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Many thanks to SWLing Post contributor, Jonathan Marks, who shares the following details about the ‘Keep in touch with the Dutch’: Symposium marking the ninetieth anniversary of international radio broadcasting in the Netherlands, 1927-2017:
Symposium marking the ninetieth anniversary of international radio broadcasting in the Netherlands, 1927-2017
Thursday 1 June 2017, 2-5pm
Doelenzaal, Singel 425 Amsterdam
On 1 June 1927 Queen Wilhelmina officially inaugurated international radio broadcasting from the Netherlands with a speech to listeners in the Dutch colonies. This transmission attracted attention from all over the world as it was one of the first times that sound had been transmitted via radio waves across such a distance. In the decades that followed Dutch radio-makers continued to play a pioneering role in international broadcasting, experimenting with new technologies and programming formats. This symposium aims to highlight several themes from this rich history and explore source-materials in order to think about a research agenda in this field and new broadcasting techniques in the digital age.
Program
2.00-2.15pm: Vincent Kuitenbrouwer (University of Amsterdam)
Introduction
2.15-2.45pm: Bas Agterberg (Beeld en Geluid)
Everybody Happy? Archiving RNW and the Heritage of Eddy Startz at Sound and Vision
2.45-3.00pm: break
3.00-3.30pm: Jonathan Marks (CEO Critical Distance)
International Radio Broadcasting in the Era of Amazon Echo
3.30-4.00pm: Rocus de Joode (Independent Consultant at JRCC)
The Importance of Shortwave, the Madagascar Relay station Now and Then
4.00-4.15pm: break
4.15-5.00pm: Panel: International radio in the digital age
– Alec Badenoch (University of Utrecht/Vrije Universiteit): Radio Garden
– Leon Willems and Suzanne Bakker (Free Press Unlimited): Radio Dabanga
5.00-6.00pm: drinks reception
Please register
Vincent Kuitenbrouwer, History Department, University of Amsterdam
Email: [email protected]
This symposium is sponsored by the Amsterdam School of Historical Studies (ASH) and the Modern History Research Group
If I lived within a reasonable distance of Amsterdam, I would certainly attend this afternoon symposium. Impressive line-up!
Hopefully you have now had chance to read through Radio Adventures of the Communicator book? I hope you enjoyed reading and it was informative? I am interested to hear any comments, questions or suggestions you might have.
There is still considerable mileage in the Laser brand – hobby pirates using the Laser brand enjoy considerable success.
You don’t need me to tell you how successful Laser was. Few of us in the 1980s thought the memories would last so long, yet hundreds have bought my recent books about Laser, and many would like to work on a new Laser project. Maybe it’s because interest in 80s music has never been higher, or maybe deep down, everyone wants to be a pirate, even if only at weekends!
Our project is to Relaunch Laser
I’ve joined with other broadcast professionals to relaunch the Laser project from a ship. We believe that a reborn Laser venture would be economically viable, and it will be fun and exciting as well as profitable. A “little bit of naughtiness” invariably gives a project a whiff of extra desirability, it attracts more interest from anyone with a freedom-loving rebellious streak. The original Laser team and I were already aware of this when planning the station in 1983 and that basic tenet is just as true today. This is however 100% legal.
I felt that you would want to be involved and not miss this wonderful opportunity. The chance of a lifetime to be part of an exciting fun project. YOU could be working with experienced Laser engineers and some of her best known DJs. This is a golden opportunity to be a part of a radio venture on board a ship; one that the public can visit and get enthusiastic about.
The Pirate Ship
Our ship is chartered, licensed and insured for the public to visit and can berth in any of five dozen harbours and docks around the UK. Both radio and TV studios are being constructed on board along with a public performance area. With on board dining facilities, it means our audience can join us to experience life on board and enjoy a live performance by one of the artists recording that week. As well as recording facilities we are offering the ship for filming, just like the Radio Veronica ship in Amsterdam. The ship will be the main location for a feature length movie to be shot on board which the producers hope to expand into a TV series; we’ve seen some scripts and it’s very exciting. Members of our team may even be seen on screen!
