Category Archives: How To

Frugal SWLing: Investing little, but getting a lot out of your radio

This article originally appeared in the April 2014 issue of The Spectrum Monitor Magazine.


RadioDialLet’s face it: SWLers and amateur radio operators are some of the most frugal hobbyists out there.  But the good news is that radio is a hobby that favors the frugal.  There are many practical and time-tested ways to make radio listening fun and effective–such as improving your shortwave radio reception–that are absolutely free, or that cost very little.

And how do I know this?  Among the frugal, I’m the most frugal SWLer I know! Yet there’s a method to my frugal madness:  because I simply can’t afford to waste hard-earned radio money on gadgets and accessories that are ineffective, I count my pennies in order to make quality purchases with longevity in mind.  Meanwhile, I track down ways to keep my hobby cost-effective.

I’ve gathered here some of my favorite frugal tips and quality purchase suggestions here. So, without further delay, let’s start SWLing–and saving money.

1. Check your shack/home for RFI. Cost: Free

Checking your shack for RFI is vitally important, a procedure every radio listener or operator should undertake.

The truth is, very few of us regularly experience ideal conditions for HF or AM radio listening. Devices like plasma TVs, laptop power supplies, and the ubiquitous AC adapter inject distracting noise into our otherwise peaceful environs, disrupting our hobby. This noise is known as RFI (Radio Frequency Interference).

These "Wall Wart" type adapters can create a lot of RFI

These “wall wart” type adapters can create a lot of RFI

A number of times, I’ve received a message from one of my readers on the SWLing Post claiming that their new shortwave radio can “only” hear strong, blowtorch stations. My simple advice? Put batteries in your radio, turn it on to an unoccupied frequency in your favorite shortwave meter band, go to your circuit breaker box, and turn off everything in your house. (Warning: Do warn your housemates beforehand, to avoid any loud protestation! And do reset your clocks and check your refrigerator/freezer after this test.)

Did the noise level on your radio decrease? If the decrease coincided with the power cut, then one or more electronic devices in your house are generating RFI. RFI often sounds like static–very loud static–and is often so wide in bandwidth that it can cover several megahertz. RFI can overwhelm your portable radio and basically “deafen” it to anything but the loudest stations that break through the elevated noise floor.

Next comes the process of elimination: systematically turn on circuit breakers until you hear the noise return. If you’re fortunate enough to have accurately-labeled circuit breakers, you will at least know what area in your house holds the infamous disruptive device. Here’s a short list of the usual RFI culprits:

  • the ubiquitous AC adapter (aka, “wall wart”)
  • laptop power supplies
  • flat screen TVs: especially Plasma TVs
  • heating devices like electric blankets
  • external hard drives
  • lamp dimmers
  • touch lamps

Good luck tracking it down!  Chasing RFI can be complex.  Check out this list of RFI resources on the ARRL website for methods and ideas to cope with RFI.

2. Take your radio outside. Cost: Free

ParkListeningIf you live in a condo, high-rise, or high-density neighborhood, my first suggestion may be of little use to you. In this case, your neighbor(s) may be causing RFI; turning off your own power may have little to no effect.  Fortunately, there’s an easy–albeit modestly inconvenient–way to deal with neighborhood RFI. Leave the neighborhood! No, not permanently; just for a fun afternoon outing (with radio, of course).

If you live in a city, grab your radio, and head for a park or other area with wide open space and no buildings. Listeners who live in urban areas frequently enjoy radio listening via headphones on a park bench; some even have a favorite bench for their fair-weather pastime.

The benefits in this case are two-fold: firstly, you’re removing yourself from the vicinity of RFI, but secondly–and the icing on the cake–is that you’re taking your radio, and its antenna, outside.  Antennas always function better outside. Walls and even windows attenuate HF signals.  Plus, outdoor settings nearly always equal fun.

Want some inspiration? Check out how this SWL plays radio in central London.

By the way, if you have no local parks to which you can escape, consider taking your radio in the car and driving to a national park. Better yet, combine camping and SWLing.  I like to do this, although I don’t have an RFI problem where I currently live.

3. Make a simple wire antenna. Cost: Free (or, at most, $10-15)

Most shortwave portables radios on the market today have a telescopic whip antenna that will suffice for casual listening. But often you can increase the antenna gain by simply adding more length in the form of a simple thin wire. Keep in mind that many radios actually ship with a clip-on antenna wire. Check your original box and make sure you haven’t overlooked it, as it’s fairly easy to do.

