Category Archives: Radio History

CNN Travel features the abandoned Duga Radar site near Chernobyl

(Source: CNN Travel via Heath Hall)

(CNN) — The peaceful untouched forest north of Ukraine’s capital, Kiev, is a perfect spot to enjoy the outdoors — save for one fact.

It contains the radiation-contaminated Chernobyl Exclusion Zone, established in 1986 after the world’s worst nuclear disaster sent a wave of radiation fallout across Europe.

Since 2011 it’s been a major draw for adventurous tourists, but the forests here conceal another legacy of the Cold War, with a far more sinister and mysterious reputation.

The Duga radar.

Though once a closely guarded secret, this immense structure can be seen for miles around, rearing up through the mist over the horizon — a surreal sight.

From a distance, it appears to be a gigantic wall. On close inspection, it’s an enormous, dilapidated structure made up of hundreds of huge antennas and turbines.

The Duga radar (which translates as “The Arc”) was once one of the most powerful military facilities in the Soviet Union’s communist empire.

It still stands a towering 150 meters (492 feet) high and stretches almost 700 meters in length. But, left to rot in the radioactive winds of Chernobyl, it’s now in a sad state of industrial decay.

Anyone exploring the undergrowth at its feet will stumble upon neglected vehicles, steel barrels, broken electronic devices and metallic rubbish, the remainders of the hasty evacuation shortly after the nuclear disaster.[…]

Click here to continue reading the full article and explore the photo gallery at CNN Travel.

Advice on preserving 1940s era homemade records

At the Winter SWL Fest last week, my friend, Andrew Yoder (author of the Pirate Radio Annual) told me about a recent find: homemade records by amateur radio operator W3JJN.

Andrew wrote about these recordings on his blog:

[…]Before open-reel decks were wire recorders. Information was magnetized onto a fine reel of stainless steel wire. It was essentially the same concept as tape decks, whether open reel or cassette, only the tape system was a refinement (an oxide coating on a plastic tape), rather than trying to magnetize a wire.

[…]Before wire recorders were record recorders. These took an audio source and the needle cut a blank disc with grooves. From what I understand, these homemade discs weren’t meant to be played back too many times because the needles wore into the grooves more quickly than commercially manufactured records. I’m not sure what they were all made from, but I know that some were aluminum discs with a thin layer of plastic.

I always look for the homemade records because there weren’t too many options for audio sources back then. By the open-reel tape era, a lot of people were recording entire albums to tape, so they weren’t necessarily recording the radio. But, for example, in 1940, the options were basically either family greetings, someone singing or a band playing, or the radio. And chances are good that any recording you find is the only one in existence.

I found three of these on Saturday.

Here’s a photo of one.

They are amateur radio QSOs from W3JJN to a couple of other operators. W3JJN cataloged the discs by side . . . and this was number 477. So, at least 237 other records existed in his homemade record collection at one time. The sides that I have are dated in late 1945 and early 1946. To me, this is an astounding find because I’m not sure how many recordings exist of any amateur radio operations prior to 1950, not to mention that this is still very early in the post-war period.

I did some searching on W3JJN and he was William E. Belz, who lived at that time on 1509 Linden Avenue in Baltimore, Maryland. He was a TV repairman who was born in Duncansville, PA, and died in 1981 after a lengthy illness.

My big problem here is that these records are disintegrating. The plastic layer is cracking badly and separating from the aluminum discs. I guess what I really need is one of the laser turntables that can play back audio from broken discs and won’t damage the grooves. I don’t think I can risk playing any of these on a regular turntable, but I want to recover the audio quickly before the discs degrade further.

Click here to read the full article.

Post readers: Any advice on preserving these recordings? It sounds like using an actual needle to make a digital copy might be a little too destructive.  Are there alternatives?  Please comment if you have any experience or suggestions!

Scott stumbles upon Radio Veronica at the NDSM Wharf

Many thanks to SWLing Post contributor, Scott Gamble, who writes:

[I was in Amsterdam recently] and was in a meeting over at the NDSM Wharf, and I happened to stumble upon Radio Veronica next to the office where I was meeting.

Never though I’d be so close to it. Such a cool piece of history.