This project is much more than just a radio station. We have been testing a Laser Tribute stream for some time and more recently our Laser TV Channel 558 has been streaming too. This will have both live and pre-recorded programmes. The music and videos showing on our ‘test transmissions’ now are taken from genuine 1980s Laser discs; we have a very wide library of all the hits from the era, and more, but Channel 558 will be more than just 80s. You can watch CHANNEL 558 right now on your computer or a smartphone – just click here or the test card at the top of this page. (some interesting adverts at :15 and :45!)
EVENTS
We’re currently lining up special events to publicise both the Pirate Ship and the radio brands:
Live Laser Lover Road Shows from various indoor and outdoor locations.
Laser Weekends at a UK Holiday Camp.
Laser Party Nights live from the radio ship each weekend.
BROADCAST EXPANSION
Programmes will be made available to local radio stations for rebroadcast, perhaps overnight. A DCMS consultation exercise currently taking place is expected to remove the restrictions on networking, which will substantially expand the possibilities of our daytime shows also being carried on other stations.
Our radio programmes will also be made available to the new local DAB muxes and we may take a channel on the national DAB, if reasonable terms can be agreed.
GOING FORWARD
What need to expand our team to include more help to help us relaunch LASER in some style and carry our plans out in full. The opportunities for this project are limitless, and this time around, its all legal! This exciting new opportunity is a metamorphosis of pirate radio into a legitimate and even more enjoyable operation; using today’s technology and communications capabilities, with a tried and tested brand identity.
News will be published HERE when we are ready to release it. I’m sure that you would like to be involved in what will be the most fun-packed radio party ever. If you confirm that you really ARE interested and we can take things from there.
Many thanks, Dave, for sharing the news. Sounds like Laser 558 has some ambitious goals ahead! Pretty amazing. We’ll continue to follow their progress.
Hi there, back in 1990 I was given a Panasonic RF-B40 for my birthday (I think it was my birthday…1990 was a long time ago!). I found that radio to be very sensitive on shortwave, more so perhaps than my Sangean ATS-803A, but ultimately it didn’t really add much value to any serious DXing because it would only tune on shortwave in 5 kHz steps. This rather course tuning arrangement was very limiting in terms of tuning out adjacent noise and copying tropical band – and other signals that weren’t quite on-frequency etc. Frustrated, I lent my RF-B40 to my brother a few years ago and serves me right; following a house move, he managed to lose it! Quite a shame really because almost three decades later, I would have been very interested to put the RF-B40 through it’s paces on a DXpedition or two. You really don’t see them in action very often at all these days.
Above: the Panasonic RF-B40 (not mine – unfortunately) and the RF-B60, mid-DXpedition!
At that time, which was around the beginning of the 1990s, I read a review somewhere and it became clear that the better receiver was quite obviously the RF-B65. Upon it’s introduction into the market, the RF-B65 was immediately recognised as an excellent receiver, however, in the intervening years it’s reputation has continued to grow to the point today where it enjoys legendary status amongst DXers and bit of a cult following. There’s a lot of information on the RF-B65 to be found on the internet, so I won’t go into huge detail, but the obvious question is: what makes thsi receiver so special? Well, it’s a quite compact PPL double conversion receiver, covering 153 kHz to 29,999 kHz AM and 87.5 to 108 MHz, FM. It has a keypad for direct frequency input, although you have to press either the ‘FREQ’ or ‘METER’ buttons prior to punching in the numbers to define whether you wish to access a particular frequency, or band. I actually find that slightly annoying, but you easily learn to live with such trivial matters when using a radio of this quality and performance.