An alligator clip offers serious bang-for buck--especially if you already have the parts lying around

An alligator clip offers serious bang-for buck–especially if you already have the parts lying around

If you didn’t receive a factory-supplied clip-on antenna, no worries!  They’re a breeze to make and quite cheap: indeed, if you have a junk box of electronics parts like so many hobbyists I know, you may already have what you need. Simply obtain a 20 foot length of jacketed (insulated) wire–gauge is not important, just something thin enough that you can easily roll up to transport. Next, strip ¼ inch of insulation off the end of the wire. Solder and/or crimp an alligator clip to the end of the wire, making sure you have a solid, stable connection.

Now, stretch out this wire and attach it to your antenna.  You will most likely find that this improves antenna gain. The effectiveness of the wire varies with the receiver. When I’ve made clip antennas in the past, I’ve simply made them longer than I thought I might need, then later cut it off at the optimum length based upon signal strength.

Two caveats:

  1. If you live in an RFI-heavy environment, adding a wire antenna at home may only increase your noise level (after all, it will make the radio better at “hearing” the noise).
  2. Some receivers are susceptible to overloading and electrostatic discharge (the Tecsun PL-600, Grundig G5 and G3 come to mind). To be on the safe side, do not attach any wire to your portable that is in excess of twenty feet in length.  Twenty feet should be more than sufficient length to increase antenna gain without any negative repercussions.

4. Use batteries––preferably rechargeable ones. Cost: $5- $20

Not all rechargeable batteries are created equally. Lean toward name brand, higher quality cells. Dollar store batteries lack longevity.

Not all rechargeable batteries are created equally. Lean toward name brand, higher quality cells. Dollar store batteries lack longevity.

This is one suggestion that may require a modest investment, but will pay off in more ways than one. I honestly can’t think of the last time that I listened to a portable radio while it was plugged into mains/grid power via an AC adapter. Since at least 2007, I have been powering my portables exclusively with good-quality rechargeable batteries.

Why rechargeables–? First and foremost, with rare exception, shortwave radio manufactures give little thought to the AC adapters they include with a portable shortwave radio; they’re simply an accessory that is expected, so they deliver. Indeed, the AC adapter that came with my Tecsun PL-880 (Tecsun’s latest flagship portable) came with an AC adaptor that does a great job charging the internal batteries, but injects copious amounts of RFI in the process. Running the radio off of batteries solves the problem instantly.

Many radio manufacturers now include rechargeable batteries with the purchase of a radio. Some of these batteries are AA cells, others are slim packs resembling cell phone batteries. Consider purchasing an extra battery if you’re worried yours might die away while you’re listening to your favorite program; a quick switch, and you scarcely miss a beat. If your portable comes with rechargeable batteries, most likely the radio even has a built-in charge control circuit.

I should add that I’m a fan of the traditional AA battery, even though they’re bigger than other battery types. After all, they’re nearly always accessible.  If a radio takes AA batteries, I never use the radio’s built-in recharger, instead I prefer a MAHA brand battery charger, as they condition and give a longer life to the rechargeable cells.

Sure, buying rechargeable batteries and, potentially, a good battery charger require an initial outlay of money, but the rewards are a quieter receiver and a more earth-friendly approach than heavy-duty or alkaline batteries can deliver.

5. Listen with headphones or earphones.  Cost: $0 – $100

Sony MDREX10LP in-ear headphones are inexpensive and effective.

Sony MDREX10LP in-ear headphones are inexpensive and effective.

Why headphones? Ask any serious DXers (amateur radio or SWL) and they’ll tell you headphones are an indispensable tool. While armchair listening is great with your radio’s built-in speaker, headphones give you better sound isolation, and your radio’s audio is equally balanced. Digging a weak station out of the ether is easier with headphones.

Almost every portable you buy today will come with a complimentary set of earphones. Quality varies amongst these, but in my experience, the headphones included tend to be of the lowest quality; for shortwave listening, these may suffice.

Though AM and shortwave radio is not considered a “high-fidelity” medium, thus not requiring a wide frequency response, I still prefer listening with quality earphones/headphones. As long as your headphones have a decent frequency response–I usually aim for 8 – 22,000 Hz–you’ll be pleased.  And do make sure your headphones or earphones are comfortable to wear for extended periods of time.

Yamaha CM500's are a worthwhile investment if you're an amateur radio operator.