Wow! What a fantastic opportunity to catch a glimpse of the legendary Radio Veronica! Thank you for sharing your photos, Scott.

Check out more info about Radio Veronica on Wikipedia:

Radio Veronica was an offshore radio station that began broadcasting in 1960, and broadcast from offshore for over fourteen years. It was set up by independent radio, TV and household electrical retailers in the Netherlands to stimulate the sales of radio receivers by providing an alternative to the Netherlands state-licensed stations in Hilversum.

Broadcasts began on 21 April 1960. The station announced itself as VRON (Vrije Radio Omroep Nederland; Free Radio Station [of the] Netherlands) but changed to Radio Veronica, after the poem “Het Zwarte Schaap Veronica” — The Black Sheep Veronica — by the children’s poet Annie M. G. Schmidt.

After the station’s closure, some of its staff applied for a broadcasting licence and continued as a legal organisation with the same name.

The original Radio Veronica became the most popular station in the Netherlands. It broadcast from a former lightship Borkum Riff anchored off the Dutch coastline. The ship was fitted with a horizontal antenna between the fore and aft masts, fed by a one-kilowatt transmitter. Most of its programmes were recorded in a studio on the Zeedijk in Hilversum. At the end of the 1960s the studios and offices moved to bigger premises on the Utrechtseweg in Hilversum. Initially advertisers were reluctant to buy airtime, but those that did reported increases in sales and gradually the station’s revenue improved.

For a short time the station also ran an English language service under the call letters CNBC (Commercial Neutral Broadcasting Company). Although short-lived, CNBC was presented by professional broadcasters who were able to give invaluable technical advice to Veronica’s Dutch staff.

Click here to read the full Radio Veronica entry.

Target Jim Creek: is an Obscure Washington State Naval Radio Facility in Russia’s Nuclear Crosshairs?

A new article in the Seattle Times newspaper discusses a large VLF radio facility that many people even in nearby Seattle, WA are not aware of:

https://www.seattletimes.com/seattle-news/obscure-snohomish-county-navy-radio-station-named-as-top-russian-target/

This story reminds me of my 1960s childhood, growing up with a father who worked on the USA’s Minuteman ICBM missile defense program. This Cold War era missile system was a cousin to the submarine-based nuclear weapons. The Jim Creek transmitter was–and still is–a vital communications link to U.S. subs stationed worldwide.

Guy Atkins is a Sr. Graphic Designer for T-Mobile and lives near Seattle, Washington.  He’s a regular contributor to the SWLing Post.

Guest Post: A Visit to Radio Tarma


Many thanks to SWLing Post contributor, Don Moore–author of  Following Ghosts in Northern Peru–for the following guest post:


A Visit To Radio Tarma

By Don Moore

(Note: A more extensive set of photos from Radio Tarma, and other Peruvian radio stations, can be found at Don’s website. The website also contains details of the Peruvian travelogue book he recently wrote and published.)

Radio Tarma building

Shortwave stations in South America are few and far-between these days, but those of us who have been tuning the bands for a few decades remember the days when the tropical bands were filled with Latin American broadcasters from dozens of scattered mountain and jungle towns. One such place was Tarma, a picturesque but chilly city of about 50,000 nestled in a narrow valley in the central Peruvian Andes at 3,000 meters above sea level. Tarma has been an important commercial center since colonial times and archaeological findings indicate that the region was heavily populated long before the Spanish came. Today it sits at the junction of two major trade routes, so it continues to be a bustling place.

View of northern Tarma from the Radio Tarma transmitter site

While wandering around central Peru in April 2018, I made a point of stopping in Tarma so as to visit the town’s namesake broadcaster, Radio Tarma, one of the few Peruvian stations still on shortwave. Radio Tarma’s frequency of 4775 kHz has been a fixture on the sixty meter band for over four decades. What I didn’t know was that this would turn out to be the best of the over one hundred Latin American station visits that I have made in my travels.

Radio Tarma Frequencies

When I first stopped by on Monday afternoon, everyone was busy and no one had time for a visiting gringo. By chance I had arrived on the station’s sixtieth anniversary and they were preparing for a big celebration that night. I was invited to come back in the evening when there would be a huge street party with live music. That evening I got to talk to several members of the station staff and was introduced to owner-manager Mario Monterverde, who invited me to come back for a tour in two days after the celebrations and ceremonies were over.

