Category Archives: Nostalgia

First Look Inside the Updated and Upgraded VOA Museum

Many thanks to SWLing Post contributor David, who shares the following news items via WVXU and Spectrum News:

A first look inside the renovated VOA Broadcasting Museum (WVXU)

Visitors to the National Voice of America Museum of Broadcasting in West Chester Township will notice the first improvement immediately after turning into the driveway off Tylersville Road.

New pavement covers the old potholes.

That’s just one of many enhancements at the 1942 VOA building thanks to $500,000 from the state of Ohio. The museum reopens this weekend (Jan. 25-26) after a seven-month renovation with a reconfigured exhibition space, more TV monitors, a revamped Cincinnati broadcasting area, and new lighting, carpeting, drop ceilings, and heating and air conditioning systems.

“It’s now beginning to look like a real museum. This is a major, major, major, major infrastructure improvement,” says Jack Dominic, museum executive director.

“This changes everything. We’ve got heat and air conditioning, and carpeting everywhere. We now have a building that is up to code and able to be a welcoming place for all visitors. We don’t have to apologize any more.” [Continue reading…]

New sounds, exhibits shine at the National VOA Museum of Broadcasting (Spectrum News)

CINCINNATI — These days, it’s easy to take communication technology for granted.

We open our phones and there’s the daily news. We get in our car and we’re connected to any type of programming imaginable, and our devices can bring us just about any livestream from across the world at a moment’s notice.

However, it wasn’t all that long ago that communication was a lot different.

After a six-month closure for renovations, the National Voice of America Museum of Broadcasting is back open.

“We kind of call it the ‘Cincinnati Wing’ and it’s kind of a history of broadcasting in Cincinnati going all the way back to Powel Crosley,” said the museum’s Executive Director Jack Dominic as he gave a tour. [Continue reading…]

A Timeless Receiver: Going Old School with the Lowe HF-150

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Many thanks to SWLing Post contributor Dale (W4OP), who shares the following guest post:

Going Old School: The Lowe HF-150

by Dale (W4OP)

Lowe Electronics of Great Britain introduced their first shortwave receiver, designed by Jon Thorpe, in 1987: the model HF-125. The HF-125 was a 30 kHz to 30 MHz compact receiver with three filter bandwidths and AM/SSB/CW detection. As with all of the Lowe receivers, the HF-125 combined excellent build quality with no-nonsense operation. Options included a whip amplifier, keypad for direct frequency entry, and an AM synchronous detector. The diminutive receiver was an instant hit and was manufactured until 1989, when it was replaced by the HF-225. While slightly larger (9” x 10” x 4”), the HF-225 included the built-in whip amplifier, but AM sync was still an option. The HF-225 had a long run from 1989 to 1997. The front panels of the HF-125 and HF-225 were very similar and easy to operate.

There was also a “professional” version of the HF-225 called the HF-235. It was considerably longer than the HF-225 with rack handles, a front-facing speaker, keypad, and, I believe, a built-in 110/220 VAC power supply.

In 1991, Lowe, under the design of Thorpe, introduced the remarkable HF-150, the subject of this paper. Gone were the painted and bent metal enclosures, replaced by a beautiful anodized, extruded aluminum cabinet almost 1/8” thick. The HF-150 was also smaller (7.3” x 3” x 6.3”) and lighter. While the keypad was still an option, the HF-150 now contained built-in batteries and a built-in charger.* When the HF-150 came out, rechargeable batteries were NiCad, and typical capacity was 1000mAh. The HF-150 typically draws 250mA, so the NiCads in the HF-150 might give you 4 hours of run time. Today, we have NiMH batteries that have a higher energy density than NiCad cells, and I routinely see 2800mAh. That means around 10–11 hours of run time on a single charge.

In the HF-150, the whip preamp is built in, not an option. The whip and its preamp are equivalent to the short active antennas we often see in use today. This is a great feature and results in very good sensitivity from a very short antenna. A three-position slide switch on the rear panel allows for running from the active whip, a conventional antenna like a dipole, or a random wire. The slide switch also allows for introducing a -20dB attenuator to prevent overload. This was a condition often seen in Europe back in the day when there were so many high-power shortwave stations.