Yamaha CM500’s are a worthwhile investment if you’re an amateur radio operator.

One of my favorite pair of in-ear earphones for SWLing are the popular Sony MDREX10LP series. They’re comfortable, responsive, isolate noise, and are available from a number of retailers for about $10 USD per pair.

For over-ear headphones, I like the Panasonic RP-HTF600. They’re large, comfortable, and deliver amazing fidelity for about $30 USD.

If you also happen to be an amateur radio operator, the Yamaha CM500 headphones have a built-in boom mic that works amazingly well.  At $50 USD, they are a steal. When I received mine, I opened the package, plugged the headphone and mic jacks into my Elecraft KX3, and I was on the air with them in seconds.

6. Learn to use use Exalted Carrier Reception (ECR/ECSS). Cost: Free

ECSS-PL-660“Exalted Carrier Reception” (ECR) a.k.a. Exalted Carrier Single-Sideband (ECSS) is just a fancy way of saying that an AM broadcast carrier is tuned in while in single-sideband mode. This is most useful when you’re trying to listen to weak broadcasters.

This (ECR) is, in a sense, the frugal listener’s version of synchronous detection. Why does it work?  As my knowledgeable ham buddy Mike (K8RAT) explains: ”You’re removing any selective fading problems by filtering away one of the sidebands, and injecting a carrier of steady amplitude which eliminates the ‘tearing’ heard when a broadcast carrier is varying in amplitude.”  Got that?

Even if you don’t understand it exactly, here’s how to use ECR:  Simply find a strong AM station on your radio.  Next, turn on the BFO or SSB mode on your radio. As you adjust the tuning knob, you’ll hear an audible whine, the pitch of which will change with every increment of tuning. “Zero-beating” the carrier follows next–this is simply tuning in the signal until that whine is gone, and the AM station can be heard as clearly as if the radio were in AM mode.

The fidelity of ECR/ECSS is typically not as good as AM–mainly because SSB filters are usually narrower than AM filters–but it does lower the noise floor, increase the stability of the received signal, and make this signal “pop out” a bit more.

But don’t take my word for it–let your ears be your guide! In this recording, I tune in a low-power station on my receiver in standard AM mode, but at 15 seconds into the recording, I switch to the upper-sideband (SSB) mode, zero-beat the frequency, then open up the SSB filter a little wider.  Then, just before I end the recording, I switch to lower-sideband–something you can do if there is interference in the upper-sideband, for example:

It’s amazing how much background noise ECR removes.

If you’re lucky enough to have a tabletop radio, chances are it has an SSB mode (although there are some very rare exceptions). Less than a third of portables on the market, however, have SSB. Here is a list of the most popular portables with SSB that are, or have recently been, in production.

7. Use a web receiver.  Cost: Free

If you live in an area with frustrating RFI, but want to listen to the shortwave bands from home, try an online web-based receiver. Sure, it’s not quite like tuning a radio at your fingertips, but it’s the next best thing, and also a handy tool for checking propagation or verifying your own signal (if you’re an amateur radio operator).

My two favorites site are:

  • GlobalTunersGlobal Tuners which has a number of remotely-controlled radio receivers all over the world. You must register before you can participate, but registration is free. Global Tuners even has a free Android app that permits remote receiver control via your smart phone or tablet.
  • utlogo4bThe University of Twente Wide-band WebSDR is an amazing resource. Not only can you control this receiver, but so, too, can a few dozen other web guests––all at the same time! I’ve used U Twente’s receiver on a number of occasions to listen to European pirates. Cost? Again, it’s free.
  • The KiwiSDR network has become the largest network of web SDRs since we first published this post. You can literally travel the world via the KiwiSDR network! Click here to view KiwiSDR stations on a map, and here to view them in a searchable list.

8. Finally, practice listening. (Cost: Just some time)

SP600Dial3My final bit of “free” advice sounds a little philosophical, but rest assured, it isn’t.

I’ve always likened radio listening to another of my interests, astronomy–an entirely different hobby that, unless you’re a radio astronomer, relies on an entirely different sense.

Why the comparison?  I’ve known some talented astronomers that, with just a basic pair of binoculars, can see much more in the night sky than I ever could. Are their eyes better than mine? Not necessarily. Their eyes are just experienced in the field of stargazing; they know what to look for, and most importantly, what to appreciate. Their brains decipher the images of bright or faint stars, subtle variations in color or shape, and focus on what they consider important. In short, this is not an ability you can pick up overnight; it takes patience, experience–and true passion.