Radio Tarma’s 60th Anniversary Party

The Radio Tarma Party Band

Radio Tarma Owner/Manager Mario Monteverde

The reason for Radio Tarma’s continued presence on the sixty meter band is Mario Monteverde, Radio Tarma’s energetic owner-manager.

Mario Monteverde in the old record library.

Running radio stations is his passion, and that includes reaching distant listeners on shortwave. Don Mario remembers what shortwave used to be like in Peru and he can rattle off station names and frequencies from past and present as good as any serious DXer. We spend a lot of time talking about stations I used to hear and the ones that I visited in my 1985 trip to Peru. We mostly talk in Spanish, although he speaks English well. He studied in Lima and later in the United States for several months. In the 1980s, he lived in San Francisco for a year while working as a DJ at a Spanish language FM station.

Don Mario thinks that it’s unfortunate that there is so little use of shortwave in Peru today, but other radio station owners think he is crazy to continue to use shortwave. The only listeners to shortwave in Peru are peasants in jungle settlements and remote mountain valleys. That may be a suitable audience for a religious broadcaster, but these listeners have no value to commercial stations, such as Radio Tarma, as they are mostly outside the money economy and of no interest to advertisers. But Don Mario doesn’t care and so Radio Tarma continues to broadcast on shortwave several hours every morning and evening for whoever might happen to tune in.

Studio for Radio Tarma

And, Radio Tarma can afford to broadcast as it sees fit. Don Mario’s Grupo Monteverde is one of the most professionally run and profitable communications companies that I have visited in Peru. In addition to Radio Tarma (on MW, FM, and SW), the company operates two television stations in Tarma, the local cable network, the local FM repeater for Radio Programas del Peru (Peru’s radio news network), and Radio Tropicana, a chain of FM music stations in Tarma and three nearby towns.

(Click here to open video in separate window.)

Founded in 1958 by Mario’s father, Radio Tarma was the first radio station in this city. Using two homemade 500 watt transmitters, the station initially broadcast on both medium wave and 6045 kHz shortwave, but the shortwave went off the air after about a year. Then in 1978, Mario’s father dusted off the old shortwave transmitter and applied for a new license. He was granted 4770 kHz, but that was soon changed to 4775 kHz, where Radio Tarma has been ever since. In the past four decades, Radio Tarma has been logged by thousands of DXers all over the world and, although it’s hard to believe, when I visited Tarma in April 2018 they were still using that original 500 watt transmitter that Mario’s father built sixty years before. However, a new one-thousand watt solid state transmitter was currently in Lima being tested by the Ministry of Transport and Communications. It should be on the air by now.

Studio for Radio Tropicana’s Tarma station

Don Mario starts by giving me a tour of the station building and its well-equipped offices and studios. He shows me the closet where the transmitter for the studio-to-transmitter-site link is and then takes me  upstairs to the record library. Radio Tarma has one of the largest and oldest collections of vinyl records in the Peruvian Andes and includes numerous rare recordings. Many of the disks are EPs, or extended-play, which was once a very common format in the Andes. These records are the size of a 45 but recorded at 33 rpm so that there are two songs on each side. Don Mario keeps the records for their value but they aren’t used on the air anymore as Radio Tarma and its sister stations are all fully computerized. When there’s time they work on digitizing the better historical recordings from their collection.

Radio Tarma mountaintop transmitter site

After seeing the studio, we get in Don Mario’s four-wheel drive SUV for the trip up a steep and winding dirt road that leads to the mountaintop transmitter site. For most of the station’s history, Radio Tarma broadcast from a field on the north side of town.

Radio Tarma’s pre-2012 transmitter site was in the large field in the center of this photograph.

Then in 2010 Don Mario decided to modernize by buying a modern 3000 watt solid-state transmitter for the medium wave frequency and by building a modern transmitter facility on a ridge overlooking town. The new site, which was inaugurated in 2012, is at 3,600 meters elevation (over 600 meters higher than Tarma) and located about 1.5 kilometers south of the old site. (If you’ve logged Radio Tarma both before and after 2012, I think it’s fair to count these as two different transmitter sites.)