Furthermore, there’s an electronic signal strength meter, a DX/local attenuation switch, external antenna jack, SSB reception mode, 1 kHz tuning steps on shortwave (unlike it’s little brother the RF-B40) and fine tuning. The single bandwidth filter is 6 kHz wide and thus limits selectivity a little, although the SSB option and fine tune helps offset that somewhat. It would have been nice to have a couple more filtering options, particularly narrower for serious DXing in crowded bands, to combat adjacent channel QRM. Build quality is generally excellent as you would have expected from a high-end Panasonic portable and with a very compact form-factor – roughly the size of a paperback book and weighing in at just 1.4 Ibs, it is eminently more portable than a Sony ICF-SW77 or the iconic ICF-2001D/2010.
Ultimately, the RF-B65 continues to enjoy an excellent reputation today, nearly 30 years after it was introduced because it is a wonderfully sensitive receiver and arguably the best-ever performing shortwave portable in the paperback book size category – often touted as ‘travel portables’. I managed to acquire an example in as-new condition from eBay, although mind you, I paid through the nose for it lol – that cult following ensures prices remain very robust! I have tested my example against the equally legendary Sony ICF-2001D, still considered by many to be the benchmark for shortwave portables, and in my experience the Panasonic is right up there with it. There’s virtually no difference whatsoever in sensitivity. Where the Panasonic comes a little unstuck is the lack of bandwidth filtering and SYNC, leading to lower selectivity. However, clever use of SSB and fine tuning does provide quite good compensation for these shortcomings. Overall though, given it’s size, sensitivity, build quality and audio, as a complete package, in my opinion, the RF-B65 is equal to the ICF-2001D, and this is why today, it remains so highly sought after.
Below are embedded reception videos and text links to the Oxford Shortwave Log YouTube channel, with various DX catches on the RF-B65. Some of these are considered quite rare in Europe, for example EXPPM Radio Educación’s 1 kW signal from Mexico City, the now defunct ABC Northern Territories on 120 metres and Radio Bandeirantes from Sao Paolo, Brazil, amongst others. Please note; right at the bottom of this post is a link to some very recent comparisons with the brilliant Eton Satellit – one of the very best portables currently on the market today. The vintage Panasonic holds its own, despite 30 years of supposed technical innovation in electronics. Thanks for reading/watching/listening and I wish you all great DX.
Clint Gouveia is the author of this post and a regular contributor to the SWLing Post. Clint actively publishes videos of his shortwave radio excursions on his YouTube channel: Oxford Shortwave Log. Clint is based in Oxfordshire, England.
On Friday, April 7 the amateur radio station DLØHNF transmitted an Enigma encrypted message on 7036 kHz to Bletchley Park
DLØHNF is the club station at the Heinz Nixdorf Museum in Paderborn, Germany. The encrypted telegraphy message they transmitted was received at the home of the World War Two UK Codebreakers in Bletchley Park. There the message was fed into a replica of the Turing Bombe which enabled the encryption to be cracked.
The message read: “Paderborn greets the Codebreakers at Bletchley Park”
BBC makes 1920s Radio Times magazines available to public
The BBC is making the earliest issues of the complete Radio Times magazines publicly available online for the first time. This release is part of the BBC Genome Project – a digitised searchable database of programme listings – from 1923 to the end of 2009.
BBC programme records have been available to the public via the BBC Genome Project since October 2014. Now, users can access digitised editions of the magazines from 1923-1929. Opening up this archive means researchers will be able to make direct links between the listings in the database and the original published listings.
Early colour front covers, specially commissioned illustrations and letters from the BBC’s first radio audience form part of the content in this fascinating record of early broadcasting.
Radio Times began in 1923, a year after the British Broadcasting Company started regular broadcasts, and thus provides a valuable record of the programmes that have been broadcast over nine decades.
More than five million programme records, scanned from Radio Times magazines, form the backbone of the BBC Genome website. Now, members of the public will be able to view the 1920s listings in facsimile, as well as all the extra material contained in articles and features in the magazine that have previously been unavailable on the site.