Radio listening is, in that sense, much the same. Though I’m by no means a good example, I do wish I could go back to the days of my youth with the ability to listen that I have developed over the decades. There must have been so many jewels of stations hidden in the ether that I completely skipped over…My ability to, for example, pick out the ID of a faint station, to tune accurately and quickly, and to cope with adjacent noise, have all been honed since then, a result of time spent just listening.

My good friend Vlado (N3CZ) is a case in point: he is one of the most capable ham radio DXers I know. His extraordinary ability to pull intelligible conversations and CW (Morse code) out of the static, even in crowded radio conditions, is simply astounding. Vlado’s main transceiver is nearly two decades old, and by no means a benchmark technically. If you ask Vlad if he uses filters and digital signal processing, he will wisely tell you, in his Macedonian accent: “Your best filter is between your ears.”

The same goes for SWLing. I have spent enough time listening to shortwave and weak DX that I can now pull conversations out of the noise that my (non-radio) friends can barely detect. I’m convinced this is healthy exercise for the old grey matter.

David Goren, good friend and the highly-creative radio producer behind Shortwaveology.net, describes how shortwave listening enhanced his career:

“When I first discovered shortwave, I’d strain my ears through the static and all the layers of jumbled up sounds trying to hear as far around the world as I could. Years of this kind of intensive listening tuned my ears in such a way that allows a laser-like focus on the sonic details when working in the production studio making radio stories.”

Indeed, I’ve heard and can certainly appreciate the results of his remarkable “laser-like” listening ability; check out Shortwaveology.net for your own experience of David’s talented ears. You’ll be glad you did.

No doubt you enjoy listening already; my contention is that it has more benefits for your brain than Sudoku puzzles, and iis even more fun. Plus, did I mention that it’s free? You don’t need to pay a subscription to listen to the radio. There’s no real trick to this: it just takes time…interest…and a pair of ears.

Happy listening!

Hidden feature: Calibrating the Tecsun PL-880 for zero-beat operation

Tecsun-SSB-QRG-1Many thanks to Dan who learned, via the Tecsun PL-880 group, of another way to calibrate the PL-880 in upper and lower sideband. This method seems to be a little easier than a previously posted procedure.

Anna, with Anon-Co, translates this procedure given to her by Tecsun technicians:

  1. Place the Tecsun PL-880 in LSB or USB mode
  2. Tune to an AM broadcast station and zero-beat the signal (fine tune it until the signal has no SSB distortion and voices/music sound natural)
  3. If the last two digits of the frequency are not “00”, this means there is some display deviation
  4. Simply press and hold the [SNOOZE] button for about one second or so to calibrate the last two frequency digits, which will show “00” when successful.

I will try this procedure later today by re-calibrating my PL-880.

Dan has also noted what many others have–that the PL-880 “is sensitive to both power levels, and time in the powered on state, and will vary by some hz up and down the bands
no matter what one does to zero at any particular point.”

Has anyone else experienced this?

Monitoring while recording on the Tecsun PL-660

BlueTooth

London Shortwave has discovered an innovative way to monitor broadcasts while recording from his Tecsun PL-660. He writes:

“Tecsun PL-660 doesn’t have a line out, which means that when recording from it one has to use a pair of headphones to listen to it simultaneously.

Most portable speakers I’ve tried generate tremendous amounts of RFI when connected directly to the receiver. I solved this problem by using TaoTronics BA-01 Bluetooth audio transmitter and a Bluetooth enabled portable speaker, together with a cable that splits the audio output into two, so the transmitter and the audio recorder can both be connected to the radio.

The recording [in this YouTube video] is of Radio Australia and was made in London, UK on 09/04/2014 at 1543 BST.”

Another solution for whole-house shortwave

London Shortwave posts the following on Twitter:

Inspired by @SWLingDotCom‘s RaspberryPi post I put this together to listen to the radio in my shack around the house http://youtu.be/vOX41wIS1Qk 

On YouTube, London Shortwave explains that much of his modern system was inspired by a drawing from a 1930s shortwave listening magazine.

Below is a scan of the original illustration that inspired him:

WholeHouseShortwaveRadio

My Raspberry Pirate is now radio-active

RaspberryPirateRadio

Two weeks ago, Make Magazine published a simple hack that turns your Raspberry Pi
into a low-powered and portable FM transmitter/radio station.