Radio Tarma’s mountaintop transmitter plant.

Another view of Radio Tarma’s mountaintop transmitter plant.

Radio Tarma MW and FM masts

The transmitters and antennas for all the Grupo Monteverde stations in Tarma (MW, FM, SW, and TV) are housed in the gray fortress-like cement building covered with a jungle of antennas and satellite dishes, for both receiving and transmitting. All of Peru’s main cellular services have towers nearby, as do several other FM and TV stations in Tarma, but Radio Tarma has the best location, right at the end of the ridge overlooking all of the town. For shortwave, Radio Tarma uses a dipole antenna strung between two masts.

Radio Tarma’s shortwave dipole

The transmitters and other technical equipment are all housed in a large room that takes up most of the first floor of the building. Upstairs there is a small apartment, complete with a living room and kitchen, for the technician who lives here plus another small apartment where Don Mario comes to stay when he feels like escaping to the quiet mountaintop for a night or two.

Radio Tarma SW and three MW transmitters

Radio Tarma transmitter room

Don Mario takes pride in showing me the original 500 watt medium wave and shortwave transmitters that his father made. Normally the shortwave service is shut down for several hours in midday when the frequency won’t propagate, but he turns on the transmitter so that I can see the tubes come to life. The three medium wave transmitters – the original 500 watt one, its 1978 1000 watt replacement, and the new 300 watt solid-state one – are lined up against the wall adjacent to the shortwave transmitter.

Mario Monteverde and Radio Tarma’s original 500 watt shortwave transmitter

Alfonso, transmitter operator at Radio Tarma

Don Mario tells me that the two older medium wave transmitters are regularly maintained so that they could be used at a moment’s notice if needed. He then proceeds to show me that he means just what he says, and shuts down the solid-state transmitter. Once that’s down, he powers up the original Radio Tarma MW transmitter that his father made, and we watch the old tubes light up. Then when it’s operating fully, he turns his father’s transmitter off and switches on the 1978 transmitter for a few minutes before finally returning the signal to full power on the new transmitter. One wonders just what his listeners thought was happening with all this on-and-off transmitting on a beautiful sunny day barely a cloud in the sky!

View of southern Tarma from the transmitter site

Radio Tarma and the Grupo Monteverde are a model operation for radio in smaller cities in the Peruvian Andes. Getting to know both the city and the station was one of the highlights of a seven-month journey through the northern Andes in South America.

Don Mario’s father built the foundation and Don Mario turned Radio Tarma and its sister stations into the small but professional media group that they are. He’s now in his mid-sixties and plans to run the radio operations for several more years. But he is beginning to think of the future. He never married and has no children, his siblings live in Spain and Lima, and all his nieces and nephews are in the United States. It’s not likely that anyone in the family would return to Tarma to run a radio station. He is investigating options of how to set up the corporation so that Radio Tarma and its sister stations would continue as locally-owned and operated radio broadcasters. Whatever he works out, let’s hope it includes a commitment to continue broadcasting on shortwave for many years to come!

If shortwave conditions aren’t the best, you can always listen to Radio Tarma on the web.


Wow–Don, this was amazing. Thank you for taking us on a tour of the amazing Radio Tarma! What a special station to encounter during your travels!

Post Readers: If you like the photos Don included in this guest post, you’ll enjoy browsing even more on Don’s Radio Tarma page

Check out other radio travel photos’ on Don’s Peru DX Photos Page.

Don’s new book, Following Ghosts in Northern Peru: In the Footsteps of 19th Century Travelers on the old Moyobamba Route is available in Kindle and print formats via Amazon.

Purchasing through this Amazon link supports both the author and the SWLing Post. 

Guest Post: Bolivian Miners’ Radio Station Documentaries

Many thanks to SWLing Post contributor, Tracy Wood (K7UO), who shares the following guest post:


Bolivian Miners’ Radio Station Documentaries

Bolivian mine workers’ radio stations have long held an affinity among these Altiplano communities. Many were stations were targeted for shootings, bombings, etc. by forces loyal to earlier dictatorships. Today, few stations remain as the mining sector has declined in importance and newer generations migrate to the larger cities and lowland farming regions.