Hilary Bishop, Archive Development Editor, says: “We are particularly pleased that it is easy for our users to flick between the listings in the database and the related text in the magazine, as well as to scroll through articles not seen previously on BBC Genome. It is part of our commitment to continually improving BBC Genome and helping to open up the BBC’s archives as much as possible.”
Radio Times in the 1920s featured regular articles by the first Director General of the BBC, Lord Reith, and the BBC’s chief engineer, Peter Eckersley, addressing topics that concerned the BBC audience of the time, such as how to choose the best ‘receiving set’ and how to prevent ‘oscillations’ over the airwaves.
Articles, cartoons and programme listings all provide an insight into the history of broadcasting and the BBC’s first listeners, while adding some context, for a modern audience, to the earliest BBC programme records. The first editions of Radio Times show a nation still enthralled by the technological wonder of the new ‘wireless’ sets.
In each edition for the first few years of publication, cartoons explored the comic possibilities of a public who still didn’t quite understand how radio worked. “Would you kindly remove your hat madam?” asks a man at a ‘wireless village concert’. Yet the performer on stage is a radio set.
As the public wrestled with their new radio antennae, legendary cartoonist W. Heath Robinson illustrated two editions with eccentric designs of aerials.
Other historical snippets include a ‘new experiment’, in 1924, to broadcast a programme from California, to London. The exercise was to be repeated in the opposite direction. “If suitable conditions exist in the atmosphere”, concludes the article, “there is no reason why the experiment should not be successful”.
Among SWLing Post readers, I’m sure there are others like myself who, decades ago, listened to the Zzzt…Zzzt…Zzzt! sound of a dot-matrix printer as it spit out copy for “pasting up” a DX club bulletin. In the 1980s I was one of those enterprising DXers, taking over publication of the Cascade Mountain DX Club (CMDXC) when a local hobbyist lost interest in producing it.
For a few years I found that creating a regular bulletin was almost as satisfying as DXing itself, and I went on to publish another local bulletin, DX/Northwest. It was a forum for DXers in the Pacific Northwest USA to share loggings and information. I also hosted occasional gatherings of Seattle area DXers who were members of the club.
I recently came across my collection of all the past bulletins and appropriately found the April 1, 1987 edition of the CMDXC. I had completely forgotten I’d made an effort every April 1st to “spice up” the bulletin content with some April Foolery.
The first item was slipped into the midst of the monthly loggings, just to make sure readers were paying attention:
The fictitious DXer named “Grobe” in the spoof logging was a thinly veiled reference to radio hobby publisher Bob Grove of Grove Enterprises and Monitoring Times magazine. He actually wrote to me after the initial April 1st edition, beginning a running joke of humorous responses to my April Fool’s bulletin content, and always signing his letters “Bob Grobe”. I received similar letters from him after each year’s April edition. I don’t recall Bob ever being a member of the CMDXC, so I’m not sure how he knew of the content. I still have one or more of those letters stashed away somewhere.
Perusing the April 1st, 1987 bulletin again, I note that I was feeling charitable towards a certain down-on-his-luck DXer “M.T. Pockitz” from nearby Vancouver, BC Canada, and wanted other club members to help him in his time of need. I was also in close touch with new developments in radio technology, as I am today:
Who else remembers the old DX club bulletins–from the dot-matrix printer era–with fondness? You may even be senior enough to feel nostalgic over the “ditto machine” or Mimeograph produced publications!
To read more humor that only a DXer could love, I highly recommend Don Moore’s excellent web site BLANDX – Historical DX Humor. This site isthe web archive of the classic BLANDX parody bulletins. I was an occasional contributor, and on the receiving end of Don’s wonderfully warped funny bone at times. If you can’t laugh at the BLANDX content, watch out–your WPE Callsign might have expired!
Guy Atkins is a Sr. Graphic Designer for T-Mobile and lives near Seattle, Washington. He’s a regular contributor to the SWLing Post.