For those of you not familiar, the Raspberry Pi is a single-board computer developed in the UK by the Raspberry Pi Foundation. The RasPi is a cleverly-designed, useful device–especially if you like tinkering with mobile computing. Best yet, the Raspberry Pi is very inexpensive; the basic computer costs a mere $40 US, though there are starter kits that include common accessories for $70-80.

One of the first things I did upon returning home, following nearly two weeks of US east-coast travel (which included the Winter SWL Fest), was to build my own Rasberry Pirate Radio. I had hoped to make the radio before my trip, but thought I wouldn’t have enough time. Had I known what I know now–that the Raspberry Pirate Radio is a super simple and easy hack–I would have made it anyhow and taken it along for the ride.

My antenna wire connected to pin 4. (Click to enlarge)

My antenna wire connected to pin 4. (Click to enlarge)

To be fair, what makes this project so simple is the fact that Make Magazine so beautifully documents the procedure on their website.  It also helped that I have a little familiarity with creating disk images–still, I’m certain that if I were a total newbie, I could have done all of this within 30 minutes…Which is just what I did.  And I’ll bet you can, too.

There are really only three steps required to make your own Raspberry Pirate Radio:

  1. Make a simple FM antenna and attach it to pin 4 on the Pi’s board. In my case, I had a small dual conductor connector attached to about eight inches of twisted pair wire. I simply connected one side of this connector to pin 4. Since my FM antenna is not cut to a resonant length, I know I’m compromising the FM transmitter’s range a bit…Still, it’s what I had on hand, and it works!
  2. Download Make Labs‘ disk image and flash it to your SD Card.
  3. Add music to the “Pirate Radio” partition of the SD card and edit the config file to your preferences. If you have the option to do this step on Mac OSX or Linux, the process is much easier than on Windows. But Windows users, fear not: Make Magazine describes, in detail, how to add files.

After I finished these steps, I simply plugged in my Raspberry Pi and tuned one of my radios to 89.9 MHz (the frequency I chose and saved to the config file). The Pi booted and started the Raspberry Pirate Radio script automatically.  Brilliant!

RaspberryPirate-FMRadio

It’s alive!

Being a shortwave radio nut, of course I loaded my Raspberry Pirate Radio with a few gigabytes of my off-air recordings that are a heavy on music (all of which you, too, can pull from our Shortwave Radio Audio Archive). It’s kind of fun tuning my bedside Tivoli Audio Model One to 89.9 MHz and hearing the Voice of Greece, with all of its shortwave audio characteristics. If I close my eyes, I can pretend the Model One has a shortwave band. Love it!  Just the thing to drift off to…

I’ve kept the Raspberry Pirate Radio running nearly 24/7 here at home. I’ve also had excellent luck running the radio mobile by using my Eton Rechargeable Battery Pack as the power source (Universal Radio also sells a higher capacity version, if you like). I’ve yet to test how long the power block will run the Raspberry Pi, but I imagine it will last for a couple of hours, at least.

RaspberryPirate-EtonBlock

If you want to take your Raspberry Pirate Radio in the car, it’s a simple matter to power it with a 5VDC USB power plug. You probably already have what you need, especially if you charge your mobile phone in the car.

If you’ve never experimented with the Raspberry Pi, this is a perfect first project for you. Just think about it: for under $50, you can make a simple-yet-effective FM radio station which shuffles your favorite music or recordings from any source–from obscure radio pirates to far more distant stations. Besides, once you have a Raspberry Pi, you’ll find there are thousands of other radio projects to occupy your rainy weekends.  Enjoy!

Many thanks to Make Magazine for posting this simple project!

Update: Several people have written concerned that the Raspberry Pirate Radio has no output filtering of its RF signal.  This is true. Though I have not tested it, I would have to assume that it could radiate on harmonic frequencies and potentially interfere with other radios. Though the broadcast footprint is very small, if you live in a high-density neighborhood, you will need to keep this in mind. I live in a very rural area and my nearest neighbor couldn’t possibly hear my Raspberry Pirate Radio.

I’m very curious if there’s a simple mod to filter the output RF. If you can think of one, please comment!

Make a Raspberry Pirate Radio

Sorry, I just couldn't resist the urge to make a pirate graphic.

Sorry, I just couldn’t resist the urge to make a Raspberry Pi-rate graphic.