Radio Nacional de Huanuni and the Catholic church’s Radio Pio XII are two of the remaining miners’ stations with some long-standing shortwave presence; others like Chocaya’s Radio Ánimas permanently signed off with the mining center’s closing.

Two documentaries have been made about this earlier Bolivian miners’ broadcasting movement. The first one is a 30-minute 1983 UNESCO documentary entitled “La Voz del Minero” (“The Voice of the Miner”). This grainy 16-mm Spanish-language documentary fortunately has been ported to YouTube. The film features audio and video clips from several stations including Radio Nacional de Huanuni, Radio Pio XII, Radio Ánimas and Radio Vanguardia. Sharp eyes will notice at the 26-minute point a console-mounted Hammarlund HQ receiver in Radio Pio XII’s studios.

The second documentary is from 2017 but remains in limited release. It includes many interviews/images. The film is called “Las Voces del Socavón” (“Voices of the Tunnels) by Argentine filmmakers Magalí Vela Vázquez and Julia Delfini.

“La Voz del Minero”:

Click here to view on YouTube.

“Las Voces del Socavón” (trailer)

Click here to view on YouTube.

(interview on ATB TV)

https://www.youtube.com/watch?v=5YaG6JE5vaM

Click here to view on YouTube.

Here are some mining station URLs:
http://www.radiofedecomin.com/
http://www.radionacionaldehuanuni.com/
http://radiopio12.com.bo/

Listening to the Huanuni station you will hear 1970’s-era taped IDs listing the shortwave channel. Evenings and Sundays are the best times for those flashback moments.

For further backgrounder Don Moore published a 2004 Monitoring Times piece which can be found here: http://www.pateplumaradio.com/south/bolivia/miners.html

A larger complex topic read is the 2004 book by Alan O’Connor titled “Community Radio in Bolivia: The Miners’ Radio Station.” (Edwin Mellen Press Ltd, ISBN-13 978-0773463929).

As an aside, perhaps the most esoteric cinematic reference to shortwave can be found in Kiro Russo’s 2016 Bolivian mining-themed movie “Viejo Calavera” (Dark Skull). In one nighttime scene, Radio Pio XII (Siglo XX) plays in the background with announcer mentioning Pio XII is broadcasting their shortwave call-in show and getting DX reports from Sweden. (Sorry, this cool background banter is not subtitled to English.)

Finally, both documentaries feature the haunting song “El Minero” by Savia Andina sung in Spanish and Quechua. The best YouTube video of the song with Quechua-to-Spanish translation is found here:

Click here to view on YouTube.

Musica.com has the lyrics.

Celebrating UNESCO’s International Year of indigenous Languages with shortwave radio!

– Tracy Wood (K7UO)

Thank you so much, Tracy, for sharing these fascinating documentaries!


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Book Review: “Radio Reader: Essays in the Cultural History of Radio”

Many thanks to SWLing Post contributor, Dave Kolesar, who shares the following review:

Just finished another excellent read: Hilmes and Loviglio’s collection “Radio Reader: Essays in the Cultural History of Radio.”

Very little scholarship exists about the cultural impact of radio in America, and this volume explores the history highlights (long partial list): the initial fight over the nature of broadcasting in the 1920s and 30s (educational vs. commercial), stratification of programming and channels with regards to representation of women, people of color, and gays during the Depression, WWII, and the pre-televison era, the discovery of the teenage market in the 1950s that led to the Top 40 format, the commerical Underground radio movement of the 60s, the creation of NPR and the associated decimation of student-run university stations, the rise of commercial (in everything but name) religious broadcasting and and its corrupting effects on the religious experience and political discourse, the 1980s male-dominated talk radio genre as an effort to roll back feminism, the 1996 Telecom bill and the creation of LPFM and the proliferation of pirate radio as responses to it, and finally, the digital radio future and its public service obligations.

For those who love the medium, this is a great reminder of why we work in it, how it’s succeeded and yet failed to live up to its potential, and what the future may hold as new technologies enter the audio landscape.

Thanks, Dave—sounds like this collection spans a wide variety of radio cultural histories. I did some searching and found that, of course it’s on Amazon.com, but also available used on a number of sites including Barnes and Noble.