Also on the rear panel is a socket for the optional keypad, a socket for an external speaker, and a socket for a recorder output. The two battery boxes house a total of 8 AA batteries.

The front panel could not be simpler or more elegant in its design. There are only 2 knobs—AF Gain and Main Tuning—and three momentary push buttons. The use of these three buttons is the magic in this receiver.

The leftmost push button controls 60 memories. The main tuning knob cycles through the memories at about 25 memories per knob revolution.

While in the memory mode, the center and right-hand push buttons allow for recalling the current memory or storing the current frequency, respectively.

The rightmost push button changes the tuning speed to 100 kHz/step and allows for very fast QSYing through the entire receiver range. The frequency display in fast mode shows only the MHz and 100 kHz positions.

Press Fast again, and the display reverts back to displaying the 1 kHz least significant digit. The normal tuning rate depends upon the mode. In SSB, the steps are 8 Hz (1.6 kHz/revolution). Normal AM and AM Narrow are 60 Hz (12 kHz per revolution). There are four AM sync modes:

Double sideband sync 8Hz steps 1.6KHz/rev 7KHz filter
HiFi AM sync 8Hz steps 1.6KHz/rev 7KHz filter
AM Lower sideband sync 8Hz and .8KHz/rev 2.5KHz filter
AM Upper sideband sync 8Hz and .8KHz/rev 2.5KHz filter

Normal AM uses a 7 kHz filter, and there is also a narrow AM using the 2.5 kHz filter.

Recovered audio is the best I have ever heard on any receiver. I don’t make that claim lightly. It is just so smooth and wonderful to listen to—even using the internal 3” speaker.

Distortion is under 1% in all modes.

The synchronous detectors lock and stay locked. If you tune fast in sync mode, the receiver reverts to regular AM mode at a faster tuning rate and then relocks in sync once tuning is suspended.

In any mode, variable-rate tuning is used. Fast tuning of the main tuning knob will result in a tuning speed of 8x the normal rate in SSB and 6x the normal rate in AM/AM Narrow.

AM sensitivity is 1 µV from 500 kHz to 30 MHz and 0.3 µV if the whip amp is enabled.

SSB sensitivity is better than 0.5 µV from 500 kHz to 30 MHz and under 0.2 µV with the whip amplifier enabled. I have verified these numbers in my lab.

Dynamic range (reciprocal mixing) and 3rd order intermod are also respectable.

The receiver is simply luxurious to use. I know that is not a technical term, but it describes the receiver very well. The previously described aluminum extruded cabinet can likely be driven over without damage. Encoder tuning combined with the heavy tuning knob is velvet smooth. Black button-head cap screws add to a professional look.

When the 8 batteries are fitted, the receiver weighs in at just over 3 pounds and stays put while tuning or pressing buttons.

Third parties are making the optional keypad, and they may be found on eBay or the Lowe IO group. The same goes for the PL-259-fitted telescoping whip.

Lowe also offered an SP-150 matching speaker and S-meter (audio-derived, I believe) and a very nice preselector (PR-150). Both bring premium prices today.

As the receiver was produced, the LCD did not have backlighting, making it difficult to use, say, bedside at night. As you can see from the first photo, I have backlit mine and those of a number of friends. It is not difficult, but also not for the faint of heart, as it involves delicately removing the silver film on the rear of the LCD display. The Lowe IO group describes a couple of methods for accomplishing backlighting.

There are no surface-mounted parts, and as the main board is uncrowded, repair is easy. There is a long service document that is so in-depth that you could build your own HF-150—assuming you could get the firmware into the microprocessor. I wish other pieces of gear I own were half this detailed.

Jon Thorpe designed one other receiver for Lowe, the HF-250. It is a thing of beauty, also with its 3D black anodized front panel. More filters and features and quite rare today. After designing the HF-250, Jon was hired by AOR, and the well-known AOR7030 was the result.