Many thanks to SWLing Post reader, Paul, for this article on Make Magazine that teaches you how to turn your Raspberry Pi into an FM transmitter. Make Magazine states that this FM transmitter “has enough range to cover your home, DIY drive-in movie, a high school ball game, or even a bike parade (depending on the stragglers).”

What a simple hack:

(If the embedded video above doesn’t appear, simply click here to watch at Makezine.com.)

Raspberry Pi’s are very inexpensive (less than $40 US on Amazon) and a fun tool to have around the shack anyway. I plan to try this project as early as this weekend. I have many hours of shortwave radio recordings that I would love to pipe through the house via FM. I only wish the Raspberry Pi could broadcast in AM. Perhaps one day…

How To Tune In Pirate Radio Broadcasts on Shortwave

This article originally appeared in the February 2014 issue of The Spectrum Monitor Magazine.


QSL from Radio Gallifrey Intergalactic

QSL from Radio Gallifrey Intergalactic

Even as many legacy international broadcasters are abandoning the shortwave bands, shortwave remains active and vibrant in another quadrant: namely, on shortwave pirate radio. Over the past few years, I’ve found that one of my favorite listening activities has become searching for unique pirate radio stations, and readers of my blog appear to have followed suit. Among the most popular queries made by readers is, “How can I find and hear pirate radio stations?” To help answer this question, I’m writing this primer.

Who are pirate radio stations?

Many are confused by the term “pirate radio,” otherwise known as “free radio.” Either term is sufficient, and some stations prefer one designation or the other. For consistency’s sake, I will use the term “pirate radio” in this article.

So what is pirate radio? Andrew Yoder, author and publisher of the 2012 Pirate Radio Annual, defines pirate radio as:

“[A]ny unlicensed hobby broadcast operation that is using more power than the legal limit.”

As Yoder goes on to explain in his introduction of the 2012 Pirate Radio Annual, pirates are often confused with radio bootleggers (who conduct unlicensed two-way conversations), clandestine stations (usually political stations), and jammers (who intentionally try to block broadcasts).

While debunking myths about pirates, I can say that in my years of pirate radio listening I’ve never heard a pirate intentionally jam a legal broadcaster.  Pirates tend to occupy swatches of the shortwave spectrum that are relatively quiet, avoid intentionally broadcasting on top of one another, and typically operate at fairly low power. I believe this is why authorities like the Federal Communications Commission (FCC) place shortwave pirates comparatively lower on their enforcement priority list.

And while pirate radio stations can be found across the radio spectrum, especially on AM and FM in urban areas, in this primer I’ll be focusing on those that inhabit the shortwaves.

What do pirates broadcast?

Pirates broadcast a wide variety of content, but are usually motivated by sharing their message–or favorite music–on the air.  Some pirates simply key down their mike and begin talking, sharing their political or social views; others offer near-professional music productions, complete with listener feedback, and often acknowledge listener reports with QSLs (radio postcards).

I received this QSL from the amazing Radio Ronin Shortwave shortly before he received "the knock" from the FCC and stopped transmitting.

I received this QSL from the amazing Radio Ronin Shortwave shortly before he received “the knock” from the FCC and stopped transmitting. (Listen to one of Ronin’s broadcasts below.)

RadioRoninShortwave-QSL-Back As a self-proclaimed “content DXer,” what interests me in pirate radio is that the listener never knows what to expect, but you can guarantee that the content will be different from that of the major broadcasters.

To prove my point, here are some MP3 recordings of some of my favorite recent pirate radio stations/broadcasts:


Radio Casablanca


Boards of Canada HF


Wolverine Radio


Hard Tack Radio


Radio Strange Outpost 7


Radio Ronin Shortwave

Where do pirates broadcast?

QSL247Though pirates can be located anywhere on the planet, and therefore can broadcast, hypothetically, anywhere on the radio dial, patterns are actually fairly predictable in order to draw a listening audience. Pirate stations want listeners to discover them, so they broadcast in various “watering holes.”

With that said (and for reasons I don’t fully understand) depending on where you live in the world, you will either find it very easy to locate pirates…or extremely difficult. If you live in North America–particularly on the east coast–or in Europe, you’re in luck: these are the hottest geographic locations for shortwave pirate radio activity. If you live in other parts of the world, pirate hunting can pose serious DX challenges.

