learning and general awareness development activities for students of class 8 and 9.
The students are required to tune in to the five-minute English news broadcast at 12 p.m. and 2 p.m. every day in their respective classrooms and note down the points.
hat is followed by simple questions and discussions for another five minutes in the class to check their IQ levels, vocabulary, general knowledge and grasp on current affairs.
Radio on phone
All schools are equipped with radios, which were produced a few years ago when the government implemented ‘Meena prapancham’ radio telecast programme on adolescent girls’ education. In case the schools don’t have a radio, teachers are asked to use cell phones for tuning in to radio news.
Read the full story at
https://www.thehindu.com/todays-paper/tp-national/tp-tamilnadu/they-learn-english-by-hearing-the-news-on-radio/article25431278.eceAll India Radio
http://allindiaradio.gov.in/Services/External/Pages/Default.aspx
Many thanks to SWLing Post contributor, Ed, who writes:
Hi Thomas,
I recently watched the Netflix “Original Series” called “Dark” and a 9:54 into the first episode a 1970’s vintage shortwave receiver is shown being operated.
I couldn’t figure out the make and model, but it may be a German radio as the sci-fi series was apparently produced in Germany. Maybe some SWLing Post readers can figure out what it is.
I do not recognize this receiver, Ed, but I’m willing to bet that some of our intrepid readers can! Please comment!
Of course, I’ll add this post to our ever growing archive of radios in film!
From the Isle of Music, November 11-17, 2018:
This week, our special guest is Angel Yos, leader of La Mecánica Loca, whose album Vamo’ Hacerlo won the Popular Dance Music – Young Talents category in Cubadisco 2018. Put on your dancing shoes and enjoy!
The transmissions take place:
1. For Eastern Europe but audible well beyond the target area in most of the Eastern Hemisphere (including parts of East Asia and Oceania) with 100Kw, Sunday 1500-1600 UTC on SpaceLine, 9400 KHz, from Kostinbrod, Bulgaria (1800-1900 MSK)
2. For the Americas and parts of Europe, Tuesday 0100-0200 UTC (New UTC) on WBCQ, 7490 KHz from Monticello, ME, USA (Monday 8-9PM EST in the US). This has been audible in parts of NW, Central and Southern Europe with an excellent skip to Italy recently.
3 & 4. For Europe and sometimes beyond, Tuesday 1900-2000 UTC and Saturday 1200-1300 UTC (New CETs) on Channel 292, 6070 KHz from Rohrbach, Germany.
Uncle Bill’s Melting Pot, November 11 and 13, 2018:
Episode 87, Steiermark, Slovenia & Schwyz, features some of the best Volksmusik in this region from the 1960s and 1970s.
The transmissions take place:
1. Sunday 2300-2330 UTC (NEW UTC) (6:00PM -6:30PM Eastern US) on WBCQ The Planet 7490 KHz from the US to the Americas and parts of Europe
2. Tuesday 2000-2030 UTC (NEW CET) on Channel 292, 6070 KHz from Rohrbach, Germany for Europe. If current propagation conditions hold, the broadcast should reach Iceland AND Western Russia due to a long skip.
Also recommended:
Marion’s Attic, a unique program produced and hosted by Marion Webster featuring early 20th Century records, Edison cylinders etc played on the original equipment, comes on immediately before UBMP on Sundays from 2200-2300 UTC on WBCQ 7490 Khz.
Many thanks to SWLing Post contributor, Aaron Kuhn, who writes:
“Weather radio? I’ll just use my cellphone for alerts.”
If you’ve ever uttered or thought the above words – take heed.
Late last week I awoke at around 12:30 AM to the sound of some incredibly strong winds outdoors. Glancing down at my completely muted phone, I opened up my text messages to reveal a Tornado Warning. In a panic, I threw on some clothes, gathered a dog harness and leash and made my way the pantry closest for shelter.
Then I checked my phone again – and realized that tornado warning was from 30 minutes ago and already expired. Crap. That was too close for comfort. I promptly went on to Amazon and ordered the Midland WR120.
I unboxed and set the radio up yesterday and I’m quite happy with it.
The first thing I suggest doing after initial setup is turning off the button beeps which are incredibly annoying. Past that, I’ve found the radio perfect for my needs of setting it on a window sill and (hopefully) forgetting about it until it alerts me to any nearby danger.
Since SAME Alerts work on a county basis, I was very happy to discover this radio allows you to disable certain kinds of alerts that may not be relevant to you.
One thing that I think Midland should include in the box printed (instead of ads for weather apps they don’t publish anymore!) is the “Editable Events list:
http://midlandusa.com/wp-content/uploads/2011/11/Editable-Events.pdfBy default, the radio doesn’t allow you to turn off 30 some events, including Tornado Warnings among them – this is a good thing in my opinion! However, it is a bit concerning when you first go to setup the radio and realized Tornado Warning is missing in the alert list. The reason for this is because this is one of the 30 some alerts you can’t disable.
Overall I’m happy with the radio, and hoping it’ll never fire off in the middle of the night on me any time soon – but I know it’ll be a lot more reliable than my cellphone prone to being muted.
I view weather radios like smoke alarms now, it’s stupid for you to not have one. I wasn’t expecting Tornadoes in November in Southeastern Pennsylvania, but apparently nature is one to surprise us continuously.
Thank you so much for sharing your story and your WR120 review, Aaron.
I love this quote: “I view weather radios like smoke alarms now, it’s stupid for you to not have one.” I agree completely!
A few weeks ago, there was an alert sent to every phone in the US all at the same time. I received my alert nearly 30 minutes late. Mobile phones and their networks are pretty amazing technology, but they’re not flawless.
We are so lucky to have a robust weather radio broadcasting infrastructure here in the US and Canada. An inexpensive radio like the WR120 will deliver weather alerts reliably and give you a preparedness edge.
And thank you for mentioning the number of events you can edit out of the alert system. No sense in receiving alerts you don’t need.
In addition, some weather alert radios default to receive alerts from counties and regions surrounding your own. I would suggest turning those off–limiting the alert area to your own county–else you could get a lot of alerts that don’t pertain to your location. Using the smoke detector analogy, receiving alerts from surrounding counties is much like putting a smoke detector directly over your stove! You’re just asking for false alarms. 🙂
Thanks again, Aaron, for the important PSA!
Keep in mind as the holiday season approaches: weather radios make for life-saving, affordable gifts.
Click here check out the Midland WR120 ($26.56 shipped) on Amazon.com (affiliate link).
Post readers: Do you have any other weather alert radio suggestions? Please comment with your suggestions and experience.