After Jon left, Lowe did not produce any other receivers I am aware of, but they did privately badge the Palstar R-30 under the Lowe HF-350 model.

I trust the numbers I have provided are reasonably accurate, and if not, Lowe documents will provide better information anyway.

*Note: Users must be very careful not to run the HF-150 from its AC supply while the receiver is fitted with alkaline batteries. The result will be corrosion of the two battery boxes.

Don Moore’s Photo Album: Museum Findings – World War II

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Along US Highway 550 in southwest Colorado

Don Moore’s Photo Album
Museum Findings: World War II

by Don Moore

More of Don’s traveling DX stories can be found in his book Tales of a Vagabond DXer.

Learning should be a life-long pursuit for all of us. One of my ways of doing that is by visiting museums while traveling, whether in the USA or abroad. Cultural, historical, and science museums are my favorites. And if a museum’s theme includes the 20th century, there is a good chance that something related to radio will be found in the collection. In this edition of the Photo Album I want to share some findings related to radio and World War II that I’ve recently found in museums here in the USA.

Do A-Bombs QSL?

I’m based in Pennsylvania but my daughter lives in western Colorado and my son in Texas. So in September and October of 2024 I made a 45-day road trip to visit them both and see sites along the way. One stop was Santa Fe, New Mexico. The New Mexico History Museum downtown has an excellent exhibit on the development of the Atomic Bomb and the effect on the local area. The real place to learn about this, however, is an hour north of the city at Los Alamos, where the project actually happened.

In addition to the historical sites, Los Alamos has one of the best science museums I’ve been to anywhere. That’s not surprising considering that not many places have as many scientists per capita as Los Alamos does. And there I learned that radio was closely involved in dropping the first A-Bomb on Hiroshima.

The scientists at Los Alamos developed two types of atomic bombs. The bomb dropped on Hiroshima used a uranium-gun to initiate the explosion. The scientists were certain this would work so this was not tested beforehand. The bomb dropped on Nagasaki used the second method with a with a plutonium-implosion as the trigger. But they were uncertain as to whether or not this would actually work so it had already been tested in the New Mexico desert in July 1945. That was the first atomic explosion and the scientists collected lots of useful measurements.

But the developers had no such measurements for the uranium-gun bomb as it hadn’t been tested. But how to get them? They obviously couldn’t place monitors on the ground at Hiroshima beforehand. Physicist Luis Alvarez was tasked with finding a solution. Alvarez’s team built three canisters filled with monitoring equipment and VHF transmitters to be carried by The Great Artiste, the observation plane that would accompany the Enola Gay to Hiroshima. The three canisters were to be dropped by parachute at the same moment that the Enola Gay dropped the bomb.

The signals from the canisters were to be picked up by a bank of Hallicrafters S-36 VHF receivers on the plane and then feed to oscillographs to record the results, which would simultaneously be recorded by movie cameras.

It all worked according to plan and data was received from two of the three canisters before they were engulfed by the explosion. But, to the best of my knowledge, no QSLs were issued for the receptions.

The WASP Museum

My next destination after Santa Fe was San Antonio, Texas, 700 miles (1100 kilometers) away. To make the road trip more interesting I wanted to find some things to see along the way. While perusing Google Maps I came across the National WASP World War II Museum in Sweetwater, Texas. The museum has nothing to do with insects. The acronym stands for Women’s Airforce Service Pilots.

The use of women pilots in support roles to the US Army Air Force began in 1942 with the Women’s Flying Training Detachment (WFTD) and Women’s Auxiliary Ferrying Squadron (WAFS). In 1943 the two programs were merged to form the WASP program and the airfield at Sweetwater was chosen for the four-month training program. In total, 1,830 women started WASP training and 1,074 finished, about the same success rate as with male military pilots of the era. Continue reading →

Jeff rediscovers the Tecsun PL-660

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Many thanks to SWLing Post contributor Jeff McMahon over at The Herculodge for his recent post, “Dude, You Really Love Radios: A Nostalgic Ode to the Tecsun PL-660.”