Again, I turned to Andrew Yoder for insight about pirate radio activity in the rest of the world; his reply:

“I’m always amazed at how few areas in the world have pirates that are connected to any scene. Back when KIWI was on the air regularly in the ’90s, I assumed that pirate radio would explode in Oceania and Asia. Not just Aussie and NZ pirates, but stations in places like The Phillipines…maybe Japan, South Korea, or Thailand. Nothing. Radio G’Day came on from Australia occasionally, but no one else. And when KIWI went silent, that was it. South America was strong for a while in the ’90s, but that has also fallen silent. I know that lots of pirates operate there, mostly on AM and FM, but no one is on SW…and if they are, they aren’t sending QSLs, [or] operating in places where radio hobbyists would hear them…”

Yoder actually addresses this apparent restriction, to some degree, in the 2013 Pirate Radio Annual, which has only just been released.

Hunting equipment

Before we talk about where to hunt pirates, however, we need to talk about the necessary equipment–i.e., your radio and antenna.

Unlike trying to locate China Radio International, Radio Australia, or the BBC World Service, hunting pirates requires a decent-quality radio and antenna.  Keep in mind that pirates are relatively low-power broadcasters. While the magic of shortwave radio can transport a small signal vast distances, to hear pirates regularly and clearly, some precision is required.

Listening to Channel Z in a parking lot.

Listening to Channel Z in a parking lot.

If you live in a geographic hotbed of pirate activity (again, eastern/central North America and Europe) you might find a portable radio ample for hearing a number of pirates. Indeed, this past November, I listened to the pirate Channel Z while sitting in my truck; I was only using a Tecsun PL-660 with the antenna extended out of my opened driver’s-side window.

Though Channel Z was broadcasting in AM, as many do, it’s best to hunt pirates with an SSB-capable portable. Why? Unlike major broadcasters, many pirates don’t stick to AM as a preferred mode. Indeed, since pirates are operating at lower power, they get much more bang-for-the-watt out of SSB. To track pirates, you’ll need a radio with both AM and SSB modes.  It will also help to have some sort of adjustable bandwidth filter (wide/narrow). I’ve hunted pirates with a range of such radios, among them the Sony ICF-SW7600GR, the Grundig G3, the Grundig G5, the Tecsun PL-600 and PL-660, and even the new Tecsun PL-880.

It’s much better, of course, if you have a table-top receiver, software-defined radio, or ham radio transceiver with a general coverage receiver hooked up to a resonant outdoor antenna–especially if you live outside Europe and North America. I’ve had great results in the past with an old Icom IC-735 and a 40-meter dipole antenna. The important thing here is that you invest in a receiver with a respectable degree of sensitivity and selectivity. You might need that sensitivity and an outdoor antenna to pull these relatively low-powered signals from the ether.

RadioCasablancaQSL

How to hunt pirates

Back in the 1980s, before the Internet and its online bulletin boards, I thought finding pirates was truly a hunt–random and altogether unpredictable.  Now I know that finding pirates is reasonably achievable; at least, it is possible to know roughly where, and generally when, to find them. Fortunately for the beginning pirate-hunter, there are now online message boards, free radio logs, and even publications (like Yoder’s excellent treatise on the subject) to help guide your tuning (see resource links below).

JFK Shortwave QSL-Pirate radio operators usually have day jobs–like most of us–thus only transmit while home from work.  While you can hear some on weekdays, your best bet is Friday, Saturday and Sunday nights, local time. So, for example, if you’re listening for North American pirates from Europe, you’ll need to plan accordingly. Pirates are always active during holidays, too,  most especially on Halloween (31st of October), which seems to be pirates’ favorite holiday.

I’ve noticed increased pirate radio activity during the winter months, as well. This is likely due to the early sunsets and cold winter nights of the northern hemisphere that tend to keep people indoors, which in turn encourages pirates to hit the air.  Moreover, summer conditions in the North American “43 meter” band  are often much noisier, thus pirates know they’ll be fighting static crashes to be heard during the summer months. In the quieter winter months, stations seem to pop out of the ether.

North American Pirates

The bulk of the pirate radio broadcasters I log transmit just below the 40-meter amateur radio band: anywhere from 6,850 kHz to 6,970 kHz and typically on a frequency spaced at 5 kHz. The most popular frequency is arguably 6,925 kHz, but I often log pirates on 6,935 and 6,950 kHz.

Radio_Borderhunter_qsl_thomas_witherspoon-X

Borderhunter Radio is one of the strongest Euro Pirates I’ve ever heard. (Click to enlarge)

Euro pirates typically broadcast in the 48 meter band (6,200 – 6,450 kHz), but the HF Underground notes that you will also hear Euro pirates on the 75 meter band between 3,900-4,000 kHz, on the 19 meter band (15,000-15,100 kHz and 15,700-15,900 kHz), and even on the 13 meter band (21,000-25,000 kHz).  My most recent logging of a Euro pirate from North America was Radio Borderhunter on 15,500 kHz; his signal was quite amazing.

Outside of the pirate world? Fear not

If you live outside of North America and Europe, that doesn’t mean there aren’t pirate radio stations to be found. Ask your local radio club or search the Internet for local/regional pirate stations. Additionally, you can always tune a remote receiver, via the Internet on the Global Tuners website, or via the University of Twente’s SDR in the Netherlands.

We’ve now covered the who, what, where, when, and how of pirate hunting–but what about why?

Why chase pirates?

Whether you’re a QSL collector, a “content” DXer, or the casual SWLer, I find there’s something in pirate radio listening for everyone. Speaking for myself, I’m passionate about pirate radio listening because it combines my listening/technical skills, my appetite for highly unique content, and for building a collection of quirky QSL cards. Compared to big-gun broadcasters, pirates are much more elusive game as very few announce their broadcasts in advance, and there’s no telling where a pirate’s transmitter is located: it could be in their home, on a boat, or a portable one dropped in a remote location and later retrieved.

I decoded this Wolverine Radio SSTV QSL on the SSTV iOS App

I decoded this Wolverine Radio SSTV QSL on the SSTV iOS App

Chasing pirates has also increased my technical know-how. For example, though I’m a ham radio operator, I had never even attempted to decode the SSTV (slow-scan TV) mode until prompted to do so by Wolverine Radio: at the end (and sometimes in the middle) of their broadcasts, Wolverine is known to send electronic QSL cards via SSTV.

I’ve also been encouraged by pirates to hone my weak-signal DXing using exalted carrier reception (ECR)–zero-beating an AM signal in SSB–in an attempt to hear weak AM pirate stations. It’s a simple technique, and although it takes some practice, will work on most any radio with a stable BFO (beat frequency oscillator).

And did I mention the cool QSL cards?  Pirate cards are among the most unusual of QSL cards, that often incorporate obscure or vintage imagery–humor, horror, or other graphic oddity–or cast the pirate in a unique character representation.  They can be highly entertaining or thought-provoking, and thus are, themselves, a unique art form.

Don’t believe me?  Do a little pirate radio hunting yourself.  Like me, you might just get hooked!

My favorite pirate radio resources:

The Pirate Radio Annual:

This little book by Andrew Yoder is the equivalent of the WRTH (World Radio TV Handbook) of the pirate radio world. I keep a copy handy as it helps me identify stations and better understand their format. Additionally, you’ll find contact information for QSL requests and mail-drop addresses as well.  Each issue also contains a CD of sound clips from various pirates, several articles about the state of pirate radio, and other relevant info.

The HF Underground: http://www.hfunderground.com

An excellent and active pirate radio forum hosted by Chris Smolinski. Loggings are in real time and there are very few–if any–off-topic posts.

Pirates Week: http://shortwavepirate.info

Ragnar Daneskjold hosts an occasional podcast serving the shortwave pirate community; it includes pirate radio news, off-air recordings, and more.

Hobby Broadcasting Blog: http://hobbybroadcasting.blogspot.com/

Pirate radio guru Andrew Yoder started his own pirate blog last year, and has already began populating it with regular updates, QSLs, and recordings.

Free Radio Weekly:

The FRW is an email-only newsletter devoted to the hobby of pirate radio listening, and is distributed free to those who contribute. You can sign up for the newsletter by emailing any of their edittors: John Brewer ([email protected]), Ragnar Danskjold ([email protected]), Harold Frodge ([email protected]), Dave Turnick ([email protected]) or Larry Will ([email protected])

The SWLing Post

OK, I suppose I must also mention my own humble blog, where I continue to amass numerous pirate radio loggings and off-air recordings.  Just browse the pirate radio category: https://swling.com/blog/category/pirate-radio/

Note: Even though it is illegal to broadcast on the shortwave bands without a license, and those who do so are subject to hefty fines, it is not illegal to listen or to send and receive QSL cards from such operators.