Jeff reflects on rediscovering the Tecsun PL-660, a “Pre-DSP Glory Era” classic, sharing insights about its design, performance, and the irresistible pull of nostalgia. Like many of us who love radios, he’s already contemplating buying a second one!

Dan Revisits Radio Japan: A Half-Century Later

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Many thanks to SWLing Post contributor Dan Greenall, who shares:

Running into an old friend

Hi Thomas

I was doing some random tuning on shortwave this evening using the KiwiSDR at VK2ATZ in New South Wales, Australia, when I came upon a repeating music box-like tune on 13705 kHz that I thought had a familiar sound to it. It was like running into someone who you hadn’t seen in many years and trying to place where you knew them from. Yes, the sound was a bit different, perhaps even a little slower (age does that ?), but then it came to me, could it be Radio Japan, the overseas service of NHK? A quick check at Short-Wave.info revealed this was indeed NHK World Radio.

It felt like I had found an old friend, one that I knew from my high school days over a half century ago. Still recognizable after all those years, and it felt good to know that they are still around.

Attached are two recordings:

Radio Japan, interval signal and bilingual ID, as heard in Ancaster, Ontario, Canada on 9505 kHz in 1970:

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NHK World Radio, interval signal and sign on in Thai on 13705 kHz, January 23, 2025 at 2300Z (via VK2ATZ KiwiSDR):

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Dan Greenall
London, Ontario, Canada

Bob’s Radio Corner: The Curious Case of the Nibi-Nibi Islands

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Many thanks to SWLing Post contributor Bob Colegrove, who writes:

Hi Thomas,

No mention of UTC or frequency in the attached. Made my day, but some folks apparently were not amused.

Source was “Short-Wave Report” by Hank Bennett, Popular Electronics, Ziff-Davis Publishing Co., New York, p. 86, March 1959.

Regards,

Bob Colegrove

This absolutely made my day as well, Bob! What a delightful bit of pranksterism from our esteemed DXing history.

Bridging Two Worlds: Shortwave Listening Meets Amateur Radio

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When the SWL and Amateur Radio hobbies meet

by Dan Greenall

Many of us who are also amateur radio operators, got their start in the hobby through simply listening to shortwave radio, or perhaps, to stations in the AM or FM broadcast bands. I suppose it is then inevitable that these two hobbies are bound to connect with each other from time to time. Here are a few examples of this that relate to my experiences.

In 1972, while doing a random band scan on shortwave, I came across a point-to-point radio station from Managua, Nicaragua that was transmitting a repeating test message (recording attached below):

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The station was operated by the Tropical Radio Telegraph Company and I sent off a reception report in hopes of receiving a QSL from them. As luck would have it, the Plant Engineer, Guenter G. Zaenker, responded with a friendly letter including some details about their transmitter power and antennas used.

A couple of years later, when I got my amateur radio licence (VE3HLC), my SWL activities took a back seat to ham radio for a while. In 1978, I received a QSL for a contact with station YN1Z in Managua who turned out to be none other than Guenther G. Zaenker.

I worked Guenter for a final time as TG9XGV in Guatemala City, Guatemala. How is that for completing a hat trick!

Shortly after receiving my amateur radio ticket in 1974, I made a contact with station PJ9BN, Jack Van Sciver on the island of Bonaire in the Netherlands Antilles.

It turns out he worked at Trans World Radio, a broadcaster I had listened to regularly on the SWBC bands and it was quite exciting to discover this connection. Attached is a link to a recording I made of this station that same year as they were concluding a segment of their popular DX Special program:

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https://archive.org/details/trans-world-radio-bonaire

It seems that Jack is still going strong as I recently found this link to his current amateur callsign NA3F: https://www.qrz.com/db/NA3F

A final note, I had made a 2-way contact through the Oscar 6 amateur radio satellite (uplink on 2 metres, downlink on 10 metres) in 1976 with W.G. “George” Roach in Ottawa, Ontario.

Some 11 years later, I was able to pick up station CFMO FM on 93.9 MHz, over 300 miles away, through some great ducting conditions. When I received a QSL from the station, it was signed by W.G. Roach who was the chief engineer at CFMO FM.